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66972 Los(e)/Seite
Los 493
Early to mid 18th Century oak-cased 30-hour single-hand longcase clock, 11-inch square brass dial with silvered chapter ring signed 'Rob. Browne Bottesdal' [Bottisdale, Suffolk], fl. c. 1700-1740, with inner quarter hour track and fleur de lis half hour divisions framing matted centre, the spandrels with crown and cherub supporters, posted movement countwheel-striking on a bell, case with brass reeded ball and spire finial, shaped cresting, and long trunk door, 222cm high
Los 286
An early 19th century oak and mahogany eight day longcase clock by Thomas Adams of Middlewich, Cheshire, the bell strike movement fronted by a signed arched painted dial with moonphase, four seasons spandrels and a pair of exotic birds to the centre, Roman chapter ring, subsidiary seconds and date arch, in an oak case with swan neck hood with blind fret frieze (faults) and turned columns, over a trunk with mahogany cross banded door and turned quarter columns, the panelled base with bracket feet, 87¼in. (221.5cm.) high, faults.
Los 1471
Geo. III oak long cased clock, swan necked pediment above painted arched Roman dial, with Arabic five minute divisions and calendar aperture inscribed "Jas. Richardson, Helmsley" H41cm, arch painted with a sailing ship, shaped trunk door on plinth base, thirty hour movement striking on a bell, H214cm
Los 312
Crouch & Fitzgerald Trunk, with White Star Line & Cunard Steam Shipping Labels, the rectangular trunk with pine straps and a red and yellow painted line to the centre, the front of the trunk with lock and fittings, the lid with metal plaque inscribed "PAT SEP '94", 108cm wide, 61cm deep, 67cm high
Los 314
George III oak cased longcase clock, Jeremy Spurgin, Colchester, the stepped pediment above a square glazed hood flanked by turned columns above a long trunk door and panel base, the brass singed Jere Sprugin Colchester having a subsidiary dial, Roman hours to the chapter ring and date aperture, twin train movement with anchor escapement, 221cm high, to include two weights and the pendulum
Los 217
Two Igbo carved wood masks, Nigeria, the larger mask carved from a single trunk, with birds, face masks and stylised crocodiles above a face mask with carved scarifications, with traces of red & white pigment, 75cm; the small er mask with an anthropomorphic figure between two horns, the mask with scarifications and painted in a grey pigment, 59.5cm; a Babanki elephant mask, Cameroon, 81cm; a Senufo carved ancestor bowl and cover, 70cm; a small pot and cover on four legs, with relief carved face masks, 41cm; a carve crocodile wall plaque and a musical instrument
Los 295
Marten van Cleve, 1527 Antwerpen – 1581 ebenda HOCHZEITSTANZ IM FREIEN Öl auf Holz. 73,4 x 105,4 cm. Auf der Plattenrückseite Stempelmarken, die beiden Hände und Turm der Stadt Antwerpen. Beigegeben ein Gutachten von Dr. Klaus Ertz, Lingen, 05. Februar 2022.Der große Erfolg des Meisters gab Anlass zu weiteren Fassungen, die bei Sammlern und Auftraggebern sehr geschätzt waren. Immerhin 57 Bilder dieses Themenbereichs finden sich in seinem Oeuvreverzeichnis. So ist auch dieses Gemälde dort bereits als eigenhändiges Werk erfasst (Kat. Nr. 167 ff.).Die Darstellung leugnet nicht den bewussten Witz und Humor, den der Maler ins Bild gebracht hat. Nahezu karikaturenhaft hat er hier die überwiegende Anzahl der Personen vorgeführt: Etwa ein dickleibiges Paar in bemüht eleganter Tanzhaltung, wobei die trippelnden Füße nur schwerlich den mächtigen Leib tragen, der sich jedoch in feiner Kleidung gehüllt zeigt. Dagegen