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Preisdatenbank abonnierenA late 19th Century Mahogany cased Stick Barometer, Negretti and Zambra of 11 Hatton Garden and 68 Cornhill, London, the plain arched case with plain trunk and demi-lune cistern cover, with visible tube to a signed two-part Ivory scale of 27 to 31, and flanked by a twin scale mercury thermometer, height 37"
A second quarter of the 19th Century Oak cased 30-hour Long Case Clock, Manning of Steyning, the squared hood with overhanging cornice, over plain freestanding columns with Brass capitals, to a shaped ogee throat and long plain trunk door, with plinth base, to a 12" square third period painted dial, (refreshed), decorated to the spandrels with roses and gilt highlights, to a Roman chapter ring with outside minute track enclosing subsidiary seconds and blued steel pierced hands, to a movement with plates united by four knoped pillars, with anchor escapement, back mounted count wheel and strike on a bell, height 74½"
A second quarter of the 19th Century Mahogany cased Irish 8-day Long Case Clock, Chrisr Clarke of Dublin, the hood with broken pediment centred to a baluster Brass finial with Greek key borders over a blind fret panel, to freestanding reeded columns and ogee throat, to a long and shaped trunk door flanked by quarter columns and moulded surround to a panelled plinth base, to a signed 13½" engraved Brass dial, with rose and foliate spandrels, enclosing a Roman and Arabic dial, further to subsidiary seconds and ringed winding squares with scrolling garland and later pierced hands, to a movement with plates united by four knoped pillars and anchor escapement, strike on a bell, height 95"
A first quarter of the 19th Century Oak cased 30-hour Long Case Clock, ? of Uppingham, the hood with swan neck pediment, over freestanding columns to an ogee throat and long shaped trunk door, raised on plinth base, to a 12" square painted third period dial, with re-painted spandrels and Arabic numerals, to a pierced and stamped Brass hands and movement with plates united by four baluster pillars and anchor escapement, strike on a bell, height 82"
A late 18th Century Mahogany cased 8-day Long Case Clock, T O Springfield of Norwich, the hood with overhanging cornice surmounted by three lacquered Brass globe and spike finials, to freestanding columns and ogee throat to a long arched trunk door and raised on a plinth base, to a 12" arched first period painted dial, decorated with floral urn and wheat ears to the arch, over gilt highlighted rosette spandrels enclosing a chapter ring, subsidiary seconds and date sector with pierced steel hands, to an Osborne of Birmingham false plate and movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 87"
A late 18th Century Oak cased 30-hour Long Case Clock, Donisthorpe of Hinkley, the hood with overhanging cornice, to a plain frieze and freestanding columns, to an ogee throat and long shaped trunk door, to a plinth base, to an 11" square Brass dial, with mask and foliate applied spandrels enclosing a silvered Roman and Arabic chapter ring to a matted centre with applied nameplate and date sector with blued steel pierced hands, to a movement with plates united by four knopped pillars, with back mounted count wheel and anchor escapement, strike on a bell, height 86"
A Mahogany and Satinwood inlaid 8-day Long Case Clock, the arched hood with overhanging pediment to three -quarter columns and ogee throat with long shaped trunk door and raised on a panelled plinth base on bracket feet with inlaid floral and foliate symmetrical geometric design, to a 12" dial with added surround and arch, decorated with cast and applied figural spandrels, with Roman and Arabic chapter ring to a matted centre with name disc signed Wm Porthoufe of Penrith and further applied nameplate Thos & Sarah Weatherald, 1765 over a date sector with later pierced and stamped Brass hands, to a movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 85½"
A 19thC North Country mahogany long case clock with swan neck, pillared hood, short trunk with shaped door, beaded and moulded base, the painted with birds and flowers to the arch, roses and urns to the spandrels, subsidiary seconds and date rings, eight hour movement striking a bell. NB. We have specific instructions to sell this lot WITHOUT RESERVE.
A George III oak and mahogany cross banded long case clock with swan neck reeded pillared hood, short shaped trunk door with cross banding and oval shell paterae inlay enclosed quarter inset columns on a raised panel base with shaped apron. The painted dial having moon roller to arch, figures to the spandrels, Roman hour numerals, subsidiary seconds ring and date crescent and marked Deacon, Barton (Leicestershire), with an eight- day movement striking a bell.
