66972 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
66972 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
66972 Los(e)/Seite
An oak, mahogany and rosewood crossbanded longcase clock, early 19th century, the broken scroll swan neck pediment above a square hood door flanked by turned half columns enclosing a 14" circular white painted enamel dial with roman numerals and subsidiary seconds dial, marked indistinctly 'Hay, Shrewsbury', eight-day movement striking on a bell above rosewood crossbanded and mahogany tablet and pointed arched top crossbanded lozenge centre three-quarter length trunk door flanked by turned half columns over a further tablet and ogive moulding and conforming base board with canted corners, distressed, 81" high.
A Victorian mahogany crossbanded longcase clock, circa 1870 the broken scroll pediment centred by a pyramid finial above an arched glazed door flanked by wrythen reeded columns and enclosing 14" white painted arched enamel dial with roman numerals, subsidiary seconds dial and moon phase in the arch, and marked 'E Lashmore, Oswestry', painted with rustic housing and castle ruins to the corners and arch, eight-day movement striking on a bell above a three-quarter length shaped arched top crossbanded trunk door, flanked by wrythen reeded columns over a crossbanded panel, canted border and crossbanded base board and raised on ogee bracket feet, 90" high.
An 18th century walnut veneered longcase clock, the 8 day five pillar movement striking on a bell to a brass arched dial with moon phase and subsidiary seconds dial and date aperture, inscribed 'John Gordon, London', the stepped hood with blind fret decoration, the trunk door with a moulded edge to a base with later mouldings and block feet, 8ft 3in (251.5cm) h.
An early 19th century oak and mahogany banded longcase clock, the broken swan neck pediment above an arched glazed door, flanked by turned columns, the short trunk door flanked by quarter fluted columns, on a box base and later moulded plinth, the arched 13 inch painted dial depicting scenes of buildings, signed Johnathan Talbot, Stourbridge, the single train brass movement with anchor escapement, passing strike on a bell, 230cm high
A George III oak and mahogany banded longcase clock, the hood with dentil moulded cornice above an arched glazed door, flanked by columns, the arched trunk door flanked by quarter columns, above a projecting box base, feet lacking, faults, the twelve inch arched painted dial with subsidiary seconds dial and date aperture, painted with Roman hour numerals and fruit to the spandrels, the twin train brass movement with anchor escapement striking on a bell, 215cm high
An early 19th century Scottish mahogany, rosewood banded and line inlaid longcase clock, the arched hood surmounted by a brass eagle and ball finial with swan neck fretted crest, above a circular glazed door, flanked by a pair of reel-moulded half columns, the arched trunk door flanked by quarter rope twist moulded columns, above a projecting box base, feet lacking, the 13inch circular silvered dial signed 'John Mearns, Aberdeen', with subsidiary seconds and date dials and Roman hour numerals, the twin train brass movement with anchor escapement striking on a bell, 219cm high
An early 19th century mahogany longcase clock, the hood with projecting cornice above a square glazed door flanked by columns, the long trunk door above projecting box base, on tapered bracket feet, the eleven inch square painted dial inscribed 'W. Bleale(?), Brighton', decorated in gilt with flowers to the spandrels, the single train brass movement with anchor escapement striking on a bell, 197.5cm high, 47cm wide
A George III oak longcase clock, the broken swan-neck pediment above a square glazed door flanked to each side by a column, the short trunk door above a projecting panelled box base, the square twelve inch painted dial with date aperture painted with a bird to the centre and flowers to the spandrels, signed 'John Warne (?) Moreton in Marsh', the single train movement with anchor escapement and outside countwheel striking on a bell, 209cm high
An early 19th century oak East Midlands longcase clock, the stepped cornice above a circular glazed door flanked to each side by a column, the shaped trunk door above a projecting panelled box base and a moulded plinth, the thirteen inch circular painted dial with date aperture and signed 'Rea Walton', the single train movement with false winding holes and anchor escapement, 200cm high
A George III mahogany longcase clock, the hood with flower carved swan neck pediment and leaf scroll decorated eglomise panels, above an arched glazed door flanked by fluted columns, the ogee arched long trunk door flanked by reeded pilasters, above a panelled box base with chamfered corners, on ogee bracket feet, the fourteen inch painted dial signed 'Collier, Cheadle', with subsidiary seconds and date dials, within Roman hour and Arabic minute numerals, with flower painted spandrels, the arch with moonphase, the twin train brass movement with anchor escapement, striking on a bell, slight faults and restorations, approximately 230cm high
A GEORGE III OAK LONGCASE CLOCK, the silvered and brass dial signed John Stoakes, Fareham with subsidiary seconds dial and date aperture with rococo type engraving, the silvered chapter ring with Roman numerals and Arabic minutes with pierced cast spandrels all beneath a strike/silent dial, the five pillar movement striking on a bell, the arched hood surmounted by gilt acorn finials, the dial flanked by twin turned columns, the trunk door with an inlaid panel of a dragon, 86" high.
