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Vinyl - Soundtrack / Jazz - Basil Kirchin – The Shuttered Room. Original UK 2012 album, limited to 29 copies with hand screenprinted sleeves with artwork by Julian House, comes with stamped "Shuttered Room" lock logo on the record labels, an insert explaining the release and an A4 sheet as sleeve notes sellotaped (as per Julian House instructions) onto the rear of the sleeve. Trunk Records – RSD 001. EX+
A walnut month-going longcase clock with ten inch silver-mounted skeletonised dialJoseph Knibb, LondonThe rising hood with carved floral cresting over twisted columns and glazed sides, shallow throat moulding over a long trunk door with book-matched veneers centred by a circular lenticle, to a matching base on bun feet. The 10-inch dial with engraved wheat ear border interrupted by the signature Ioseph Knibb London, four winged cherub's head spandrels framing the exquisitely skeletonised silver Roman and Arabic chapter ring, with each minute individually engraved and fleur-de-lys half-hour markers between the hours, with very fine matting all over, including the shutters for the bolt-and-shutter maintaining power, the centre with subsidiary seconds dial and chamfered date aperture below typical Knibb-style blued steel hands. The weight driven movement secured to the backboard with two L-shaped retaining brackets, plates united by five latched, knopped and ringed pillars, anchor escapement to a brass-faced pendulum with butterfly suspension and bolt-and-shutter maintaining power, the strike train having a small solid outside countwheel set high on the backplate. Together with a pair of weights, pendulum and door key. 207cms (6ft 9ins) highFootnotes:Provenance:The collection of the late Cornelis Paulus van Pauwvliet.John Carlton Smith, 1988. Joseph Knibb was born in 1640. It is assumed that he served his apprenticeship under his cousin Samuel Knibb in Newport Pagnell from 1655 to 1662. He began his independent career working just outside the City of Oxford, but by the mid-1660s had moved within its jurisdiction. There was some initial resentment to his becoming Free of the City and it was only through the support of the University, where he matriculated as a gardener, that he was granted Freedom in 1678 on payment of a fine of 20 nobles and a leather bucket.In 1670 Joseph moved to London; this was the same year that his past Master, Samuel, who had moved to the capital in 1662, died, and it was natural that Joseph should carry on the family firm. London at this time was experiencing something of a re-birth after the Great Plague and the Great Fire, and the scientific and horological sectors were closely intertwined. Joseph was obviously a talented horologist; with just three years under his belt in the capital, he was accomplished enough to supply Professor James Gregory, Astronomer of St Andrews University, with a pair of longcase clocks and a 'split second' weight driven timer capable of showing thirds of a second via its tic-tac escapement. Gregory boasted of them in a letter to the Astronomer Royal, John Flamsteed in a letter date 19 July 1673\; 'I have 2 Pendulum Clocks makinge with long swinges, vibrating seconds, (no) strikinge; and also one little Pendulum Clock, vibrating 4 times a second, also without strikinge for discerninge small intervalls; where there may be a parte of a second in question.' These three clocks are still at St Andrews today.Four years later, in 1677 Knibb was commissioned to supply a turret clock for Windsor Castle. The Dukes of Sussex and York also had Knibb clocks in their collections and in 1682 Knibb was paid for work carried out for Charles II. He took on nine apprentices, including Edward Massey, John Drew and Brouncker Watts. He was Assistant to the Clockmakers Company in 1689 and is well recorded in the Company's accounts until 1697 when he retired to Hanslop. He died in December 1711.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
An 18th century and later miniature tavern clockAttributable to Edward Muddle, Chatham The later 14 inch wooden dial made of two boards of oak (marked to the reverse with many ink signatures and dates) the front painted with black Roman and Arabic numerals on a cream ground, with good brass heart shaped hands (the minute counterbalanced) within a moulded edge over a pair of ears and drop trunk set with a 9 inch door applied with applied a print of a tavern scene. The weight driven movement with tapering plates united by four knopped pillars, five wheel train terminating in an anchor escapement with 24 inch pendulum driven by a shaped rectangular lead weight with recessed pulley. 76cms (30ins) highFootnotes:Although rather worn, the signature certainly ends with the word Chatham (a maritime town on the South coast of England), the Christian name begins with an E and various other letters are visible. A tavern clock signed Edward Muddle is illustrated in Pearson: Kent Clocks and Clockmakers, Fig 7/87 with a similar print applied to the door and similar heart-shaped brass hands.For further information on this lot please visit Bonhams.com
