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66972 Los(e)/Seite
![A Vintage metal travel trunk. [28x84x43cm]](https://cdn.globalauctionplatform.com/b743fa0a-9a80-4897-9406-ae7f0119bccf/c6848b72-d759-4933-b088-ae8200fe2088/468x382.jpg)
Los 221
17TH CENTURY-STYLE TIBETAN PAINTED & LACQUERED STORAGE TRUNK, decorated with a Buddhist jewel in a lotus flower within shaped quatrefoil panel, cloud scroll spandrels, below cusped raised rim, hinged lid, iron clasps and lock, 125w x 43d x 60cms hWe estimate it to be late nineteenth century.
![Lot to include a small metal bound trunk, stag antler and other. [2]](https://cdn.globalauctionplatform.com/58f4c301-aa9b-4218-ac46-ae7500c5f0d6/ad846f1e-d90c-408c-8412-ae7d0114c132/468x382.jpg)
Los 343
A pair of cast stone figures of standing heraldic lions each holding a shield with "lion rampant" armorial bearings on square architectural plinths. 155 cm overall height x 26 cm wide at the plinth.Private estateThe lions and plinths are reconstituted stone and are moulded rather than carved, It is difficult to asses age given that they have weathered nicely and have a good "crusty" appearance now being weathered for some time. I would think these might be 50 yrs old or a little bit older but not by muchSee the image of the damage to the corner of the one lion's base. The one trunk section of the plinth has two long, longitudinal cracks.Some established weathering and some slight knocks and chips A large chunk is knocked off the corner, we have the chunk in question, it is the site of an old repairSee images for clarification of points raised above
Los 1148
A Rotse group Zambia carved a monkey on top of a trunk eating a fruit with a snake entwined around the trunk, with scorched decoration, 36cm high, and a South African spoon, carved a European figure wearing a trilby, the back of the handle with a carved snake, and the back of the bowl with incised linear decoration, with scorched detailing, 24.8cm long. (2)
Los 596
19TH CENTURY MAHOGANY AND PARQUETRY LONGCASE CLOCK,maker likely T. Hamilton of Wishaw, with two train eight day movement, the white enamel dial with Roman numerals, the spandrels painted with allegorical figures, swan neck pediment over turned baluster columns, the trunk with further turned columns, 223cm high
Los 633
EDWARDIAN REGULATOR LONGCASE CLOCK,with deadbeat escapement, the silvered dial with outer minute ring, subsodosrybsecpmds and chapter dials, with flat top, the glazed trunk revealing a pendulum with time compensating mercury bob, panelled block base, 195cm highClock good to fair. Clock winds, but currently isn't ticking and will likely require some attention. The dial has been cleaned with some form of fluid that has discoloured it. The hood is missing its glass. The pendulum bob must be treated carefully as the mercury cover is moveable, therefore some minor balling appearing around the exterior of the bob. Case is subject to light age related wear. No makers mark. Additional images now available.Back of hood door would likely have had some component keeping glass in pace, though no longer.
Los 635
EARLY 19TH CENTURY MAHOGANY LONGCASE CLOCK,by James Hodge of Mid Calder, with two train eight day movement, the silvered dial with Roman and Arabic numerals, subsidiary seconds dial and calendar aperture, with domed hood, on four feet, 211cm highCondition fair. Glass dial cover is cracked. Areas of wear and tarnish to dial. Area of damage to moulding below left side of hood. Trunk door is warped and doesn't close properly. Split across block base. No key weights or pendulum so unable to test mechanism. Additional images now available.
Los 665
LATE 19TH CENTURY SCOTTISH SEMI-REGULATOR LONGCASE CLOCK,By R. Stewart of Glasgow, with twin train eight day movement, deadbeat escapement, striking on a coil, the engraved brass dial with silvered Roman and Arabic numeral chaptering, subsidiary seconds dial, gilt metal cherub, scroll and grotesque dolphin spandrel mounts, the hood with moulded swan neck pediment over spiral fluted Corinthian columns, the trunk with spiral fluted quarter columns and panelled lock base, on bracket feet, 223cm high
Los 6
M&StL (Minneapolis & St. Louis) wooden train box or trunk with iron fittings. Marked along the front "M&ST L Train Box No."Provenance: Collection of the James J. Hill Reference Library.Certain individuals are prohibited by law to purchase items in this auction. Descendants of James J. Hill within three generations (Great Grandchildren and closer) are not allowed to purchase items. Additionally, board members of the foundation and their families (spouses, children, spouses of children, grandchildren) are also prohibited from purchasing items.Height: 19 1/4 in x width: 37 in x depth: 23 1/2 in.
