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19thC Banded wooden dome top trunk

Ω A French brass mounted tortoiseshell mantel timepiece in the form of a miniature longcase clock The dial signed for Philippe, Paris, circa 1900 The circular single train eight-day movement with platform cylinder escapement regulated by sprung monometallic balance and numbered 2119 to backplate, the circular cream enamel dial inscribed Philippe, AU PALAIS ROYAL to centre, with raised Roman cartouche numerals and fine scroll pierced and engraved gilt brass hands set behind hinged convex bevel glazed bezel, the break-arch top case with brass mouldings to pediment and inset knopped columns flanking dial over concave ebonised throat moulding and recessed panel bordered by brass ogee inset mouldings to trunk, the sides plain, the rear ebonised with hinged circular glazed brass bezel for access to the movement, on plinth base with complex brass top moulding and conforming recessed panel to front over skirt base applied with further cast moulding, (some losses to mouldings), 41cm (16ins) high.Cites RegulationsPlease note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations when exported from the EU. The CITES regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites

A Viennese mahogany month-going Lanterndlur wall timepiece Andreas Alzinger, Vienna, circa 1825 The four pillar movement with slightly tapered plates engraved A A to rear, the train with deadbeat escapement regulated by brass lenticular bob pendulum with steel shaft and knife-edge suspension, the 7 inch circular silvered Roman numeral dial signed Andreas Alzinger, IN WEIN to centre, with delicate blued steel hands and gilt milled bezel, in a typical boxwood edged nine-light case of slener proportions with triangular pediment over slender-framed square glazed front door and conforming side glasses to the forward-sliding hood over arch-glazed trunk with cavetto throat mouldings above rectangular windows to sides, the square box base enclosing the pendulum bob with glazed front panel and side windows over cavetto shaped base, 115cm (45.25ins) high.

A Regency brass mounted mahogany mercury cistern tube stick barometer Bate, London, circa 1815 The ebony line strung case with swan neck pediment applied with cavetto projections to sides over circular slivered hydrometer engraved Moist Air/Dry Air to centre behind glazed cast brass bezel and rectangular glazed silvered brass Vernier scale calibrated in barometric inches and with the usual observations beneath engraved signature Bate, London to upper margin set behind hinged brass-framed glazed door, the caddy moulded trunk inset with large Fahrenheit scale mercury tube thermometer behind conforming brass-framed arch glazed door, the rounded base with moulded circular cistern and level adjustment screw to underside, 111cm (43.75ins) high excluding finial. The current lot is almost certainly by Robert Brettell Bate who is recorded in Clifton, Gloria Directory of British Scientific Instrument Makers 1550-1851 as working from Poultry, London 1808-42 and then 33 Royal Exchange 1846-47. Bate was known as a maker of all types of instrument however was celebrated for his nautical instruments including marine barometers and latterly was appointed Instrument-maker to Her Majesty s Honourable Boards if Excise and Customs .

A George III mahogany mercury tube stick barometer Lincoln, London, circa 1800 With open triangular pediment over rectangular glazed silvered brass Vernier scale calibrated in barometric inches and with the usual observations beneath engraved signature Lincoln, London to upper right margin opposing spirit Fahrenheit scale thermometer to left hand side, set behind hinged glazed door with convex lower angles over chevron line edged caddy moulded trunk incorporating visible tube, the base with domed cistern cover applied to circular section, 97cm (38.25ins) high excluding finial. A Charles Lincoln is recorded in Banfield, Edwin BAROMETER MAKERS AND RETAILERS 1660-1900 as working from 11 Cornhill, London in 1763 then at 62 Leadenhall Street from 1791 until his death in 1807.

A George II walnut eight-day longcase clock Thomas Hill, London, circa 1730 The five finned pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 14 inch brass break-arch dial with foliate border engraved calendar aperture and subsidiary seconds dial to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and five minutes to outer track, with pierced steel hands and unusual male mask and scroll cast spandrels to angles beneath arch centred with a silvered boss inscribed Tempus Fugit within circular border signed THOMAS HILL, LONDON flanked by conforming mounts, In a case with ogee cornice over break-arch glazed door flanked by fluted Corinthian columns to hood, the sides with rectangular windows and conforming quarter columns applied to bargeboards at the rear, the trunk with break-arch door centred within a circular lenticle over ogee moulded crossbanded plinth base, 204cm (80.5ins) high. Several makers with the name Thomas Hill are recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London during the first half of the 18th century.

A quantity of longcase clock spandrels, case fittings, pulley wheels and bells Anonymous, mainly 18th century Including a set of four rare winged cherub head and lambrequin pattern spandrels amongst numerous others, a pair of fine cast brass trunk door hinges, hood column caps and bases, a group of eight-day longcase clock pulley wheels and a Knibb type pork pie hour bell, (qty).

