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ALEX CUMMING, LONDON, GOOD EARLY 19th CENTURY MAHOGANY LONGCASE CLOCK, of small proportions, the case with panelled plinth, shaped rectangular trunk door and low caddied hood with sound frets, all enriched with brass mouldings, 9.75" (25cm) shaped silvered brass dial with subsidiary seconds and date aperture, signed to the arch, substantial eight day five pillar rack striking movement, to regulator quality, with anchor escapement, spreading rectangular plates, two brass cased weights, wooden rod pendulum and cylindrical bob; evidence of original strike/silent provision, now absent. 1.98m Note: Alex Cumming, Edinburgh and London 1732-1814, is recorded as a noteworthy high quality clock maker with works, inter alia, in Buckingham Palace.

A late 19th/early 20th Century Huntley and Palmers biscuit tin, in the form of a travelling trunk, 7 1/2" wide x 4 1/4" deep x 3 1/2" high

Pine dome top trunk, steel banding c.1920

A Belleek vase modelled as a tree trunk

Three Meissen models of children circa 1765-85 comprising: a figure of a boy circa 1780 and a girl circa 1770 carrying baskets of grapevines together with a similar figure of a girl crossed swords in underglaze-blue to the back of one girl crossed swords and asterisk to the back of the tree trunk of the boy crossed swords and dot to one of the girls and various incised numbers 13.5. 5.25in. some chips and losses (3)

A pair of Meissen Parrots late 19th or early 20th century decorated in vibrant colours each with long blue tail feathers perched on a tree trunk on a rocky ground crossed swords in underglaze-blue incised 63 impressed 34 33cm. 13in. some restoration (2)

An early 19th Century Longcase Clock having arched silvered dial inscribed Thomas Pren, Tewkesbury, subsidiary seconds dial and date aperture, 8-day movement with quarter hour strike, in mahogany case having cross-banding, the trunk with gothic arched door, turned columns to the hood, swan neck surmount

TREE TRUNK DISPLAY STAND

An 18th Century 8 day longcase clock by Step Aselin, London, the 30.5cms square brass dial with cherub and crown spandrels, silvered chapter ring, subsidiary seconds dial and date aperture, in oak case with mahogany crossbanding, the hood with swans neck pediment, fluted pillars to the dial door, shaped full length trunk door flanked by fluted pilasters and on panelled plinth base, 203cms high

An 18th Century 8 day longcase clock by John Fletcher, Holbeck, having arched brass dial with sun/moon phase in the arch, silvered chapter ring and subsidiary seconds dial and date aperture, in oak case, the hood with broken curved arch, reeded pilasters flanking the dial door and shaped full length trunk door, 213cms high

A pine travelling trunk with domed lid covered in hide, the paper lined interior bearing tarde label of Payne & Bott,No 130, Leadenhall St.london.Width 60cm.

A 20th century Italian glazed pottery parrot, brightly glazed, perched on a tree trunk, 51cm (20in) high

A Japanese Meiji period iron vase, of ovoid shape, cast with elephant mask and trunk handles and grasshopper, 18cm (7in) high

A oak cased longcase clock, circa 1920, the arched hood, with barley twist supports, with shaped trunk door, silvered dial, one pendulum, 173cm high.

A small canvas Trunk with brass mounted wooden struts

A STAFFORDSHIRE SPILL VASE GROUP modelled as a shepherd and his companion, surrounded by their charges, flanked by cattle, 12 3/4in. (32.5cm.) wide, together with a spill vase group of a boy enticing a squirrel perched in a tree trunk, 8 3/4in . (22.5cm.) high ++damages

A mahogany crossbanded oak thirty hour longcase clock early 19th century the 11.5in white painted Arabic numeral dial with subsidiary seconds dial arched calendar aperture and signed ‘W. Preddy Langport’ to centre with polychrome and conch shell painted spandrels and landscape with cottage to arch the swan neck pedimented case with reeded pilasters to hood above rectangular trunk door and plinth base 203cm high. William Preddy is recorded in Moore A J ‘The Clockmakers of Somerset 1650-1900’ as working from Langport 1822-39.

