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66969 Los(e)/Seite
Los 3123
A pair of late 19th century Cantonese famille rose lidded vases, with elephant trunk handles and extensive floral and foliage design, figural and exotic bird panels, approx. 47.5cm high. Further details: one with large V shaped piece reattached to rim (glued), both covers with large chips to finials and smaller chips to rims, chips to rims of both vases and covers, nibbles to foot rims, elephant trunks are chipped to both, some loss to gilding to both, wear and minor wear to enamel on both.
Los 1
Louis Vuitton- An early 20th Century Louis Vuitton travel trunk, serial no:142412, having chestnut brown leather exterior, studded mid brown leather edges with leather padded corners, brass Louis Vuitton branded lock plate and catches, two metal carrying handles at each end, underside with three wooden support struts, cream fabric lined interior, bearing original cream and brown label with serial number, removable tray with side handles, 101cm wide x 51cm deep x 26cm high. Location:
Los 5
A Chinese spinach jade 'three friends of winter' three-section vaseQing dynasty, Qianlong periodFinely carved with a central gnarled pine tree trunk issuing branches between a broad bamboo shoot and a group of lingzhi, the largest lingzhi hollowed out to form a short vessel, with a blossoming prunus branch to the side of the lingzhi, 11cm high, 15cm wide.清乾隆 碧玉雕歲寒三友花插 Condition Report: Expected natural inclusions and fissures. A couple of insignificant nibbles to edges.
Los 30
A Chinese full-tip rhinoceros horn libation cupQing dynasty, 19th centuryIntricately carved with lotus pods and flowers, millet, and narcissus, the cup carved as a lotus leaf, on fitted carved hardwood stand carved as a gnarled trunk issuing fruiting branches, the horn 47cm high, 68cm high including stand. Provenance: from the collection of Phillip Allen (1938-2022).For a closely related example, see T Fok, Connoisseurship of Rhinoceros Horn Carving in China, p.248, no.186.清十九世紀 犀角盃連木座來源：菲利普·艾倫收藏Note: Please note that an export licence will only be granted for rhinoceros horn pieces, should the hammer price meet or exceed the value of 100 USD per gram of the item’s weight. Condition Report: A chip to the tip of a lotus petal below the rim. Tiny nibbles to the extremities commensurate with age, no sign of restoration under UV light. Weight: 1.152kg.The top section of the stand, or approx. 10cm high, has been broken off and restored with a section missing. The stand possibly has been re-lacquered. Cracks in the wood commensurate with age.
Los 808
A fine and small Queen Anne style walnut eight day longcase clock, Jos Fordham, Braintree, c1900, the 7.5inch brass dial with matted centre and giltmetal spandrels, the four pillar two train movement with brass plates, in well figured case with basket top, moulded cornice and spiral pilasters to the hood, the trunk enclosed by a full length moulded door, on plain base and skirted plinth, weights and pendulum, 186cm h Good well preserved condition with minor localised lifting of the mouldings, small shrinkage crack and veneer bubble on left hand side of hood
Los 571
A collection of Swarovski Collector Club /Silver Crystal boxed small models to include: a display tulip with ruby petals; Snowman; baby Elephant; clam shell with pearl; Koala Bear; seated baby Elephant; Mouse; standing baby Elephant; larger Elephant with raised trunk; seated Fox; standing larger Fox; a Butterfly on a leaf and a large Swan (12)
Los 150
A good quality oil on board portrait of Major E.O.Duggan T.D. M.I.D. Three quarter length portrait, showing Major Duggan in his uniform, and painted in 1941 by ‘English’. At his breast are the ribbons for his WW1 service, including the 1915 Star, British War Medal, and the Victory Medal. His Territorial Decoration will not have been awarded at this point, nor would his WW2 service medals or M.I.D oak leaf. He is wearing the insignia of the Labour Corps to his cap and lapels. Information written to the back of the painting gives some insight into his career. Aug 4th 1914 - Inns of Court Regiment. March 17th 1915 - Commissioned 2nd Lieut The Royal West Surrey Regiment (The Queens). May 1915 BEF France, Belgium. June 4th 1916 Lieut. October 14th 1916 Captain. July 16th 1917 Tank Corps. August 8th 1918 Wounded in Action. Jan 11th 1920 Disembodied TRA(?) Reserve. April-July 1941 22 Defence Force Regiment. March 1944 Royal Pioneer Corps - Capt Major - France Belgium Germany. June 1945 Demobilised. 1946 Mentioned in Dispatches, Awarded T.D. There are also numerous signature on the back of the painting, presumably from his fellow officers. The frame size is approximately 79.9cm across x 102.2cm top to bottom. Also included is a WW2 tin storage trunk, named to front ‘Major E.O,Duggan P.C.), with the ‘P.C’ referring to the Pioneer Corps. Plus, a modern copy photograph of Major Duggan in uniform, his Labour Corps cap badge, a printed thank you card from Montgomery, a scroll commemorating his service as a Special Constable during the General Strike in 1926, various comic letters, a Queen’s Regiment decorative wall plaque, military Christmas cards, and other items. Condition: generally good. The painting is in good order, and without damage. The frame is also in good condition. The other items included in the lot show some normal and age related wearing / soiling. The Gurkha plaque has a little damage to the crown area.
