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Witkowski, G.J. A Movable Atlas of the Human Body London: Baillière, Tindall, & Cox, [n.d.] 5 parts, folio, comprising: The Tongue and Throat (second edition); Neck and Trunk; The Eye; The Mechanism of Hearing; The Skull [and brain]; The Skeleton and its Articulations; all in original paper-covered boards with coloured movable anatomical parts and text booklets; Cathcart, Charles W. & F.M. Caird Johnston's Students' Atlas of Bones and Ligaments. Edinburgh: W. & A.K. Johnston, 1885. Folio, original green cloth gilt, a little faded, a student's anatomical drawings to initial leaves, ownership signature (6)
MOYNAT PARIS - Vintage metal and wood-bound canvas-covered travelling trunk, original paper label inside lid dated 1920, 100cm x 50cm, height 47cmThere are a number of age related splits in the lid which has also split the canvas covering, also the metal surround is dented and slightly buckled through normal use, old luggage labels on either end, no key
GRIFFITH OWEN LLANRWST MAHOGANY LONGCASE CLOCK, 14in square dial with painted spandrels, Roman numerals with subsidiary seconds dial and date aperture before a twin-weight pendulum driven bell strike movement, pendulum and weights included within a single glazed door hood having a broken swan neck pediment and turned pillars, repeated but in oak flanking the short trunk door on a stepped trunk base, 225cms overall H, 55cms max W (slight restoration required)
1st century BC-1st century AD. A fine alabaster statue of Venus (Greek Aphrodite) of Medici type, the nude goddess of love shown standing, leaning slightly forward with her weight on her left leg, right leg slightly bent and advanced, the arms would have originally covered her modesty, head turned to left with idealised soft facial features and serene expression, a fillet to her wavy hair tied in chignon at the nape of the neck, the hairstyle resembling closely that of the Capitoline Venus; behind her Cupid standing next to a small tree trunk, tail of a dolphin above his head; mounted on a custom-made display stand. Cf. Pasquier, A., Martinez, J.L., Praxitele, Musee du Louvre, Paris, 2007, pp.146-149, fig.109; Havelock, C.M., The Aphrodite of Knidos and her Successors, University of Michigan, 1995, pp.74-80, fig.19; Smith, R.R.R., Hellenistic Sculpture, London, 1991, pp.79-83, fig.100. Exhibited at Tefaf, Maastricht, 15-24 March 2013. 1.3 kg total, 28cm including stand (11"). Property of a Dutch collector; formerly exhibited at Tefaf, Maastricht (15-24 March 2013); acquired on the European art market between 1990-1995; in a private Frankfurt, Germany collection; accompanied by copies of two previous catalogue entries; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no. 10533-171171. This statue closely resembles the marble statue 'Venus de' Medici' today in the Uffizi Gallery in Florence, from which the type derives its name. The Medici Venus is now considered to be the work of a Greek sculptor, possibly Kleomenes, from circa 100 BC (probably from an Athenian workshop) deriving from an original of the time of Praxiteles, 4th century BC. [A video of this lot is available to view on TimeLine Auctions website.] Fine condition. Rare.
14th-15th century AD. A large and heavy tip of a battering ram formed from a mature tree trunk, trimmed to a point and fitted with a blacksmith-made wrought iron pyramidal tip secured to the ram with four long projections, each held in place with four large iron spikes. 23 kg, 77cm (30 1/4"). Property of a London gentleman; previously in an old European arms and armour collection. A most unusual survival of a brutal piece of siege equipment. [No Reserve] Fine condition. Rare.
An early 18th century and later walnut and marquetry inlaid longcase clockthe dial signed for Sam(uel) Pitts, Londonthe caddy top above a pierced scrolling sound grill with twin brass orb and spire finials, the hood with half columns to the corners below a similar sound grill , the trunk with panelled door with bird and floral vase decoration and circular lenticle, on corresponding moulded stepped plinth base, the 12'' square brass dial with silvered Roman chapter ring and scrolling grotesque mask head spandrels, the matted centre with twin turned winding holes, subsidiary Arabic seconds below twelve and date aperture above six, the brass four pillar twin train movement with anchor escapement, striking on a bell, with case key, pendulum, winding crank and twin weights, 238cm high approximatelyFootnotes:Samuel Pitts was apprenticed in London in 1689, but he moved to Bristol, where he married, and was there active from 1694 till 1750.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A good petrified tree trunk cross-sectionprobably Triassic period, Arizona, USAwith highly polished plane surfaces, 43.5 wide approximatelyThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A CHINESE JADE 'BOYS AND ELEPHANT' GROUP, probably Qing Dynasty, carved standing foursquare with the trunk swaying to the left, caparisoned with a tasselled saddle-cloth, two boys with jovial expression clambering on its back, the stone of green tone with russet inclusions. 7.5cm high, 9cm long
A VICTORIAN OAK AND MAHOGANY 8-DAY LONGCASE CLOCK, the 13.5 inch painted arch dial signed T C Hammond Richmond, with date crescent and subsidiary seconds, the hood with swan neck pediment and ring turned baluster columns, the case with inlaid trunk door. 235cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.With two weights pendulum and winder.
A 17TH CENTURY OAK 8-DAY LONGCASE CLOCK, the 12 inch square brass dial signed Stringer Stockport, with three ringed apertures and subsidiary seconds dial, the hood with moulded projecting cornice above a carved frieze over a pair of tapering columns, the case with rectangular trunk door and plain base. 1194.5cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Two weights and pendulum.
A 17TH CENTURY OAK 30-HOUR LONGCASE CLOCK, the 9.5 inch square brass dial signed Thomas Cattell Londini Fecit, with single pointer, applied winged cherubic mask spandrels, the hood with moulded caddy top, the trunk with long slender rectangular door, raised on a plinth base. 192cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Back boards replaced, case and movement in our opinion are original.
A 17TH CENTURY OAK 30-HOUR LONGCASE CLOCK, the 11.3/4 inch square brass dial signed John Walter of Honiton Fecit with ringed centre and date aperture, the spandrels cast as putti holding aloft a crown, the hood with moulded cornice over a trunk with long moulded door above a short base. 203.5cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Complete with weights and pendulum.

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