An early 19th century oak and mahogany crossbanded longcase clock, having a broken swan neck pediment above twin ring turned pilasters, flanking painted square dial, width 12", signed E Bell & Son of Ashbourne, having Roman numerals, corner painted cottage scenes, 30 hour weight driven movement striking on a bell, the trunk having mahogany crossbanded door flanked by quarter turned fluted pilasters to a box base, height 202cm
A circa 1800 mahogany cased long case clock, the broken arched pediment with pressed brass medallion decoration, the plain glazed door flanked by turned brass capped side pilasters, the main trunk with rectangular door over a plain base to bracket feet, the eight day movement with square brass dial, the chapter ring with Arabic and Roman numerals within engraved spandrels enclosing a subsidiary seconds dial and date aperture and inscribed "Thomas Field Bath", 46 cm wide x 214 cm high
A Longcase Clock, the30.5 cm square brass dial signed T PYKE, B'water, with a silver chapter ring having Roman Numerals, subsidiary second dial and calendar aperture, dated and eight day movement, in an oak case, cross banded in mahogany, the trunk door inlaid with a star,207 cm See illustration
A pair 19th century French ormolu table candelabra in the form of Bacchanlian cherubs holding aloft cornucopiae issuing flowering stems, each with three lights and beaded nozzles on naturalistic tree trunk cast supports and pedestals with leaf cast volute scroll uprights flanked by blue ground floral panels in the manner of Sevres, on inswept plinth bases (2) 40cm wide, 75cm high The Estate of the late Mrs J R F (Cookie) Matheson
A good late 17th century walnut and floral marquetry month-going longcase clock By Henry Mereman of London the twin train movement with anchor escapement striking the hours on a bell, the moulded pediment with strapwork carved frieze and barley-twist pilasters, the brass dial with silvered chapter ring, the matted centre with subsidiary seconds dial and date aperture, the lower margin signed Henry Mereman, London bounded by rococo female mask spandrels, the winding holes with articulated covers, the trunk door with stems of blossoming foliage and perched birds enclosing a glazed pendulum aperture, on a similarly inlaid apron and moulded plinth 206cm high The Estate of the late Mrs J R F (Cookie) Matheson
A Edwardian mahogany and satinwood crossbanded chiming longcase clock the three train month-going movement chiming on a nest of eight graduated bells and five coiled gongs, the swan-neck pediment above brass columns and fretted side panels enclosing a brass dial with silvered Roman chapters and subsidiary seconds dial, a chime/silent dial to the arch, within rococo spandrels, the trunk door and apron inlaid with neo-classical foliage highlighted in harewood, on cut plinth base 243cm high
A George III oak longcase clock the twin train movement with anchor escapement striking the hours on a bell, the pagoda top with three giltwood spire finials above a silvered dial (associated) with engraved foliate spandrels and strike/silent lever to the arch, the centre with subsidiary seconds and calendar dials, signed David Rogers, Saffron Walden, the arched trunk door with moulded edge, the plain apron on scalloped cut plinth base (note: the original brass dial has been mounted for posterity inside the case) 236cm high
A George III mahogany longcase clock the twin train movement with anchor escapement striking the hours on a bell, the swan-neck pediment above a silvered floral engraved dial with subsidiary seconds and calendar dials, signed James Smith, the ogee arched trunk door above plain apron and (reduced) plinth base, the original printed maker's instruction sheet inside the trunk door and dated 1790 208cm high
A FINE AND RARE GERMAN ETCHED, BLUED AND GILT COMB MORION OF THE TRABANTENLEIBGARDE OF THE PRINCE ELECTORS OF SAXONY, NUREMBERG, CIRCA 1580, with tall skull formed in one piece and rising to a roped comb, the base encircled with a row of fifteen gilt-brass lion masks over lining-rivets, each with a ring in its mouth (one ring missing, one boss an early replacement), narrow brim rising to a point at the front and rear, decorated at its edges with a roped inward turn (the right side showing two short cracks), struck with Nuremberg mark and a small serial mark at the front (the points each with a small hole, plume -holder missing), the skull decorated with etched and gilt bands of interlaced foliate scrollwork encircling the figure of Mutius