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BronzeThailand, modern style Dimensions: Height: 24 cm Wide 18 cm Depth 17 cmWeight: 1595 grams Contemporary bronze statue of a zoomorphic seated Ganesha with human body and the head of an elephant. Only head, hands and legs exist, the rest of the body represented by hollowness. The knees are drawn close and the soles of the feet touching. His right hand is resting on the knee showing the abhaya mudra. The left hand is also resting on the knee but with the palm facing upwards, the hand shaped into a bowl, holding a large ball of sweets. The elephant's trunk is reaching for that sweet. The tusks are both broken. Ganesha is also a popular god in Thailand especially in reference to the arts due to him also being the patron of arts and sciences.
Bronze with gems inlayIndia, 18th century Dimensions: 12 x 7 x 7 cmWeight: 991 grams Ganesha, the remover of obstacles and one of the most popular deities in Hinduism, shown seated on a lotus base attached to a square platform with decorated sides. The deity is sitting casually next to his vahana, the mouse or rat who is holding a sweet ball in its tiny hands. Ganesha has four arms, two at the back are raised and hold a noose and a goad. The front right hand is raised with the open palm facing us and a stone inlay, abhaya mudra. The other hand's palm is facing the sky, as if holding something. Possibly the ball of sweet balls has been lost from there. His trunk is curled to his right. On his belly we see the serpent which he used to tie his belly up after he ate too much sweets and it burst. His ears are small and elegant and he wears a crown.
SilverIndia, 18th century Dimensions: Height 7 cm Wide 5 cm Depth 4 cmWeight: 272 grams Seated Ganesha on round lotus base attached to square surface. He has four arms holding his attributes, his trunk is reaching for the sweets in his right hand. He is wearing a short dhoti with incised pattern and a conical tiara with diamond bud finial.
Three Bronzes and one SilverIndia, 16th to 18th century Dimensions: Height 5 - 16 cmWeight: 698 grams All Group of four Ganesha bronzes of varying sizes and additional statue in silver. The largest statue shows a special depiction of Ganesha seated on a lotus flower throne with human body, untypically slim belly and four arms. Seated casually, holding his attributes, the trunk quite large compared to the small head. A beaded arch covers the deity. One dancing Ganesha is standing on one leg, the other foot lifted in the air, the four arms elegantly fanning out holding objects and body adorned with elaborate jewellery. Two smaller statues show Ganesha seated on platforms with legs crossed and four arms holding objects, wearing conical headdresses. Provenance:Collection Madeleine und Erich Dammann , 1950 -2012 The journeyNewlyweds Madeleine and Erich Dammann took their first trip in 1950. Their travel route was determined by their great shared curiosity about foreign cultures, by climactic circumstances, and by the financial resources available to them. In 1963, they settled in Switzerland with the birth of their first child. Erich became an editor for Swiss television, and worked for the Rundschau known for their reports. His focus: exciting reports from around the world That made it possible for him to travel to the most remote corners of the world, and to bring back and collect art and other objects from these places. His wife Madeleine regularly accompanied him. For more than 50 years, the couple pursued their shared passion and went exploring together – on a journey through many cultures. The collectionThe collection developed completely situationally. It was influenced by the couple’s great fascination for life in other cultures. This is how the collection came to include everyday objects, furniture, weapons, masks, musical instruments, and jewelry, as well as representations of revered figures, minerals, and many other interesting items.Madeleine and Erich Dammann visited countries more as observant “guests” than as tourists, living in the respective cultures and becoming a part of them.Together with their three children, Madeleine and Erich lived with and in their collection, which influenced the family’s home visually and atmospherically.
BronzeNepal, 18th century Dimensions: Height 11 cm Wide 8 cm Depth 5 cmWeight: 478 grams Bronze statue of the Hindu God Ganesha seated on square throne with four paw feet and ornamental decoration in the center, the sides featuring geometrically incised patterns. The God of New Beginnings is seated leisurely with one knee drawn to his belly, the other resting on the floor in a 90 degree angle. He is wearing pants and beaded jewellery on ankles, arms and chest. He is showing his large, bulbous belly and both hands are reached out to the front, one holding a cup of sweet laddu balls, which he is grabbing with his trunk. The other hand seems to be holding something flat, the raised hands at the back are holding an elephant goad and a lotus flower. He has smaller ears, his head is titled slightly to his right and he is wearing a conical, large headdress. He is backed by an open-work aureole of ornamental shapes.
A Castle Hedingham pottery tobacco jar and cover, in the form of a tree trunk, stamped BINGHAM HEDINGHAM ESSEX, 13cm high, together with a green glazed tyg, inscribed ROBART SHAW, 1692, incised E W Bingham, England, no 159, with pad mark to base and a blue glazed mug, inscribed FEARE GOD 1630, incised E.W.B. no 160 with pad mark to base, 13cm high (3)Chipped and marked
A Castle Hedingham brown glazed pottery jug, modelled as a tree trunk, with two woodpeckers, stamped E BINGHAM, CASTLE HEDINGHAM to vase, 13cm high, together with a blue glazed twin handled vase, a brown glazed jug and a mug (4)Bark jug - rim chips. Twin handled cup - 4cm flat chip to foot and glued chip to rim. Brown jug - small chips to foot and rim and losses to some of the applied applied circles. Brown cup - losses to some of the tips of flowers. Glaze is poor quality of manufacture. All are dirty.
Mahogany longcase clock, the arched hood with brass finials, cavetto cornice, fluted columns, trunk with long lancet topped door, on bracket feet, rwelve inch arched repainted diel with cottage, floral spandrels, subsidiary seconds dial, signed B Ellis, Woodbridge, eight day movement striking on a bell, 217cm.Condition report:Dial has been repainted, movement renovated, case renovated with replaced brass mounts otherwise sound, has pendulum, two weights, door key and winding key (hood door key is a match and I cant get it to open though!)Additional images have been uploaded to the lot page on our website for you to view.
Mahogany longcase clock, the hood with swan neck pediment and fluted columns, trunk with lancet door, and on ogee bracket feet, 14” arched painted dial with moon phase, Roman chapter ring, subsidiary seconds and date dials, signed Barry, Bolton, eight-day movement, striking on a bell, 241cm.
Victorian oak and mahogany-cased 8-day painted dial longcase clock, R. Roberts of Bangor, signed 14-inch break-arched Roman dial with subsidiary seconds dial and terrestrial calendar crescent, painted with birds, shell spandrels, the arch with rolling moon phase, false-plate of Walker, Birmingham, knopped four-pillar movement rack-striking on a bell, the case with swan-neck pediment, dog-tooth arch decoration and turned columns over short trunk door and panel, on canted base, 221cm high (sold with two weights plus pendulum)

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