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66969 Los(e)/Seite
Los 1115
19TH CENTURY REGULATOR LONGCASE CLOCK BY GAYDON OF BRENTFORD, large single weight driven movement with a deadbeat escapement, silvered dial, two dials for seconds and hours, outer minute track with corresponding minute hand, with arched hood above a glazed trunk revealing a pendulum with time compensating mercury bob, on a block base, 202cm high
Los 1121
19TH CENTURY MAHOGANY LONGCASE CLOCK, by John Briggs of Gargrave, with two train movement, the painted white dial with Arabic numerals, subsidiary seconds and calendar dials, painted spandrels, the pillared hood with broken swan neck pediment, above a inlaid trunk and block base, 232cm high
Los 1131
EARLY 19TH CENTURY LONGCASE CLOCK, by James Low of Arbroath, with two train movement, the brass dial with Roman and Arabic numeral chapter ring, subsidiary seconds dial and calendar aperture, the pillared hood with moulded dentil broken pediment, above a blind fretted cornice, above a waisted oak trunk and block base, 217cm high
Los 5167
A Fine Quality and Large Brussels Point De Gaze Needle Lace Fan of unusual design, with a bird in flight approaching a palm tree. The resin or perhaps ''blonde tortoiseshell'' monture is plain other than gentle shaping at the head. The deep leaf has been produced by a very competent lace maker, incorporating unusual motifs. From the left, deep seed pods, such as seen on poppies, are accompanied by leaves. In the next section, a bird approaches a leaning palm tree, certainly a botanical specimen that would appear to have a trunk. From the centre to the far right, three sprays of flowers more usually seen on this type of lace. The upper border is resplendent with intricate fillings and many more flowers. Lace the original off-white colour. Guard length 13 inches or 33cm.. Very good. Lace crisp.
Los 1202
KLINGER, MAX KLINGER, MAX 1857 Leipzig - 1920 Großjena/ Naumburg Titel: Badende, die sich im Wasser spiegelt. Technik: Bronze. Maße: 24,5cm. Bezeichnung: Bezeichnet auf dem Stamm: MK (lig.). Rahmen/Sockel: Marmorsockel. Provenienz: Privatbesitz, Deutschland. Die Darstellung des nackten Körpers ist in dem umfangreichen malerischen, graphischen und bildhauerischen Oeuvre des vor 100 Jahren verstorbenen und in diesem Jahr in Ausstellungen in Leipzig und Bonn gefeierten Symbolisten Max Klinger oftmals aufgegriffen worden. In der vorliegenden Bronzeskulptur steht jedoch die Schönheit des weiblichen Körpers und das harmonische Zusammenspiel aller seiner Partien im Vordergrund. Die Figur ist eine allansichtige Weiterführung der als "Reue" bezeichneten linken Sockelfigur aus Klingers monumentalem Werk "Christus im Olymp" (Dauerleihgabe des Belvedere Wien im Museum der Bildenden Künste Leipzig). Die "Badende" zeichnet sich insbesondere durch ihre narzisstisch anmutende nach vorne und gleichzeitig nach links gebeugten Körperhaltung und den auf dem Rücken verschränkten Armen aus, die den Betrachtenden immer wieder neue Blickperspektiven von allen Seiten auf die ausgewogene Komposition darbieten. Erläuterungen zum Katalog Max Klinger Deutschland Berliner Sezession 2.H. 19.Jh. Bronzen Akte Bronze Figur / Figuren KLINGER, MAX KLINGER, MAX 1857 Leipzig - 1920 Großjena/ Naumburg Title: Bathers Reflected in the Water. Technique: Bronze: Measurement: 24,5cm. Notation: Inscribed on the trunk: MK (lig.). Frame/Pedestal: Marble base. Provenance: Private ownership, Germany. The depiction of the naked body has often been taken up in the extensive painterly, graphic and sculptural oeuvre of the symbolist Max Klinger, who died 100 years ago and was celebrated this year in exhibitions in Leipzig and Bonn. In the present bronze sculpture, however, the beauty of the female body and the harmonious interplay of all its parts are in the foreground. The figure is an all-view continuation of the left pedestal figure, known as "Repentance", from Klinger's monumental work "Christ in Olympus" (on permanent loan from the Belvedere Vienna at the Museum of Fine Arts Leipzig). The "Bather" is particularly distinguished by her narcissistically appearing posture, bent forward and at the same time to the left, and the arms crossed on her back, which offer the viewer ever new perspectives from all sides on the balanced composition. Explanations to the Catalogue Max Klinger Germany Berlin Secession 2nd half of 19th C. Bronzes Nudes Bronze Figure / Figures
Los 904
A Chinese crackleglaze blue and white vase, 20th century, painted figures in a garden, height 18cm, together with a Japanese vase, a figure group and two other items (5).Condition report: Elephant lacking trunk, chip to rim of Japanese vase, flaking to paint on ceramic group. Extra images on David Lay website.
