An Impressive Inlaid Carved Chiming Longcase Clock, signed John Lewis, London, circa 1900, swan neck pediment, Corinthian capped columns, case back sides finely carved with flower heads, griffins head and scroll decoration, finely inlaid canted sides, inlaid trunk door with swag and musical instruments, urn and floral inlaid recessed plinth, raised upon a carved plinth and paw feet, 17-inch arched brass dial with a silvered chapter ring signed, two selection levers at 3 and 9 for chime on eight bells/chime on four bells and chime/silent, arch with moonphase, triple weight driven movement, chiming on a nest of eight bells and striking the hours on a larger bell, 251cm high see illustration 06.06.19. Hood right hand side sound fret with one small piece of fret missing, case sides with small staining marks, case with scratches and dents in parts, dial is slightly discoloured, movement plates are dirty and needs a service.
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George Hobart, London; a George III and later mahogany and inlaid longcase clock, the arched hood with pierced fretwork and three brass ball and spike finials, brass mounted rounded freestanding pillars, the trunk with arched moulded long door, the 11.75" brass dial with silvered chapter ring, Arabic and Roman numerals, the movement now three train and striking on a gong and chiming on eight bells, 227cm high. Illustrated
A 19th Century West Country longcase flame mahogany grandfather longcase clock having l detailing to the trunk and case. The painted face with church scene and married couple on path, fruits to the spandrels. Complete with the weights and the pendulum. Measures 230cms high x 65cms wide x 27cms depth
INDIE (90s/2000s) - 7" COLOURED VINYL RELEASES. More Indie classics with these 72 x 7" with all the colours once again! Artists/titles include The Black Keys - Leavin' Trunk (clear), Damien Rice - The Blowers Daughter, Pedro The Lion - ...Christmas Day (green), The Wombats - Let's Dance To Joy Division (yellow), Pulp - Lipgloss (red RE), Gorillaz - Kids With Guns, Blur - Sunday Sunday (yellow), Silver Sun Pickups - Lazy Eye, Stereolab & Brigitte Fontaine, , Hot Chip, Eat Lights: Become Lights, The Verve - Rather Be, Helmet, Manic Street PReachers - Roses In The Hospital, Helen Love, Crain, Therapy?, The Spinanes, Hundred Reasons, Torgas and Prolapse. Condition of the records is typically really fine Ex+ or 'as new' with the sleeves usually Ex or Ex+ (the original owner had attached small cataloguing stickers on the sleeves).
SHAKESHAFT, PRESTON, NINETEENTH CENTURY LINE INLAID AND FIGURED MAHOGANY LONGCASE CLOCK, the 15? gilt lined circular, enamelled dial with subsidiary seconds and date dials to the centre, powered by an eight day movement striking on a bell, and housed in a case with eagle and ball finial to the floral painted porcelain mounted swan neck pediment, above a circular glazed door and free standing fore columns with brass Corinthian capitals, set over a long trunk door with shaped top, flanked by split quarter columns, and raised on a conforming chamfered and crossbanded base with bracket feet, 89 ½? (227.3cm) high Supplied with copies of receipts detailing work carried out on the movement and dial, dated 1997 and 1998
J. Hall & Co, Manchester a mahogany wall clock: the weight-driven eight-day duration movement striking the hours on a bell and stamped to the backplate with the serial number 213, the thirteen-inch round painted dial having black Roman numerals and signed J. Hall & Co, 56 King Street, Manchester, with a subsidiary seconds dial and blued steel spade hands, the mahogany case having a round hood with panels to the lower corners, a shaped top to the trunk door, canted corners and a curved drop into the wall, height 162cms. * Biography In August 1831 John Hall joined William Hatfield of Sheffield in a partnership based at 56 King Street, Manchester, whilst also recorded at 48 Swan Street in 1841 and Montague Terrace, Bury New Road in 1843. The partnership lasted until 1845 although the business continued at King Street until at least 1918. They were not only makers of clocks but also importers of fine French clocks & bronzes. They showed a 'Jubilee Watch' at the 1887 Royal Exhibition held at Old Trafford, Manchester, which reputedly took six years to make costing £500. A watch signed John Hall & Co, Manchester and hallmarked for 1918 received a Class A Certificate from Kew Observatory where it was awarded 81.5 marks and described as Especially Good. Reference: Edmund Davies Greater Manchester Clocks & Clockmakers Pub. Mayfield Books 2007
A 1930's walnut grandmother clock: the eight-day duration spring driven movement striking the hours on a gong and the quarters on a further four gongs, the seven-inch break-arch brass dial having a raised silvered chapter ring with black Roman numerals and blued steel hands with the matted centre having an applied silvered plaque engraved with the name Boodle & Dunthorne, Liverpool, with cast-brass spandrels to the four corners, the arch having a silvered centre boss engraved Tempus Fugit, the walnut grandmother case having a swan-neck pediment to the hood with a wooden centre finial and fluted pillars, the trunk with a shaped door and fluted quarter columns and blind fretwork mouldings, the base with canted corners and all standing on bracket feet, height 149cms.
