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66972 Los(e)/Seite
A George III mahogany long case clock, the eight-day movement with automata in the form of a warship at sail. With twin scroll pediment and three brass finials above the 13" broken arch dial with silvered chapter ring, subsidiary seconds dial and date aperture, signed D. Seddon, Frodsham. The trunk of the case with pilaster supports above bracket feet, 60cm wide by 240cm high (to top of finial). ILLUSTRATED
C18th Oak Cased 30 Hour Brass Faced Long Case Clock by Robert Jones, Chester, 10" square dial with brass chapter ring, Roman numerals with date aperture, case with shaped plinth base, door inlaid with boxwood & ebony star & small marquetry panel with vase of flowers, cross-banded in oak with burr-walnut panel, part walnut veneered trunk with plain square hood with plain turned supports
Circa 1770 8 Day Long Case Clock by Edward Courter Ruthin, Silver Chapter Ring & Centre with 31 day engraved inner dial & small secondary date dial with flower engraved decoration, gilt cherub spandrels, the arch top with cut out Old Master Time inscribed "Nothing Can Resist The Scythe of Time" 3/4" dial, brass bob pendulum, the case on plinth base, plain trunk with quadrant inset corners with hood, broken arch pediment & plain columns
George III mahogany longcase clock by William Jourdain of London, the hood with moulded arch shaped pediment and tapered reeded columns, trunk with long door flanked by conforming split pillars with brass inserts, brass arch shaped dial with moon phase, Roman and Arabic numerals, subsidiary seconds dial and calendar aperture, eight day striking movement, 221cm high.
19th Century mahogany longcase clock case, the hood with swan neck pediment and tapered reeded columns, the trunk with shaped door having inlaid Masonic square and compass and urn within a serpent surround, flanked to either side with bell husk decoration and reeded split pillars, 241cm high.
A George III oak and mahogany longcase clock by Lough Penrith, having a swans neck pediment with blind fretwork panels beneath, with arched glazed door enclosing the brass dial with moon phase, Roman numerals and date aperture, with false winding holes and thirty-hour movement by Lough, Penrith, flanked by fluted quarter columns, with dentil cornice below, with blind fretwork frieze and shaped trunk door flanked by fluted quarter column corners, with blind fretwork beneath and with brickwork base raised on a plinth. Height 82 ins.
A George III oak and mahogany longcase clock by Brownbill Leeds, with steeple and ball brass finial between a swans neck pediment with punched brass terminals in turn above the arched glazed door being crossbanded and flanked by fluted columns enclosing the painted dial with girl and cat to arch and with Roman numerals with subsidiary Arabic numerals and seconds and date dials to centre and eight-day striking movement above the shaped trunk door flanked by fluted quarter column corners and with conforming base raised on bracket feet. Height excluding finial 94 ins.
A George III oak and mahogany crossbanded longcase clock, with swans neck pediment with eagle and ball finial between above a moulded cornice and crossbanded frieze in turn above the glazed door enclosing the 12 inch square brass dial with mask and foliate spandrels, silvered chapter ring with Roman numerals, subsidiary date and seconds dials by Joyce of Ruthin and with eight-day striking movement flanked by fluted column corners, with shaped trunk door crossbanded in mahogany also flanked by fluted quarter column corners and with conforming base. Height excluding finial 85 ins.
A George III oak and fruitwood crossbanded longcase clock, with swans neck pediment with punched brass terminals with equestrian emblems above the glazed door enclosing the 12.25 inch square brass dial and eight-day striking movement by Hampson, Wrexham, with Roman numerals and subsidiary Arabic numerals and spandrels emblematic of the four seasons, with date aperture and subsidiary seconds dial, flanked by simple turned columns above a long arched crossbanded trunk door flanked by quarter column corners and with conforming base. Height 89 ins.
A George III mahogany longcase clock by William Kelham Egremont, with swans neck pediment above the arched glazed door enclosing the arched painted dial with Roman numerals and eight-day striking movement by William Kelham of Egremont and with pastoral scene to arch, the false plate stamped "William Whittaker" and flanked by fluted quarter columns, with conforming shaped trunk door being crossbanded and base raised on bracket feet. Height 87 ins.
