A George III oak eight day longcase clock, the painted 38.5cm dial with Roman numerals, subsidiary seconds and date aperture signed St Newness Whitchurch, with moon phase dial decorated with a ship and a cottage, with movement striking on a bell, with the broken swans neck hood with brass flower head roundels, the trunk with an inlaid serpentine door and fluted corner pilasters, on bracket feet, 233cm. With a George III oak hanging corner cabinet, with panelled door, 100cm H x 79cm W (2) CONDITION REPORT: The movement and case may not be original. The back of the hood has a flange so you have to lift it over the dial before you slide it back. The top of the back board has been altered and the seat board may not be original. Case tired with cracks and repairs. Appears to be part of the moulding to the edge of the trunk (behind the door) which is replaced or loose. No key or winder. Some attention will be needed. Not currently running.
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18th Century oak longcase clock by Nathaniel Hedge of Colchester, stepped hood having blind fret decoration, arched shaped glazed door flanked by tapered cylindrical pillars, copper trunk with arch shaped long door and standing on bracket feet, arched shaped brass dial with silvered chapter ring, Roman and Arabic numerals, subsidiary seconds dial and calendar aperture, eight day striking movement Condition:
Bloor Derby Pair of Musician Figures, the lady, perching on a tree trunk, with a sheep standing close to her right, is shown playing a lute; well dressed, a swathe of cloth from her turban style hat is billowing in the breeze; the gentleman, similarly perched, accompanied by a seated pet dog, is playing bagpipes; both elaborately dressed, shown in white with allover gilt decoration, with flesh tones and contrasting black shoes and hat, each set on a typically shaped rococo Derby base; 5 and 5.5 inches high; partial red circle Bloor, Derby mark to underside of male; c1835 ( restoration to lute, arms and sheep, his hand and tip of hat) NB A pair showing the same couple, made in Staffordshire, is lot 587
Charles Meigh Large' Bacchanalian Dance' Jug, the typical Meigh, smear glazed stoneware jug, showing crisply moulded classical figures indulging in Bacchanalian revelry, in two panels around the body of the jug, with grape and vine decoration to the neck, spout, handle and base; the trunk of the vine separates the two panels, one after a Poussin, the other a Rubens; the design, registered in 1844, was award winning and very popular with Meigh's 19thC buyers; 10.5 inches high; unmarked
Staffordshire Pair of Musician Figures, each wearing detailed clothes in gilt on white and seated on a tree trunk, the lady playing a lute, the gentleman, the bagpipes; the lady's headgear has a veil billowing in the breeze, the gentleman's is in a Scottish style; each set on a grassy mound with a rococo scrolled base; 6 inches high (restoration to man's right hand and chanter)
Five Various Moulded Jugs With Exotic Scenes comprising an Alcock white jug showing a camel and rider being handed a drink by a water carrier, amid palm trees, the handle being a bifurcated palm tree trunk; unmarked, c1854; 8.5 inches high; a white bisque jug with scenes of elephant and horse riders involved in a battle; 8 inches high; c1855; a glazed white jug with gilt highlights showing North African scenes of four men, two of whom are playing stringed musical instruments, to one side, and two ladies being entertained by a musician playing a struck instrument, to the other; 8.25 inches high overall; plus two similar, graduated taupe colour jugs with camel and elephants with riders on opposing sides; 6.25 and 5 inches high (5)
A George III mahogany long case clock, the hood having a pagoda top over reeded columns, the trunk with quadrant columns and panelled box base, raised on a bracket plinth, with an eight day, bell strike movement, with night/day dial, subsidiary seconds and date aperture, inscribed Willm Murray Lynn and Highwater at Lynn to the top, 98 h
GEORGE III MAHOGANY LONGCASE CLOCK, with rolling moonphase, Signed J. Lister, Halifax, the 14" painted Roman dial with subsidiary seconds and date dials and spandrels painted as rural maids, set beneath a rolling moonphase to the arch and powered by an eight day movement, chiming on a bell, housed in a case with swan neck pediment, and capped free standing and fluted fore columns, over a flame cut trunk door with shaped top, flanked by reeded forecorners and raised on a conforming crossbanded base with bracket feet, 92" (233.7cm) high
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66969 Los(e)/Seite