Los 7
Sir William Nicholson (British, 1872-1949)Alcazar Gardens oil on panel32 x 40.5 cm. (13 x 16 1/8 in.)Painted in 1933Footnotes:ProvenanceWith The Leicester Galleries, London, 1943Collection of Gordon Binnie by 1956, thence by family descentPrivate Collection, U.K.ExhibitedLondon, The Leicester Galleries, Paintings by Sir William Nicholson, April 1943, cat.no.26Hove, Hove Museum, An Exhibition of Work by Sussex Painters: Past and Present, 16 June–16 September 1951LiteratureLillian Browse, William Nicholson, Rupert Hart-Davis, London, 1956, p.104, cat.no.446 (dated 1935)Patricia Reed, William Nicholson: Catalogue Raisonné of the Oil Paintings, Yale University Press, London & New Haven, 2011, p.531, cat.no.685William Nicholson's Spanish paintings of the 1930s are mainly associated with Malaga and the hills above the port: Plaza da Torres, Malaga (1935, Tate Britain) and the area around Segovia: The Road to Zamarramala (1936, Sheffield City Art Gallery) where he travelled with the novelist Marguerite Steen, who later wrote his biography. However Nicholson's first experience of Spain was a six week stay in Seville, January-February 1933. He was in the company of his old friend and patron, Mrs Ada Pringle, who had already made several visits to Spain. As she was recuperating after an operation they did not go far from their hotel in the centre of town.Seville, the birthplace of his favourite artist, Velazquez, delighted Nicholson. It was also his first introduction to Moorish design and architecture, and he paid frequent visits to the Alcazar and its gardens. Made up of a series of compartment gardens that had evolved over the centuries and planted with myrtle hedges, orange groves, roses and many species of palms that Nicholson had never seen before, the whole area was overgrown and full of mystery.In the present work Nicholson has cropped the image in order to focus on the trunks of the palm trees – the oldest trees known to man. A Pindo palm or Jelly palm (Butia Capitata) appears left of centre, its trunk is covered with the stubs of dead palm leaves, their descendants – feathery palm fronds, curving gracefully down to the left. Unidentified palms to left and right with the diagonal of what is probably a young palm of the tall, spindly type with fan-shaped leaves that Nicholson had featured in Bombay Landscape and Bombay Outskirts (both 1915), and also in his pen and ink street scenes of 1920, such as Place de la Liberté (Sold in these rooms, 11 November 1999, lot 227). In the shadows of the middle distance (right) a couple move along an unseen path – the woman in a purple kaftan and the man in a striped shirt. The foreground left is animated by a pair of white doves. The limited palette, use of impasto and strong shadows add to the drama. We are grateful to Patricia Reed for compiling this catalogue entry.For further information on this lot please visit Bonhams.com
Los 297
CABINETMAKER'S SAMPLE MINIATURE MAHOGANY LONGCASE CLOCK EARLY 19TH CENTURY the swan neck pediment above an arched 5 1/4 in. brass dial with Roman numeral chapter and basket engraving to the arch, flanked by bobbin moulded corners, above a shaped trunk door flanked by futher bobbin moulding, on a plinth base raised on bracket feet; the eight day twin train movement striking a bell(104cm high, 27cm wide, 14cm deep)
Los 57