A George III figured mahogany eight day longcase clock late 18th century the four pillar rack and bell striking movement with 12in white painted Roman numeral break-arch dial with subsidiary seconds dial arched calendar aperture and formerly signed ‘Thos. Bullock Bath’ to centre with polychrome and gilt floral painted spandrels and strike/silent dial to arch the case with break-arch blind fret fronted pediment and reeded Corinthian pilasters to hood above shaped top trunk door flanked by reeded canted angles on raised panel fronted plinth base 219cm high excluding finial. Thomas Bullock is recorded in Moore A J ‘The Clockmakers of Bristol 1650-1900’ as working in Bath 1764-73.

A oak eight day longcase clock late 18th century with four-pillar rack and bell striking movement and 12in brass break-arch dial with calendar aperture and subsidiary seconds dial to the coastal scene engraved centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and signed ‘Thomas Field Bath’ to lower edge with foliate scroll cast spandrel applied angles and ‘Tempus Fugit’ engraved silvered boss between dolphin cast mounts to arch in a flat-top case with moulded cornice blind fret infill and integral columns to hood over shaped-top trunk door and plain plinth base 216cm high.. Thomas Field is recorded in Moore A J ‘The Clockmakers of Bristol 1650-1900’ as working 1766-1812.

A South Wales inlaid figured mahogany eight day longcase clock circa 1820 the four pillar rack and bell striking movement with white painted 13in Roman numeral break-arch dial with subsidiary seconds dial arched calendar aperture and signed ‘W. G. Golding’ to centre the spandrels polychrome painted with dead game beneath retriever with pheasant in mouth to arch the Bristol type case with shaped top arch pediment twist pilasters and wavy edge door to hood above short door flanked by quarter columns to trunk on chevron banded plinth base 202cm high.

A George II red lacquer eight day longcase clock mid 18th century the four pillar rack and bell striking movement with 12in brass break-arch dial with subsidiary seconds dial calendar aperture and arched nameplate inscribed ‘Jn’o. Thomas Crewkerne’ to the matted centre within a Roman numeral silvered chapter ring with fleur de lys half hour markers and Arabic five minutes the angles with bird and urn pattern spandrels beneath pheonix engraved silvered boss between dolphin mounts to arch the break-arch pedimented chinoiserie decorated case with integral pilasters to hood above trunk door gilt painted with oriental figures within stylised pagodas beneath a willow tree on plinth base with conforming decoration 212cm high. John Thomas is recorded in Moore A J ‘The Clockmakers of Somerset 1650-1900’ as working in Crewkerne circa 1690-1760.

A George II mahogany eight day longcase clock circa 1740 the four finned pillar rack and bell striking movement with 12in brass break-arch Roman numeral dial with calendar aperture subsidiary seconds dial and ringed winding holes to the matted centre within a Roman numeral chapter ring with fleur de lys half hour markers Arabic five minutes and signed ‘W. Townly Bourton’ to lower edge the angles with bird and urn pattern cast spandrels beneath sunburst engraved boss flanked by dolphin mounts to arch the case with stepped pediment and dentil cornice above twist turned pilasters to hood with rectangular trunk door and on panelled plinth base with ogee bracket feet case distressed 209cm high excluding finials. William Townley is recorded in Moore A J ‘The Clockmakers of Somerset 1650-1900’ as working in Flax Bourton 1729-51.

A George III mahogany eight day longcase clock with ‘High Water at Bristol Key’ circa 1775 The four pillar rack and bell striking movement with 12in brass break-arch dial with subsidiary seconds dial and arched calendar aperture within an applied Roman numeral chapter ring with Arabic five minutes and signed ‘Jos. Wood Bristol’ to lower edge with scroll cast spandrel applied angles and rolling moon calibrated for ‘High Water at Bristol Key’ to arch the case with swan neck pediment and break-arch dentil cornice above fluted corinthian pilasters to hood and shaped top door flanked by fluted canted angles to trunk on conforming plinth base with shaped raised panel to front 234cm high. Joseph Wood is recorded in Moore A J ‘The Clockmakers of Bristol 1650-1900’ as working from St. Augustines back in 1775 then from St. Stephens Parish in 1784 he died on April 2nd 1791.

