A 19th century mahogany cased long case clock, cream painted domed dial with floral sprays, subsidiary seconds dial and date aperture, twin train 8 day movement striking on a bell, the hood with broken swan neck pediment, cast rosettes and thee eagle and orb finials, the dial flanked by Corinthian columns, the trunk with canted edges, full length door with crossbanded edges and shell paterae, plinth base, with winder key, two weights and pendulum, 47 by 22.5 by 225cm high.Provenance: The Private Lincolnshire Estate of a Danish Family.
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A 19th century mahogany cased long case clock, cream painted domed dial with gilt floral sprays, signed Adcock Watton, subsidiary seconds dial and date aperture, twin train 8 day movement striking on a bell, the hood with fretwork pediment, three brass eagle and orb finials, the dial flanked by Corinthian columns, the trunk with canted edges, full length arch top door with crossbanded edges and ivory escutcheon, plinth base, with two weights and pendulum, 50 by 23.5 by 228cm high.
A small George III oak longcase clock, the brass eight day movement with four turned pillars, with anchor escapement and striking on a bell, the 9in dial with subsidiary seconds and date dials, with Roman numerals, and signed 'ROBINSON LONDON', the case inlaid with mahogany banding, parquetry stringing and with marquetry panels, with a broken swan neck pediment above quarter pilasters, a shaped trunk door and a moulded plinth, 188.7cm.
A George II oak longcase clock by Philip Avenell of Farnham, the brass eight day movement, with five turned pillars and anchor escapement, the automaton figure driven from the pallet arbor, with rack strike on a bell, the 12in arched dial with gilt cast urn and eagle spandrels, the chapter ring with Roman and Arabic numerals, the matted centre engraved with two love birds and a basket of fruit, with subsidiary seconds dial and date aperture, the arch with cast dolphin mounts and with a circular recess with an automaton figure of Father Time with a starry sky, signed 'Philip Avenell Farnham' and 'TEMPUS FUGIT', the case with a caddy top and an arched trunk door, (in need of restoration), 224.5cm high.
A George III mahogany stick barometer by James Long, with a broken arch swan neck pediment, with an urn finial above a silvered dial inscribed 'J A S Long Royal Exchange LONDON', with an adjustable vernier scale, the banded trunk with a silvered thermometer scale, the base with a turned well cover, 101.5cm high.
A walnut and marquetry longcase clock, the brass eight day movement by Henry Jones, with recoil anchor escapement, with five turned and knopped pillars, with an outside countwheel striking on a bell, the 10in dial with gilt cast cherub and scrolling leaf spandrels, with a silvered chapter ring with Roman and Arabic numerals, the matted centre with an engraved date aperture, subsidiary seconds dial and ringed winding holes, signed 'Henry Jones in the Temple', the dome top inlaid with flowers above a pair of giltwood urn finials, and a fret carved frieze, with a pair of columns, the trunk with seaweed borders and panels of floral marquetry with a bird, a pair of mermen and an urn of flowers, with a glass lenticle, above a conforming plinth and flattened bun feet, late 17th century but case and movement probably associated, 228.5cm high. Henry Jones is an important maker who is listed in Brian Loomes' Clockmakers of Britain 1286-1700 as born to William Jones at Boulder, Hampshire in 1634. He was apprenticed to Edward East in August 1654 gaining his Freedom of the Clockmakers' Company in July 1663. Jones is thought to have initially worked as journeyman to Edward East before setting up on his own in the Inner Temple, London by 1672. In 1675 he is recorded as 'in Inner Temple Lane' prior to being appointed as an Assistant of the Clockmakers' Company the following year. Henry Jones was subsequently made a Warden in 1687 and finally served as Master of the Company in 1691. Amongst his many apprentices were Francis Robinson (freed 1707) and two of his sons, Henry (freed April 1678) and William (not freed). In 1692 Jones gave the Clockmakers' Company £100 'for the use of the poor'; he died in 1694 leaving his workshop in the hands of his widow, Hannah, who is known to have supplied clocks signed in her name.
A William and Mary walnut and marquetry longcase clock by John Knibb of Oxford, the brass eight day movement of light construction with seven ring turned and knopped pillars and recoil anchor escapement, with fine winged nut regulation suspension above the back cock, with bolt and shutter maintaining power, the outside countwheel striking on a bell, the 11in latched dial with gilt cast cherub mask spandrels, with a silvered chapter ring with Roman numerals, the matted centre with engraved calendar aperture and subsidiary seconds dial and applied with a shaped signature plaque inscribed 'JOHN KNIBB OXON', the case with a domed caddy top inlaid with flowers and shells, with giltwood ball finials above a fret carved frieze and spiral pilasters to the formerly rising hood, the trunk door inset with a lenticle and decorated with three shaped panels of finely drawn bird, flower and putti marquetry, all on an ebony ground and within a walnut border, the crossbanded plinth with similar decoration, the sides divided into shaped panels by stringing, on bun feet, 210cm high, together with a first edition copy of the 'Knibb Family Clockmakers' by Ronald A. Lee, no.550 of 1,000 printed. (2) John Knibb was born c.1650 and was apprenticed to Joseph Knibb his older brother in St Clements in c.1664. After a year the business moved to the south side of Holywell Street. When Joseph moved to London in 1670, John took over the Oxford business gaining the Freedom of the city in 1673. John became a very important figure in Oxford twice becoming Mayor in 1698-99 and 1710-11. He continued in business until 1722. The signature plaque on this lot compares very closely to a dial featured in Ronald Lee, The Knibb Family Clockmakers, p.111, pl.114. Certain elements of the movement with its fine plates and butterfly nut regulation on the top of the suspension spring are typical features of John Knibb.
A fine William and Mary walnut longcase clock by William Clement, the brass movement of one month duration with five latched turned and finned pillars, with recoil anchor escapement and an outside countwheel and strike to bell, the 9 13/16in dial with gilt cast winged cherub spandrels, with a silvered chapter ring with Roman and Arabic numerals, with a matted centre with a date aperture and a central finely floral engraved boss, signed 'Gulielmus Clement Londini Fecit' to the lower edge of the dial, in an architectural case, with a moulded pediment above spiral twist columns with gilt brass Corinthian columns, above a quarter veneered trunk door and a conforming stepped plinth base, 202.7cm high. William Clement is listed in Brian Loomes' The Early Clockmakers of Great Britain, and is noted as a very important clockmaker and one of the leading London clockmakers of the late 17th century. Born at Rotherhithe, he initially made anchors for the local shipbuilders. He turned to clockmaking when he moved to Southwark and eventually became Master of the London Clockmakers Company in 1694, having become a member in 1677. Clement was one of the earliest makers to apply the anchor escapement to clockwork, thus making the long pendulum practicable. See British Museum no. 1958,1006.2058 for a wall clock by Clement with a very similar hood to this present lot.

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