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66972 Los(e)/Seite
Los 1
An early 19th century mahogany eight day longcase clock, the arched twelve inch dial with Roman and Arabic numerals, subsidiary seconds dial and twin date apertures and painted with rosette carved swan neck pediment and brass capped columns above the trunk and pedestal base on bun feet, 218cm high.
Los 1
An early 19th Century mahogany crossbanded oak longcase clock the hood with scrolled broken pediment, the trunk having a shaped edge door, and with a thirty hour striking movement having a painted dial depicting . A young woman reading, a brightly coloured bird and floral spandrels, inscribed Christ. Talham, Cockermouth, 6 ft 6 inches high
Los 1
19th Century crossbanded mahogany longcase clock, the hood with swan neck pediment and spiral twist pillars, the trunk with decorative moulding to the panels, arch shaped moon phase painted dial with seconds hand and subsidiary calendar dial signed John Murray Lockerbie - eight day striking movement, 235cm high
Los 1
18th Century oak longcase clock, the hood with brass finials to the pagoda top, the trunk with long door and later carving, the moon phase arch shaped brass dial having fan shaped calendar aperture and signed George Donisthorpe, Birmingham No.1013 - eight day striking movement, 250cm high - see colour illustration
Los 1
A GEORGIAN OAK LONG CASE CLOCK having a flat-topped hood with moulded cornice above a glazed square door between turned columns. The trunk having a shaped door between chamfered columns on a plain base and bracket feet. The 8 day brass dial with cast spandrels, silvered chapter ring with Roman hours and Arabic minutes. Inscribed Simpson, Wigton, with sun and moon phases and date aperture. Sold with weights, pendulum and crank key. 209cm high.
Los 1
A MAHOGANY 8 DAY BRASS DIAL LONG CASE CLOCK having a broken arch pediment with etched glass inserts and turned finials. The arched glazed door between reeded Corinthian columns. The trunk having a long shaped door between canted reeded corners over a panelled base. Dial arch having a painted rolling moon mechanism. The brass dial with Roman numerals, Arabic minutes and subsidiary seconds dial, all framed by cast spandrels. Sold with weights, pendulum and key. 207cm high
Los 1
AN ANONYMOUS GEORGIAN OAK EIGHT DAY LONG CASE CLOCK, the hood with swan neck pediment, Corinthian columns with brass capitals and base mounts, the trunk having a small door with plain panel beneath flanked by fluted columns, above a plain panelled base. The dial with painted spandrels framing a chapter ring with Roman numerals, second dial, and date aperture with crudely painted peacocks either side. 207cm high.
Los 1
THOMAS ADDISON - ULVERSTONE (1730-1767) A GEORGE II MAHOGANY 8-DAY LONG CASE CLOCK having a swan neck pediment over an arched glazed door and twisted columns. The trunk having a song bird and foliage inlaid frieze above a shaped and crossbanded short door with a central inlaid lozenge between twisted columns with a small inlaid panel beneath. The crossbanded base having a lozenge inlaid panel, raised on bracket feet. The arch of the dial painted with a father and child scene. The chapter ring having Roman numerals, Arabic seconds dial, framed by paintings depicting ruins and stately homes. Sold with weights and pendulum. 203cm high
Los 1
A GEORGIAN OAK 8 DAY LONG CASE CLOCK - R.W. SCURR - THIRSK, having a swan neck pediment over an arched glazed door flanked by turned columns with brass terminals. The trunk having a shaped door flanked by chamfered columns, plain base on bracket feet. The arch of the dial painted with a maritime motif, the chapter ring having Roman numerals and two subsidiary dials framed with painted spandrels. 215cm high (Sold with weight and pendulum)
Los 1
WILLIAM PORTHOUSE - PENRITH (1706-1790), 8 DAY OAK LONG CASE CLOCK, having a carved and moulded cornice, the glazed door flanked by carved columns. The trunk having a lunette carved frieze, highly carved trunk door within a border of guilloche design carving. The base equally highly carved, standing on bracket feet. The dial framed with applied brass spandrels, having a silvered chapter ring with Roman hours and Arabic minutes, enclosing the date aperture. Sold with weights and pendulum. 205cm high
Los 1
A Victorian oak mercury stick barometer, late 19th century, with foliate carved break-arch pediment above canted white enamel double vernier scales signed W. ARONSBERG & CO. 12 VICTORIA STR. MANCHESTER behind bevelled glass, the trunk with foliate carved panels above glazed mercury thermometer and conforming apron panel, with cartouche centred cistern cover to the circular base, 108cm high overall.