A 17th century and later burr walnut architectural longcase clockRichard Clement, LondonThe bespoke case with rising hood with open 'roof' to allow the sound of the bell to be heard, covered by stretched hessian over the triangular pediment set with a central mount in the tympanum mounted with berried swags tied with ribbons, supported on tapering spirally twisted columns with multi-piece Corinthian capitals and bases, the sides with Knibb-style pierced sound frets, the trunk with 43.5inch long door centred by a circular lenticle, on a panel base and bun feet. The 9.75 inch square gilt dial with winged cherubs head spandrels framing the silvered chapter ring with narrow Arabic minute band and Roman hours, the inner edge marked for the quarters, with fleur-de-lyse half hour markers, very finely matted centre with a narrow subsidiary seconds dial (with bold rings) and chamfered date aperture, signed along the lower edge in a flowing script Richard Clement, Londini , and four latched dial feet. The weight driven movement with tall rectangular plates united by six slender knopped and ringed pillars, with anchor escapement and small solid outside countwheel strike on a bell, the bell secured by a butterfly nut. The movement sitting on a pair of steel pins on a wooden blocks set on the seatboard 1.96m (6ft 5ins) highThis lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A 19th century Japanese Shaku-Dokei pillar timepieceThe hardwood case with shaped top and (rebuilt) hood over a long trunk with 13 adjustable shaped brass plaques, a small key drawer to the base. Weight driven movement with sprung monometallic balance verge escapement, the train with un-crossed wheels within a shaped frontplate engraved with foliage between two turned pillars, a running seconds subsidiary to the top. 41cms (16ins) high.For further information on this lot please visit Bonhams.com
A late 17th century walnut and marquetry inlaid longcase clock with 11 inch dialThomas Bridge, LondonThe case with stepped cornice over a silk-backed sound fret set on spirally twisted columns, the long trunk door with three panels of inlay depicting birds among elaborate floral scrolls on an ebonised ground, with circular lenticle, on a matching base and bun feet (to the front). The 11 inch square brass dial with winged cherubs head spandrels framing the Roman and Arabic chapter ring signed between V and VII, with half-quarter marks, fancy meeting-arrow-head half hour markers and inner quarter hour track enclosing the finely matted centre with ringed winding squares and chamfered date aperture decorated with three crowns.The weight driven movement with four knopped and ringed pillars, anchor escapement and inside countwheel strike on a bell. Ticking and striking, together with a pendulum and two weights. 2.05m (6ft 8ins) high. This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A good late 17th century seaweed marquetry inlaid longcase clockJohn Westoby, London The rising hood with overhanging cornice above a repousse brass sound fret raised on spirally twisted columns with giltwood capitals and bases, over a long door with three shaped panels of symmetrical scroll inlay centred by an oval lenticle, the trunk sides inlaid with boxwood and ebony geometric panels, on a matching base. The case front inlaid all over with running foliate inlay, raised on bun feet. The 11 inch square brass dial with winged cherubs head spandrels framing the silvered Roman and Arabic chapter ring with cross half-quarter marks, minute and quarter tracks, signed John Westoby Londini fecit, finely matted centre with subsidiary seconds, ringed winding squares and decorated date aperture. The movement with five knopped and finned pillars, anchor escapement and inside countwheel striking on the bell, the two lower pillars locating into vertical pins on the (later) seatboard. Together with a pendulum, crank winder and two brass weights. 