GEORGIAN OAK LONGCASE CLOCK, JOHN BOWN, PORTSEA 18TH CENTURY the signed brass dial with a silvered Roman numeral chapter, date aperture and subsidiary seconds dial, in a case with a dentil moulded cornice, above a shaped trunk door and plinth base; the eight-day twin train movement striking a bell(56cm wide, 190cm high, 29cm deep)
Los 66
SCOTTISH OAK LONGCASE CLOCK, J. & W. MITCHELL, GLASGOW 19TH CENTURY the circular Roman numeral enamel dial with two winding holes and a subsidiary seconds dial, in an straight oak case with moulded trunk door and conforming plinth base; the eight day twin-train movement striking a bell(48cm wide, 185cm high, 25cm deep)
Los 88
GEORGE III BLACK LACQUERED LONGCASE CLOCK, ROBERT CLIDSDALE, EDINBURGH 18TH CENTURY the arch brass dial with a silvered chapter ring marked with Roman and Arabic numbers, with a matted centre with two winding holes, date aperture, subsidiary seconds dial, and Strike/Silent dial to the arch, the name plate signed 'Robt Clidsdale/ Edinburgh', in an arch moulded hood and corner columns, above an arch moulded trunk door with prints of George III and Queen Charlotte, on a plinth base decorated with Chinoiserie; the eight day twin train movement striking a bell(49cm wide, 222cm high, 23cm deep)
Los 328
Four late 19th Century novelty sewing companions, comprising an example in red silk and plush in the form of a house with painted figures, door and windows, the interior with oval mirror and five bone tools, 11.5cms, another in red paper as a handbag with falling sides with eight white metal tools and accessories, 14cms, a brown plush example as a trunk, 10.5cms, and another. (4) From a European Collection
Los 481
Sale Item: ORIENTAL CAMPHOR TRUNK Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
Los 157
TAFELAUFSATZ "DREI GRAZIEN". TAFELAUFSATZ "DREI GRAZIEN". Meissen. Datierung: Vor 1924. Meister/Entwerfer: Modell J.J. Kaendler. Technik: Porzellan, farbig und gold staffiert. Beschreibung: Mit plastischen Blüten besetzter Schaft in Form eines Baumstammes, auf mit C-Schwüngen und Muschelwerk dekoriertem Rundsockel. Im Reigen um den Stamm drei anmutige, in Draperien gewandete Damen mit erhobenen Armen, eine im Blumenmuster durchbrochene Aufsatzschale mit zentralem Blumenbouquet haltend. Maße: Höhe 31cm. Marke: Schwertermarke, 2685, Bossierernr. 65, Malernr. 59. Erläuterungen zum Katalog Meissen Deutschland Porzellan 19./20. Jahrhundert Tafelaufsatz Kaendler, Johann Joachim TAFELAUFSATZ "DREI GRAZIEN". PORCELAIN CENTERPIECE "THREE GRACES". Meissen. Date: Before 1924. Maker/Designer: Model J.J. Kaendler. Technique: Porcelain, enriched in colours and gold. Description: The shaft in the shape of a trunk, decorated with threedimensional flowers, on round base with c-curves and shell-decor. Circling around the trunk, the three graces with raised arms, dressed in draped robes, holding a bowl with pierced rim and decorated with central flower bouquet. Measurement: Height 31cm. Mark: Swordsmark, 2685, porcelain former no. 65, painter no. 59. Explanations to the Catalogue Meissen Germany Porcelain 19th/20th century centerpiece Kaendler, Johann Joachim
Los 183
