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66972 Los(e)/Seite
A set of eleven Beswick 'Rupert And His Friends' figurines: 'Rupert The Bear', 'Algy Pug', 'Pong Ping', 'Bill Badger' (style one), 'Rupert Snowballing', 'Edward Trunk' and 'Bill Badger' (style two), 291/1920, with CofA, 'Rupert Bear And Algy Pug Go-Carting' 294/2500, with CofA, 'Rupert With Satchel', 715/2000, 'Podgy Pig', 520/1920 and 'Rupert Bear', 520/1920, (all unboxed), (11).
An early 18th Century oak 30-hour longcase clock, circa 1740, by Kingston Avery, Mere, the hood with blind fret frieze and turned columns to the sides, the trunk enclosed by an arch top door set a bullseye glass, the 10" square engraved dial signed K C Avery, with decorative spandrels, silvered chapter ring and date aperture, 201cm high CONDITION REPORT: At present clock in working order. Seat board renewed, movement cage framed, with later brass top and base. Base with later restorations, door lock inoperable but complete with key. There is a weight and pendulum but no key as 30 hour clock.
18th century hide and metal stud upholstered dome topped trunk with handed lip, two frieze drawers and carrying handles, 75cm wideProvenance: The Robert Barley CollectionCondition report: No severe damages, just wear throughout, losses to hide, also some studs lost, the lock appears to have been replaced (lacks key), structurally ok
Late 17th century marquetry long case clock, with possibly associated 8 day movement, 5 pillar movement, 10” square dial with cherub head spandrels, matted centre and silvered chapter ring. Dial plate signed below chapter ring 'Faith Leake, London'. Subsidiary date aperture and seconds dial, plain winding holes with cross cut winding squares and single line engraved border. In a marquetry inlaid case with rising hood (securing mechanism now missing) with barley twist pillars. Full length case door with panels of floral marquetry and circular lenticle, on four bun feet. Please note case is in poor condition and will require complete refurbishment. Many loose parts are available. 195cm overall height. (Key, pendulum and weights present)Condition report: General overall condition is poor. Movement is dirty with some rust and has signs of various repairs over time. We are unable to confirm if it is in full working order. Dial brasswork is very dirty and slightly buckled. Dial plate has some damage to reverse between 3 and 4 and there is a solder repair to one of the pillars where it joins the dial. There are punch marks on the back plates around one of the barrel arbours. Seat board has been replaced and movement may not be original to the case.Case is in distressed state and will require complete overhaul. Areas of major damage. Some loose parts/pieces are available but we cannot confirm if all present. Trunk side panels have been hollowed out to facilitate pendulum swing. Rising hood securing mechanism is missing. There are signs of old woodworm in the barley twist pillars. Right rear pillar is missing and right front pillar is damaged,
Late 19th century Peal & Co leather trunk, named to the top for J. J. Redman, Royal Scots Greys, impressed makers details to front, with flanking carrying handles, 70cm wide x 39cm deep x 48cm highCondition report: Good original condition, stitching broken on one corner and to rear of one side ( see extra images) The trunk is slightly compressed and out of shape , one of the small minor straps at the front is broken . Some general scuffs and scratches but would respond well to a good clean with leather food and polish
A CAMPHOR WOOD HARDWOOD TRUNK OR BOX with iron carrying handles to the side, 191cm wide x 59cm deep x 38cm high together with five further various canvas covered and other travelling trunks Condition: wooden trunk with some minor losses, marks, dents and scratches overall due to age and use; the remaining trunks with marks and damages due to use
AN OLD TRUNK together with a green painted tin trunk, a further tin trunk, two hat tins and an old tuck box (6) Condition: the green trunk with some marks, damages and scratches to the green paint work, otherwise in good condition, the remaining trunks with marks, dents and scratches overall due to age and use, the tin items with losses to the paintwork and signs of rust
A CASED MILLENNIUM KEEPSAKE BEAR, sparkly white plush bear which appears complete and in very good condition, looks to have hardly ever been removed from its box, which is in the form of a perspex fronted travelling trunk, height of bear approximately 40cm, trunk appears complete and in good condition with only minor wear, trunk approximately 47cm tall x 27cm wide and 15cm deep, trunk complete with carry handle, bear and trunk complete with original tags
