Two porcelain pen rests modelled as groups of playing childrenGardner Porcelain Factory, Verbilki, late 19th centuryfirst: modelled as two adolescent peasant boys arguing at the tree trunk and a broken cart wheel; second: as a pair of peasant toddlers offering a kitten a milk from a plate; both marked underside with dark red overglaze factory stamp, second figure also marked with impressed number '52' height of the first: 14.5cm (6 1/8in). (2)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
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66969 Los(e)/Seite
An early 18th century walnut cased 8 day longcase clock the 12" brass dial signed Benj. Martin Manchester on the silvered chapter ring, having Roman and outer Arabic numerals, dual minutes tracks, subsidiary seconds dial and calendar aperture, brass pierced mask cast spandrels, two train four pillar movement with anchor escapement striking on a bell, the crossbanded case with moulded top hood above a blind fret frieze and a glazed door flanked by a pair of plain engaged columns, the trunk with hinged door with circular glazed lenticle, on a box base on plinthheight 199 cm., width 49.5 cm., depth 28 cm.Condition: Pendulum and weights present. Slight bowing to sides. minors losses to moulding a cross banding notably to box base and corner of hood. Movement untested and no guarantee can be offered as to the full working order.
A large vintage metal trunk by Best Steel together with contents comprising a Caribbean oil on canvas, mixed prints, a vintage mirror, a reproduction map of Chester, a vintage golf club, a mahogany standard lamp and a vintage ladder together with a set of four Edwardian mahogany dining chairs, together with a pair of Edwardian mahogany chairs with caned seats, and a bentwood chair Location:
An early 19thC oak longcase clock, with rosewood cross banding having swan neck pillared hood, full length trunk door, painted square arched dial with Roman numerals and date crescent, Lincoln maker with an eight day movement with striking bell, with pendulum and weights, 220cm high, 49cm wide, 21cm deep.
A George III framed mahogany longcase clock, with ball and spike adorned hood, full length trunk door with arch, plain base with bracket feet, the brass square arch dial with silvered silent/strike dial and chapter ring with Roman hour and Arabic minute numerals, subsidiary seconds ring and date aperture, 8 day movement striking a bell and adapted with an alarum dial, 225cm high.
Colonial School. Early 18th century.Colonial School. Early 18th century."Our Lady of Valvanera"Oil on canvas. 62 x 46,5 cm.The iconography comes from the anonymous engraving dedicated to the Captain General of Sea and Land Iñigo de la Cruz Manrique de Lara Ramírez de Arellano (1673-1733). In it one can observe the Virgin Mary’s clothing, the position of the tree, the chest in the foreground and the eagle of the throne, among other details. Before a large tree trunk, the Virgin of Valvanera rests on her throne – the patron of La Rioja— she is richly dressed, with the Child on her knees and a fruit and a flower in her left hand. According to legend, a sinner who repented and became a hermit found the image of the Madonna and Child inside the trunk of an oak, alongside a honeycomb and a spring. He built a hermitage in the place which became a monastery after a time. This painting must be related to the similar painting of Our Lady of Valvanera which presides over the main altarpiece at Saint Maron Cathedral, currently a Syriac Maronite church, but which was the Parish Church of Our Lady of Valvanera until 1922, and previously was the ‘Combento de Balvanera’ (Valvanera Convent). Carved, polychromed and gilded period wooden frame.
William Lundie, Aberdeen: an 18th Century longcase clock, the 11 1/2inch arched silvered and brass dial with roman hours and arabic minutes with subsidiary seconds and date dials and striking a bell, contained within an arched mahogany hood, with three-quarter pilasters surmounted with eagle finials, above a shaped trunk door and raised on a box base, 227cms high.
A 1950's Merrythought Toys novelty push along/ride on 'Nellie' Elephant on wheels, from the 'Safety Toddle Toys' range, grey mohair body with painted plastic eyes, felt tusks, felt saddle piece to back and head with brass bell, larger brass bell to trunk, red metal frame with black and gold trademark 'Merrythought Toys' label, red wheels, 77cm long, 35cm wide, 53cm high
A Hartmann travelling trunk, 20th century, Gibraltarized, and with fitted interior, the leather strap handle numbered 1 803 2, 104cm high, 56cm wide, 51cm deepCondition Report: Marks, knocks, scratches, indentations, chips, and losses all commensurate with age and use as a travelling trunk. The surface with many scuffs and scrapes and applied with various labels. There is an old chip and loss to one angle.The locking action is working with the key present, some stiffness to the action but it is all working and holding securely at time of report. The metal areas with various signs of pitting and discolouration to the mounts. There are some internal fittings present Please see additional images for visual reference Condition Report Disclaimer
A George III oak eight day longcase clock, Willm Hallen Henley Oxon, late 18th c, the breakarched brass dial with matted centre, date aperture, subsidiary seconds ring, signature disc to the arch and rococo spandrels, the trunk enclosed by moulded, breakarched door, pendulum and two lead weights, 224cm h excluding brass finial Good restored condition, pediment altered at early date
A pair of oriental marble topped ebonised jardinere stands, early 20th c, the circular tops above three elephant mask and trunk supports joined by a foliate and triple moulded stretcher, faux ivory tusks, 75cm h x 34cm diam Scuffing and general wear, top mouldings with some separation, cracks to leg terminals, other wear generally consistent with age
AN OLIVE-GREEN AND RUSSET JADE 'ELEPHANT AND BOYS' GROUPMing Dynasty The recumbent pachyderm with the head turned to its right side and with sharply-curled trunk, resting contentedly as one young groom scrubs its left foreleg and another climbs across its back, the stone of olive-green tone with russet veins, wood stand.8.3cm (3 1/2in) long. (2).Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價明 玉雕童子掃象The subject matter of boys attending to an elephant represents multiple layers of meaning and auspiciousness. The phrase 'ride an elephant' (qi xiang 騎象), has a similar pronunciation as ji xiang (吉祥), meaning 'good fortune'. Furthermore, boys cleaning or 'washing the elephant' (sao xiang 掃象), forms a rebus for 'sweeping away the phenomena of the outside world', which are thought to be mere illusions. The pun is based on the fact that the pronunciation of 'elephant' and 'image' is the same in Chinese (xiang 象). Compare with a related carving of an elephant being groomed by two boys, illustrated in the Compendium of Collections in the Palace Museum: Jade, Beijing, 2011, no.136.For further information on this lot please visit Bonhams.com
A BRONZE 'SCHOLAR' INCENSE-STICK HOLDER AND A BRONZE 'TOAD' SCROLL WEIGHTLate Ming DynastyThe incense-stick holder finely cast as a bearded scholar with long flowing robes seated on a gnarled tree-trunk, a small aperture behind the scholar for inserting incense; the scroll weight formed as a recumbent toad, with large round eyes, ready to pounce.The larger 9.2cm (3 1/2in) long. (2).Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價明晚期 高士形銅香插 及銅蟾形紙鎮 各一For further information on this lot please visit Bonhams.com
A BAMBOO 'PINE AND CRANES' LIBATION CUP17th/18th centuryOf naturalistic form, modelled as a knotted trunk section, carved in openwork with two cranes perched on gnarled branches.12cm (4 3/4in) long.Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價十七/十八世紀 竹雕松鶴紋盃See a similar bamboo 'pine trunk' libation cup, Kangxi, illustrated by S.Kwan, Ming and Qing Bamboo, Hong Kong, 2000, no.58, where it is noted that 'the shape of the cups that followed the style of rhinoceros horn cups became standardised after the mid and late Kangxi periods. Most of them had designs of old pine trees'.For further information on this lot please visit Bonhams.com

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