A late 19th century hide and black canvas covered dome top wicker trunk with leather straps painted ‘A.de R.’Provenance: Formerly at Waddesdon Bucks

A pair of carved hardwood hall stands in Black Forest style each with a stag head trophy mounted on a simulated tree trunk with knotted branches forming an umbrella loop on naturalistic rocky base with drip tray and mounted with a full size seated figure of a hunting dog with glass eyes 210cm high 60cm deep 80cm wide

An oak and mahogany 30-hour longcase clock circa 1820 the outside countwheel bell striking movement with 12-inch white painted Arabic numeral break arch dial with polychrome painted ho-ho bird and inscribed W. Green Grantham to centre and shell decorated spandrels beneath rosette flanked by floral sprays to arch the swan neck pedimented case with fluted pilasters to hood and shaped top door flanked by canted angles to trunk on plinth base 210cm high

A figured mahogany Norfolk type drop trunk weight driven eight day wall clock 19th century the four pillar rack and bell striking movement with 14in white painted circular Roman numeral dial with subsidiary seconds dial and signed ‘Coates Birmingham’ to centre in a rosewood crossbanded case with shallow break-arch pediment and turned pilasters to hood above shaped top trunk door flanked by baluster turned columns to angles with curved base 175cm high.

An oak Norfolk type drop trunk weight driven eight day wall clock early 19th century the four pillar rack and bell striking movement with 13in white painted circular Roman numeral dial with subsidiary seconds and calendar dials and signed ‘Grinlaw Dunse’ to centre in a drum head case with shallow arch top trunk door flanked by moulded angles above chisel shaped base 140cm high.

A George III oak eight day longcase clock circa 1780 the five pillar rack and bell striking movement with 12in square brass dial with subsidiary seconds dial calendar aperture and signed ‘Moore Ipswich’ to centre within a Roman numeral chapter ring with Arabic five minutes and finely cast scroll spandrels the case with pagoda pediment and integral reeded hood pilasters above rectangular trunk door on plinth base 223cm high. Thomas Moore is recorded in Baillie G H ‘Watchmakers & Clockmakers of the World’ as working in Ipswich 1720-89 see previous lot

An oak thirty-hour longcase clock circa 1780 the four-pillar outside countwheel bell-striking movement with 12in square brass dial with calendar aperture to the matted centre within applied Roman numeral chapter ring with Arabic five minutes and signed ‘Presbury Coventry’ to lower edge with string of pearl pattern spandrel applied angles the case with reduced swan neck pediment above turned pilasters to hood and shaped top trunk door and plinth base 211cm high.. A Presbury of Coventry is recorded in Baillie G H ‘Watchmakers & Clockmakers of the World’ as working circa 1795.

A George III inlaid mahogany eight day longcase clock with moonphase circa 1810 the four pillar rack and bell striking movement with 14in white painted Arabic numeral break-arch dial with subsidiary seconds and calendar dials and signed ‘Nicholas Birmingham’ to centre with four seasons figural painted spandrels and rolling moonphase to arch the swan neck pedimented case with reeded Corinthian columns to hood above parquetry throat and Gothic arch top trunk door flanked by substantial Corinthian columns to angles on panel inlaid plinth base with splayed bracket feet 245cm high. Two makers with the surname Nicholas are recorded in Baillie G H ‘Watchmakers & Clockmakers of the World’ as working from Birmingham at this time Caleb 1787-1808 and Joshua 1797-1801.

A Scottish inlaid mahogany eight day longcase clock circa 1815 the four pillar rack and bell striking movement with white painted 13in Roman numeral break-arch dial with subsidiary seconds and calendar dials to centre and signed ‘W. Mason Dunse’ to lower edge of the chapter ring with polychrome floral painted spandrels and scene of shepherdess tending her flock to arch the swan neck pedimented case with fluted pilasters to hood above shaped trunk door centred with an oval cartouche decorated with a vase of flowers within line borders and flanked by fluted quarter columns on plinth base with central fan inlay and bracket feet 206cm high.

An oak thirty hour longcase clock with moonphase circa 1730 the four pillar outside countwheel bell striking movement with 12.25in square brass dial with moonphase and arched calendar aperture to the matted centre within an applied Roman numeral chapter ring with foliate half hour markers Arabic five minutes and signed ‘R. Midgley Halifax’ to the lower edge the angles with castle gateway pattern cast spandrels in a swan neck pedimented case with turned pilasters to hood above shaped top door flanked by quarter colums to trunk on plinth base with raised panel front and bracket feet movement and dial associated to the distressed case 212cm high. Richard Midgley is recorded in Baillie G H ‘Watchmakers and Clockmakers of the World’ as working in Halifax circa 1720-40.

