Dimensions: Height 4 + 5 + 7 cmWeight: 336 grams with base Three Ganeshas on a square plinth with long trunks, probably holding their broken tooth in the hands Antique khmer style Angkor Wat bronze seated Ganesha. The distinctive patina of the piece is particularly delightful. Ganesha is the elephant headed son of Shiva. He holds his broken tusk in one hand and a bowl of sweetmeats in another hand. He is also holding one of his spiritual weapons, the Chakra or discus and a musical conch shell. Similar to Krishna Ganesha celebrates life through it's pleasures and beauty. The direction of Ganesha's trunk has symbolic meaning. Here the trunk turns to Ganesha's left. This signifies the direction for success in the world. It is a position associated with grihastas, or householders. In his early forms in India, Ganesha was associated with fertility. Later he became widely revered as the Remover of Obstacles and more generally as Lord of Beginnings and Lord of Obstacles, patron of arts and sciences and the deity of intellect and wisdom. This small early Cambodian depiction of Ganesha is largely consistent with Indian prototypes. Seated on a diminutive lotus throne, the corpulent deity holds a bowl, broken tusk, goad, and what may be a cluster of prayer beads in his four hands.
66969 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
66969 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
66969 Los(e)/Seite
Dimensions: Height 28 cm Wide 12 cm Depth 22 cmWeight: 2103 grams Traditional brass elephant sculpture with intricate detailing.Characteristic of Dhokra art, an ancient metal-casting technique practiced by tribal artisans in India, particularly in West Bengal, Odisha, and Chhattisgarh.Elongated legs and trunk provide a stylized look, the ornate patterns and textures on the elephant’s body reflect traditional tribal artistry. The saddle-like structure on the elephant’s back indicates it might depict a ceremonial or royal elephant.
Hand painted and hand decorated porcelain vase featuring a man in classic blue attire leaning against hollow trunk, accompanied by his dog, designed for placing flowers. Issued: 19th centuryDimensions: 3.75"L x 3.5"W x 8.75"HCountry of Origin: EnglandCondition: Age related wear. As is. Hand restored.
Spectacular clear crystal elephant mid-stride with trunk curled under, and satin tusks. Swarovski backstamp. This item has its original box: 7.5"L x 7.5"W x 7"H. This item has a oval mirrored base included: 6"L x 4"W. Issued: 1993Dimensions: 4.5"L x 3.5"W x 3.5"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Early 20th century metal travelling trunk, rectangular form with textured exterior, hinged top and clasp fastenings; late 19th century Anglo-Japanese bamboo side table; early 20th century Middle Eastern brass two-tier occasional table, circular engraved trays supported on a folding hardwood frame (3)
A khaki Melton wool officers greatcoat - Royal Engineers brass buttons, together with serge battledress blouse and trousers, size 13, circa 1940, canvas puttees, white riding breeches, various collars and sundry other clothing and equipment, all within a black japanned tin trunk with return address of Northiam Robertsbridge Sussex.
A George IV mahogany longcase clock, the circular white enamel 13 inch face with a subsidiary dial, the eight day twin train movement striking on a bell, the trunk with flame veneered sections and reel moulded corners, H 200cmCondition Report: There is a pendulum, winding key, 2 weights but no door key. The hands to the seconds dial are lacking. There are small veneer repairs to the top of the door and there are no rear feet. The outer two finials to the hood are later. We cannot guarantee the movement. There is no maker's name or sign that there ever was one.
An Oak and mahogany long case clock, late 18th/early 19th Century, the hood with swan neck cresting, above brass Corinthian column capitals with fluted columns, flanking an arched glazed door, the trunk with door with inlaid shell motif, on plinth base, the painted dial with Arabic numeral chapter ring, with seconds and date aperture, the arch with Sun/Moon phase, with two weights and a pendulum, 227cm high
An early 19th century inlaid mahogany longcase clock signed A. Coats of Wigan - the eight day, bell strike movement fronted by a painted square dial with Roman chapter ring, Arabic outer 5 minute track, subsidiary seconds and date dials, floral painted spandrels, the case with swan neck cornice with three brass ball finials, over a painted black glass frieze, fluted columns and a barber's pole banded door, the trunk with lancet arched flame mahogany door flanked by fluted quarter columns, the canted, cross banded base with ogee bracket feet, 239cm high, 40cm wide.