Los 55
A late Victorian Sheraton Revival mahogany and marquetry long case clock with moonphase13" arched brass dial with silvered chapter ring with applied brass Arabic numerals, foliate engraved spandrels, moonphase to arch with with silvered calendar scale, subsidiary seconds dial, and chime /silent, Westminster Chimes, /Whittington Chimes selection dials, signed J. Smith & Sons, St Johns Square Clerkenwell, three train 1/4 striking brass movement striking on nine tubular gongs, with mercury jar compensated pendulum and three brass weights, the hood with a glazed door flanked by stop fluted gilt metal mounted Corinthian columns and pierced sound frets, fitted with a surmount with gilt brass pineapple finials, the trunk with conforming quarter engaged pilasters over a box base, all over with fine marquetry inlaid decoration of urns and swags height 265cm.Condition: Winds ticks and runs however no guarantee can be offered as to the full working order. Clock was in working order until disassembled for trasnport. Case keys and winding keys present. Case in good condition with shrinkage crack to surmount and right hand side of box base
Los 41
An Army and Navy stitched tan leather travelling trunk and contentsthe trunk with carrying handles and straps, lined and bearing Army and Navy Label contain a Chinese cream ground shawl with floral embroidered border and knotted fringe, gilt metal, a horn comb with gilt metal frame decorated with simulated pearls and black enamel Greek key border, a fan with bone guards and sticks with gauze leaf painted with flowers and Brussels lace, a small ostrich feather and faux tortoiseshell fan, a christening robe, various lace and children's clothing first length 51.5 cm., depth 29cm., height 27cm., Condition: Trunk in good condition with scuffs commensurate with use several teeth of comb damaged, other items in age commensurate condition
Los 106
TESHIGAHARA SOFU (JAPANESE 1900-1979) UNTITLED Sheet Copper Signed SOFU and dated 1962 approximately 399 x 95 x 50cm; 157 x 37½ x 19½ in. The recent sculpture of the master Teshigahara Sofu has served as a major step in establishing a new aesthetic [...]. Until a new order is born, "adjacency" is the most abstract concept we have. The term "composition", which now enjoys currency in aesthetics and art criticism, is too classical, and I am even of the opinion that it should be replaced with "arrangement" Michel Tapié "A Mental Reckoning of My First Trip to Japan (1957)", in From Postwar to Postmodern: Art in Japan 1945-1989, (New York, 2012), p. 99-100. Born in Tokyo in 1900, Teshigahara is regarded as one of the most important Japanese Avant-Garde artists. In 1927 he started the Sogetsu-ryu school of Ikebana flower arranging for which he received the Minister of Education Awards for Art in 1962. From these roots in his mastered field of one of the three classical Japanese arts of refinement Teshigahara expanded his artistic endeavors into painting, calligraphy and sculpture. He first exhibited as a sculptor at Tokyo's Bridgestone Museum in 1957. This untitled work bears similarities with work exhibited in 2020 at the Sogetsu WEST, gallery in Japan which were titled "八百万の神" (YAOYOROZU no KAMIGAMI). TIME Magazine called him the 'Picasso of Flowers' and he was awarded the Order of Arts and Letters by the French government in 1960 and the Legion of Honor in 1961. Condition Report: Weathering and wear, marks, knocks and scratches as per age, handling, use, and cleaning. There are bruises and score marks from previous slightly clumsy handling. The piece is hollow and was shipped to us on a back of a lorry onto blankets- and was loaded onto the lorry with straps and a forklift. It was offloaded by 4 strong men who lifted it into position. The weight is approximately 250/300kg. It does not have a permanent base but 4 feet. It is currently screwed down onto an old tree trunk base in our gardens. For permanent erection/installation it may well benefit from a solid base such as concrete but this will be at at the discretion of the purchaser. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Los 249
A VICTORIAN CAMPHOR WOOD AND BRASS BOUND CAMPAIGN TRUNK MID 19TH CENTURY With brass plaque inscribed 'Higgins' 47cm high, 103cm wide, 52cm deepSaleroom Notice: Please note that the dimensions of this item have been updated Condition Report: Trunk with the marks, knocks, scratches and abrasions commensurate with age and use. Various old chips, splits, cracks and deep scratches - see images for extent. Some filler applied timber in places. No key present but lock is open. The brass elements with the expected knocks and marks. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Los 79
A GEORGE III MAHOGANY AND BRASS STUDDED CAMPAIGN TRUNK LATE 18TH/EARLY 19TH CENTURY With hinged domed top, above a drawer to the base 38cm high, 62cm wide, 35cm deep Condition Report: Trunk with the marks, knocks, scratches and abrasions commensurate with age and use. The expected old chips, splits and losses. Some larger splits to the domed top - see images. Key present and operates both locks. Trunk in generally good/presentable order overall. Please refer to additional images for visual reference to condition overall. Condition Report Disclaimer