OBERBAYERISCHER SCHUHPLATTLER UND OBERBAYERISCHE SCHUHPLATTLERIN. OBERBAYERISCHER SCHUHPLATTLER UND OBERBAYERISCHE SCHUHPLATTLERIN. Meissen. Datierung: Vor 1924. Meister/Entwerfer: Modelle H. Spieler 1897/1898. Material: Porzellan, farbig und einmal sparsam gold staffiert. Beschreibung: Schuhplattler und Schuhplattlerin in detailreicher, oberbayerischer Tracht. Mit beschwingten Posen beim Tanz dargestellt. Beide auf flachem Rundsockel mit Dielenoberfläche und Baumstammstütze. Maße: Höhe 18,5cm / 14cm. Marke: Schwertermarke, Q190t/Q190u, Bossierernr. 77/123?, zweimal Malernr. 51. Das oberbayerische Tanzpaar entstammt einer Serie von 22 Trachtenfiguren, die die Manufaktur zwischen 1897 und 1898 von dem Bildhauer und Medailleur Hugo Spieler erwarb, der zu diesem Zeitpunkt eine Professur an der Kunstgewerbeschule in Dresden bekleidete. In der Reihe werden Trachten aus ganz Deutschland mit großer Detailsorgfalt illustriert. Erläuterungen zum Katalog Meissen Deutschland Jugendstil / Art Déco 19./20. Jahrhundert Tänzer Spieler, Hugo OBERBAYERISCHER SCHUHPLATTLER UND OBERBAYERISCHE SCHUHPLATTLERIN. PORCELAIN FIGURINES OF UPPER BAVARIAN SCHUHPLATTLER COUPLE. Meissen. Date: Before 1924. Maker/Designer: Models by H. Spieler 1897/1898. Technique: Porcelain, enriched in colours and once scarcely in gold. Description: Male and female Schuhplattler in detailed, Upper Bavarian traditional clothing. Shown with lively poses while dancing. Both on flat round pedestal with floorboards and tree trunk support. Measurement: Height 18,5cm / 14cm. Mark: Swordsmark, Q190t/Q190u, porcelain former no. 77/123?, both with painter's no. 51. The Upper Bavarian dancing couple originates from a series of 22 traditional costume figurines, which the manufactory acquired between 1897 and 1898 from the sculptor and medalist Hugo Spieler, who at that time held a professorship at the School of Arts and Crafts in Dresden. In the series, traditional attires from all over Germany are illustrated with great attention to detail. Explanations to the Catalogue Meissen Germany Art Nouveau 19th/20th century dancer Spieler, Hugo
Los 188
GROßER ARA. GROßER ARA. Nymphenburg. Datierung: 1920. Meister/Entwerfer: Modell Th. Kärner, 1913. Material: Porzellan mit farbigem Unterglasurdekor. Beschreibung: Großer, naturalistisch bemalter Ara auf einem stilisierten Baumstumpf sitzend. Maße: Länge 64cm, Höhe 36cm. Marke: Schauseitig gebläuter Blindstempel, Schildmarke geprägt, 364, 1, am Sockel bezeichnet T. Kärner, Malersignet R. Böck 1920. Literatur: Bröhan, Karl H. (Hrsg.:) Porzellan, Kunst und Design 1889-1939, vom Jugendstil zum Funktionalismus, Bestandskatalog Bd.V.2 des Bröhan-Museums, Berlin, 1996. Für das Modell vgl. S.182. Erläuterungen zum Katalog Nymphenburg Deutschland Jugendstil / Art Déco 1920er Vogel Kärner, Theodor GROßER ARA. LARGE PORCELAIN FIGURINE OF A MACAW. Nymphenburg. Date: 1920. Maker/Designer: Model Th. Kärner, 1913. Technique: Porcelain with coloured underglaze decoration. Description: Large, naturalistically painted macaw, sitting on a stylized trunk. Measurement: Length 64cm, height 36cm. Mark: On the front blue blind stamp, minted shield mark, 364, 1, on the pedestal inscribed T. Kärner, painter's signet R. Böck 1920. Literature: Bröhan, Karl H. (ed.) Porzellan, Kunst und Design 1889-1939, vom Jugendstil zum Funktionalismus, Bestandskatalog V.2 des Bröhan-Museums, Berlin, 1996. For this model compare p.182. Explanations to the Catalogue Nymphenburg Germany Art Nouveau 1920s Bird Kärner, Theodor
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66969 Los(e)/Seite