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Preisdatenbank abonnierenAn 18th century oak 30 hour longcase clock by Jno. Ramsbottom, c.1770, the 13in. circular Roman brass dial with foliate engraving, signed, date dial at six, pierced steel hands, the hood flanked by turned columns beneath a swan neck pediment, the trunk with serpentine top door over an ogee moulded base, 83¼in. (211.5cm.) high.
A good quality mahogany cased musical grandmother clock, c.1900, the egg & dart moulded arched cornice over an arched brass dial with silvered Roman chapter ring and gilt cherub and crown spandrels, silvered chime dial to arch, the trunk with fluted chamfered corners and arched glazed door, the eight day movement with Westminster, St. Michael and Whittington chimes, 77½in. (202cm.) high, 16¾in. (42.75cm.) wide.
A pair of Meissen figures of a boy and girl, he wearing a puce foliate decorated jacket, green britches, holding his hat full of birds eggs in his right hand on a naturalistic base with a black and white dog; she with a shawl over her head, wearing a yellow jacket, a flower decorated dress on a naturalistic base with an ewe, blue cross sword marks to back of base, both 24cm (9.5 in) high (2) (D) He has lost his left arm from his shoulders, his right thumb and there are losses to the applied foliage. There is a crack through the base and through the tree trunk behind him She has lost the little finger from her right hand and there are losses from the foliage applied around her
An 18th century Vienna 'Vendange' group, of a man with a pannier of flowers, the woman with a basket of grapes, a child behind drawing wine from a barrel amongst growing grapes, 23cm (5 in) high (D) The tree trunk to one side of the couple has gone and chips are preesent within a paper package
An 18th century mahogany longcase clock, the break arch hood with three ball finials, side fret panels, 12inch brass dial with engraved outer border and signed 'Jno Oliver Manchester' below, seasonal figural spandrels, seconds dial, date aperture within foliate scroll engraving, figure of Father Time engraved to a silvered boss to the arch, (one upper dolphin mount broken), the trunk with brass stop fluted corner pilasters, on a panelled plinth, movement and dial second quarter 18th century, the case c.1770
A mahogany and inlaid early 19th century longcase clock, the hood with turned urn finials above moulded swanneck pediment above panels painted in gilt with leafy fronds, twin reeded columns, the 14inch painted dial signed 'Harrison, Ormskirk', with seconds and calendar dials, moonphase disc to the arch, 4 pillar 8 day movement numbered '252' to the reverse, the trunk with lancet top door flanked by quarter columns, all on a rectangular plinth and ogee feet, 246cm (96in)
AN OAK LONGCASE CLOCK, early 19th century, unsigned, the eight day movement with anchor escapement striking on a bell, 12 1/2" arched dial painted with floral spandrels and sailing ships in the arch, Roman and Arabic numerals and secondary dials, the case with dentil moulded cornice on turned columns, canted trunk with arched door, panel base and ogee bracket feet, 64" high
A pair of Regency brown patinated and gilt cast bronze candlestick table lustres, each foliate sconce above a collar of curved flowerhead supports, each hung with a cut glass spear drop, the naturalistic tree trunk stems with squirrels perched on a branch, terminating in rocky domed bases, height approx 23cm.
A Chinese two-tone agate libation cup with hardwood stand, 20th Century, the pale grey stone cup formed as a tree trunk, one side carved and pierced in relief with a reddish pink fruiting peach branch, the reverse with lingzhi fungus and two bats, the stand carved and pierced with fruiting peach branches, total height approx 9cm.
Mauchline ware _ sewing _ nine pieces comprising a heart shaped pin cushion (Albert Memorial, Tenby/Tenby From North Cliff), 6 cm, a double ended cylinder pin cushion (St Tundas Church, Llandudno) a pin wheel (Cader Idris/Panorama or Double View, Barmouth) a disc form pin cushion (Conway Castle), another (Oban From The South West/Queen VictoriaÍs Jubilee, 1887), a thimble barrel (Beaumaris Castle) another of acorn form with reel/needlecase (The Town Hall, Cardiff) a trunk form thimble box (High Street, Llandrindod Wells) and a cylinder needlecase (Tintern Abbey, Monmouthshire) (9) (From the collection of the late Helen Eastgate).