Los 1
A George III mahogany stick barometer, late 18th century, with broken pediment above rectangular silvered scale with mercury thermometer, vernier scale and signed DOM'co BARELLI, LONDON behind glazed door, above caddy moulded and line border inlaid trunk with exposed tube and moulded domed cistern cover to the circular base, 96cm high overall. Provenance: Private collection, Worcestershire.
Los 1
A George III mahogany stick barometer, circa 1800, with broken pediment above rectangular silvered scale with alcohol thermometer, vernier scale and signed F. Bernascone, Haverfordwest, Warranted behind glazed door, above caddy moulded trunk with exposed tube and moulded domed cistern cover to the circular base, 98cm high overall. Provenance: Private collection, Worcestershire.
Los 1
A mahogany eight-day longcase clock Tanner, Lewes, early 19th century The four-pillar rack-striking movement with Finnemoore & Son false plate and now striking on a gong, the 12 inch white painted Roman numeral break-arch dial with subsidiary calendar and seconds dials and signed TANNER LEWES, with gilt foliate painted spandrels and STRIKE/SILENT dial to arch, in a case with brass ball-and-spire finials to the fretwork crest applied break-arch cornice, above brass stop-fluted pilasters to hood and break-arch trunk door flanked by quarter columns to angles, on plinth base with applied mouldings to front and double skirt, 236cm high overall. Probably Thomas Tanner who is recorded in Loomes, Brian Watchmakers & Clockmakers of the World Volume 2 as working in Lewes circa 1839.
Los 1
A mahogany eight-day longcase clock Reid & Son, Edinburgh, early 19th century The four-pillar rack and bell striking movement with 13 inch cream painted Roman numeral break-arch dial with subsidiary seconds and calendar dials and signed REID & SONS, EDINBURGH to centre, with figural polychrome painted Four Seasons spandrels beneath scene with musicians to arch, the swan neck pedimented case with reeded pilasters to hood above short rectangular trunk door flanked by quarter columns, on panel fronted plinth base, 211cm high.
Los 1
A Queen Anne walnut and marquetry eight-day longcase clock J. Harmer, London, circa 1705 The four (formerly six) finned and latched pillar inside countwheel bell-striking movement with large plates, original anchor escapement and unusual back-cock with pendulum suspension block mounted onto removable tapered end-plate, the 12 inch square brass dial latched to the movement and with subsidiary seconds dial, calendar aperture and signature cartouche J Harmer, London to the rosette decorated matted centre, within an applied Roman numeral chapter ring with sword hilt half hour markers and Arabic five minutes, the angles with twin cherub and crown pattern spandrels with foliate engraved infill between, in a case with moulded cornice and fretwork frieze above integral ebonised twist turned pilasters to the floral marquetry decorated hood door, with concave throat moulding and later bird and flower panel inlaid trunk door with lenticle, on restored plinth base with conforming decoration and moulded skirt, 221cm high. Probably Jasper Harmer who is recorded in Loomes, Brian The Early Clockmakers of Great Britain as working from circa 1685.
Los 1
A George III figured mahogany eight-day longcase clock William Webster, London, circa 1760 The five-pillar rack and bell striking movement with anchor escapement and 12 inch brass break-arch dial with calendar aperture, subsidiary seconds dial and silvered signature plaque W'm Webster, Exchange Alley, LONDON to the matted centre, within applied silvered Roman numeral chapter ring with Arabic five minutes and mask and scroll spandrel applied angles, the arch with strike/silent dial flanked by dolphin cast mounts, in a pagoda pedimented case with ball and spire top finial and brass stop-fluted pilasters to hood above break-arch trunk door and raised panel fronted plinth base with stepped skirt apron, 239cm high excluding top finial. William Webster is recorded in Britten, F.J. Old Clocks & Watches and their Makers as working in Change Alley from 1734 taking over the business from his father, who was journeyman to Thomas Tompion, in 1735. He was elected Master of the Clockmakers Company in 1755 and died in 1776.