John Rayment, Huntingdon, an oak longcase clock: the eight-day duration movement striking the hours on a bell, with the twelve-inch brass break-arch dial having a raised, silvered chapter ring engraved with black Roman hour numerals and outer Arabic five-minute numerals, the matted dial centre having a date aperture and subsidiary date aperture, with cast-brass urn spandrels to the four corners, the arch with a round silvered boss engraved with the makers name Jno. Rayment, Huntingdon and with cast-brass dolphin spandrels to either side, the oak case having a break-arch hood with three-quarter turned pillars, with boxwood stringing to the break-arch trunk door and having a plain base, height 203 cms.* Biography John Rayment, born 1715, the son of clockmaker Richard Rayment is recorded as working from at least 1751 in Huntingdon and died in 1795. He was succeeded by his son, also John, born circa 1745 who is known working in Stamford, Lincolnshire also as an auctioneer, silversmith and dentist before becoming master of the Ladies' Boarding School at Huntingdon.
Thomas Ogden, Halifax, an eight-day longcase clock with 'Halifax' moonphase aperture: the eight-day duration movement striking the hours on a bell and having arched tops to the plates along with finned pillars both typical of this maker, the twelve-inch brass break-arch dial having a raised, silvered chapter ring engraved with black Roman hour numerals, outer Arabic five-minute numerals, decorative half-hour markings and diamond quarter-hour markings, engraved at VI o'clock with the makers name Thos. Ogden, Halifax, the matted dial centre having ringed winding holes, a date aperture with engraved surround and a round moonphase aperture with date as typical from the Halifax region, with cast-brass female-head spandrels to the four corners, the arch with a round silvered boss engraved with the inscription Moveo dum Moneo (I warn whilst I move) and with cast-brass dolphin spandrels to either side, contained in a modern walnut flat-top case with three-quarter turned pillars to the hood, a plain trunk and standing on a plain plinth to the base, height 226 cms.* Biography Thomas Ogden was a member of the well-known clockmaking family from Yorkshire founded by James Ogden born circa 1640. Thomas Ogden, born 1693 and the son of Samuel, lived near Ripponden before moving to Halifax in the 1740s where he died in 1769.
John Roberts, Dartmouth, a rare shuttlecock automata longcase clock: the eight-day duration movement striking the hours on a bell, with the thirteen-inch painted break-arch dial having black Roman hour numerals with the centre having a subsidiary seconds dial and signed for the maker John Roberts, Dartmouth and painted to each corner with a depiction of a flint house with tower, the arch having a painted scene of a couple playing badminton within a garden, the shuttlecock moving between each player's racquet with each beat of the clock, the mahogany case with canted corners to the trunk, a curved moulding to the trunk door, boxwood stringing to the base and trunk, the hood having an architectural pediment with a brass eagle-and-ball finial between and columns with cast-brass capitals, all standing on bracket feet, height 226cms. * Biography John Roberts is recorded as working as a watch & clockmaker in Dartmouth in 1793. Reference The Universal British Directory 1793.
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