Mauchline ware _ sewing _ three pieces in alternative finishes, a black ground reel box in the form of a drum, floral colour print to lid with central bone aperture, internal label for ïThe M.E.Q. Six CordÍ, 7cm dia., a dome top trunk with cord handles, walnut finish with colour riding print to lid, internal label for ïChadwickÍs Six Cord ƒÍ complete with reels and leather needle book, 8.5cm, and a circular reel box, colour print of two children to lid, four internal divisions with central thimble holder, printed label ñAsk for J and P Coats ƒ.î 10cm dia. (3)
Seventeen thimble cases mostly with thimbles comprising three egg form examples, two in mother of pearl, one in brass, a metal example as chick and egg, a trunk form example, four egg form examples and eight others, various materials, largest 5cm (17) (From the collection of the late Jo Ball).
Four thimble cases comprising a silver example for a chatelaine, on chain, pierced and decorated with female masks, Chester 1899, by Cornelius Desarmeaux Saunders and James Francis Hollings Shepherd, with silver thimble, 7cm, a trunk form example with silver thimble, a vegetable ivory egg form example with painted decoration, and a leather shoe form example (4) (From the collection of the late Jo Ball).
A George III mahogany longcase clock by Jeremiah Martin, Tottenham, the 12ins arched brass dial with silvered chapter ring with Roman and Arabic numerals, with subsidiary seconds dial and date aperture, matted dial centre and strike/silent dial to arch, to the eight day two train movement striking on a bell, contained in mahogany case with arched and moulded cornice to hood, the arched trunk door flanked by fluted quarter columns, the base with raised rectangular panel and double plinth base, 89ins high, (whole in need of extensive restoration - lacking pendulum, weights and part of door - caddy top reduced in height) Note: Jeremiah Martin of Tottenham was the son of Jeremiah Martin who was an apprentice toThomas Tompion of London.
An early 19th Century oak and mahogany banded longcase clock by John Cotterill of Wirksworth (Derbyshire), the 13ins arched painted dial with Roman numerals and subsidiary seconds dial and date aperture, the arch painted with figure of a young lady leaning on an anchor looking out to sea with sailing ship to background and with floral spandrels, to the eight day two train movement striking on a bell, contained in oak case banded in mahogany and rosewood, the hood with moulded scroll pediments and slender turned pillars to hood, the shaped trunk door inlaid with lozenge panel to centre and flanked by fluted quarter columns, the base with raised astragal panel and on ogee bracket feet, 92ins high Note: John Cotterill recorded working in Wirksworth, 1828-1849
A George III mahogany longcase clock by Peter Birkhead of London, the 12ins arched brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and strike/silent dial to arch, with associated matted dial centre, to the three train movement striking and chiming on nine bells, contained in figured mahogany case, the hood with swept cresting and reeded uprights, with arched and moulded cornice and turned fluted and brass stopped columns, the arched trunk door flanked by brass stopped fluted quarter columns, the base with raised plinth and double plinth base, 92ins high Note: Peter Birkhead (Son of Worthley Birkhead of Shoreditch) recorded as being apprenticed 1796
An early Victorian figured mahogany regulator by John Leyland, the 13ins diameter heavy silvered brass dial inscribed "Morrison of London", with central hour and seconds dial, to the eight day single train movement with dead beat escapement, heavy brass plates stamped to front plate "J.L 969 (for John Leyland), and four heavy turned pillars, the ebonised wood pendulum shaft with heavy brass bob, contained in figured mahogany case with arched top, square top, triangular astragal mouldings, glazed trunk door flanked by plain cant corners and with cross banded base with moulded double plinth, 81ins high Note: John Leyland was a son of Thomas Leyland. Both father and son made high quality movements for a number of well known makers. In particularly Condliff of Liverpool. There movements were always of finest quality and it is interesting to note that although the clock spent most of its life in a Jewellers shop in London, the case dial as well as the fact that the movement is by John Leyland would suggest a North County area of manufacture. Provenance: Campbell & Archard Ltd. Incorporating Derek Roberts Antiques, 25 Shipbourne Road, Tonbridge, Kent, TN10 3DN, Stock No. 31642
An early 19th Century mahogany longcase clock, the 12ins diameter painted domed metal dial with Roman numerals, to the eight day two train five pillar movement striking on a bell, contained in figured mahogany and gilt brass mounted face in the "Egyptian" style, the lancet pattern top with stepped cresting and later carved gilt winged lion pattern surmount, and with triple cluster columns, lancet pattern trunk door flanked by "Egyptian" style columns, with gilt brass mask and feet mounts, the base with raised central panel above double plinth, 91ins high
An early 18th Century walnut longcase clock by Nathaniel Tilly of London, the 12ins arched brass dial with wide chapter ring with Roman and Arabic numerals, subsidiary seconds dial and calendar dial to arch, both with matted dial centres, to the eight day two train movement striking on a bell, contained in figured walnut veneered case, the hood with square top and deep arched moulding above fretted frieze and with plain term pillars, the arched trunk door inlaid with herringbone bandings, with cross banded base with double plinth, 92ins high, (all in need of restoration - later fretted frieze to hood lacking calendar indicator and the whole case generally in need of restoration) Note: Nathaniel Tilly was the son of Nathaniel (a clothier) in Somerset. He was apprentice to Robert Halstead at The Crown and Dial in Fleet Street, London for seven years in 1714.
