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66969 Los(e)/Seite
A Uniform to Major J W B Hext, 4th King`s Own Royal Regiment (Lancaster), comprising Number 1 Dress Blues Tunic and two pairs of trousers, Number 2 Dress khaki tunic and trousers, battledress blouse and trousers, mess dress jacket, waistcoat and trousers, pair of black leather boots, a Sam Browne belt, and an 1897 Pattern Infantry Officers sword with steel scabbard, leather service scabbard and leather cloth slip case, all contained in a black japanned tin trunk with brass label engraved "C H Hext".
An Oak and Burr Oak Crossbanded Eight Day Longcase Clock, circa 1820, case with swan neck pediment, arched trunk door with burr oak crossbanding and fluted pilasters, rectangular plinth with bracket feet, 14-inch arch painted dial with Arabic numerals, date aperture, seconds dial, the arch with rolling moon, four pillar movement with attached falseplate stamped Walker & Hughes, anchor escapement, striking on a bell, 238cn high
An Oak Chiming Eight Day Longcase Clock with Centre Seconds, signed Jonas Barber, Winster, No.78, circa 1750, the case with swan neck pediment, turned columns with gilded capitals, arched trunk door flanked by fluted pilasters, rectangular base with canted corners and upon later feet, 13-inch arched brass dial with silvered Roman and Arabic chapter ring, finely matted dial centre and scroll work and engraved figural mask, date aperture, centre seconds, engraved borders, arch with rolling moonphase for lunar scale and tidal indicators, triple weight driven movement with deadbeat escapement, striking the quarters with three hammers striking three bells and a further hammer striking a larger bell for the hours, movement front plate engraved No 78, 214cm high Jonas Barber Jnr (b.c.1718-1802) was one of the finest clockmakers in the North West. Circa 1748 he began numbering his clocks, engraving the serial number on the movement frontplate (and sometimes with the date of manufacture alongside). His clocks can therefore be dated using these numbers. Barber numbered to the mid 1400s until 1800 when his successor (and former journeyman) Henry Philipson continued the system. This clock is illustrated fig 7/10 in Loomes (Brian) Clockmakers of Northern England, pg 83-84. It is sold together with a Clock Magazine dated 1982 in Brian Loomes has written an article about this clock, and a service receipt dated 1981.
A George III oak longcase clock By Follows Newcastle eight day movement, the painted enamelled arched dial with flowers and fruit, Arabic numerals, subsidiary second dial and date aperture, swan neck pediment over door flanked by fluted columns, moulded crossbanded trunk door flanked by fluted quarter columns, panelled base raised on ogee bracket feet 218cm high
A late 18th/early 19th century mahogany and oak longcase clock By Edwards, Knowle the painted arched face depicting deer and hunting scenes, with Roman numerals, date aperture, the broken swan neck pediment over door flanked by baluster turned columns, frieze panel, inlaid trunk door flanked by fluted quarter columns, raised on an adapted plinth base 208cm high
A George III mahogany longcase clock By Jas Robertson of Dundee the painted arched face depicting Adam and Eve with Arabic and Roman numerals, subsidiary second dial and date aperture, the broken swan neck pediment with ball finial, closed fretwork panels, moulded door, flanked by fluted columns, moulded arched trunk door with fan inlay flanked by fluted quarter columns, plinth base raised on bracket feet 215cm high
A pair of 19th century Parian figures Comedy and Tradgedy, `After WB Kirk` c.1860, tragedy modelled as a standing classical beauty with glaring expression, holding a dagger in her right hand which rest a top of a broken pillar, comedy modelled as a smiling young beauty standing holding a face mask in her left hand by a tree trunk, both on textured rounded square plinth bases, apparently unmarked, height 44 and 44.5cm respectively
A pair of Royal Worcester figures of girl and boy child, the girl carrying a small barrel with tree trunk support and hand painted flowing skirt and jacket, with puce printed factory marks and no.1593 to base with impressed no.12C25 and registration no.191507, date code for 1898, the boy with long tailcoat jerkin and breeches, with puce printed factory marks and no.1103 and with impressed no.25, date code for 1896, height 20cm and 18.5cm respectively (2)
An oak longcase clock, with a 30 hour posted movement striking on a bell with a 10.75 inch brass dial, the chapter ring signed Thomas Pinfold Banbury, with a matt centre engraved a bird and scroll leafage, the hood with a dentil cornice and blind fret frieze above turned columns, moulded edge trunk door on bracket feet, 86.75in (220cm) h.
Benjamin Barlow, Oldham. A George III mahogany longcase clock, with an 8 day movement, striking on a bell, with a 13.25 inch arched brass dial, with silvered chapter ring and subsidiary seconds dial, the centre painted a lake scene with a pierced date aperture, the arch with a painted moon phase dial with decorated parkland landscapes, with an applied name plaque signed Benjamin Barlow, Oldham, the hood with a swan neck pediment above a painted frieze of foliage and cherubs and turned columns, trunk with a moulded shaped top door and flanked by fluted quarter pilasters, the canted corner base on ogee bracket feet, 7ft (236cm) h.
A walnut and burr walnut veneered longcase clock, with an 8 day movement striking on a bell, with five turned pillars and a 12 inch arch dial with silvered chapter ring signed Thomas Lumpkin, London, the matt centre with a pierced date aperture and subsidiary seconds dial, the arch with a Strike/Silent dial, the hood with turned pilaster and gilt metal caps above an arched burr veneered trunk door, sides and panel base, 89in (226cm) h.
