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Preisdatenbank abonnierenλ A JAPANESE BRONZE MODEL OF AN ELEPHANT, OKIMONO MEIJI PERIOD, 19TH CENTURY The pachyderm standing four-square and with its trunk raised, the rough texture of its thick skin realistically depicted and with a benevolent expression, its tusks in ivory and signed underneath one foot, 42cm. Provenance: from a deceased estate, Hampshire.
A JAPANESE INLAID BRONZE VASE BY THE KURODA WORKSHOP MEIJI PERIOD, 19TH CENTURY The tall baluster body decorated with a long-eared owl perched on a tree branch, the bird's breast inlaid in silver with black speckles, with other details of the bird and the trunk highlighted in gilt, the base inscribed Kyoto Kuroda zo, 33cm.
TWO JAPANESE BOXES AND COVERS MEIJI PERIOD, 19TH CENTURY Both of rectangular shape, one in woven bamboo, the lid with a silver plaque depicting an egret perched on the trunk of a weeping willow by the water edge, signed with a three character signature, possibly Ittosai; the other in cloisonné enamel with a ho-ho bird elegantly flying on a light blue ground, 6cm x 10.6cm x 14.6cm max. (4) Provenance: from a deceased estate, Hampshire.
λ FOUR JAPANESE IVORY CARVINGS, OKIMONO MEIJI PERIOD, 19TH CENTURY One an elderly man carrying a bird table with two small sparrows on; another depicting a beauty with loose robes balancing a basket of bamboo shoots and vegetables atop her head, signed; the two others both carved as a fisherman mending a net hung on a tree trunk, both signed, 25.5cm max. (4)
AN EARLY 19TH CENTURY OAK EIGHT DAY LONGCASE CLOCK with swan neck pediment and fluted pilaster columns to the hood, the trunk with crossbanded mahogany decoration and decorative stringing, the arching painted dial decorated with fruit and flowers, with subsidiary second hand, date aperture and signed 'J Alldrett, Burton', 51.5cm wide x 25cm deep x 221cm high Condition: the case in need of some restoration, old repairs to the swan neck pediment, some loose joints, marks, dents and scratches overall, some wear to the painting of the dial particularly the numerals, the movement seemingly clean and complete but not guaranteed working an in need of a further clean, complete with weights and pendulum
W. R. Stone (19th C.)oil on canvasShepherd boy and flock in an extensive landscapesigned74 x 126cmCONDITION: Oil on canvas relined many years ago, canvas remains tight, paint and varnish very dirty with slight stretcher mark showing at the top and otherwise scattered dirt marks throughout, some fine craquelure which is starting to lift in both the varnish and paint particularly in the dense parts of the trees, also some light denting from the reverse which is coming through by the tree trunk by the left, other small areas of craquelure and minor dents and knocks notably in the rocks and water to the right beneath the wicker weir, housed in probably the original gilt frame, no labels or inscriptions verso.
A GEORGE IV OAK AND CROSSBANDED EIGHT DAY LONGCASE CLOCK, the hood with a scrolled top and twin fluted columns, the glass door enclosing a brass and silvered 11 1/2'' dial, subsidiary date aperture, seconds dial and unsigned, between spandrels, the trunk with quarter fluted columns, carved shell inlay to the door and base, height 218cm (two weights, pendulum and winding key) (no lock to trunk door, replaced with magnet) Condition Report Overall condition very good, onehumidity spot to front face of base beading at bottom of hood has losses
A NEAR PAIR OF LATE 18TH/EARLY 19TH CENTURY CHINESE EXPORT PORCELAIN PLATES, underglaze blue and white decoration of a crane standing on a twisted tree trunk above a fence, foliate decoration to the border, one with hairline and chips, the other with chip to the underside, diameter 22.5cm and 23cm (2)
Representing Lord Ganesha seated on a lotus 16cm high Condition: Minor signs of wear commensurate with age and use, very small chips to some edges, natural veins and inclusions Additional Information: The direction of his trunk has a meaning: Lord Ganesha’s trunk, when turned left is said to represent Ida Nadi which invokes the energy of the moon which is calm, peaceful, relaxing and cool. Often called the Siddhi Vinayaka, an idol of Lord Ganesha with his trunk turned right is said to be of great spiritual value as this invokes the energy of the sun.