ist die Hauptfigur, die Braut vor einem Spanntuch im Hintergrund mit aufgehängtem Kranz in die Ferne gerückt. Die überbordende Festfreude des Dorfvolkes zeigt originelle Einzelmotive, wie etwa die beiden Musikanten mit Dudelsack oder die beiden Männer, die ihren geleisteten Trunk an der Hausmauer rechts ungeniert ablassen. So war es nicht zuletzt das Ziel des Malers, die allzu menschlichen Verhaltensweisen seiner Zeit mit leichter Ironie der Nachwelt zu hinterlassen. Anmerkung:Studierte unter Frans Floris (um 1516-1570) und entdeckte zunächst seine Vorliebe für die Landschaftsmalerei. Durch seinen Bruder Heinrich veranlasst, widmete er sich aber alsbald fast ausschließlich der figürlichen Malerei. Seine meist vielfigurigen Genrebilder werden oft nur vordergründig als teilweise humorige Szenen verstanden, hinter denen sich jedoch nicht selten ein tieferer allegorischer oder gesellschaftskritischer Sinn verbirgt. 1551 wurde er Mitglied der Antwerpener Lukasgilde.Literatur: Klaus Ertz, Pieter Brueghel d. J. , die Gemälde, Lingen 2000, Bd. II, Kat A 1001 (als van Cleve). Klaus Ertz, Christia Nitze-Ertz, C. Marten van Cleve, 1624-1581, Kritischer Katalog der Gemälde und Zeichnungen, Flämische Maler im Umkreis der Großen Meister, Bd. 9 Lingen 2014, Kat. 167. A.R. (1301941) (11)Marten van Cleve,1527 Antwerp - 1581 ibid..OUTDOOR WEDDING DANCE Oil on panel.73.4 x 105.4 cm.Stamps on the reverse of the panel, the two hands and tower of the city of Antwerp. Accompanied by an expert’s report by Dr Klaus Ertz, Lingen, 5th February 2022. The master’s great success gave rise to further versions, which were highly valued by collectors and clients. At least 57 pictures of this subject can be found in his catalogue raisonné, which also lists this painting as a work by the artist himself (cat. no. 167 ff.).Literature: Klaus Ertz, Pieter Brueghel d. J., die Gemälde, Lingen 2000, vol. II, Kat A 1001 (as van Cleve).Klaus Ertz, Christa Nitze-Ertz, C. Marten van Cleve, 1624-1581, Kritischer Katalog der Gemälde und Zeichnungen, Flämische Maler im Umkreis der Großen Meister, vol. 9, Lingen 2014, cat. 167.
Los 99
Paar klassizistische Biskuitporzellanfiguren als KerzenhalterHöhe der Figuren mit den Tüllen: 53,5 cm. Gesamthöhe mit Holzsockeln: 85,5 cm. Sockelseitenlänge: 20 cm. Frankreich, wohl Sèvres, Epoche Louis XVI.Die Bronzen feuervergoldet. Die beiden Figuren als Gegenstücke gearbeitet: ein Jüngling nach rechts gewandt mit einem Putto zur Seite, an einem Baumstamm sowie junges Mädchen mit hochgebundenem lockigem Haar, ebenfalls begleitet von einem Putto an ihrer rechten Seite. Die beiden Figuren in Einheit mit einem kannelierten Säulenstumpf in Biskuitporzellan gearbeitet. Die beiden Gestalten tragen je eine schlanke Vase, aus der eine vergoldete Kerzentülle in Bronze hervorsteigt, über einem Akanthusblattbündel. Um den Sockel umziehender vergoldeter Bronzeprofilring. Die beiden Figuren auf zugehörigen quadratischen Holzsockeln in Mahagoniholz mit an drei Seiten, vertieft eingelegtem vergoldetem Bronzedekor: klassizistische Palmetten und Akanthusknospen im Rapport mit sichelförmigen Verbindungen. Die Figuren von hoher Qualität und in tadelloser Erhaltung. (1271812) (11)A pair of classical bisque porcelain figures as candlesticksHeight of figures with holders: 53.5 cm.Total height incl. wooden bases: 85.5 cm.Length of base sides: 20 cm.France, probably Sèvres, Louis XVI era.Fire-gilt bronzes. Both figures created as a matching pair: a young boy turned to the right with a putto by a tree trunk and a young girl, her curly hair tied up also accompanied by a putto to her right.