Hardy - Nottingham long case clock c1876 with 8 day movement striking on single bell (movement restored) white enamel dial with arabic numerals indistinctly signed Hardy Nottingham, rolling moon, secondary minute dial and date aperture, mahogany case with swan neck pediment to canopy door on trunk cross banded with circle of inlay to box base. 222cms, 87ins high
Robert Fletcher, Bradford, a mahogany long cased clock, the two train movement striking the hour, broken arch brass face with silvered chapter ring, engraved field and subsidiary seconds in a flat topped hood with plain columns on canted corner trunk and splayed feet. Height 219cms, 86ins (pendulum, 2 weights, key)
A 19th century mahogany longcase clock, the dome topped and fret carved hood with a pair of brass capped and stop fluted columns, the trunk enclosed by a shaped waist panel door between stop fluted quarter pilasters, on a panelled box and plinth base, the 12in. brass and silvered Roman dial signed 'R Rolfe, Clerkenwell, London', having a strike/silent dial to the arch and subsidiary seconds dial, the three train movement with Whittington strike to eight bells and hour strike to a further bell, 233cm. high.
AN EARLY 19TH CENTURY MAHOGANY GENTLEMAN'S TOILET BOX of rectangular shape with rounded edges, set with flush brass strapwork, blue leather lined interior, bearing trade label for Saml. Pratt, Imperials Carriage Trunk & Plate Case Maker, 47 New Bond Street, 190 Regent Street, 19 Cockspur Street, 12in. (30cm.) wide
Palissy dinner service, with hand-painted design of single stylised green-leafed tree with black trunk, green and gilt banding to edge, black stamp to reverse reads 'Hand painted Palissy England'; comprising two circular tureens, sauce jug, three graduated serving platters, six large plates, six medium and seven smaller (twenty-five pieces)
A Derby group of Touch from a set of the senses, the seated young woman accosted by Cupid bearing arrows and wearing a diadem in her hair, puce edged bodice, turquoise apron and flowered skirt with pink shoes, the tree trunk from which Cupid's yellow quiver hangs and rocky base heavily encrusted with a profusion of brightly coloured flowers and leaves, 25cm h, patch marks, dealer's label ,c1765-70 Provenance: D.M. & P. Manheim. Touch or 'Feeling' and the four other figures which make up the set were first issued about 1765 and were allocated number 59 in the Derby factory list. Although apparently in the style of Pierre Stephan, they were available at least five years before the modeller's arrival in England. See Bradshaw (Peter) - Derby Porcelain Figures 1750-1848, pp118 and 216. Tiny chip to the diadem, thumb and forefinger of right hand restored, some typical minor damage to the encrusted flowers, cupid's wings restored, a firing crack in the lower part of the gold skirt which is not too noticeable (Please see lot 237 for image)
An oak longcase clock, the 12 inch painted dial with date sector, subsidiary seconds dial, ringed winding holes signed indistinctly H Bar..., having floral spandrels and a medallion of a girl to the arch, fitted eight day movement in crossbanded case with swan neck pediment and fruitwood pillars, a shaped door to the trunk, 214cm h Some old repainting to the dial. A couple of vertical splits in the base and later boarded plinth but in otherwise sound original condition. The dial, case and movement original.
WM. EWBANK, ELLAND, AN EARLY 19TH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, with fan inlay corners, the break arch 'Wilson' rolling moon phase dial with subsidiary seconds and strawberry spandrel corners, the swan neck pediment hood above a shaped top trunk door flank by quarter columns, raised on a stepped base with bracket feet, twin train movement, 93 1/2 ins high.