Los 1
A George III figured mahogany eight-day longcase clock Henry Jenkins, London, circa 1770 The five-pillar (centre removed) rack and bell striking movement with anchor escapement and 12 inch brass break-arch dial with calendar aperture and recessed subsidiary seconds dial to the matted centre, within an applied Roman numeral chapter ring with Arabic five minutes and signed Henry Jenkins, London, No. 2789, with foliate scroll cast spandrel applied angles beneath arch with strike/silent dial flanked by conforming mounts, the break-arch pedimented case with brass stop-fluted pilasters to hood above break-arch trunk door and raised panel plinth base with skirt apron, 222cm high. Henry Jenkins is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working circa 1730-88. He is particularly well known for complicated astronomical clocks, a fine musical astronomical pedestal clock is in the British Museum's collection.
Los 1
A fine inlaid pollard oak quarter chiming eight-day longcase clock with Halifax moon Seddon, Frodsham, circa 1740 The substantial five finned pillar three-train rack and bell striking movement chiming the quarter on six bells, with 12.5 inch brass break-arch dial with ringed winding holes, rosette centred subsidiary seconds dial, calendar aperture and applied shaped silvered nameplate Seddon Frodsm to the wheat-ear border engraved matted centre, within an applied silvered Roman numeral chapter ring with foliate half hour markers and Arabic five minutes and large winged cherub head cast spandrels to angles within a wheat-ear engraved border, the arch with central revolving moon calibrated for the lunar month to equator flanked by dolphin cast mounts beneath conforming engraved border, the break-arch case with moulded cornice and fluted pilasters to hood above shaped-top trunk door with central parquetry star to the book-matched veneers, on conforming plinth base with ogee bracket feet, 234cm high excluding finials. Records relating to the Seddon family of clockmakers from Frodsham, Cheshire first appear in the Parish baptismal entries for the children of Mary Cook and John Seddon (described as a clockmaker by trade) in 1676, followed by the supposed supplying of a turret clock by John Seddon to Poole Hall in 1704. Frodsham Parish records apparently further record a John Seddon complaining of an Edward Cook in 1713. Finally Daniel Seddon, Clockmaker from Frodsham, is recorded as working 1754-85. As the general style of the movement, dial and case coupled with the use of a so-called Halifax moon in the arch (a term coined after John Ogden of Halifax who often used this feature in his clocks during the second quarter of the 18th century) suggest a date of circa 1740, it is probable that this clock was made by a relative (probably the father) of Daniel Seddon.
Los 1
A Queen Anne figured walnut eight-day longcase clock P. Runbaule, London, early 18th century The five finned pillar rack and bell striking movement with 12 inch square brass dial with engraved calendar aperture, ringed winding holes and subsidiary seconds dial to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes, fleur de lys half hour markers and signed P. Runbaule, Londini to lower edge within twin cherub and crown pattern spandrel applied angles and herringbone engraved border with S/N lever at 12 o'clock, the case with moulded cornice and blind fret frieze above integral pilasters to hood, with rectangular trunk door and on re-built plinth base, 219cm high.