Los 189
A GEORGE III BRASS AND STUDDED TRUNK LATE 18TH CENTURY/EARLY 19TH CENTURY With label to interior for 'JAMES WYER, ORIGINAL MILITARY & NAVAL TRUNK, manufacturer, 372 & 394 OXFORD STREET, LONDON'35cm high, 84cm wide, 46cm deep Condition Report: There are some marks, scratches, knocks, chips, cracks and abrasions consistent with age and fairly heavy use. Creasing to surface and wear and abrasions.Repairs include new wood batten to upper section of base of interior for fixing hinges, strap holders feel quite utilitarian with respect the rest of the piece and may be replacements. Possibly originally with an escutcheon plate around lock. Some damage around upper edge by lock- no key. Front of chest with paler/cleaned patch to lower edge- just right of centre. Later felt pads to base. Interior paper worn and with losses throughout. Pull handle probably replacementPlease see the additional photographs as a visual reference of condition and which form part of this condition report.Condition Report Disclaimer
Los 392
A REGENCY MAHOGANY LUGGAGE RACK ATTRIBUTED TO GILLOWS, CIRCA 1815Of rare galleried form 84cm high, 62cm wide, 50cm deep For a closely related example see Christie's London, Important English Furniture, 6th July 2000, Lot 46 (£35,250). For a further closely related example (also with rear gallery) see Bonhams, London, Important Design, 25th April 2018, Lot 74 (£16,875). In 1812 Gillows supplied eight related trunk stands with reeded legs (but without rear gallery) to Wilbraham Egerton for Tatton Park, Cheshire. The current lot is particularly unusual for having a back as most models do not. The current example follows Gillows design dated 12th September 1822 for a 'trunk stand with back' (Gillows Sketch Books, pl. 3190). Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use, Some old chips and splits. Some additional dark scratches and pitting to the cross planks and tops of rails. Old repair and sections of replacement timber to top of one front leg - see image. All joints secure. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Los 42
A CHARLES II BRASS STUDDED GREEN LEATHER TRUNK POSSIBLY BY RICHARD PIGG, DATED '1660' the lid decorated with palm fonds and a star, the front with scrolls, lozenges and a central coat of arms with a crown and the letters 'C' and 'C', the hinged lid revealing a later linen lined interior, with side carrying handles 64.5cm high, 110.5cm wide, 62.5cm deep
Los 1181
BRYANT'S TRUNK & BUCKET WAREHOUSE, LUDGATE HILL, LONDON; a 19th century hide and studded dome topped trunk with internal label, length 51cm.Additional InformationRusting and tarnishing to the metal mounts throughout, heavy wear to the hair of the hide, old worm, etc, overall tired but general appearance fair.
Los 3561
An early 20th century brass bound camphor wood trunk, with brass handles, raised on later castors, width 96cm, depth 48cm, height 51cm. Additional InformationIt does have a lock although we do not have the key, there are splits to the top, denting and knocks to the metalware, with a large split to the back to the side panels, light scratches and wear. it does have a keyhole also.
Los 770
An Early 19th century Oak Cased 8-Day Long Case Clock Thomas Green - Aylsham,The arched hood with scrolling pediment over 3/4 colums to a moulded throat and long trunk door on a plinth base, (reduced) to a 12" first period Roman and Arabic painted dial with detail of "Justice" to the arch over gilt gesso spandrelswith subsidiary seconds and date sector with pierced steel hands, to a false plate signed F.Byrne, and movement with plate united by four knopped pillars and anchor escapement strike on a bell. Height 220cm
Los 163
Vintage leather travelling trunk bearing paper label for H J Cave & Sons, 81 New Cavendish Street, London. H.J. Cave & Sons is a London-based fashion house specializing in luxury leather accessories. Founded in 1839 by Harriet Jane Cave, H.J. Cave is believed to be the designer of the modern leather handbag as we know them today The company was established in 1839 by sole-proprietor Harriet Jane Cave creating railway baskets and leather trunks. In 1856 Harriet began expanding the company to include a range of products including travel-bags, wicker works, and portmanteaus. After the Queen of England sponsored participation at the World Fairs, H.J. Cave was awarded the English Royal Warrant of Appointment to Queen Alexandra, and later Princess Victoria 94 x 32 x 24cm
Los 434
An oak longcase clock, of recent manufacture, the arched moon phase dial, enclosing a three train movement, striking on gongs, movement stamped Kieninger, over a glazed trunk door, with three weights and pendulum, 64cm wide 34cm deep 212.5cm highCondition report: Does not appear to have been used to a great extent. Knocks and wear to the case, particularly towards the lower section.
Los 276
A GEORGE II WALNUT EIGHT DAY LONGCASE CLOCK, the hood with stained glass arched panel above cylindrical pillars surrounding a glazed door enclosing a brassed 10 dial, signed to arch 'RICHARD SCHOFIELD OF ROCHDALE' moon phase movement and numerals......... to arch, coat of arms decorated spandrels surrounding Arabic and Roman numerals, seconds dial and date aperture and a bell striking movement, the shaped crossbanded door bordering quarter veneering above a matching plinth, height 241cm (two weights, pendulum, trunk key, winding key and loose finials) (Condition report:- cracks to left side of glass arched panel, some restorations to trunk, pitted brass to dial)
Los 284
JOHN PORTHOUSE OF PENRITH (c1713-1815) A GEORGE III OAK 30 HOUR LONGCASE CLOCK, the square hood with an overhanging cornice, twin pillars flanking a glazed door enclosing a square brass 9 dial, double sided bell striking movement, foliate and mask spandrels surrounding a Arabic and Roman numerals, circular plaque inscribed his makers signature and date aperture, the trunk door with a shaped top, height 191cm (one weight and pendulum) (Condition report:- historical crack to right side of hood, break to trunk door handle, left cornice cracked due to replacement nails and crack to base of trunk)
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66972 Los(e)/Seite