A GEORGIAN MAHOGANY AND INLAID LONGCASE CLOCK, the arched pediment hood with a square glazed door flanked by boxwood inlaid pillars, crossbanded trunk door flanked by brass capped boxwood strung pillars, raised on a stepped panelled base with plinth, the associated 12 ins painted dial supporting a twin train movement, 86 1/2 ins high
A late 18th century oak Somerset longcase clock, the 30 hour movement with outside count wheel, the square brass 12in. dial engraved a scene of a ship and house above a calendar aperture, inscribed James Webb, Frome, cast pierced corner spandrels, the hood with gilt capped reeded pillars, the trunk with a sycamore banded door and base to a plinth. 6ft 2in. (219cm.)
J*** della Torre, Perth A LATE GEORGIAN INLAID MAHOGANY WHEEL OR "BANJO" BAROMETER having an architectural "broken" pediment above a boxwood and harewood flowerhead medallion, alcohol thermometer with silvered scale flanked by shell paterae, the inscribed silvered barometer dial with brass bezel, above a further flowerhead medallion, the trunk with ebony and boxwood edging, 96.5cm, (38in) high
A LATE GEORGIAN MAHOGANY-CASED 8-DAY LONG-CASE CLOCK having a truncated pagoda-topped hood with twin brass ball-and-spire finial, the arched door between fluted columns with brass capitals, the arched trunk door between fluted canted front corners, on a plain base and bracket feet, the movement having an adapted arched brass dial with fan-shaped rolling day window (now fixed, the dial now forming centre of the main dial), between spandrels cast with sea serpents, the silvered chapter ring, with Roman hours and Arabic minutes, inscribed "John Whithurst, Congleton", (unrecorded Baillie), the spandrels cast with figures emblematic of the Seasons, all within incised chevron dial edging, 212cm, (83.5in) high (sold with two weights, pendulum ands key)
A VICTORIAN MAHOGANY-CASED 8-DAY LONG-CASE CLOCK having a (depleted) swan-neck pediment above an arched hood door between spirally-reeded and baluster-turned columns, the glazed trunk door, with rounded oblong top corners between similar columns, the base with canted corners flanking a recessed circular panel, on ogee bracket feet, the movement striking on a coiled gong, the white-painted arched dial having a "rolling moon" mechanism, painted with views of a sailing ship and a windmill respectively, beneath a lunar calendar crescent, vacant globes beneath, the Roman hours framing subsidiary seconds and date dials, the spandrels painted with figures emblematic of the Seasons, 225cm, (88.6in) high, (sold with two weights plus pendulm bob - no rod)
A Meissen group allegorical of "Touch" late 19th century, after the model by Schonheit, from the series of the Five Senses of around 1772, as a lady seated on a stool with a trunk beneath it, a parrot in a gilded cage biting her right forefinger, wearing a lace-trimmed bonnet, green floral jacket, yellow apron and floral dress, the rectangular base moulded with false gadroons heightened in pink and gilding, crossed swords mark in underglaze-blue, incised model number E.4, impressed 36 and 94, painter's mark W in iron-red, tiny chips to lacework
A late 18th Century pine longcase clock, the swan neck pediment above the glazed panelled door enclosing the 12in. brass dial, inscribed 'Thomas Morpeth, Hexham' and also 'Robert & Margaret Robinson, Hatton 1785', all within the roman numerals and outer minute scale, fitted 30 hour chain driven movement striking on a single bell, with arched panelled door to the trunk, raised on a plinth base, 18in. x 83in. high.
A fine late Georgian oak longcase clock, the broken arch pediment centred by a brass sphere, the arched hood with lined fret carved panels above the art glazed panelled door enclosing the 12in. brass dial, the silvered boss to the arch inscribed 'John Bates', with silvered chapter ring and roman numerals, fitted seconds dial and date aperture, fitted eight day striking movement, the trunk below with rectangular panelled door flanked by blind fret carved chamfered corners, raised on bracket feet, 19in. x 89in. high.
A Georgian mahogany longcase clock, the cream painted dial with roman numerals, subsidiary seconds and date dials, the painted decoration now faded, fitted an eight day striking movement, the hood with swan neck pediment above a dentil cornice and inlaid foliate motifs above the arched panelled door, flanked by brass-mounted corinthian columns, the arched door to the trunk flanked by canted corners decorated with crossbanding, raised on bracket feet, 20in. x 88in. high.
VICTORIAN MAHOGANY LONGCASE CLOCK, the arched painted dial decorated with a seated Britannia, the face painted with Roman numerals and the spandrels with classical urns, thirty hour movement, the hood with baluster columns, the trunk with arched door flanked by half columns, on bracket feet. 229cm

-
66972 Los(e)/Seite