Group of decorative mainly Middle Eastern items, 19th century and later, to include a small brass trunk with stylised blind tracery, small mahogany tea caddy set on brass ball feet with all over repeating geometric pattern, bone inlaid chessboard and pieces, and a conical copper bucket with brass strapping and knopped lid (4)
20th century - Pine cased month going Granddaughter clock in an oak case, with a glazed trunk door, visible gridiron pendulum and two dummy brass weights, sheet brass break arch dial with Roman numerals and steel hands, two train spring driven striking movement with key. Dimensions: Height: 190cm Length/Width: 40cm Depth/Diameter: 22cm
H Jones of Oswestry - Early19th century oak and mahogany eight-day longcase clock, with a swans neck pediment and central brass ball and spire finial, break arch door beneath with detached reeded pilasters, trunk with recessed pilasters and a full-length wavy topped door with inlay, square plinth with a raised crossbanded panel on padded feet, early Wilson painted dial with Roman numerals, matching steel hands, five minute Arabic's, seconds dial and date aperture, floral spandrels with gesso borders and an oval to the arch depicting a country girl gathering kindling, dial pinned via a Wilson falseplate to a rack striking weight driven movement, sounding the hours on a bell. With weights, pendulum and key. Dimensions: Height: 220cm Length/Width: 45cm Depth/Diameter: 25cm
J C Elliot & Sons of Leeds- Late-19th century 8-day mahogany longcase clock c1880, with a swan necked pediment and break arch hood door beneath, ring turned pilasters and curved backsplats, trunk with cushion moulding and small wavy topped door, on a broad plinth with a circular recessed panel, Fully painted dial with Roman numerals, seconds and date dials and stamped brass hands, mirror images of rural cottages to the spandrels and a rural scene to the arch, dial pinned via a cast falseplate to a rack striking movement, sounding the hours on a ball. With pendulum, weights and key.Dimensions: Height: 225cm Length/Width: 65cm Depth/Diameter: 27cm
Campaign / captain's metal bound twin handled secretaire on cupboard, with screw fittings to fix them together or tether them, male and female fitting lugs to top and base, fall flap to top trunk, fitted trays within the base, a twin door cupboard with fitted interior, plaque with 'Gieves Matthews and Seagrove', the whole W106 x D55 x H114cm
A GEORGE III LEATHER COVERED DOCUMENTS TRAVEL TRUNK. embossed with gilt crowns and foliate scroll decoration, the domed lid stamped GR with a crown and brass carrying handle, opening to reveal a vacant paper marbled interior, original lock with key and remnant of wax seal, height 24cm, width 50cm, depth 29cm. *CR Large repairs to leather covering, losses and general wear commensurate with age and use.
AN 18TH CENTURY WALNUT EIGHT DAY LONGCASE CLOCKthe 12" moonphase dial signed Daniel Catlin, Lynn (King's), with silvered chapter ring, subsidiary seconds dial and date aperture, to an eight day movement striking to a bell, the hood case with fretwork panel and column supports to an arched trunk door, with pendulum, two lead weights and winder, 225cm high.
COMITTI, LONDON; THE EMPIRE FLOOR CLOCK, NO. 40, A MAHOGANY QUARTER TUBE CHIMING EIGHT-DAY LONGCASE CLOCK52cm wide; 230cm highThe case with a pierced swan neck pediment, above hinged bevelled glazed door, flanked to each side by fluted uprights and with a bevelled glazed panel to each side, above an arched glazed panel inset trunk door, flanked by fluted quarter columns and with a bevelled glazed panel to each side, on a rectangular base with carved outline, with stepped plinth, on ogee bracket feet; the 28cm arched dial detailed Comitti, London, with moon phase in the arch, above silvered chapter ring and Arabic chapters, seconds subsidiary below the 12, the German three train movement chiming each quarter and with tune selector for Whittington, St. Michael or Westminster, and with a secondary selector for chime/silent/silent at night, the movement with deadbeat escapement; three brass cased weights and pendulum, with crank key
These two turtledoves are crafted from clear crystal with frosted crystal beaks, perched together on a frosted crystal tree trunk. They are part of the Swarovski Crystal Society Membership Program. Certificate of Authenticity included. Swarovski backstamp. This item has its original box. Dimensions of box: 7.75"H x 7.25" dia. Issued: 1989Dimensions: 4"L x 3.5"W x 2.5"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
A clear crystal figure of Dumbo with his ears and trunk raised a bit. Blue crystals are used for the eyes. Swarovski backstamp. This item has its original box. Dimensions of the original box: 6"H x 5" dia. Artist: TeamIssued: 1990Dimensions: 2.5"L x 3.25"W x 2.25"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Robert Fletcher, Chester an oak longcase clock the eight-day duration movement striking the hours on a bell with the thirteen-inch break-arch painted dial having black Roman numerals, painted floral decoration to the four corners, a subsidiary seconds dial, date aperture and signed Rt. Fletcher, Chester, the oak case having mahogany crossbanding, fluted quarter columns to the trunk, fluted columns to the hood and surmounted by a swan-neck pediment, height 223cm.Notes: There are two clockmakers recorded named Robert Fletcher being father and son, with the younger Robert working in Chester from circa 1800 when he took over the business from his father who was first recorded in Linenhall Street in 1782 and then Higher Bridge Street and Foregate Street. Robert Jnr. died in 1841.Reference: Clockmakers of Chester, Keith Appleby, Farmhouse Antiques 1999.