Los 1
a 19th century carved and stained oak longcase clock the twin train movement with anchor escapement, the leaf scroll pediment centred by a cockerel above arched dentil frieze and a brass and silvered dial with rococo spandrels, subsidiary seconds and calendar dial, inscribed 'Tempus fugit' to the arch, the lion mask carved trunk door between fruting vine pilasters and leaf scroll carved sides, the similarly decorated panelled apron on plinth base 229cm high
Los 1
a George III period oak longcase clock by George Scot, Canongate the twin train movement with anchor escapement, the swan neck pediment with brass roundels above a shell and 'dolphin' arabesque scroll engraved brass dial with Roman chapters, subsidiary seconds dial and calendar aperture, signed 'Geo Scot Canongate' to the arch, the arched trunk door between reeded quadrant corners, on plain apron and bracket feet 198cm high
Los 1
a monumental late 18th century mahogany 8-day longcase clock charles Graham, Edinburgh the twin train movement with anchor escapement, the arched brass dial with silvered chapter ring enclosing subsidiary seconds and date dials with moon phase to the arch, the hood with swan neck pediment above reeded brass columns, the shaped trunk door flanked by inset brass pilaster columns, the panelled and moulded base raised on bracket feet 279cm high
Los 1
an early 19th century mahogany 8-day longcase clock by Andrew Smith, Tranent the twin train movement with anchor escapement, the circular painted dial with subsidiary seconds and date dial, the drum hood above panelled trunk door flanked by turned columns above a panelled base on bracket feet 206cm high
Los 1
a George III period oak and mahogany crossbanded longcase clock by R. McAdam, Dumfries the twin train movement with anchor escapement, the swan neck pediment above an enamelled Roman dial signed R. McAdam, Dumfries with subsidiary seconds and calendar dials and floral painted spandrels, the arch decorated with a pastoral landscape of watering cattle, the trunk door between reeded quadrant corners, the apron formerly on bracket feet 210cm high
Los 1
A 19th century pine longcase clock, the hood with a broken swan neck pediment and Ionic columns above a long trunk door, box base and bracket feet, the 33 cms dial painted to the arch with a farmstead with windmill spandrels with Roman numerals and calendar aperture inscribed Thomas Davies Llandovery, the 30 hour movement striking on a bell, 210 cms high.
Los 1
A 19th century oak and mahogany longcase clock, the hood with broken swan neck pediment and fluted Ionic columns, above a long trunk door and box base, the 33 cms diameter circular dial with Roman numerals inscribed William Holliwell, Derby, the 30 hour movement striking on a bell, 208 cms high.
Los 1
A 19th century mahogany longcase clock, the hood with broken swan neck pediment and turned columns above a short trunk door and box base, the 33 cms dial painted with cottage and windmill to the arch and cottage spandrels, the dial with Roman numerals, seconds subsidiary dial and calendar aperture, the eight day movement striking on a bell, inscribed W Spiridion, Cardiff, 222 cms high.
Los 1
A circa 1830 oak longcase clock by Thomas Fuller of Bury St Edmunds, having a domed hood with pierced fretwork, fluted pilasters flanking painted arch dial, width 12Ó, signed to the centre, having Arabic numerals, subsidiary seconds dial and rolling date dial, twin winding holes for an eight day four pillar weight driven movement, striking on a bell, the trunk with arched panel door to a box base on replacement plinth, height, 217cm (Illus.)Footnote: Thomas Fuller is recorded in Suffolk Clocks & Clockmakers by Haggar & Miller as follows; FULLER, THOMAS, Bury St Edmunds, 1823-1846, recorded as a watch and clock maker in Guildhall Street, Bury St Edmunds in 1823 directory, but later directories (1830, 1839, 1844 & 1846) give his address as 3 Churchgate Street. May have earlier been in partnership with Thomas Chaplin
Los 1
A mid 18th century oak longcase clock, having a step cornice and plain frieze above a square brass dial, width 11Ó, the silver chapter ring having Roman numerals, signed to the centre George Washbourn of Gloster (sic), single blue steeled hand and cast brass mask corner spandrals, thirty hour weight driven movement striking on a bell, the trunk with plain panelled door on a box base, height 191cm (Illus.)
Los 1
An early 19th century oak longcase clock with square brass dial, width 12Ó, having later arch, silver chapter ring signed John Mears, Gosport, having Roman and Arabic numerals within cast brass corner spandrels, matted centre with subsidiary seconds dial and date aperture, twin winding holes for an eight day weight driven five pillar movement, striking on a bell, the hood having turned yew wood pilasters, the trunk with plain panel door to a boxbase (with alterations), height 204cm (Illus.)
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66972 Los(e)/Seite