A mahogany crossbanded oak eight day longcase clock the five pillar (centre latched) rack and bell striking movement with 12in square brass dial with calendar aperture subsidiary seconds dial and ringed winding holes to the matted centre within an applied Roman numeral chapter ring with fleur de lys half hour markers Arabic five minutes and signed ‘Josh Alsop London’ to lower edge the angles with Indian mask cast spandrels the later case with cavetto cornice and slender columns to hood above rectangular trunk door and conforming plinth base Movement and dial circa 1710 case late 18th century 197cm high. Joshua Alsop is recorded in Baillie G H ‘Watchmakers and Clockmakers of the World’ as working in London 1689 to circa 1710.

A Scottish George III mahogany eight day longcase clock late 18th century the five pillar rack and bell striking movement with 12in brass break-arch Roman numeral dial with subsidiary seconds dial calendar aperture and signed ‘Geo. Morison Aberdeen’ to the foliate scroll engraved centre within a Roman numeral silvered chapter ring with Arabic five minutes the angles with rococo scroll cast spandrels beneath strike/silent ring flanked by conforming mounts to arch the break-arch top case with broken pediment and integral hood pilasters above break-arch trunk door and crossbanded plinth base with bracket feet 206cm high.

A George III figured mahogany eight day longcase clock late 18th century the five pillar rack and bell striking movement with 12in brass break-arch dial with subsidiary seconds dial and calendar aperture to the foliate scroll and winged hour-glass engraved centre within a silvered Roman numeral chapter ring with Arabic five minutes with foliate scroll cast spandrels beneath silvered boss signed ‘Rich: Howard Brentford’ between conforming mounts to arch the case with break-arch pediment above brass stop fluted pilasters to hood and break-arch trunk door flanked by conforming quarter colums on shaped panel fronted plinth base 206cm high. A Richard Howard of New Brentford is recorded in Britten F J ‘Old Clocks and Watches and their makers’ as being apprenticed to Daniel Delander in 1718.

A dark green lacquered eight day longcase clock with moonphase the four pillar rack and bell striking movement with 12in white painted Roman numeral break-arch dial with subsidiary seconds dial and arched calendar aperture to centre within floral painted spandrels beneath rolling moon to arch in a pagoda pedimented case with integral pilasters to hood above break arch trunk door gilt decorated with figural chinoiseries on conforming plinth base the distressed case circa 1760 movement and dial early 19th century 228cm high.

An inlaid figured mahogany eight day longcase clock circa 1820 the four pillar rack and bell striking movement with white painted 13.5in Roman numeral break-arch dial with subsidiary seconds and calendar dials to centre gilt conch shell cartouche decorated spandrels to angles and polychrome oval vignette entitled ‘Hope’ to arch the swan neck pedimented case with rectangular pilasters to to hood above panel inlaid door flanked by quarter columns over short panel to trunk on conforming inlaid plinth base with later bracket feet 222cm high.

A George III oak thirty hour longcase clock the four pillar countwheel bell striking movement with 9.75in square brass dial with arched calendar aperture to the matted centre within a Roman numeral chapter ring with arabic five minutes and bearing signature ‘Whitehurst Derby’ to lower edge the angles with foliate scroll cast spandrels the case with moulded cornice above integral hood pilasters and break-arch trunk door on plinth base with moulded skirt 185cm high.

An oak eight day longcase clock with penny moon the four pillar rack and bell striking movement with 12in brass break-arch Roman numeral dial with subsidiary seconds dial calendar aperture and applied ringed winding holes to the matted centre within an applied Roman numeral chapter ring with foliate half hour markers Arabic five minutes and bearing signature ‘Presbury Chester’ to the lower edge the angles with mask and scroll pattern spandrels with penny moon within ring calibrated for the lunar month flanked by dolphin cast mounts to arch in a swan neck pedimented case with blind fret infil and Corinthian pilasters to hood above break arch trunk door and plinth base composite 214cm high.

A marquetry eight day longcase clock the five pillar rack and bell striking movement with 12in square brass dial with subsidiary seconds dial and calendar aperture to the matted centre within an applied Roman numeral chapter ring with Arabic five minutes and signed ‘Will’m Mayhew Wood-bridge’ to the lower edge with foliate scroll cast spandrels to angles the case with moulded cornice and blind fret frieze above integral pilasters to hood and rectangulr trunk door profusely inlaid with cherub inhabited foliate scrolls on a mahogany ground the plinth and sides with conforming decoration case movement and dial circa 1770 marquetry later 212cm high.

