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- Galerie
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66969 Los(e)/Seite
A GEORGE III MAHOGANY LONGCASE CLOCK with a silvered dial signed “John Blackford, Plymouth Dock”, with a subsidiary seconds dial and date aperture, the arch with a rocking ship automaton, with an eight-day movement striking on a bell, the hood with an arched top, the trunk with a long door flanked by canted corners, 77" high.
A GEORGE III OAK AND MAHOGANY LONGCASE CLOCK, the white enamel dial signed “J Ivifon, Carlisle”, with Arabic numerals and subsidiary seconds dial, the arch painted with a portrait of a bearded gentleman, the spandrels with neo-classical style motifs, with a thirty hour movement, striking on a bell, the hood with scrolling cornice, the trunk with a long door, flanked by quarter recessed columns, 89" high.
William Bowtell, London, a mahogany longcase clock, the hood with swan neck pediment and later gilt eagle finial and reeded columns, the break arch 12inch dial signed to a boss in the arch, mask spandrels, silvered chapter ring and seconds dial, date aperture, with 8 day four pillar movement, the trunk with rectangular door raised on a figured plinth and bracket feet (movement and dial early 18th century, the case later) 225cm high
A walnut marquetry and adapted longcase clock, the 12inch dial signed to the arch 'Ricd Daking Halstead', with seconds dial and date aperture, Rococo scroll spandrels and engraved centre, with 8 day five pillar movement, within an earlier adapted marquetry case circa 1700 having extended painted arch to the hood, lenticle to the trunk door within three floral panels, the plinth with replaced striking and reduced backboard, 227cm high * This maker recorded by Britten as working c.1780
An early 19th Century mahogany longcase clock with brass dial, inscribed to the arch "Thomas Currie, Edinburgh", with roman numerals and subsidiary seconds and date dials, fitted eight day movement striking on a single bell, the hood with swan neck pediment above applied pen work panels, flanked by fluted corinthian brass-mounted pilasters, further pilasters to the trunk below, raised on a plinth base with later bracket feet.
A George III mahogany longcase clock, the white painted dial inscribed "Mary Mitchell, Cockermouth", with moon phase to the arch and subsidiary seconds dial painted with male and female figures, 14in. wide, fitted eight day movement striking on a single bell, the hood with swan neck pediment above turned pilasters, the panel door to the trunk with bone escutcheon flanked by reeded pilasters and canted base raised on bracket feet, 20in. x 88in. high.
An early 19th Century oak longcase clock with 12in. arched brass dial, roman numerals, subsidiary seconds dial and date aperture, engraved to the arch Chas. Lunan, Aberdeen, 726, fitted eight day movement striking on a single bell, the extensively renovated case surmounted by a broken arch pediment with acanthus leaf motif and three turned finials above fluted brass-mounted pilasters, an arched panelled door to the trunk, raised on bracket feet, 18in. x 88in. high.
An early 19th Century Scottish oak longcase clock, the painted dial inscribed "Geo. Blackie, Mussleburgh", decorated with painted flowers, subsidiary seconds dial and date aperture, fitted eight day movement striking on a bell, the case with swan neck pediment and reeded pilasters to the hood and trunk below, raised on a plinth base, 17in. x 82in. high.
An early 19th Century Scottish oak longcase clock with 12in. brass dial, roman numerals and subsidiary seconds dial and date aperture, a circular boss to the arch engraved "John Wadderston, Earlstoun", fitted eight day movement striking on a single bell, the hood with swan neck pediment decorated with foliate motifs, turned brass-mounted pilasters below, plain arch to panelled door to the trunk, raised on a plinth base with bracket feet, 17in. x 86in. high.
An early 19th Century mahogany longcase clock, the white painted dial inscribed "Burton, South Shields", with roman numerals and subsidiary seconds and date dial, painted figures to the arch, fitted eight day movement striking on a single bell, the hood surmounted by later pierced pediment, arched panelled door and trunk decorated with cross banding and inlaid boxwood stringing, raised on bracket feet, 19 1/2in. x 87in. high.