Scaevola before Porsena on one side and Marcus Curtius leaping into the gulf on the other, the comb with further etched and gilt bands of running foliage and a central-cabled medallion framing, on the respective faces, the arms of the Dukes of Saxony and the Archmarshallship of the Holy Roman Empire, the brim decorated with etched and gilt bands of running scrolls, and retaining much original gilding and early blued finish throughout (the bluing largely oxidised), 30cm; 11 3/4in high, Provenance, The Saxon Electoral Armoury, Dresden, Rutherford Stuyvesant, Important Austrian Art, sold Christie's London, 1993, lot number 113, Literature, The Arms and Armour Collection of Rutherford Stuyevesant, 1914, cat. No. 26. This helmet belongs to a distinctive group which was first made for the Trabantenleibgarde of the Elector August I of Saxony (1553-86) and continued to be used, and possibly added to, in the time of his successors Christian I (1586-91) and Christian II (1601-11). Originally this would have matched the black doublets and yellow trunk hoses of the uniform of the guards. A large number of helmets from this group, which may have included the present example, were removed from the Electoral armoury in the 1830s and sent to the State Opera House in Dresden for theatrical use, many of which were seen there by Bashford Dean in 1912. See H. Nickel 1989, pp.117-21 and I. Eaves 2002, pp. 149-150.
A George III carved oak eight-day longcase clock, maker Henry Deykin of Worcester, the arched brass dial with griffon roundel over a silvered Roman and Arabic numeral chapter, subsidiary seconds dial and crescent dated aperture, applied with pierce gilt metal spandrels, within an arched hood on a trunk with arched door on plinth base and ogee bracket feet, 245cm high x 52cm wide.
Edwardian Chippendale style mahogany longcase clock, the hood with central ball finial, swan neck pediment and reeded pillars, the trunk with astragal glazed door, standing on bracket feet - arch shaped silvered dial with engraved and pierced gilt metal scrolls, subsidiary dials for chimes and subsidiary seconds. Retailers plate for J Haslehurst, Weston-Super-Mare - the eight day movement with Westminster Whittington and St Michael chimes on nine tubes, 249cm high
A Guernsey inlaid mahogany longcase clock Regency period, the arched painted dial signed 'J. Alcock Guernsey', with Roman numerals, subsidiary seconds & date dials, floral painted spandrels and moon phase roller above painted with scenes of a rural landscape with bridge and a three masted galleon, the 8 day movement striking on a bell, the case with broken arch pediment with brass floral mounts and satinwood & rosewood banding, above an arched glazed door with boxwood stringing linked by tapering satinwood strung pillars, the trunk with canted corners inlaid with satinwood & rosewood and an arched door with a boxwood inlaid Gothic arch, on a figured, inlaid & crossbanded mahogany base, lacks plinth, 81.75in. (207.5cm.) high.
An early 19th century mahogany longcase clock the arched painted dial signed 'Jn James Egham', with painted Roman numerals, subsidiary seconds and date dial, painted gold shells to spandrels, Strike/Silent to arch, eight day movement striking on a bell, the case with brass eagle and ball finials to the arched pediment, above an arched glazed door flanked by fluted columns, the trunk with an arched door, on a stepped plinth, 89.25in. (227cm.) high.
A late Victorian horn elephant's head walking stick the horn grip well carved as a elephant's head with extended trunk, with inset glass eyes, above an engraved silver collar marked Birmingham 1892, maker probably Thomas Ducrow, on a tapering ebonised shaft (probably rosewood), 34.5in. (87.5cm.) long.
A 19th Century mahogany wall clock, having circular white enamel Roman numeral dial, 8 day twin train movement striking on a gong, surmounted by a circular hood with fluted carved decoration, the trunk case fitted arched panelled door within canted angles, 150cm high x 44cm wide-see illustration
A Georgian oak and mahogany cross banded long case clock, surmounted by broken arch pediment and central brass orb with ho-ho bird finial, hood enclosing a brass and silver dial with spandrels and engraved decoration of ship and flowers, inscribed Standring, Bolton, having seconds and calendar subsidiaries, 8 day movement striking on a bell, shaped trunk door within turned half columns above a box base raised on bracket feet, 220cm high
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