A George III inlaid mahogany eight day longcase clock circa 1775 the five pillar rack and bell striking movement with 12in brass break-arch Roman numeral dial with recessed subsidiary seconds dial calendar aperture and signed ‘John Turner London’ to an applied arched plate to the matted centre within an applied Roman numeral chapter ring with Arabic five minutes and foliate cast spandrels to angles the arch with strike/silent ring between conforming mounts the case with pagoda pediment and fretwork arched frieze above brass stop-fluted Corintian pilasters to hood with break-arch trunk door and fan inlaid upper angles betreen conforming quarter columns to trunk on shaped panel fronted plinth base with fan inlaid angles 235cm high overall. John Turner is recorded in Baillie G H ‘Watchmakers & Clockmakers of the world’ as working circa 1782.

A George III inlaid oak thirty hour longcase clock with moonphase late 18th century the countwheel bell striking movement with 12in brass break-arch dial with calendar aperture and signed ‘Blaylock Longtown’ to the ho-ho bird inhabited foliate scroll engraved centre within a silvered Roman numeral chapter ring with Arabic five minutes with foliate scroll cast spandrels to angles beneath rolling moonphase to arch in a swan neck pedimented case with slender pilasters to hood above parquetry star inlaid shaped top trunk door flanked by quarter columns to angles on plinth base 219cm high.. John Blaylock is recorded in Baillie G H ‘Watchmakers & Clockmakers of the World’ as working in Longtown circa 1791.

A George III oak thirty hour longcase clock circa 1800 the countwheel bell striking movement with white painted 11in square Roman numeral dial polychrome decorated with a Jay perched within foliage and signed ‘Ollive and Reader Cranbrook’ to centre with floral painted spandrels in a flat top case with dentil cornice and blind fret frieze above integral hood pilasters and rectangular trunk door on plinth base 190cm high. Ollive and Reader are recorded in Baillie G H ‘Watchmakers & Clockmakers of the World’ as working from Cranbrook in the early 19th century.

A Queen Anne black lacquer month going longcase clock circa 1710 the five finned pillar outside countwheel bell striking movement with five-wheel trains and 12in square brass dial with subsidiary seconds dial engraved calendar aperture and ringed winding holes to the matted centre within an applied Roman numeral chapter ring with stylised sword hilt half hour markers Arabic five minutes and signed ‘Jona. Rant London’ to lower edge the case with moulded cornice and integral pilasters to hood above long trunk door gilt decorated with figural Chinoiseries around a glazed lenticle on plinth base 224cm high.. Jonathan Rant is recorded in Baillie G H ‘Watchmakers & Clockmakers of the World’ as working 1687-1725.

An oak eight day longcase clock with moonphase early 18th century the four finned pillar movement with internal countwheel strike and 12in brass herringbone border engraved break-arch dial with subsidiary seconds dial ringed winding holes and calendar aperture to the matted centre within an applied brass Roman numeral chapter ring with fleur de lys half hour markers Arabic five minutes and signed ‘Richard Parkinson Richmond’ to lower edge with Indian mask and foliate scroll cast spandrels beneath penny moon and arched sector calibrated for the lunar month flanked by dolphin mounts to arch in a break-arch top case with broken pediment and Corinthian pilasters to hood above shaped top trunk door and raised panel fronted plinth base 222cm high.

William Webster a fine figured mahogany eight day longcase clock with deadbeat escapement circa 1760 the five pillar rack and bell striking movement with deadbeat escapement and 12in brass break-arch dial with slender subsidiary seconds ring calendar aperture and signed ‘William Webster Exchange Alley London’ to the matted centre within silvered Roman numeral chapter ring with Arabic five minutes and unusual mask and scroll cast spandrels to angles the arch with silvered strike/silent ring flanked by dolphin cast mounts the case with pagoda pediment and brass flambeau finials above brass stop fluted pilasters to hood with solid flame figured break-arch door to trunk on raised panel fronted plinth base 243cm high.. William Webster senior was journeyman to Thomas Tompion who after his master’s death worked from Exchange Alley until he died in 1737 the business was continued by his son also called William until his death in 1776.