2m (6ft 7ins) high. Footnotes:Provenance: purchased by the vendor from Tony Woodburn in 1981This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A late 17th century walnut and inlaid longcase clock with 10.25inch dial.Charles Gretton, Fleet Street, LondonThe rising hood with spirally twisted columns and long glazed side panels, with spoon lock at the throat and sprung catch for the hood when in the raised position, over a long trunk door with five panels of bird and flower inlay centred by a glazed lenticle, over a matching base (case restored). The 10.25 inch square brass dial with winged cherub's head spandrels framing the silvered Roman and Arabic chapter ring, the minute track with half-quarter marks, finely matted centre with narrow seconds dial and chamfered date aperture below blued steel hands, signed along the lower edge Charles Gretton Fleet Street. The weight driven movement united by five knopped and ringed pillars, anchor escapement and inside countwheel striking on a bell. Together with a brass-faced pendulum and pair of brass-cased weights. 1.97m (6ft 6ins) high.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A very rare first half of the 19th century mahogany year-going centre-seconds longcase clockA. Crawshaw, Rotherhamthe case surmounted by a pierced scroll cresting over a deep concave moulded cornice, the bezel with a crossbanded border over a long trunk door of good figuring and matching crossbanded border, to a tall base on double apron. The 14 inch signed silvered Roman and Arabic dial with good matching hands, the minute and seconds hand both counter-balanced. The substantial shouldered movement united by four heavy turned pillars, each (smooth) barrel driving the six-wheel train terminating in a deadbeat escapement, the wooden-rod pendulum with fine screw adjustment. Together with two very substantial rectangular lead weights, each weighing approximately 57lbs (26kg) 2.2m (7ft 2.5ins) high.Footnotes:Andrew Crawshaw was born in 1779, the son of a clockmaker. He married in 1800 and died at the age of 65. The current clock was quite possibly a special commission and is one of the few extant provincial year-going longcase clocks in the world today.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A late 19th/early 20th century mahogany miniature weight driven longcase clockThe hood with broken swan neck pediment over freestanding reeded columns, the trunk with shaped door flanked by quarter columns set on brickwork pedestals, the base with similar brickwork to the canted corners on ogee bracket feet. The associated 18cms (7 inch) arched brass dial with silvered Roman and Arabic chapter ring and dummy date aperture. The eight day weight driven movement with anchor escapement and rack strike on a bell. The movement in need of a service. 1.51m (4ft 11.5ins) high. This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A late 17th century marquetry inlaid walnut and ebonised longcase clock with ten inch dialRichard Baker, LondonThe hood with stepped overhanging cornice on a blind-cut fret supported on graduated tightly twisted columns to a convex throat moulding, the long trunk door inlaid with a bird among bold flowers including tulips, peonies, lilies and carnations picked out in different woods emanating from a central vase, framed by a D-moulded edge and centred by a circular lenticle, the lower part of the door similarly inlaid, on a base with similar inlaid panel in a banded border, on squat bun feet. The ten inch square brass dial with single line border and elaborate winged cherubs head spandrels interspersed by foliate engraving, signed along the lower edge in a florid script Richard Baker, Londini fecit, Roman and Arabic chapter ring with fancy half-hour markers gently incised by the subsidiary seconds dial, over a flowerhead engraved centre and chamfered date aperture. The movement with five knopped and ringed pillars, anchor escapement and inside countwheel striking to a large vertical bell set on an upright post on the frontplate. (Case probably associated) 1.95m (6ft 4.75ins) highThis lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A rare late 18th century architectural mahogany longcase clockVulliamy, London, number 213. The case with architectural triangular pediment set on freestanding brass-mounted fluted columns to the front and quarter columns to the rear, the long trunk door of exceptional colour and figure framed by a fine moulded edge, on a matching base with applied panel and double apron on block feet. The one-piece 12 inch square silvered dial with strike/not strike lever to the top edge and punched number 213 to the lower right hand corner, engraved Roman and Arabic chapters with original steel hands (seconds hand replaced) and date aperture. The weight driven movement with four substantial knopped pillars (central fifth pillar now lacking), anchor escapement driving a long steel crutch with brass pins, and rack striking on a bell, to a wooden rod pendulum (rod in need of minor repair) terminating in a sharp-edged brass-clad lenticular heavy bob. Together with the pair of brass-clad weights, wooden rod pendulum rod (old and current breakages), brass pendulum bob, two pulleys. 