An eight day chiming longcase clock, early 20th century, mahogany crossbanded, amboyna, boxwood and ebony strung with marquetry decoration to the trunk door and box base, the 11” arched brass and silvered dial with centred subsidiary seconds dial within a ring of Arabic numerals under a subsidiary chime and silent dial to the arch with foliate pierced spandrels and centre, the three weight driven movement striking on a coiled gong and rods, the hood with pagoda top and arched hood door over a long trunk door on a box base and skirting plinth, 227cm high
A Victorian eight day longcase clock, mahogany, rosewood crossbanded, the 14” arched painted dial with centred date aperture and subsidiary seconds dial within a ring of Roman numerals, the arch painted with a hunting scene over architectural studies to the spandrels, the hood with swan neck pediment over front corner turned baluster hood pilasters above an ogee arched short trunk door flanked by short baluster front corner pilasters on a box base and ogee moulded bracket front feet, 237cm high
A Regency mahogany eight day longcase clock, the 12” arched brass dial signed ‘John Robertson, Edinburgh’ to the arch with centred subsidiary seconds dial and date aperture, within an inner ring of Roman numerals, outer ring of Arabic numerals, the eight day movement striking on a single bell, the hood with swan neck pediment over pierced frieze, over an arched glazed hood door, over a long trunk door, between reeded quarter front corner pilasters on a box base and later plinth skirting, 216cm high
An eight day longcase clock, mid 18th century, oak, the 9.5” square brass dial signed ‘Hampson, Wrexham, 804’ with ring of Roman numerals and foliate pierced corner spandrels, the associated eight day movement striking on a single bell, the hood with ogee moulded corners over a honeysuckle pierced frieze and glazed square hood door, over a shaped trunk door with brass key escutcheon on a box base and cut out plinth, 198cm high (at fault)
A late George III thirty hour longcase clock, oak, crossbanded rosewood, the 12” arched painted dial signed ‘Jones, Newtown’ with a portrait study to the arch and florally painted spandrels over a ring of Roman numerals, the restored movement striking on a single bell, the hood with swan neck pediment over an arched hood door and turned and tapering front corner hood pilasters over a short trunk door with later Art Nouveau moulded central motif between quarter fluted front corner trunk pilasters on a box base (lacking feet) 195cm high,
A late George III eight day longcase clock, oak, the 12” arch painted dial signed ‘William Gardener, Brigg’ with centred subsidiary seconds dial and date aperture, with portrait of a seated young woman to the arch, the movement striking on a single bell, the hood with swan neck pediment over an arched glazed hood door flanked by turned and tapering front corner hood pilasters over an arched trunk door, on a box base and later skirting plinth, 205cm high
RICHARD STONEHOUSE, WHITBY (1715-1809), AN 18th CENTURY OAK AND CROSS-BANDED LONGCASE CLOCK, with long trunk door, the hood with swan neck pediment, complete with (original) 28cm arched brass dial, signed in the arch, with date crescent, now with eight-day two-train weight driven movement striking on a bell. 2.28m
An early 19th Century Mahogany and Boxwood inlaid and marquetry with further Rosewood crossbanding Eight Day “Norwich” Style Clock, John Burroughs of Ironbridge, the plain moulded surround to a single circular hinged and glazed door, to an overhanging cornice with ogee throat and panelled frieze to an arched short trunk door, flanked by half ring turned columns with further panelled lower section and quarter round base, to a 16” circular dial with painted Roman numerals and outside minute track, to black painted and pierced spade hands and sweep centre seconds, to a false plated signed “Finnemore” to plain plates united by four knopped pillars, with anchor escapement and rack strike on a bell, height 63”
A late 19th Century American Walnut and ebonised Wall Clock, Ansonia Clock Co, the octagonal surround to a drop trunk with chisel bottom, and single glazed door, to a spun brass bezel enclosing a two-part Roman dial with outside minute track and subsidiary seconds, with black painted hands, to a spring driven movement with anchor escapement and strike on a coiled gong, height 32”
A first half of the 19th Century Rosewood and Brass inlaid drop dial Wall Timepiece, Beha & Co of Norwich, the bevelled surround inset with Brass floral and foliate decoration, to a drop trunk with rounded base and glazed panel flanked by fruiting vines decoration, (losses to Brass), and spun Brass bezel enclosing an 11 ½” painted Roman dial with outside minute track and black painted pierced hands, to a single fuse movement with shouldered plates united by knopped pillars and anchor escapement, height 28”
A late 19th Century gold painted cast spelter Mantel Timepiece, modelled in the form of a Long Case Clock, with swan neck pediment, barley twist columns and heavily carved trunk door and plinth base, to a 2” Arabic enamel chapter ring, with outside minute track and matted centre and blued steel spade hands, to a spring driven movement, height 11 ½”
