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66972 Los(e)/Seite
A George III oak and mahogany veneered longcase clock By Ernest Mearns, Banff the twin train movement striking the hours on a coiled gong, the silvered roman and arabic dial with subsidiary seconds dial and calendar aperture within strapwork cast spandrels and maker's cartouche to the arch, the inlaid swan neck pediment above a jardiniere inlaid trunk door and apron, on cut plinth base 212cm high
A George III mahogany longcase clock By John Goodfellow, Inverness the twin train movement striking the hours on a bell, the broken arch pediment above a silvered Roman and Arabic dial with subsidiary seconds dial and calendar aperture within rococo cast spandrels and an elaborately engraved maker's cartouche to the arch, the arched trunk door above a panelled apron, on cut plinth base 212cm high
An Indian Colonial silver coloured circular tea pot, stamped 'Grish Chunderdutt, Bhowanipore, Calcutta', with a mounted elephant finial, an elephant head and trunk handle and embossed with domestic and rural scenes, 23.5cm (9.25in) long; and a circular pedestal sugar bowl, stamped 'T.P. 90', similarly embossed, 12cm (4.75in) diameter, 1089g (35 oz) gross
A Burr Elm Longcase Clock with Eight Day Movement. The 12 inch (30 cm) square silvered dial signed Robert Mathison Edinburgh with engraved foliate sprays to the corners. The caddy top hood surmounted by three brass spired globe finials above a fretted frieze band and integral Doric columns flanking the dial. The unusual burr figured case with cross-banded borders and ebonised lip moulding to the break-arch trunk door and moulded base with bracket feet, 98 ins (250 cms) overall in height.
An 18th Century Oak 'Rocking Ship' Longcase Clock with eight day movement. The 12 inch (30 cm) painted dial incorporating a calendar aperture and subsidiary seconds dial to the centre with sprays of flowers adorning the corners. The arch painted with a castle seascape housing the painted rocking ship aperture. The hood with swan neck split pediment centred by a brass urn finial above the arched door flanked by reeded columns. The case having a shaped trunk door; inlaid with a marquetry star burst and flanked by fluted quadrant columns. 88 ins (224 cms) high, 18 ins (46 cms) wide, 10½ ins (27 cms) deep. The movement overhauled and in working order.
AN EARLY 19TH CENTURY MAHOGANY EIGHT DAY LONG CASE CLOCK, the arched hood with ring turned pillars with Corinthian capitals, above a boxwood string trunk and base, the painted Roman dial with subsidiary seconds and date aperture, signed Matt Hinderwill Stocksley, with floral painted arch and strawberry and floral spandrels, 83 1/2" high
A SCOTTISH LONGCASE CLOCK by Napier, Glasgow, the eight day movement with rack striking on a bell, arched enamel dial with Roman numerals and inscribed and dated 1750, seconds and strike/silent dials, in mahogany case with moulded cornice and plain frieze, canted trunk with panelled door inlaid with a star in ivory and ebony, panelled base and bracket feet, 85 1/2" high
A George III mahogany longcase clock with eight day movement striking on a bell, the brass break-arch dial with rocking Old Father Time automaton within a silvered circle, inscribed 'John Glennie London', above strike/silent indicator, silvered chapter ring, subsidiary seconds and date aperture, the pagoda top hood with glazed door flanked by fluted columns, the trunk with arched panel door and panelled base, on bracket feet, height approx 232cm.
An 18th Century walnut longcase clock by Edwd. Blower of Beccles, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the arch showing phases of the moon within engraved borders to the eight day two train movement striking on a bell, contained in figured walnut case with swept top and moulded arched cornice, plain turned pillars to hood, arched trunk door veneered in figured matched veneer panels and crossbanded, on conforming base with double moulded plinth, 99ins high (including later finials)
A late 18th Century walnut longcase clock by Thomas Hall of Wells, the 14ins arched brass dial with wide silvered ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and strike/silent dial to the arch to the eight day two train movement striking on a bell, contained in plain walnut case with moulded cornice and plain turned pillars to hood with gilt brass Corinthian capitols, shaped trunk door crossbanded on two sides, and on bracket feet, 85ins high
A late 18th Century oak longcase clock by William Payne of Lenham, the 12ins arched painted dial with Roman numerals, subsidiary seconds dial and date aperture, strike/silent dial to arch and gilt decorated spandrels to the eight day two train movement striking on a bell, contained in plain oak case with moulded cornice and plain turned pillars to hood, arched trunk door and astragal panelled plinth, on bracket feet, 84ins high
An 18th Century oak longcase clock by Baddely of Tong, the 13ins arched brass dial with wide chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and showing phases of the moon to the arch to the eight day two train movement striking on a bell, contained in dark oak case with moulded scroll pediment and turned and fluted pillars to hood, the whole later carved with gadroon, leaf and scroll ornament, the shaped trunk door carved with an urn and mythical beasts and fluted quarter columns, carved raised panel to plinth, on shaped bracket feet, 94ins high (case split to plinth and in need of some repair - phases of the moon surface rubbed to arch)
A 19th Century oak longcase clock by Dunn of Elham, the 12ins painted metal arched dial with Roman numerals and subsidiary seconds and date dials, the arch and spandrels decorated with fruit and floral ornament to the eight day two train movement striking on a bell, contained in plain oak case, probably by Goulden of Canterbury, with shaped cresting and turned and fluted pillars to hood, arched trunk door, on bracket feet, 87ins high