Figur Dame mit Anker + Taube Auf ovalem Rocaille reliefiertem Sockel an einen Baumstamm gelehnte Dame mit einer Taube und einem Anker in je einer Hand. Schwertermarke, Polychrome Malerei Goldstaffierung Höhe 7,2 cm Privatsammlung Figure lady with anchor + dove Lady with a dove and an anchor in one hand, leaning against a tree trunk on an oval seed-lit pedestal. Sword brand, Polychrome painting gold graduation, hight 7,2 cm, private collection
19th century oak and mahogany longcase clock, hood with scrolled pediment over stepped arch glazed door, fluted column pilasters, the shaped and banded trunk door enclosed by two fluted quarter columns, enamel painted moonphase dial, eight day movement striking on bell, H234cm (two weights and pendulum) - Condition Report
MID 18TH CENTURY WELSH OAK LONGCASE CLOCK, by John Roberts, Wrexham, the arched top brass dial with 'John Roberts, Wrexham 1765' plate, flagged by pierced dolphins, the 11in. brass dial with Roman numerals, subsidiary seconds dial, chased central decoration and mask spandrels, the hood with broken swan neck pediment and urn finial, single arch top glazed door with flanking fluted pillars and brass caps, the trunk with crossbanded shaped top door and quarter cut fluted side pillars on a stepped base with corner bracket feet, 8-day two-train weight-driven movement, pendulum weights and winding key included, 220cms overall H, 49cms W Provenance: private collection north Wales Condition Report: urn finial replaced, restored hood moulding, base with splits, dial cleaned and re-lacquered.
DOCUMENTARY MID-19TH CENTURY WELSH MAHOGANY LONGCASE CLOCK, by John Jones, Aberystwyth, c.1845, swan neck pediment, breakarch hood with twisted columns, above trunk with shaped door and twisted columns, on circular panelled base raised on turned feet, well painted 13in. Roman dial with moonphase in the arch, St Peter and St Paul in the globes, spandrels with figures allegorical of the continents, centre painted with the Angel appearing to Jacob at Peniel (Genesis XXXII, 24-30), subsidiary seconds dial and calendar aperture, the 8-day two-train weight-driven anchor escapement rack striking a bell, 220cm high. Provenance: Cardiff private collector of Aberystwyth art and antiques. Auctioneers Note: published in William Linnard, Wales: Clocks & Clockmakers, 2003, p. 90-91, fig 6.21 and back cover. John Jones is recorded as working as a clockmaker, repairer and retailer at various addresses in Aberystwyth between 1828 and 1868. Condition Report: feet, column capitals and base with wear and minor losses, dial in excellent condition.Feet, column capitals and base with wear and minor losses.Dial in excellent condition, minor enamel wear around edges.Glass feels thick, possible restoration.
An old wooden box/Trunk having swing handles to either side and having applied fabric to the exterior printed with cane-work pattern, the interior lined in cream and dark blue pattern and with a maker's label ''G. Hunt, Trunk Portmanteau and Carpet Bag Manufacturer to the Army and Navy, 35 Above Bar, Southampton. Trunks, Portmanteaus, Coverings, Luggage straps and made to order in the shortest notice. Old trunks repaired or taken in exchange, Wholesale and for Exportation". 23" x 13" x 12'' high
A collection of sixty six microscope slides, medical subjects, to include examples hand labelled 'Tongue', 'Epiglottis', 'Liver', 'Appendix', 'Salamander Gut', 'T.S. Nerve Trunk', 'Artery & Vein', 'Ventrical', 'Human Kidney', 'Human Liver', 'Trachea Child' and 'Rat Liver', the slides held in twelve compartmentalised trays set to a fitted case with hinged front and top, stamped 'R & J Beck London' to the inside top, applied paper label for 'Hydrozoa General Collection...' to the hinged front, the case 9.5cm H x 21cm W x 11cm D Condition reports can be found attached to your lot of interest once a request has been submitted, and can be found attached to the lot at auctions.trevanionanddean.com. Please only bid if you are entirely satisfied with the condition of your lot. The absence of a condition report does not guarantee that the lot is free from faults or defects.
Champa, 10th-12th century. The pectoral of rectangular form, with fine repoussé depicting Ganesha seated in dhyanasana, his long trunk reaching his protruding belly, and wearing a sash around his torso, surrounded by scrolling cloud designs, and set with many gemstones, one above Ganesha’s head and three in each corner. Two gold hooks allow the pectoral to be worn as a necklace.Provenance: Ex-Collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above.Condition: Very good condition with minor traces of age and wear as well as some verdigris and extensive soil encrustations.Weight: 32.0 gDimensions: Size 9.1 x 7.8 cmAlloy composition range: Gold 64-72 %, Silver 24-28 %, Copper 2-4 %. 