A George III oak and walnut crossbanded longcase clock by Samuel Hill Totley, with caddy top and moulded cornice above a glazed door flanked by simple columns with gilt painted capitals enclosing the 11 inch square brass dial with Roman numerals, date aperture and thirty-hour movement by Samuel Hill Totley in turn above the rectangular trunk door with brass hinges flanked by quarter column corners and with conforming base. Height 81 ins.
Late Georgian oak longcase clock banded in mahogany, painted broken arch dial with rolling moon, floral spandrels, Roman hours subsidiary seconds and date aperture, signed R Fletcher - Chester , the 8 day striking movement on Wilson false plate and Wilson moon disc, anchor escapement and rack strike, in swan neck hood with fruited columns on cavetto shoulders quarter, column trunk and set out canted base. Height 221cm (2 weights, pendulum, key).
Nantwich oak longcase clock banded in mahogany the square dial with floral spandrels, roman house subsidiary seconds date aperture painted with exotic birds signed Tho. Clowes, Nantwich. 8 day movement on a Wilson false plate rack stride anchor escapement in a flat top hood with fluted columns on cavetto shoulders quarter column trunk and set out canted plinth, height 222cm (2 weight, pendulum, key).
A silk on canvas sampler worked in eyelet, satin and tent stitches in autumnal colours. With numbers, alphabets, birds, butterflies and animals. Worked by Eliza Martha Hine 1841. Unframed, 15 x 23in. Provenance: this and the following 31 lots from the estate of Sir Charles Oman, his family and descendants. Sir Charles William Chadwick Oman (1860-1946) was a Fellow of All Souls and Chicheley Professor of Modern History specialising in the Napoleonic period. He became MP for the University of Oxford and was made KBE in 1920. Born in India his mother, Ann Chadwick, collected antiques in Italy with some of the following lots relating to that period. Sir Charles Oman`s son, Charles Chichele, was born in 1901 and became Keeper of Metalwork at the V & A. His daughter was Julia Trevelyan Oman (1930-2003), one of the most highly rated theatre, opera and ballet designers of the mid 20th century. a trunk containing the following lots relates to several generations of this leading English intellectual family.
A mid-18th Century and later walnut longcase clock with eight day movement striking on a bell, the brass breakarch dial with moonphase indicator to arch above a chapter ring with Roman numerals framing a matt centre with subsidiary seconds and inscribed `Wm Dowell Swan, Margate`, cornered with pierced spandrels, the hood with moulded arch pediment above glazed door and turned columns, the arched top rectangular trunk door with inlaid chequer stringing on a similar base and plinth, height approx 231cm (restoration and alterations), together with weights and pendulum.
A late 19th Century and later oak longcase clock with eight day movement striking on a gong, the square brass dial with silvered chapter ring framing an engraved centre with subsidiary seconds and applied plaque inscribed `Elliott London`, cornered with pierced scroll spandrels, the hood with dentil cornice above a glazed door and two columns, the trunk with glazed door on a panelled base and plinth, height approx 203cm, together with two brass weights, key and pendulum (restoration).
An early 18th Century and later oak longcase clock, the brass eight day movement with Graham dead beat escapement and three fall line, the silvered break arch dial decorated with sailing ship to arch above Roman numerals, subsidiary seconds and inscribed `John Carlyon, Falmouth`, the later case with moulded pediment above a glazed door, the trunk with rectangular door on a plain base and plinth, height approx 229cm, together with weight and pendulum (restoration and alterations).
A George V oak longcase clock with eight day chiming movement, the brass break arch dial with silvered world roundel inscribed `Tempus Fugit`, above a silvered chapter ring with Arabic numerals and inscribed `Bravingtons Ltd, Kings Cross & Ludgate Hill, London`, the hood with moulded pediment above a glazed door flanked by barley twist columns, the trunk door with moulded geometric panel decoration, above a similar base, height approx 182cm, with a pendulum and key.
A mid-19th Century and later oak diminutive longcase clock with eight day movement striking on a bell, the brass break arch dial with silvered chapter ring beneath a silvered boss to arch inscribed `Henry Moore`, the arched hood with turned columns and glazed door, above a glazed trunk door on a panelled base and bracket feet, height approx 168cm, together with two weights, pendulum and winder (alterations and restoration).