Joseph Hill, Bristol, an oak rocking ship automata longcase clock the eight-day duration movement striking the hours on a bell with the thirteen-inch arched painted dial with a rocking ship automata within the arch and having black Roman numerals, a subsidiary seconds dial, date aperture, with cottage and castle scenes to the four corners and signed Joseph Hill, Bristol, the oak case having canted corners to the base, fluted quarter-columns to the trunk, cast-brass capitals to the hood pillars and surmounted by a swan-neck pediment with a brass eagle-and ball finial, height 230cm.Note: Joseph Hill was a member of the well-known Hill clockmaking family and is recorded as working at 7, The Parade, Bristol as a watch and clockmaker in the late 18th century/early 19th century. Ref: The Clockmakers of Bristol, A.J.Moore, Pub. The Author 1999.
Benjamin James, London an oak longcase clock the eight-day duration, five-pillar movement striking the hours on a bell with the twelve-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals, fleur-de-lys half-hour markings and Arabic five-minute outer numerals, the matted centre with ringed winding holes, subsidiary seconds dial and decorative engraving to the date aperture, with cast-brass crown and cherub spandrels to the four corners, the arch with a silvered boss engraved with the maker's name Benjamin James, London, the oak case with break-arch top to the trunk door and fluted pillars to the hood, height 220cm.Notes: Benjamin James is recorded as working in London in circa 1730.Reference: Watch and Clockmakers of the World, Brian Loomes, N.A.G. Press 1988.
John Waters, London a late-17th-century longcase clock the month duration, six-pillar movement (sixth pillar removed) having latched dial pillars and striking the hours on a bell with an outside countwheel, the eleven-inch square brass dial having a raised chapter ring with engraved black Roman numerals and meeting-arrowhead half-hour markings, the matted centre with engraved decoration to the date aperture and subsidiary seconds dial, with cast-brass cherub-head spandrels to the four corners, with engraved decoration to the dial edge and later blued-steel hands, signed below the chapter ring John Waters, London, the later flat-top oak case with shaped door, quarter columns to the trunk and standing on a double plinth, height 189cm.Notes: John Waters was apprenticed to John North in July 1674 but being passed over to Nicholas Beck after a few months. He became a Freeman of the Worshipful Company of Clockmakers in 1682. Amongst the apprentices he took on in his working life was John Ellicott senior, being the father of John Ellicott junior who was to become a famed and eminent maker. In 1705 John Waters was made an Assistant to the Court of the Clockmakers Company but there is no record of him recorded after 1706.
An oak moonphase longcase clock the eight-day duration movement striking the hours on a bell with the twelve-inch break-arch dial having black Roman hour numerals, Arabic five-minute numerals, a subsidiary seconds dial, date aperture, blued-steel hands, decorative floral corner spandrels with the arch showing the phases of the moon, the iron false-plate to the rear embossed with the dialmaker's name Wilson, Birmingham,the oak case having fan inlay to the door, hood and raised panel to the base, with canted corners to the trunk, full pillars to the hood and surmounted by a swan-neck pediment, height 222cm inc. centre finial.
A collection of Beswick Beatrix Potter ceramic figures, including: 'Foxy Whiskered Gentleman'; 'Mrs Tiggy Winkle Takes Tea'; 'Timmy Tiptoes'; and others; together with other ceramic figures, comprising: a Royal Albert Beatrix Potter figure; a Beswick tree trunk form stand; and a selection of Wade whimsies.
A late 19th Century brass bound burr walnut work box, of trunk form, 25.5cms wide; together with other items, including: an early 20th Century trunk pattern stationary box, opening to reveal interior fitted with four letter rack compartments; an Edwardian style miniature mantle clock; a Mauchline ware style 'Ford Castle' pattern case; and a snuff box.
A NOTTINGHAMSHIRE OAK LONGCASE CLOCKBY JOHN GLAZEBROOK, MANSFIELDthe brass movement with four knopped pillars, anchor escapement and striking on a bell, with a 11 1/4 inch brass dial inscribed 'Jon. Glazebrook Mansfield', with black Roman and Arabic numerals around a matted dial with a ringed date aperture and engraved scrolling foliage, surrounded by spandrels with cherubs supporting crowns, the hood with turned columns on a trunk with a rectangular door199.5cm high
Loading...-
66969 Los(e)/Seite