Pyu city-states, 2nd-10th century. The translucent stone finely carved and neatly incised as an elephant, its stubby trunk and tusks giving it a compact shape. Pierced through the elephant’s forehead and behind allowing for suspension as a pendant.This piece was personally examined by Burmese American archaeologist and gemologist Terence Tan, a leading expert in Pyu art and Burmese gemstones, and Hungarian gemologist Dr. József Takács. Their analysis finds that the stone is a rock crystal and the talisman is original, ancient, cut by hand with carving, chiseling, boring, and grinding. The color is natural. There are sandy deposits in the recesses of the surface. The stone has been cleaned in a tumbler and repolished by hand. There are marks of authentic ancient craftsmanship and use of primitive tools. The holes are ancient, handmade, and irregular. A certificate signed by Dr. Zelnik attesting to the above will be handed to the winning bidder upon request.Provenance: Ex-Collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above.Condition: Very good condition with minor traces of age and wear.Weight: 42.5 gDimensions: Size 2.8 x 4 cmPublished: Burmese Gemstone Amulets and Talismans Volume 1 (part of the series From the Collection of Dr. Zelnik), page 240-241, Budapest 2016.Literature comparison: An almost identical piece is published in Burmese Gemstone Amulets and Talismans Volume 1 (part of the series From the Collection of Dr. Zelnik), page 227, Budapest 2016. 
Champa, 10th-13th century. The large ring with broad shoulders and a finely carved and incised top depicting a recumbent Makara with the hindlegs bent and an elephant trunk curled upwards over the head. Makara is a legendary sea-creature in Hindu mythology, appearing as the vahana (vehicle) of the river goddess Ganga, Narmada, and of the sea god Varuna. Makara are considered guardians of gateways and thresholds, protecting throne rooms as well as entryways to temples.Provenance: Ex-Collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above.Condition: Very good condition with minor traces of age and wear.Weight: 23.0 gDimensions: Size 3.2 x 3.3 cm, Inner Diameter 2.1 cmAlloy composition range: Gold 64-72 %, Silver 24-28 %, Copper 2-4 %. 
Champa, 10th-12th century. The pectoral of rectangular form, with fine repoussé depicting Ganesha seated in dhyanasana, his long trunk reaching his protruding belly, and wearing a sash around his torso, surrounded by scrolling cloud designs, and set with six gemstones, three above Ganesha’s head and three below him. Two gold hooks allow the pectoral to be worn as a necklace.Provenance: Ex-Collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above.Condition: Very good condition with minor traces of age and wear as well as soil encrustations.Weight: 17.7 gDimensions: Size 6.3 x 9.1 cmAlloy composition range: Gold 64-72 %, Silver 24-28 %, Copper 2-4 %. 
Champa, 8th-10th century. The gold plaques of rectangular form, each executed in fine repoussé depicting a standing elephant with distinctive features, such as the large ears, long trunk, and curved tusks, and with the tail raised high, as well as embossed with Sanskrit or old Cham characters. Each plaque pierced with small holes in all four corners for attachment.Provenance: Ex-Collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above.Condition: Very good condition with minor traces of age and wear as well as soil encrustations.Weight: 5.0 gDimensions: Size 5.2 x 4.1 cm and 5 x 3.7 cmAlloy composition range: Gold 64-72 %, Silver 24-28 %, Copper 2-4 %.Literature comparison: A similar piece is published in The Zelnik István Southeast Asian Gold Museum, page 184, Budapest 2013. Two related plaques are also in the National Museum of Cambodia, inventory numbers NMC.325 and NMC.323. 
Champa, 10th-14th century. The large oval ring top elaborately carved and neatly incised depicting Ganesha seated cross-legged on a double lotus base, holding attributes in his hands, wearing a large crown on his head, with a protruding belly and the trunk curved to one side, a halo behind the deity. The broad shoulders with crashing waves surrounding Ganesha.Provenance: Ex-Collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above.Condition: Excellent condition with few minor traces of age and wear.Weight: 25.1 gDimensions: Size 3.0 x 2.7 cm, Inner Diameter 2.1 cmPublished: The Zelnik István Southeast Asian Gold Museum, page 150, Budapest 2013.Alloy composition range: Gold 64-72 %, Silver 24-28 %, Copper 2-4 %. 
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