2.18m (7ft 2ins) high. Footnotes:According to Roger Smith, the number 213 would date the current lot circa 1790/91, and thereby is one of the earliest architectural longcase clocks known made by Vulliamy. This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A late 18th/early 19th century inlaid mahogany wall clockThe frontplate signed Handley & Moore 3261The 21 inch diameter solid mahogany dial with moulded bezel framing the gilt Roman and Arabic numerals, with spade shaped hands (minute counter-balanced) over a long trunk with short door and central inlaid shell within stringing over a chisel foot. The weight driven movement with shouldered and footed plates, the four-wheel train with small diameter barrel terminating in an anchor escapement. 1.2m (47ins) highThis lot is subject to the following lot symbols: TP Y ФTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the UK, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
A FINE AND RARE EARLY 19TH CENTURY MAHOGANY EIGHT DAY DURATION FLOORSTANDING REGULATORReid and Auld, EdinburghThe case of very substantial construction including the use of a backboard 3/4 of an inch in thickness, and brass brackets to support the seatboard. The shallow shouldered moulded cornice over canted front angles, side moulded panels and a brass-framed hood door, the arched trunk door flanked by matching canted angles on a panel base with applied shaped panel. The 11-inch one-piece silvered dial with shouldered arch signed Reid & Auld, Edinburgh, over a boldly engraved minute track marked with Arabic tens framing the subsidiaries for running seconds (with counterpoised blued steel hand) and Roman hours (hour and minute hands matching, with open Breguet-style tips). The weight driven movement protected by a wooden dust cover lifting off to reveal the substantial plates shaped on the right hand side to follow the arc of the great wheel, united by four heavy pillars, with Harrison's maintaining power, high count, highly polished pinions and wheels of six crossings, terminating in a deadbeat escapement with adjustable jewelled pallets, the long crutch with fine screw beat adjustment, the pendulum terminating in an engraved regulation nut reading against an engraved beat scale and suspended from a cast metal plate screwed to the backboard, all driven by a small brass weight. 1.95m (6ft 4.75ins) highThis lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
This ceramic vase is decorated with a light, celadon-coloured glaze on which a large scene in white and cobalt-blue tones stands out. It has a wide circular mouth that descends into an elongated neck, widening at the shoulders in the shape of an hourglass. The neck is adorned by two handles on the sides, in the shape of an elephant with a curled trunk. The rounded body rests on a circular foot. On the front face is a low-relief depiction of a scene set in a traditional Chinese garden, showing two nobles with their attendants and a wise old man observing what is happening. Above the scene, at shoulder height, is the sky, adorned with ‘ruyi’ clouds, and above this, arranged on the neck of the vase, two deities float on clouds. Height: 42 cmProvenance:- Acquired from KUNSTHANDEL KLEFISCH in 2013 (as indicated by the label arranged on the mouth). - Now in a private French collection.
Carved amber snuff bottle. It has the shape of a vase with a flat profile, elongated and rounded body, which narrows at the neck, ending in a circular mouth. It is adorned by two handles arranged at the height of the neck, in the shape of the head of an enraged mythical beast, with open jaws from which half a ring comes out and completes the handle.The bottle shows on the edge of the mouth, two decorative borders of banana leaves and geometric spirals, followed by two other borders, located at the height of the shoulders, of auspicious symbols “shou” and small ruyis. The body is carved on both sides, representing on one of them a small pond with sinuous waves and large flowering lotuses; and on the other, a beautiful tree with a thick trunk and flowering branches. It shows patina due to aging. Qing Dynasty (1644 - 1912).Size: 9.3 x 2.6 x 5.1 cmWeight: 54 gProvenance:- French private collection.