An Oak cased 8 Day Long Case Clock, signed Davey of Norwich, the arched hood surrounded by a globe and spike, and two globe and eagle brass finials, over freestanding columns, to an ogee throat and long trunk door, to a plinth base, to a 12” arched brass dial, with engraved foliate decoration, with Roman chapter ring and Arabic quarters, enclosing subsidiary seconds and date sector with pierced steel hands, to a signed false plate and movement with plates united by four knopped pillars, and anchor escapement, strike on a bell (associated), height 92”
A 2nd quarter of 19th Century Oak, Mahogany and Boxwood line inlaid 8 Day Long Case Clock, Pegler of Blandford, the hood with swan neck pediment over reeded freestanding columns to an ogee throat, and plain frieze with short trunk door flanked by quarter reeded columns, and raised on a plinth base, to a 12” square 3rd period painted dial, with floral spandrels to a Roman chapter ring, enclosing subsidiary seconds and date sector with black painted hands, to an unsigned false plate and movement with plates united by four knopped pillars, with anchor escapement, strike on a bell, height 76”
A late 18th Century Oak and Mahogany cross banded 8 Day Long Case Clock, Walter Mayers of Gloucester, the hood with overhanging cornice, to reeded freestanding columns, to an ogee throat and long trunk door with panelled base, and raised on bracket feet, to a 12” square brass dial with cast and applied foliate spandrels enclosing a Roman and Arabic chapter ring, to a polished centre engraved with floral and foliate decoration and insects, with subsidiary sections and date sector, with further pierced steel hands, to a movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 79”
A 3rd quarter of 18th Century Oak cased 30 Hour Long Case Clock, Leon Weatherad of K Lonsdale, the hood with overhanging cornice to a plain frieze, with inlaid initials TB, over freestanding baluster columns and ogee throat, to quarter round columns flanking a shaped long trunk door, and raised on a plinth base, to a 12” square brass dial with cast and applied mask and foliate spandrels, enclosing a Roman and Arabic chapter ring, with outside track and fleur-de-lys half hour markers, to a matted centre with engraved star and foliate decoration with date sector and pierced steel hands, to a movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 84”
A late 18th Century Oak cased 8 Day Long Case Clock, Wm Reid of Grantham, the hood with swan neck pediment over freestanding columns, to an ogee throat and long shaped trunk door, with plinth base, to a 12” 1st period painted dial, decorated to the arch with honeysuckle blossom and further gilt highlighted gesso spandrels, enclosing a Roman and Arabic chapter ring, enclosing subsidiary seconds and date sector, to a “Wilson” signed false plate, and movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 82”
A mid-18th Century Oak cased 30 Hour Long Case Clock, Tho Beeching of Rye, the hood with overhanging cornice, over a ¾ column to an ogee throat, and long shaped trunk drawer with reduced plinth base, to a 12” square brass dial with attached arch bearing named boss and further dolphin spandrels over mask and foliate spandrels, enclosing a Roman and Arabic chapter ring with inside and outside tracks, with fleur-de-lys half hour markers, to an engraved centre with subsidiary seconds and ringed date sector, with blued steel pierced hands, and movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 75 ½” (associated)
A 1st half of 19th Century Oak cased 8 Day Long Case Clock, name obscured, the arched hood with swan neck pediment and three gilt wood globe finials over free standing columns, to an ogee throat and long trunk doors, with reduced plinth base, to a 12” arched painted dial, decorated with the peace dove flanked by cornucopia and scythes, with rose and gilt highlighted spandrels, enclosing an Arabic chapter ring with subsidiaries for seconds and date, with pierced steel hands to an unsigned false plate, and movement with plates united by four knopped pillars with anchor escapement and strike on a bell, height 86”
A late 18th Century Mahogany cased 30 Hour Long Case Clock, H Kemp of Mayfield, the overhanging cornice to freestanding columns, with ogee throat, plain long trunk door, and plinth base (plinth A/F), to a 12” square painted 1st period dial with rose spandrels enclosing a Roman chapter ring, centred with a rural landscape to a posted movement with back mounted count wheel, and anchor escapement with strike on a bell, height 75”
An impressive late 19th Century electroplated Table Centrepiece, modelled in the form of an oak tree, centred with a cut glass bowl, within a branch and acorn frame, and flanked by three scrolling arms, each with further foliate formed sconces and drip pans, and naturalistic trunk, to a rocky outcrop formed base, set with a ram and ewe, to a vacant cartouche (apparently unmarked), height 22”

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66969 Los(e)/Seite