Los 298
λ SERGIO BUSTAMANTE (MEXICAN B. 1949) ELEPHANT Copper and brass 55 x 73cm; 21½ x 28¾ in. Executed circa 1970s. Bustamante was born in Culiacan, Sinaloa and studied architecture at the University of Guadalajara. Bustamante's first art exhibition showcased paintings and papier-mâché figures at the Galeria Misracha in Mexico City in 1966. In 1975, Bustamante was part of a group of artists that established the "Family Workshop Studio" in Tlaquepaque, Jalisco, Mexico. By the mid- 1970s, his practice expanded to include wood and bronze sculpture. Condition Report: Elephant with the marks, knocks, scratches and abrasions commensurate with age and use. Opening to one of the join lines of the trunk but it remains in position. The expected various knocks and indentations to the metal in places. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Los 223
AFTER ANTONIO CANOVA (1757-1822) A MARBLE FIGURE OF HEBE MID 19TH CENTURY Set on original stone pedestal Figure 163.5cm high, 250cm high overall Hebe is among Antonio Canova's most successful and recognisable models. From its conception in 1795 it was praised for its originality with the composition and depiction of a classical subject not based on an antique model but invented by Canova himself. Canova let Hebe glide down from the clouds, pouring the wine she served to the gods. It is possible that in its original state- this figure may have been holding a ewer in her right hand and cup in her left. The presence of the tree trunk indicates it is taken from the third state onwards of Canova's composition- akin to the Chatsworth example from 1808. However the presence of the necklace and diadem indicates the sculptor has knowledge of the fourth version executed for the Countess Veronica Guarini di Forli in 1816/1817. The quality of this example would suggest that it was made not long after the sculptor's death and it still bears the marble strengtheners between the fingers which would normally be filed off after transport from Italy to the U.K. RELATED LITERATUREG.C. Argan, Canova all'Ermitage. Le sculture del museo di San Pietroburgo, exh. cat. Palazzo Ruspoli, Rome, 1992, pp. 92-94; O. Stefani, Antonio Canova. La statuaria, Milan, 1999, pp. 84-88, no. 7 Condition Report: Weathering with some sugaring and loss of detailing to surface. Colour variance from exposure- wear, marks, knocks and scratches as per age, handling, use, and cleaning. Some natural flaws, inclusions. patches of lichen growth and small darker flaws scattered throughout. Webbing still between fingers- hole to inside of right arm that would have anchored urn she carried- both urn and cup missing. Edge chips to base and scuffing wear to base Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Los 688
Royal Navy, the uniforms and ephemera of Lt Commander P.C Whitlock, Royal Navy, comprising Dress uniforms, waistcoat, evening jacket, tallies (HMNZS Philomel, HMNZS Otago, TS Leander, HMNZS Santon, HMS Reclaim, HMS St George, HMS Cadiz etc), shoes, caps, bunting/flags, buttons badges, and much more all within his personally named metal trunk (qty)
Los 1310
A 19th century oak longcase clock with heavy estate carving, the trunk detailing a knight fighting serpents, the hood with trailing ivy, fruit and applied serpents, with broken arch painted dial, subsidiary, calendar and secondary dials and eight day striking movement by James Mann or Norwich, (recently overhauled)
Los 973
A LARGE GEORGE III BLACK LACQUER CHINOISERIE DECORATED LIFT TOP TRUNK149cm wide; 65cm deep; 70cm highCondition report; in generally good working condition. New handles and lock have been added later. There are light scratches/ losses to the paint, the lid does suffer with two splits running along the length of the top, light wearing all over which is consistent with use over the years. Additional images of scracthes and hardware have been added.
Los 11
A GROUP OF CONTINENTAL AND ENGLISH PORCELAINS (9)19th and 20th century Comprising; a small Sevres style spirit barrel and gilt-metal stand, painted with panels of figures and flowers against a turquoise ground, 14cm high; a pair of French porcelain parrots, gold anchor marks, 17.5cm high; a Paris porcelain two-handled vase painted with arabesques, 28cm high; a pair of small vases decorated with chinioserie scenes, 6.5cm high and an English porcelain flower encrusted small rose water sprinkler and cover, 11cm highSpirit barrel and stand- some wear to the gilding and some losses to the red `jewelling'. Pair of parrots- one of the applied acorns on the tree trunk is lacking. Minor wear to the gildingTwo-handled vase-Some restoration and losses to the handlesPair of small vases- one with small rim chipRosewater sprinkler- The two flanges on the cover are lacking.Minor losses to the applied flowers and leaves
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66969 Los(e)/Seite