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66972 Los(e)/Seite
A late 18th century mahogany long case clock the hood with 3 brass ball and spire finials, swan neck pediment with brass paterae, satinwood and shell inlaid frieze and having full turned side columns, the trunk with full length door with ogee arched top and boxwood bound rosewood crossbanding, the base inlaid and on bracket feet, having arched painted dial with vignette depicting a Scotsman to the arch, 8 day movement striking on bell, height 85"
Seven Border Fine Arts Red Squirrels, models 009A (standing, tail down) by Mairi Laing Hunt, dated `78; 009 (on trunk with acorn) by Mairi Laing Hunt, dated `80; JB3 (on Branch) by Judy Boyt, 1983; M27 by David Walton; Two models of `Autumn Harvest`, B0036 and `Squirrel Family`, B0224 by Kirsty Armstrong,
A George III oak eight day longcase clock the 13inch arched brass and silvered dial signed `Evan James Dolgelley` within an inner ring of Roman numerals, outer ring of Arabic numerals and cherub moulded pierced corner spandrels under a rolling moon showing Welsh figures within an extensive landscape, the four pillar movement with anchor escapement striking on a single bell, the hood with swan neck pediment over an arched hood door flanked by fluted front corner hood pilasters with gilt metal capitals over an ogee arched short trunk door with replacement brass key escutcheon between front corner quarter fluted pilasters raised on a planked box base and short shaped bracket feet, 228cm high
A thirty hour oak longcase clock 18th century, the 11 inch square brass dial signed `Blakeway` with inner ring of Roman numerals, outer ring of Arabic numerals within mask and scrolling leaf pierced corner spandrels, the hood with pierced pagoda top over a blind fret frieze and square hood door between turned front corner hood pilasters over a long trunk door on a single panel box base and shaped bracket feet (at fault), 224cm high
Six Doulton Burslem pottery “Blue Children” series ware plates - Two children under an umbrella, three children hiding in a garden, a child holding its dolly, and mother and child in a landscape, and two with two children peeking into a tree trunk, all 9.25ins diameter (all with brown printed marks)
An 18th Century stripped pine longcase clock by John Mercer of Hythe, the 10.75ins arched brass dial with silvered chapter ring and subsidiary calendar dial to the thirty hour movement striking on a bell, contained in case with blind fret ornament and turned pillars to hood and plain trunk door, 80ins high Note: John Mercer recorded pre 1736 working to 1779
An 18th Century stained oak longcase clock by William Hutchinson of Retford, the 11ins silvered dial with subsidiary calendar dial and gilt brass spandrels to the thirty hour movement striking on a bell, contained in case with broken swan neck pediment and turned pillars to hood and plain trunk door, 85ins high Note: William Hutchinson recorded working in Retford circa 1795
An 18th Century oak longcase clock by Stevens of Great Milton, the 11ins square silvered dial to the thirty hour iron framed movement striking on a bell, contained in case with moulded cresting, turned pillars to hood and plain trunk door, 76ins high Note: Robert Stevens recorded working in Milton circa 1781-1795
An 18th Century mahogany longcase clock by James Ivory of Dundee, the 12ins arched brass dial with subsidiary seconds and calendar dial to the eight day two train movement striking on a bell, contained in case with blind fret ornament and turned pillars to hood and with plain trunk door, 86ins high
An early 18th Century walnut longcase clock by John Buffett of Colchester, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture to the eight day two train five pillar movement striking on a bell, contained in figured walnut case, the hood with deep moulded arched cornice and fretted frieze and with plain turned pillars, the shaped trunk door inlaid with chequered stringings, with conforming plinth and moulded plinth, 95ins high Note: John Buffet recorded working Colchester 1721-1735
A black painted and metal bound cabin trunk opening to reveal a blue lined fitted interior with hanging space and six original coat hangers, to the opposing side fitted drawers centred by a further deep drawer with beiged canvas compartmentalised interior, the exterior bearing old shipping labels and studded decoration
John Downs, Swansea a mahogany longcase clock having an eight-day duration movement striking the hours on a bell, the painted fourteen-inch break-arch dial having black Roman numerals, subsidiary seconds dial, date aperture and signed `John Downs, Swansea`, with rural cottage scenes painted to the four corners and a moon-phase disc within the arch, the mahogany case having various inlays and stringing and having a short door with shaped top and with various inlays and stringing, the hood having a swan-necked pediment with a brass `vase` centre finial, and with florally carved columns to the trunk and hood, all standing on bracket feet, height: 244cms. * John Downs is recorded as working in Swansea in the early 19th century.
William Garrett, London, a mahogany longcase clock having a five-pillar (fifth pillar removed), eight-day duration movement striking the hours on a bell, the twelve-inch break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals and five-minute outer Arabic numerals, with cast brass `c-scroll` spandrels to the corners and arch, the silvered centre engraved with `c-scroll` decoration, with a subsidiary seconds dial and date aperture and blued steel hands, with a silvered boss to the arch engraved with the maker`s name `Willm Garrett, London`, the mahogany veneered case having a break-arch trunk door with applied mouldings to the base and standing on a shaped plinth, the break-arch hood having a swan-necked pediment with a brass `ball and spire` finial and having fluted columns with brass capitals, with brass bound weights, height: 230cms (inc. finial) * William Garrett is recorded as working in London from before 1777 until at least 1815.
Thomas Bennett, Dublin a mahogany longcase clock having an eight-day duration movement striking the hours on a bell, the twelve-inch round painted dial having black Roman numerals, blued steel spade hands and signed `Thos Bennett, Dublin`, the mahogany case having a shaped top to the trunk door, canted corners to the trunk and hood with the curved top having three small turned wooden finials, with pear-shaped weights, height: 210cms (inc. finials) * Thomas Bennett is recorded as working in Dublin in the early 19th Century.

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66972 Los(e)/Seite