A George III figured mahogany longcase clock with eight day movement striking on a bell, the brass break arch dial with strike/silent indicator to arch above a silvered chapter ring with Roman hours and Arabic minutes, framing a matt centre with subsidiary seconds, date aperture and applied plaque inscribed `StepN. Ganeron, London` all cornered by pierced gilt dolphin, urn and scroll spandrels, the arched hood with three brass ball and spire finials above a pair of fluted columns and glazed door, the arched trunk door above a plain base and bracket feet, height approx 236cm, together with pendulum and two brass weights (faults).
A George III mahogany longcase clock with eight day movement striking on a bell, the painted break arch dial with Roman numerals, subsidiary seconds, date aperture and inscribed `Alex.r Duncan, Elgin`, the arched pediment above a glazed door, the trunk door with satinwood crossbanded borders flanked by fluted pilasters, on a crossbanded base with bracket feet, height approx 200cm, together with two weights and pendulum.
A Meissen porcelain figural mantel clock, late 19th/early 20th century, the crest modelled with a seated boy upon a tree trunk holding vine berries, above a floral encrusted serpentine enamelled dial flanked by three figures holding flowerheads upon a rococo scrolled base, crossed blue swords to underside, height 39 cm, with key, (A/F).
A George III mahogany cistern tube stick barometer George Adams, London, circa 1770 The rectangular brass vernier register (previously silvered) calibrated in inches with the usual observations and signed Made by G. Adams, Fleet Street, LONDON, Instrument Maker To His MAJESTY, above caddy moulded trunk with exposed tube and hemispherical cistern cover to the rounded base with level adjustment screw to underside, 98cm (3ft 2.5ins) high overall. George Adams was born circa 1704, he became free of the Clockmakers Company in 1754 and quickly established himself as one of the leading Instrument makers of the period being particularly well known for his globes and microscopes. In 1753 he advertised himself as `Instrument Maker to His Majest`ys Office of Ordnance` and subsequently was appointed Instrument Maker to the Prince of Wales later George III, several instruments made by Adams can now be seen in the George III collection at The Science Museum, London. George Adams died in 1772 leaving the business to his son also called George who also inherited the royal appointment. The current lot was probably made by George Adams senior towards the end of his career and according to the price list published in the 1769 second edition of his treatise would have cost £2-2s.
A George III mahogany bulb cistern tube stick barometer Manticha, London, circa 1800 With concave sided pediment above cavetto cornice and glazed paper scale calibrated in inches and signed Mantica Fecit, LONDON within the rococo scroll and Masonic symbol printed border, flanked by turned side columns and above mounded trunk with exposed tube, the square base with moulded underside (cistern cover lacking, tube empty), 96cm high excluding finial. Provenance: Private collection, Gloucestershire. Dominic Manticha is recorded in Banfield, Edwin BAROMETER MAKERS AND RETAILERS 1660-1900 as working from 11 Ely Court, Holborn, London 1781-1805.
A George III inlaid mahogany bulb cistern tube stick barometer Leoni and Tarone, London, circa 1800 With broken triangular pediment above silvered vernier scale calibrated in inches, annotated with the usual observations and applied with an alcohol Fahrenheit thermometer beneath signature Leoni & Tarone, LONDON to upper margin, behind glazed door with ebony and box chevron strung edges above caddy moulded trunk with angled veneers within conforming parquetry borders, and domed cistern cover to the rounded base, 97cm high.
A Regency mahogany mercury cistern tube marine stick barometer Joseph Cetti & Co., London circa 1820 With brass suspension ring and rectangular brass plate signed J. CETTI & Co., 25 Redlion St., Holb`n, London above hinged rectangular door enclosing canted silvered vernier register plates annotated with the usual observations, the inside of the door applied with mercury centigrade thermometer, the rectangular section trunk with brass-sleeved gimbal pivot holes to the slightly bowed sides above stepped cylindrical part ebonised cistern cover with brass level adjustment screw (gimbals lacking), 99cm high. Joseph Cetti & Co. are recorded in Banfield, Edwin BAROMETER MAKERS AND RETAILERS 1660-1900 as working from 25 Redlion Street, Holborn 1816-39.

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66972 Los(e)/Seite