Shoushan stone ‘Elephant’ seal, Qing dynastyA Shoushang stone seal of greenish hue with amber flecks. It has an elongated, rectangular body on which a beautiful elephant is depicted in relief. The elephant is shown standing with its head slightly inclined, its tail close to its body, and its long trunk curled up. On the front face there is an incised poem, as well as the seal on the base.Size: 9.7 x 3 x 3 cmWeight: 183.3 g
A 19th century oak and mahogany longcase clock, the hood with a broken swan neck pediment and fluted columns, above a long shaped trunk door and box base, the 33cm dial with a bird on fruit to the arch with fan spandrels, Roman numerals with a seconds subsidiary dial and Calendar aperture, inscribed J Little, Annan, the eight day movement striking on a bell, 221cm high
A 19th century oak longcase clock, the dished shape hood with partial fluted columns above a long trunk door, box base and plinth, the 30.5cm dial painted with an obelisk to the arch and floral spandrels with Arabic numerals, a seconds subsidiary dial and a calendar aperture inscribed H Fox, Beverley, 206.5cm high
A MAHOGANY LONGCASE CLOCKBY JOSEPH TABRAHAM, WALTHAM ABBEY, MID-18TH CENTURYthe brass eight day four pillar movement with an anchor escapement and striking on a bell, the brass dial with a silvered chapter ring with black Roman hours and Arabic five minutes, the matted centre with a subsidiary seconds dial and date aperture, beneath an arch with a moonphase inscribed 'at London Bridge when the moon is ... Dayes Olde / high water...minutes / Past...a clock', the arched hood with canted corners above a trunk with an arched door and panel base, with two brass cased weights and a pendulum213cm high
A GEORGE III MAHOGANY LONGCASE CLOCKBY JOHN WYKE, LIVERPOOL, C.1770-80the brass eight day four pillar movement with an anchor escapement and striking on a bell, the brass dial with a silvered chapter ring with black Roman hours and Arabic five minutes, the matted centre with a subsidiary seconds dial and date aperture inside angel head and scrolling foliate spandrels, beneath an arch inscribed 'JOHN WYKE LIVERPOOL' above a painted moonphase with the age of the moon, the Gillows style case with an arched hood with blue and gilt glass panels and fluted columns, on a trunk with a shaped door flanked by quarter columns above a panelled base, with two weights and a pendulum221cm high
A GEORGE III MAHOGANY LONGCASE CLOCKBY WILLIAM UPJOHN, EXETER, LATE 18TH CENTURYthe brass eight day four pillar movement with an anchor escapement and striking on a bell, on a silvered dial with black Roman hours and Arabic five minutes, subsidiary seconds dial and date aperture, inscribed 'Will Upjohn EXETON' and engraved with a ship and headland, inside spandrels engraved with a tower, windmill and scrolling foliage, beneath an arch with a moonphase and inscribed 'HIGH WATER TOPSHAM', the hood with brass finials and a glazed arched door, the trunk with a shaped door and panelled base, with two weights and a pendulum238cm high
A WILLIAM III WALNUT LONGCASE CLOCKBY PHILIP VICK, LONDON, C.1700the brass eight day five knopped pillar movement with an anchor escapement and striking on a bell, the brass dial with a silvered chapter ring, black Roman hours, half hour markers and Arabic five minutes around a matted centre with a subsidiary seconds dial, date aperture and inscribed 'PHIL VICK LONDON' in an engraved foliate cartouche, inside gilt cherub and crown spandrels, the caddy top with turned and gilt finials, a blind fretwork panel above a square glazed door flanked by slightly swollen pillars, the trunk door with boxwood and ebony line inlay and a circular blue glass lenticle, plinth base and moulded foot, with two weights240cm high
AN OAK LONGCASEIN DUTCH STYLE, 19TH CENTURYthe brass and iron birdcage style movement with an anchor escapement and striking on two bells, on a later brass dial with a base metal chapter ring with black Roman hours and Arabic five minutes with a subsidiary seconds dial and an engraved centre inside foliate spandrels and beneath a sunburst to the arch, case with a lift-off hood with an arched door beneath 'C' scroll fretwork, on a tapering trunk with a 'rococo' lenticle, on a bombe base and claw feet, with carved, 'rococo' scroll, foliage and rocaille249cm highProvenanceKenneth Neame: An Enduring Legacy.TO BE SOLD WITHOUT RESERVE.
