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66969 Los(e)/Seite
Los 397
Mahogany longcased clock circa 1840, painted dial with a rolling moon, Roman chapters, subsidiary seconds and date dials, 8-day movement on a false plate, striking the hour, in a swan neck hood with twist columns on a broad trunk applied with reeded ovals, height 239cm (pendulum and two weights). *See clocks and watches proviso. Condition report: see terms and conditions.
Los 398
Brass faced longcased clock signed Jos Cooper, Whitchurch, square brass dial with Roman chapter ring, subsidiary seconds, matt field, ringed winding holes and date aperture, eight day movement striking the hour, in a flat topped hood with integral columns and checkered banding to the door and trunk, height 205cm (pendulum, two weights, winding key). *See clocks and watches proviso Condition report: see terms and conditions.
Los 1095
An early 19th Century Oak and Mahogany Longcase Clock with 8-day movement, the hood with broken arch detail and side columns, the painted 12” dial with Arabic numerals and floral decorated spandrels, apparently unsigned, body with arched trunk door with shell inlaid detail and ribbed decoration to sides, raised on a box base (shortened), 78” high
Los 1100
An 18th Century Longcase Clock with 8-day movement, signed Robert Grinling of Yarmouth, the hood with brass finials, glazed arched door and pillared side supports, the 12” arched brass face with silvered chapter ring with Arabic and Roman numerals, subsidiary second dial, date aperture, blued pierced steel hands and pierced brass spandrel decoration, the four pillar brass movement with anchor escapement striking on a bell, the case with arched trunk door, box base and bracket feet (requires restoration throughout)
Los 1101
A late 18th/early 19th Century Oak Longcase Clock, Samuel Harley, Salop, the square Brass dial with black circular Roman chapter ring, inside minutes track, 30-hour movement, the corners applied with spandrels depicting the four seasons, the plain hood with moulded cornice, applied on either side with columns with gilt metals capitals, the trunk with canted front corners and plinth base, (associated), 78 ¼” high
Los 1102
A mid-18th Century and later Oak Cased 8-Day Longcase Clock, Barker – Wigan, the hood with domed pediment over ¾ columns, to a moulded throat and long trunk door on a plinth base with bracket, to a 12” arched brass dial with strike/silent aperture to the arch and dolphin spandrels over cast and applied flowering urn spandrels enclosing a Roman and Arabic chapter ring with outside minute track and half-hour markers, to a matted centre with subsidiary seconds and date sector and blued steel pierced hands, to a movement with plates united by four knopped pillars and with anchor escapement, strike on a bell, height 87”
Los 1103
A late 18th Century Oak Longcase Clock, John Rogers of Leominster, the square Brass dial with circular Roman chapter ring, outside minute track with Arabic numerals, applied in the corners with Rococo spandrels, secondary date aperture, the hood with swan neck pediment over plain columns with Brass capitals, cross banded trunk with central door, raised on a plinth base, 84 ¾” high
Los 265
A 20th Century Continental Model of a parrot on a tree trunk, decorated throughout in colours, (losses to tips of wings and tail), cross swords mark to base and further numbered 20, 12 ½” high Condition: Also two claws damaged, branches damaged. Poor condition throughout. Please note: Keys Fine Art Auctioneers take great care to ensure that any statements as to attribution, age, date, origin, provenance and condition are reliable and accurate but it should be noted that all such statements are skilled opinions prepared with due care, if provenance (written or historical fact) cannot be produced. However, Keys Fine Art Auctioneers do not guarantee that condition reports, whether included in the catalogue, or given at a later time, cover all aspects of an item(s) condition. All clocks, watches and mechanical items are sold on behalf of vendors by Keys Fine Art Auctioneers strictly on an “As Found” basis. No guarantee or warranty is issued or given in anyway, either written or verbal and therefore refunds will not be issued on the basis of the Lot not being “in working order”, “incomplete”, or “not in original condition”. Keys Fine Art Auctioneers would respectfully ask that prospective buyers view Lots in person, wherever issues regarding condition are seen as important to them, satisfying themselves as to the condition, completeness and originality of any Lot on which they intend to bid. Kind Regards Keys I Fine Art Auctioneers LLP
Los 101
Smith & Son of Walton, an early 19th century oak and mahogany crossbanded longcase clock, the painted face supporting a twin train striking movement under an arched hood with swan's neck pediment, the trunk and base with shell inlay decoration CONDITION REPORT: face with chips and some re painting, case with wear and losses, no guarantee as to working order. No weights or pendulum
Los 264
Belgian school, large mid 20thC art drawing of a stone horse head (believed to be a Parthenon sculpture - Chariot of Selene), on paper, signature upper right Renelde Herbeuval (just below visible tear on edge of sheet). Pencil/charcoal. Sheet 74 x 71 cm. Vendor has some provenance on the collection of drawings to which this belongs. They came direct from a Belgian furniture sale (found in a trunk) with Belgian Academie Des Beaux Arts certificates (not included in the sale) which were dated between 1948- 1950 for two artists, all the work appears to be by one or the other. Some light scuffs/marks/tears to sheet. Can be rolled for shipping. Condition: as found
Los 265
Belgian school, large mid 20thC art drawing of a stone horse head (view from rear), believed to be a Parthenon sculpture - Chariot of Selene, on paper, signature upper right Renelde Herbeuval . Pencil/charcoal. Sheet 73 x 56 cm. Vendor has some provenance on the collection of drawings to which this belongs. They came direct from a Belgian furniture sale (found in a trunk) with Belgian Academie Des Beaux Arts certificates (not included in the sale) which were dated between 1948- 1950 for two artists, all the work appears to be by one or the other. Some light scuffs/marks/tears to sheet. Can be rolled for shipping. Condition: as found
Los 511
LATE 19TH CENTURY LOUIS VUITTON GREY TRIANON CANVAS FLAT TRUNK circa 1890, black metal bound, in painted grey canvas, with two metal handles stamped with LV monogram, the interior lined in grey and white stripped paper, the lid studded with pink grosgrain ribbon, the interior has the fittings for a removeable tray, the interior label in the shape of a side on trunk inscribed 'Louis Vuitton, 289 Oxford Street, Regent Circus, London, 1 Rue Scribe, Paris' and numbered 11859, 75cm long and 32cm high
Los 700
George Gurr, Bewhurst. A late George III mahogany long case clock, the case with moulded cornice above a pair of column supports and a rectangular moulded trunk door, raised on a shaped plinth base, the 11 inch floral painted Roman dial set a 30 hour movement with anchor escapement, striking bell. H: 200 cm W: 53 cm
Los 493
An early 19th Century mahogany long case clock by J. Paterson Edinburgh. The 13 inch painted dial with Roman numerals and subsidiary date and seconds dials, the spandrels painted with pastoral scenes and the arch depicting Melross Abbey, with twin train movement, the hood with a broken swan neck pediment, the glazed door flanked by columns, the arched trunk door also flanked by columns, on a box base and shaped bracket feet. Height 217cms. (Weights and pendulum in office).
Los 119
A mid-18th century pine longcase clock with eight day movement striking on a bell, brass arch top dial with gilt chapter ring, Roman hour numerals, Arabic minutes, secondary seconds dial at 12, date aperture at 6, gilt boss inscribed Henry Messer Southampton, cast and pierced gilt spandrels, moulded arch hood with turned columns, arched trunk door in gilt with chinoiserie scene of figures, buildings, trees and lion on a similarly decorated box base set on shaped plinth, 221cm high
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66969 Los(e)/Seite