Los 58
DICKENS (CHARLES)The Life and Adventures of Martin Chuzzlewit, FIRST EDITION IN BOOK FORM, EDWARD CHAPMAN'S COPY BOUND FOR HIM BY HAYDAY, engraved frontispiece, additional pictorial title and 38 plates by Hablot K. Browne ('Phiz'), the vignette on additional title signed 'Phiz fecit', with reversed '100£' on signpost and seven studs in the trunk (Smith's state 1, no priority), 14-line errata on p.xv as usual (Smith's second setting), some oxidisation and spotting to plates, full pebbled burgundy morocco by Hayday (stamped 'Bound by Hayday' and 'Chapman & Hall' on front free endpaper), covers ornately gilt with gilt fillets enclosing inner panels with various floral, pointillé and other recurring tools, spine in six compartments ornately gilt, gilt dentelles, g.e., preserved in solander box [Smith I:7], 8vo, Chapman and Hall, 1844Footnotes:THE PUBLISHER'S OWN COPY, FINELY BOUND FOR HIM BY HAYDAY. By the time that Martin Chuzzlewit appeared Dickens and his family were living in Genoa, so there are no inscribed presentation copies, thus the dedicatee (Angela Burdett-Coutts) received a copy bound by Hayday to a similar design to Chapman's copy. Chapman, and his partner William Hall, were instrumental in the success of Dickens's career, having published The Pickwick Papers, after which 'Dickens was associated with, and to a large extent made the fortune of, Chapman and Hall, even though he broke with the firm in so far as new fiction was concerned in 1844 [due to arguments relating to payments for Martin Chuzzlewit], and did not return fully until 1859' (ODNB).Provenance: Edward Chapman (1804-1880), bookplate; Sotheby's, 24 September 2019, lot 89.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 115
A RARE IRISH GEORGE II 'HUGUENOT' LONGCASE CLOCK, by Nicholas Lemaistre, Dublin (active c.1740), fitted with glazed architectural hood enclosing a brass dial with pierced cresting, inked with Roman and Arabic numerals, the mahogany case, with shaped trunk door, between fluted quadrants, on plinth base and bracket feet. 248cm high The history of the Huguenots in Ireland, particularly in Dublin is well established, and it is now recognised that they played an important role in the professional society of the time. Following the revoking of the Edict of Nantes in 1685 by Louis XIV, which decreed that the remaining Huguenot protestant population in France must convert to Catholicism in order to remain in country free from persecution, large numbers fled to neighbouring Protestant countries of Holland, Germany and further afield to Great Britain. It is thought that around 10,000 arrived in Ireland via Britain, with majority settling in Dublin, Cork, Portarlington as well as in counties Antrim and Down. From the early decades of the 18th century, Huguenots were actively living and working in Dublin with the population recorded as approximately 2,100 in 1701 and jumping up to 4,000 by the 1720s (Jessica Cunningham, ‘Dublin Huguenot goldsmiths, 1690 – 1750: assimilation and divergence’, IADS, Vol XII, 2009, Irish Georgian Society). With the arrival of these immigrants to Ireland, some who were merchants, artisans and craftsman, they needed to be able to participate and contribute to the economy of the city. Records from the Dublin Goldsmiths’ Company show a number of them active within the guild as free brothers, quarter brothers, journeymen and apprentices. As an organisation it oversaw not only the production and trade of silver and gold objects but also jewellery, timepieces, watch and clock cases. This longcase clock, signed by the maker Nicholas Lemaistre, is a clear example of the high level of craftsmanship in the early 18th century. G.H Baillie records in his seminal book Watchmakers and Clockmakers of the World a Nicholas Lemaistre in Paris in 1675 and then subsequently residing in Dublin in 1743 working as an established watchmaker. Surviving examples such as this are rarely seen at auction and it provides us with a greater understanding of the role the Huguenot population played during a very important period of production of decorative arts in Ireland.
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66972 Los(e)/Seite