A Pride of Penrhyn steam lorry to 1/5th scale from Modelworks castings built by Arthur Green to a very high standard. The lorry finished with red chassis black smoke box and chimney with red and blue cab. 20in high 16in wide 48in long. Cylinders 32mm and 38mm with trunk guides shaft pump handpump injector Stepenson’s valve gear sight glass pressure gauge safety valve blow-down valve blower fusible plug mechanical lubricator chassis with water tank mud guards and rubber tyres fitted. Copper boiler with original boiler certificate from ModelWorks International Ltd Number 307 and dated the 21st February 2006. Hydraulic tested to 200 psi. Working pressure 90 psi. Run on air but never steamed.

A quality built 1 1/2in scale model of a ‘Royal Chester’ Allchin Traction engine built by Mr Harry Knight with single cylinder being a two speed general purpose engine. The engine has a copper boiler with fittings including water gauge pressure gauge safety valve blower clack and blowdown valves. Engine details include cylinder approximately 1in bore x 1 1/2in stroke drain cocks with operating lever ratchet mechanical lubricator trunk type crosshead guide Stephenson’s link reverse eccentric driven feed pump and bypass two road speeds and spoked flywheel. Pickering type governor chassis details include spoked straked wheels worm and roller chain steering spud pan damper cable drum fairleads water lifter hand brake to second shaft wooden footboard and tool box. The model is finished in red and black paintwork with polished steel brightwork. 16 1/2in by 26in (42cm x 66cm). Sold together with a collection of photographs of the build and ‘Model Engineer’ magazines with features on constructing this model.

A toby jug, of a sailor seated on a trunk

A late 19th/early 20th century brass bound and cedar lined campaign trunk, with brass carrying handles, and base drawer, 99cm wide

A composite oak cased Longcase Clock, signed Jno Lawson of Bradford, the hood with swan neck pediments and three globe and spike finials, to a fluted fret panel over free standing columns, to a long trunk door flanked by quarter columns and raised on a plinth base with bracket feet, to 13” brass dial with cast scrolling foliate spandrels, to a Roman and Arabic chapter ring and engraved centre with pseudo inverted moon phases and date sector, to a twin weight movement with anchor escapement, strike on a coiled gong, height 90”

An unusual Earthenware Trunk and foliate moulded cylindrical covered Tobacco Jar and a further Doulton Stoneware example, painted with foliage on a leather glazed central reserve, both 5” high

A studded leather trunk and a pigskin suitcase with label for Montevideo (two)

Francis Henderson, Musselburgh. A late 18th century oak 8-day longcase clock, the twin train movement with anchor escapement, the arched silvered dial with Roman chapters and subsidiary seconds dial and date aperture, the hood with swan neck pediment and fluted columns, the shaped trunk door enclosed by fluted quarter columns, the plain base raised on a plinth 217cm high.

James Alves, Coatbridge. An early 19th century mahogany 8-day longcase clock, the twin train movement with anchor escapement, the arched and painted dial with subsidiary seconds and date dials, painted to the spandrels with cottages and to the arch with a castle, the hood with swan neck pediment, the shaped trunk door above a plinth base on flattened bun feet 226cm high.

Thomas Ogden, Halifax. A fine 18th century burr elm cased 8-day longcase clock, the twin train movement with anchor escapement, the arched brass dial with painted moon phase to the arch above a silvered chapter ring with Roman and Arabic numerals, enclosing subsiduary seconds dial and date aperture, the hood with caddy top and gilded sphere finials, above glazed hood door flanked by inset quarter columns, the trunk with shaped door, crossbanded and inlaid with boxwood and ebony stringing, on a panelled base with bracket feet 241cm high.

A Louis XVI style kingwood longcase clock, late 19th century, the twin train movement with circular white enamelled dial with Roman and Arabic chapters, enclosed within shaped hood, with cast and gilt metal figure of a seated Father Time, above parquetry inlaid shaped trunk with canted angles and central glazed aperture, the base with ogee outline, the whole with applied gilt brass mounts cast with foliate and figural motifs and raised on massive cast paw feet on a plinth 226cm high.

An early 19th century mahogany 8-day longcase clock, the twin train movement with anchor escapement, the arched painted dial with Roman chapters and subsidiary second and date dial, painted to the spandrels with allegories of the seasons and to the arch with a tavern scene inscribed "Highland Reel", indistinctly signed, 'Young, Dundee', the hood with swan neck pediment and boxwood inlaid columns, the shaped trunk door enclosed by inlaid quarter columns above a panelled base and bracket feet 214cm high.

A late Victorian stained pine trunk with a hinged lid and plinth base.