A Victorian pollard oak mercury cistern tube stick barometer Watkins and Hill, London, circa 1840 With swan neck pediment over rectangular glazed silvered brass Vernier scale calibrated in barometric inches and with the usual observations beneath engraved signature Watkins & Hill, Charing Cross, LONDON to upper margin, with fine moulded surround over ebony line edged burr veneered trunk incorporating Vernier adjustment screw to throat, the base with vase-turned cistern cover applied to rectangular section with level adjustment to underside, 98cm (38.5ins) high excluding finial. The partnership between Francis Watkins and Joseph Hill is recorded in Clifton, Gloria Directory of British Scientific Instrument Makers 1550-1851 as makers of a diverse range of scientific instruments trading from 5 Charing Cross, London 1819-56.

A fine George III mahogany musical longcase clock with automaton Samuel Deacon, Barton-in-the-Beans for Robotham, Leicester, dated 1788 The substantial eight-day triple train movement with decoratively shaped thick plates united by four generous baluster-turned pillars enclosing large barrels with concealed winding clicks, the going train with anchor escapement regulated by seconds pendulum with distinctive heavy ring-turned bob mounted on decorative brass slider, the hour striking train with counting via pins set into the rim of the great wheel and sounding on a bell vertically planted above the plates, the music train released every three hours via additional pins in the strike train great wheel to play one from a selection of seven lively tunes automatically selected on a daily basis via a 5 inch pinned cylinder and graduated nest of twelve bells with twelve hammers transversely planted to the upper right hand corner of the movement within Y shaped rear sub plate extension incorporating conforming pair of fine baluster and single long columnar pillar, the frontplate engraved with decorative scroll initials S. D. B. incorporating date 1788, the 14 inch white painted Roman numeral break-arch dial inscribed ROBOTHAM and with day-of-the week tune indication dial to centre, fine engraved and pierced gilt brass hands, Arabic five minutes to outer track and floral spray polychrome decorated spandrels beneath arch finely painted with figural automaton scene of a quintet with six separate movements operated via linkages connected to the musical work behind, in a swan neck pedimented case with fretwork leafy tendril infill over hinged break-arch glazed and crossbanded hood door flanked by Corinthian columns, the sides with rosette-pierced sound frets and shaped bargeboards to the rear, the trunk with concave throat moulding and swollen frieze over shaped-top caddy moulded door flanked by fluted quarter columns, on shaped raised panel fronted plinth base with moulded skirt incorporating shaped apron, 249cm (98ins) high. Samuel Deacon is recorded in Hewitt, P.A. THE DEACON FAMILY OF LEICESTERSHIRE CLOCKMAKERS as born in Ratby, Leicestershire on 6th February 1746 and, after initially going in to farm service, he was offered an apprenticeship with the clockmaker Joseph Donisthorpe (as a result of a chance recognition of his practical abilities). In 1769 Deacon was employed as a journeyman to the Leicester clockmaker Thomas Lindley before setting up on his own as a clockmaker in the small hamlet Barton-in-the-Beans in 1771. Whilst in Leicester Deacon became acquainted with the Rev. William Ludlam who went on to tutor Deacon on the theoretical aspects of clockmaking as well as hone his skills on the practical side with particular attention to musical clocks. These skills enabled him to set-up business on his own in a highly cost-effective manner as he was able to make most of his workshop tools rather than buy them. In 1803 his wife, Elizabeth, died after a short illness; Samuel died after a stroke in 1816 leaving the business in the hands of his cousin, also named Samuel. The workshop passed down through successive generations until 1951 when the last of the Deacon clockmakers, Thomas William retired. Leicester Museums acquired the contents of the workshop and archive preserving it as one of the only 18th century clockmaking workshops to remain intact. Samuel Deacon s work is highly distinctive with many features such as baluster pillars, use pin countwheel, distinctive design of pendulum and hammer shapes making his work unmistakeable. In addition to making work for clients Deacon also supplied parts, movements or complete clocks to other local makers. Indeed his records indicate that he first started supplying the maker Robotham of Leicester in 1778. In 1774 Samuel Deacon advertised the fact that he was able to make musical clocks with the first being a four train quarter-chiming musical clock built under the direction of Ludlam for Lindley to supply to Samuel Darker of Tugby. This clock is described and extensively illustrated in Darken, Jeff (editor) TIME & PLACE, English Country Clocks 1600-1840 on pages 186-191. In 1790 Samuel Deacon made his masterpiece - a four train quarter chiming musical clock with interchangeable cylinders and automaton for the Rev. Severn of Hinckley. Both of these complex musical clocks share strong similarities with the current lot, the first most noticeably in its basic layout incorporating transverse music barrel, the second with the inclusion of an automaton depicting musicians, whilst all three share a wealth of details typical of Deacon s finest work. The current lot presents as a fine example of this highly regarded regional maker s work and is in fine original condition.