A 19th Century mahogany longcase clock by Thomas Heywood of Bangor, the 14ins arched painted dial with Arabic numerals and subsidiary seconds dial and date aperture, the arch showing phases of the moon, and the dial and spandrels decorated with floral sprays to the eight day two train movement striking on a bell, contained in figured mahogany case crossbanded in rosewood, the hood with moulded scroll pediment and turned and spiral reeded columns to hood, the shaped trunk door with conforming turned columns, on plinth base with cant corners and ogee bracket feet, 97ins high
An early 19th Century mahogany longcase clock by Kleyser & Co, 4 Broad Street, Bloomsbury, the 12ins diameter painted metal dial with Roman numerals and subsidiary seconds dial to the eight day two train movement striking on a bell, contained in mahogany case, the front veneered in figured mahogany, the arched top with shaped and fretted cresting and fluted frieze, domed glass and cant corners, arched trunk door and the base with astragal panelled moulding and plinth base, 84ins high
A late 18th Century mahogany longcase clock by John Vidion of Faversham, the 12ins arched silvered dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, and strike/silent dial to the arch to the eight day two train movement striking on a bell, contained in good quality mahogany "London" style case with swept top and twin brass finials, turned, reeded and brass stopped pillars to hood, the arched trunk door with figured veneered panel flanked by quarter fluted and brass stopped columns, the base with raised astragal moulding, on double moulded plinth, 94ins high
An early 19th century oak and mahogany banded longcase clock, the hood having broken swan neck pediment, twin turned pilasters flanking painted square dial (width 12") signed to the centre Wilkinson of Leicester (active 1815-1826), and having Roman numerals, rolling date dial, having a 30 hour weight driven striking movement (lacking bell), the trunk having plain panelled door with mahogany crossbanding above a panelled box base with further mahogany banding to bracket feet, height 208cm (Illus.)
An 18th century oak longcase clock, the hood having an overlu cornice and twin three quarter turned pilasters flanking square brass dial (width 10"), the silver centre signed James Staples of Odiham (active 1757-1795), single pierced blue steel hand, brass chapter ring having Roman numerals, cast gilt brass corner spandrels, 30 hour weight driven four pillar movement striking on a bell, the trunk having plain panelled door to a box base raised upon a plinth, height 193cm (Illus.)
A George III oak and mahogany crossbanded longcase clock, arched enamel dial with Roman numerals, painted to the arch with a country lane with thatched cottages, abbey ruins to spandrels, seconds subsidiary, date aperture, twin winding holes, eight day movement striking on a bell, hood with swan neck pediment, flanked by turned baluster columns, shaped arched rectangular trunk door centred by a shell patera within a diamond shape lozenge, flanked by canted angles, skirted base, 218cm high, c.1810
A George IV mahogany longcase clock, arched enamel dial with Roman numerals, moon phase, painted to spandrels with female figures allegorical of the four seasons, seconds and minutes subsidiary dials, twin winding holes, eight day movement striking on a bell, hood with swan neck pediment, flanked by turned columns, shaped triple arched rectangular trunk door, flanked by Doric columns, outlined throughout with crossbanding, canted rectangular base, 216cm high, c.1825
A George III oak and mahogany crossbanded longcase clock, circular enamel dial with Roman and Arabic numerals, painted to the centre with a fanciful bird perched amongst flowers, date aperture, thirty hour movement striking on a bell, hood with swan neck pediment, flanked by brass capped columns, shaped arched rectangular trunk door flanked by conforming quarter columns, plinth base, 202cm high, c.1800
A George III oak and mahogany crossbanded longcase clock, the arched enamel dial inscribed Cotterill, Wirksworth, Arabic numerals, painted to the arch with a bird amongst flowers, further flowers to spandrels, date aperture, 30-hour movement striking on a bell, the hood with swan neck pediment, Doric columns, arched rectangular trunk door flanked by canted angles, inlaid to the centre with an oval shell patera, conforming base, shaped plinth, 220cm high, c. 1805 John Cotterill is one of a prolific dynasty of Derbyshire clock makers, and records show that he signed dials wth his surname only c. 1805 -08
A George III oak and mahogany longcase clock, painted arched enamel dial inscribed Geo. Slater, Burslem, Roman numerals, moon phase dial painted with a sailing ship on a choppy sea, shells and leaves to spandrels, seconds subsidiary, twin winding holes, eight-day movement striking on a bell, the hood with swan neck pediment, turned columns, shaped rectangular trunk door flanked by turned split columns, canted base, outlined with boxwood stringing, shaped apron, bracket feet, 234cm high, c. 1820
A George III mahogany longcase clock, late 18th century, the hood with inlaid Prince of Wales plumes and brass capped columns, the brass dial engraved Thomas Radford, Leeds, the eight day rack striking movement with anchor escapement, the trunk with break arch door over crossbanded panel plinth, two weights and pendulum, 231 cm high.
A 19th century oak longcase clock, the swan neck hood with turned columns and brass reeded eagle finial, the 12'' arched enamel dial painted with floral and farmyard scene signed Geo. Stuart, Newcastle, the eight day rack striking movement with anchor escapement, the trunk with arched door and reeded canted corners over plinth base, pendulum and one weight, 218 cm high.
A mahogany-cased drum-head longcase clock, the hood with arched moulded cornice and circular glazed door, flanked by moulded quadrant columns, the trunk with arched top to the rectangular door, flanked by fluted quadrant columns, raised on a panelled plinth flanked by fluted stop chamfers, the 8-day movement having a circular enamelled dial with subsidiary calendar and seconds dials, the false backplate stamped Beilby & Hawthorn, Newcastle, circa 1800, 183cm high

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66972 Los(e)/Seite