An 18th century Japanned longcase clock, with an 8 day five pillar movement striking on a bell, with a 12 inch arched brass dial and silvered chapter ring, having a subsidiary seconds dial above an applied oval boss, signed Edward Man, London above pierced date aperture, the arch with a Strike/Silent dial, the pagoda hood with brass orb finials, above turned pilasters and an arched trunk door decorated chinoiserie scene and a conforming base, 87.5in (222cm) h.
An Irish mahogany longcase clock, the 8 day movement with a dead beat escapement within rounded top corner plates striking on a tube, with an enamel circular dial with subsidiary seconds dial, signed WM CARTY, DUKE ST. DUBLIN, the case with carved scroll decoration and a glazed trunk door, the base with large cracks, 6ft 9in (209cm) h.
An oak longcase clock, with an 8 day striking movement and a 12 inch brass dial with a silvered chapter ring, the centre engraved a Pseudo Coat of Arms and a motto above John Pipes London, the hood with a pagoda top and acorn finials above a blind fret frieze and reeded pilasters to a moulded edge trunk door, 94in (239cm) h.
A 19th century mahogany drop dial wall clock, with an 8 day movement striking on a bell within arched base plates, with an 11 inch enamel dial signed E. Wynhall, East-Looe, the octagonal hood with carved leaf and scroll ears above a cross banded rectangular trunk door with canted angles and a `chisel` base, 48.25in (122.5cm) h.
An early 19th century mahogany and brass marquetry drop dial wall timepiece, with a single fusee movement between rectangular plates, with a 13.25 inch painted dial, signed `Gray BELFAST` with an octagonal surround with a moulded reel border, the trunk with scroll ears and a door to the base, 27in (70cm) h. Pendulum and winding key.
A West Country oak longcase clock, with an 8 day movement striking on a bell, with a 12 inch brass dial, the chapter ring signed T. Rudd, Warminster to a matt centre with subsidiary seconds dial, hand missing, and pierced date aperture, the trunk door with a parquetry star and mahogany crossbanding, 6ft 4in (193cm) h.
An oak and mahogany banded longcase clock, having an 8 day movement with four baluster pillars and striking on a bell, with a 12 inch painted arch dial and a subsidiary dial, pierced date crescent and signed Sidwell, Nuneaton, the hood door with barber pole stringing above a pointed top trunk door with stringing and marquetry shell, 89.75in (228cm) h.
A 19th century mahogany and oak longcase clock, with an 8 day movement striking on a bell to a 13 inch painted arched and convex dial, signed Richd. Holt, Newark, the arch painted a hunting scene, the hood with turned columns above a shaped trunk door with moulded canted angles, with stringing on bracket feet, 89in (226cm).
An 18th century Dorset oak longcase clock, with an 8 day movement striking on a bell, with a 12 inch brass dial having a silvered chapter ring signed John Spinney, Stickland, Fecit, with a floral engraved centre having a subsidiary seconds dial and pierced date aperture, the case with three giltwood ball finials, the trunk door reversed and re-hinged, the base reduced, 84in (213cm) h.
A walnut miniature longcase timepiece, with a single fusee movement with a verge escapement within tapering plates, with a bob pendulum and a 6 inch square brass dial with a silvered chapter ring inscribed Francis Perigal, London, the hood with turned pilasters above a crossbanded trunk door and conforming base on a plinth, 42.5in (108cm) h.
A walnut and marquetry longcase clock, with an 8 day movement striking on a bell and a 11 inch brass dial with silvered chapter ring signed Wm Speakman London, with a subsidiary seconds dial, ringed winding holes and a pierced date aperture with scroll decoration, the hood centred a monogram WA, flanked by a pair of cherubs and foliage, a pair of ball and spire finials to a moulded cornice with a blind fret frieze, with turned pilasters above a cavetto moulding, the trunk door with the same monogram, birds, vases of flowers, lions and foliage and with replaced glass lenticle, the base panel with a marquetry parrot, 85.5in (217cm) h.
"HAMBLER, N-FRAMPTON A VICTORIAN MAHOGANY LONGCASE CLOCK, having hood with swan neck pediment and flank columns, figured veneered boxwood strung trunk with canted corners and box base, raised on bracket plinth, eight day four pillar mechanism with an" chor escapement and false plate, arched painted dial with subsidiary seconds, 2.3m high
A 19TH-CENTURY 1IIN. SINGLE DRAW TABLE TELESCOPE BY ABRAHAM OF LIVERPOOL, with leather-covered brass trunk with rack-and-pinion focus, signed on the back plate as title, mounted on a brass tripod base and contained within original mahogany box with accessories. Assembled tube length Ñ 29in. (74cm.) long
A George III eight day longcase clock, the 12 inch square brass dial signed `John Richard Lansamlet`, with centred date aperture and subsidiary seconds dial, within a ring of Roman and Arabic numerals, with pierced corner spandrels, the hood with chequer stringing and fluted front corner hood pilasters, over a serpentine arched trunk door between front corner fluted trunk pilasters, on a box base with quatrefoil shaped single panel, on short bracket feet, 200.5cm high Note: Brian Loomes notes a John Richard Llansamlet as active in the late 18th century in `Watchmakers and Clockmakers of the World Volume 2`.

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66969 Los(e)/Seite