A small George III domestic longcase regulator by Thomas Delasalle of London, the 8ins silvered dial with shaped top, with Roman and Arabic numerals and subsidiary seconds dial, to the single train movement with dead beat escapement, the tapered plates with turned pillars and with ebony pendulum rod with heavy brass bob, contained in figured mahogany case with shaped and moulded cornice and brass stopped and fluted cant corners to hood, the shaped trunk door flanked by brass stopped fluted quarter columns, the base with raised astragal mouldings, on shaped bracket feet, 73.75ins high Note: Thomas Delasalle is recorded working at St Catherines Stairs, London, 1799-1824 Provenance: Campbell & Archard Ltd. Incorporating Derek Roberts Antiques, 25 Shipbourne Road, Tonbridge, Kent, TN10 3DN, Stock No. 31828
An 18th Century mahogany longcase clock by Robert Jones of Chester, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, the matted dial centre with subsidiary seconds dial, date aperture and turned winding holes, the arch showing calendar and phases of the moon, to the eight day two train movement striking on a bell, contained in associated mahogany case, with moulded scroll pediment and slender turned, fluted and brass stopped columns to hood, shaped and moulded trunk door, flanked by fluted quarter columns, the base with astragal panel and shaped plinth, 88ins high, (including later brass finials) Note: Robert Jones recorded as Watchmaker in Chester, died 1747
An inlaid mahogany longcase clock by Joseph Heckstetter of London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, the matted dial centre with subsidiary seconds dial, date aperture and turned winding holes, and with strike/silent dial to arch, to the eight day two train five pillar movement striking on a bell, and with additional chiming mechanism on eight bells, contained in associated mahogany case, later inalid with Neo-classical style urn and leaf scroll and floral ornament, the hood with swept top and three turned finials and turned, fluted and brass stopped columns to hood, shaped trunk door flanked by fluted and brass stopped quarter columns, the base with raised astragal moulded panel and on double plith base, 98ins high, (including finials), (movement with added arch and adapted arch, in associated case, later inlaid) Note: Joseph Heckstetter recorded as apprenticed 1687, clockmaker in London 1694-1704
A 19th Century "Scottish" mahogany longcase clock, the 13ins diameter painted metal dial with Roman numerals, to the eight day two train movement striking on a bell, contained in mahogany case inlaid with boxwood stringings, the hood with arched and moulded cornice and plain turned pillars to hood, with shaped trunk door, on shaped plinth base, 82ins high
An 18th Century painted mahogany Automaton longcase clock by Edward Mann of London, the 12ins silvered dial with Roman and Arabic numerals and with central seconds dial and date aperture, with spandrels raised painted panels decorated with automaton musicians, the arch showing phase of the moon and high water at London Bridge, to the eight day three train six pillar movement striking and chiming on nine bells, contained in dark finished mahogany case later decorated with musical trophies, baskets of flowers, floral sprays and trailing floral ornament, the plinth base decorated with oval panel of seated classical female, with hood swept top, double moulded cornice, fluted uprights and turned, fluted and brass stopped pillars to hood, the shaped trunk door flanked by brass stopped quarter fluted columns and the base with raised astragal mouldings and double plinth base, 96ins high
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