A GEORGE III OAK LONGCASE CLOCKBY THOMAS RADFORD, LEEDS, LATE 18TH CENTURYthe brass eight day four pillar movement with an anchor escapement and striking on a bell, the brass dial with black Roman hours, Arabic five minutes and date ring, the centre engraved with scrolling foliage, beneath the arch inscribed 'THOMAS RADFORD LEEDS' above a panel painted with figures by a river, the hood with an arched door on a trunk with a shaped and crossbanded door and panelled base, with two weights and a pendulum231cm high
λ A SCOTTISH MAHOGANY LONGCASE CLOCKBY F. SHARPE DUMFRIES, 19TH CENTURYthe brass eight day four pillar movement with an anchor escapement and striking on a bell, the brass dial with black Roman hours and Arabic five minutes, with subsidiary seconds and date dials, beneath an arch inscribed 'F. Sharpe, Dumfries', the case with an arched hood with reeded columns, a shaped trunk door with an ivory escutcheon, flanked by quarter columns, with two weights and a pendulum222cm highProvenanceKenneth Neame: An Enduring Legacy.TO BE SOLD WITHOUT RESERVE.*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.
Antique Victorian needlework sampler with Adam and Eve standing by the Garden of Eden apple tree, a snake wrapped around the trunk, peacocks, birds, baskets of flowers and floral motifs surrounding and biblical verse 'Daniel's wisdom may I know/ Stephen's faith and spirit too/ John's divine communion feel/ Moses meekness, Mary's zeal', executed by Maria Smith aged 12 and dated 1839, 33cm x 30cm.
Four pillboxes comprising a 19th century French gilt metal pill box, the engine turned top inlaid with a miniature portrait of a lady, stamped 'AF', width 7.8cm, a Continental brass box in the form of a trunk, with Art Nouveau style decoration, stamped 'KW', width 7.5cm, a 19th century fruitwood box with metal inlay, and one other niello brass box, diameter 7.5cm (4).
A 19thC mahogany and oak longcase clock, the brass break arch dial with Tempus Fugit roundel, above a chapter ring bearing Roman and Arabic numerals, subsidiary seconds dial, two train eight day movement with bell strike, the hood with broken arched pediment, raised on turned columns, above a trunk with quarter pilasters, on a square base, with cross banding, with pendulum and key, 203cm high,
A set of 4 toy vehicles, consisting of 2 lighter car toys, 1 pencil sharpener toy car, and 1 toy boat. The 2 lighters are made to depict a Texaco race car and a Rusty Mobile race car. The pencil sharpener depicts an old 1917 automobile with a pencil sharpener located at the trunk. The last item is a toy boat vehicle designed around the movie Jaws, with Amity Police and Jaws written on the base of the boat. Dimensions of the largest item: 3.75"L x 1.25"W x 1"H. Condition: Age related wear.
Miniature original etching and aquatint on thick paper that depicts a close-up of a tree trunk with an enclosed field and a wide vista in the background. Housed in an black and gilded frame. Sight size: 5.30"L x 3.50"H. Frame size: 7"L x 4.80"H x 0.80"W. Issued: c. 1910Condition: Age related wear.

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66972 Los(e)/Seite