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66969 Los(e)/Seite
Los 348
Deacon, Barton. A 19thC oak and mahogany longcase clock, with swan neck pedimented hood, painted arched dial with floral spandrels, surmounted by birds, nest and eggs, flanked by fluted columns above a shaped long trunk door, on a block base, inlaid with diamond patera, the 28cm W, painted Roman numeric dial, signed, Deacon Barton, with date aperture, 30 hour movement, 112cm H.N.B. The Barton family of clockmakers are from Barton in the Beans, Leicestershire.
Los 1029
A mahogany cased tavern clock of "early 19th Century" design by Leslie Brundle of Westbrook, Margate, Kent, the 18ins painted wood dial with Roman and Arabic numerals, to the eight day weight driven movement with anchor escapement and maintaining power, contained in case with turned bezel, the long trunk with carved leaf ears, shaped trunk door and shaped apron, 54ins high (case split to either side of trunk and one ear detached) Provenance: The Canterbury Auction Galleries - Auction "The Clock Sale" Tuesday 7th September 2004 - Lot 100
Los 1035
A 19th Century oak longcase clock by H. J. Grible of Huntington, the 12ins arched painted dial with Roman numerals, subsidiary seconds dial and date aperture, the arch and spandrels painted with a basket of flowers and stooks of corn, to the eight day two train movement striking on a bell, contained in oak and mahogany banded case with moulded scroll pediment, with turned and reeded pillars to hood, trunk door flanked by fluted quarter columns, on plinth base with raised centre panel and later moulded plinth, 86ins high
Los 1036
A 19th Century "North County" mahogany longcase clock by W. Crossland of Bolton, the 14ins square painted metal dial with Roman and Arabic numerals, subsidiary seconds dial and aperture showing phases of the moon, to the eight day two train movement striking on a bell, contained in mahogany case inlaid with stringings with scroll pediment and square reeded and tapered pillars to hood, shaped trunk door and on plinth base with bracket feet, 88.5ins high overall
Los 1037
An 18th Century oak longcase clock by John Mercer of Hythe, the 11ins square brass dial with wide brass chapter ring with Roman and Arabic numerals (formerly silvered), the matted dial centre engraved with a bird in flight and with turned aperture, to the brass framed thirty hour movement with outside locking plate striking on a bell, contained in plain oak case with moulded caddy top with turned gilt finials and plain turned pillars to hood, the plain trunk door with circular brass framed lenticule, on plinth base, 83ins high (including finials) Note: John Mercer recorded working as a clocksmith in Hythe pre 1736 - 1779, he was also Mayor of Hythe 1756, 1768, 1772, 1777 and 1779
Los 1044
An inlaid mahogany longcase clock, the 12ins arched brass dial signed "Charles Horwood of Bristol", the wide silvered chapter ring with Roman and Arabic numerals, matted dial centre with subsidiary seconds dial, the arch showing phases of the moon worded "High Water at Bristol Quay", to the later three train movement striking and chiming on nine bells, contained in associated mahogany case banded in satinwood, the hood with narrow moulded cornice and plain turned pillars, the shaped trunk door inlaid in marquetry with shell, leaf scroll and bellflower swag ornament, on conforming plinth base, 86ins high Note: Charles Horwood recorded working Bristol 1762. Died 1787.
Los 4506
Original vintage propaganda poster for the post-war US sponsored European Recovery Program (1948) known as the Marshall plan - ERP Inter-European Cooperation, Inter-European Prosperity / Cooperation Intereuropeenne, Prosperite Intereuropeenne. Bold design by French artist Pierre Cauchat depicting an old, almost dead, tree with a young shoot with leaves and flower against a dark black and blue background. The top of the main trunk of the tree is wrapped with a ribbon decorated with the flags of European countries This design was submitted to the Intra-European Cooperation for a Better Standard of Living poster competition on the theme of cooperation and economic recovery that was held by NATO in Europe for the Marshall Plan. The Marshall Plan (officially the European Recovery Program, ERP) was an American initiative passed in 1948 to aid Western Europe, in which the United States gave over $12 billion (nearly $100 billion in 2018 US dollars) in economic assistance to help rebuild Western European economies after the end of World War II. Replacing the previous Morgenthau Plan, it operated for four years beginning on April 3, 1948. The goals of the United States were to rebuild war-torn regions, remove trade barriers, modernize industry, improve European prosperity, and prevent the spread of Communism. The Marshall Plan required a reduction of interstate barriers, a dropping of many regulations, and encouraged an increase in productivity, as well as the adoption of modern business procedures. Good condition, small tears and creases in margins. Country: Netherlands, year of printing: 1950s, designer: Pierre Cauchat, size (cm): 75x55
Los 1801
Original vintage music advertising poster for The Beatles' "Yesterday"… and Today record, released by Capitol Records in 1966 in the USA. The album is remembered primarily for the controversy surrounding its original cover image. Taken by photographer Robert Whitaker, and said to be the Beatles' statement against the Vietnam War, the original 'butcher cover' image showed the band dressed in white smocks and covered with decapitated baby dolls and pieces of raw meat. Immediately withdrawn from sale, the cover photo was replaced with a picture of the four band members posed around an open trunk, presented here on this poster. The Beatles were an English rock band formed in Liverpool in 1960. The line-up of John Lennon, Paul McCartney, George Harrison and Ringo Starr led them to be regarded as the most influential band of all time. With a sound rooted in skiffle, beat and 1950s rock and roll, the group were integral to the evolution of pop music into an art form, and to the development of the counterculture of the 1960s. They often incorporated elements of classical music, older pop, and unconventional recording techniques in innovative ways, and they experimented with a number of musical styles in later years, ranging from pop ballads and Indian music to psychedelia and hard rock. As they continued to draw influences from a variety of cultural sources, their musical and lyrical sophistication grew, and they came to be seen as embodying the era's socio-cultural movements. Excellent condition. Country: UK, year of printing: 1980s, designer: Unknown, size (cm): 50.5x40.5
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66969 Los(e)/Seite