A LATE 19TH CENTURY CONTINENTAL PORCELAIN FIGURE OF A LATE 18TH CENTURY MAN WITH A HORN ON HORSEBACK, the grey stallion rearing over a tree trunk, on a floral encrusted oval base, the underside with unidentified underglaze blue mark and pencil inscription No.1650, height 27cm (condition: extensive damage and amateur/glued repairs, including damaged horse's ears, reins, stirrup, the horn has been glued but that section is currently loose, patch of damage to the base at the rear of a hoof, some chips to the floral encrusting)
A GLAZED CERAMIC JUG BY SOUTHERN FOLK ARTIST, AMERICAN, EARLY 20TH CENTURYof rounded shape, depicting Adam and Eve in the Garden of Eden, against a earth toned ground of dark green and burnt orange. Adam and Eve dressed in leaves, holding stakes are depicted on either side of the tree of knowledge of good and evil, baring the forbidden fruit, and the snake is wrapped around the tree trunk. inscribed illegibly and factory mark on bottom. height: 39 cm (15 3/8 in.). CONDITIONThe jug appears in good condition. Fine, stable and age-appropriate craquelure overall. Loss of paint to tree of knowledge and forbidden fruit, most notably to the lower right. Lower right on side of jug shows white paint splatter. Inspection under UV shows no apparent signs of restoration. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A GERMAN MEISSEN PORCELAIN MODEL OF A PARROT, MEISSEN, DRESDEN, LATE 19TH-EARLY 20TH CENTURYformed as a red-breasted macaw with brown eyes, sitting on an oak trunk with flowers and ferns sprouting from the pearlescent rocky base, talons gripping the broken branches, marked with underglaze blue factory mark, incised A43 and impressed 12 on the interior; overall height: 41 cm (16 1/8 in.) CONDITION In overall good condition. Tip of the left wing broken. Inspection under UV shows scattered retouching to the tail feathers, most notably around the left eye. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A GERMAN MEISSEN PORCELAIN MODEL OF A PARROT, MEISSEN, DRESDEN, LATE 19TH-EARLY 20TH CENTURYformed as a green-breasted macaw with blue eyes, sitting on an oak trunk with flowers and ferns sprouting from the pearlescent rocky base, talons gripping the broken branches, marked with underglaze blue factory mark, incised A 436, overglaze brown 72., impressed 120 on the interior; overall height: 41 cm (16 1/8 in.) CONDITION The parrot appears in good condition, minor surface dust, but no significant issues apparent to the naked eye. Inspection under UV shows scattered retouching to the tail feathers, most notably and prominently to the parrots tail feathers on the right side, retouching to the plants around the birch stump.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Thomas Ingram of London, William & Mary period longcase clock, eight day movement, striking on the hour, the brass dial with silvered chapter ring, date aperture and seconds dial, train movement in walnut case with three quarter turned pilaster, trunk door with lenticle, on bracket feet, 212 cm, Thomas Ingram registered London clockmakers Company 1695.
A 17TH CENTURY OAK 30-HOUR LONGCASE CLOCK, the 9.5-inch square brass dial signed Thomas Cattell Londini Fecit, with single pointer, applied winged cherubic mask spandrels, the hood with moulded caddy top, the trunk with long slender rectangular door, raised on a plinth base. 192cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Back boards replaced, case and movement in our opinion are original. Please note there is no weight with this lot.
AN EARLY 19TH CENTURY SCOTTISH INLAID MAHOGANY 8-DAY LONGCASE CLOCK, the 12-inch break arch painted dial signed Alexander F Milne Aberdeen, painted in the arch with a basket of flowers, the spandrels painted with thistles and roses, subsidiary dials for seconds and date, the hood with swan neck pediment and turned columns with Corinthian capitals, the trunk with long rectangular door flanked by rope twist quarter columns, the base with bracket feet. 208cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Complete with pendulum and two weights.
A GEORGE III OAK AND MAHOGANY 8-DAY LONGCASE CLOCK, the 12-inch painted break arch dial signed Kidd's Malton, painted in the arch with a lady and dog in a landscape, the hood with brass finials and tapering columns, the case with canted fluted corners flanking a crossbanded trunk door with shaped top, raised on bracket feet, with two weights, pendulum and winder. 233cm high overallThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.46cm wide, 25cm deep

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66972 Los(e)/Seite