A fine Victorian carved oak longcase regulator timepiece James McCabe, London, third quarter of the century The massive eight-day six double-screwed baluster pillar movement with thick chamfer-top plates measuring 10 by 7.75 inches enclosing wheel train with high pinion count, six-spoke wheel crossings, jewelled endstones for the pallet and escapewheel arbors and screw depth adjustment for all other pivots terminating at the plates, with Harrison s maintaining power and deadbeat escapement incorporating jewelled pallets regulated by mercury jar compensated pendulum with fine beat adjustment to crutch, the 11.75 inch circular silvered brass dial with subsidiary seconds over Roman numeral hour dial and signed James McCabe, Royal Exchange, London over number 3330 to centre within outer minute track and canted silvered bezel, the movement and dial supported on a substantial steel bracket screwed to the case backboard and incorporating wide-jaw pendulum suspension, the carved case with waisted drum-shaped hood applied with raised half-round moulding to front interrupted by floral motifs to the lower angles, the throat with elaborate leafy scroll carved decoration over concave-topped rectangular glazed trunk door enclosing pendulum beat scale to the backboard and flanked by tiered scroll applied canted angles, the base with complex top mouldings incorporating leafy apron to front over panel infill flanked by projecting canted angles, on stepped moulded skirt base applied with further foliate decoration to front, 195cm (76.5ins) high. Provenance: From the estate of Michael Hurst. James McCabe senior is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as a 'very fine maker' who worked from Cheapside and Royal Exchange, London 1778-1811. The business was continued under his name by his sons including James junior who was apprenticed to Reid and Auld in Edinburgh, and Robert Jeremy who ran the business up until its closure in 1883. The movement of the current lot is of the finest quality with very heavy gauge plates and massively engineered cocks for the motionwork. Refinements such as high pinion count, six spoke wheel crossings, jewelled pallets and pivots for the escape wheel and pallet arbor as well as screw end-float adjustment for other pivots are indicative of a movement built to observatory standards.

An inlaid walnut eight-day longcase clock The movement and dial by Isaac Papavoine, London, circa 1695, the case later The five finned pillar (centre latched) inside rack and bell striking movement with passing half-hour strike on a second smaller bell and anchor escapement regulated by seconds pendulum, the 11 inch square brass dial with subsidiary seconds dial, ringed winding holes and scroll border engraved calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with cruciform half hour markers, Arabic five minutes to outer track and signed Isaac Papauoine, Suffolk Street, London to lower margin, with pierced steel hands and angles applied with twin cherub and crown leafy scroll cast spandrels, now in a purpose-made walnut case with cross grain ogee moulded cornice and shallow foliate scroll pierced frieze to lintel over solomonic three-quarter columns to the glazed hood door, the sides with rectangular glazed apertures and conforming applied quarter columns against bargeboards to the rear, the trunk with convex throat moulding over 42 inch rectangular herringbone banded door centred with an oval brass lenticle and decorated with parquetry star motifs within interlocking circular medallions with conforming quadrants to spandrels and half-round moulded border, the sides with two crossbanded panels, on herringbone bordered plinth base fronted with circular line-bordered vacant panel and with further parquetry quadrants, with stepped ogee top moulding and double skirt, 217cm (85.5ins) high. Isaac Papavoine is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as a French immigrant clockmaker who became a Free Brother of the Clockmakers Company in 1687/8. The only other mention of him in the Company records is a note indicating that he was much in arrears of his subscriptions in 1705/6. Loomes mentions clocks by him signed as being made in Dukes Court, London whilst other examples inscribed Suffolk Street, London are also known .

A George III green japanned eight-day longcase clock John Johnson, Walton, circa 1770 The five pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with subsidiary seconds dial and calendar aperture to the matted centre within applied Roman numeral chapter ring with Arabic five minutes to outer track, with pierced blued steel hands and twin bird and urn foliate cast spandrels to angles beneath silvered boss signed J n.o Johnson, WALTON, SURREY flanked by dolphin cast mounts to arch, In a green japanned case with shaped sound fret fronted concave sided 'pagoda' pediment over foliate panel band painted break-arch cavetto cornice and similarly decorated hood door flanked by floral trail painted columns to front angles, the sides with rectangular windows within scroll borders and quarter columns set against bargeboards to the rear, the trunk decorated in raised polychrome and gilt with Oriental figures within an Arcadian garden landscape with pagodas and pavilions within gilt line borders, the surround with hatched upper quadrant panels over foliate trails, the sides with oversized leafy sprays, on plinth base decorated with further garden landscape within line border over moulded double skirt incorporating bracket feet, (finish with retouching), 239cm (94ins) high excluding finials. John Johnson is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Walton-on-Thames circa 1766.

A George III style mahogany hour-striking miniature longcase regulator Unsigned, the movement early 19th century, the dial and case later The substantial five knopped pillar bell striking movement with five-spoke wheel crossings, Harrison s maintaining power and deadbeat escapement with adjustable pallets regulated by wood rod seconds pendulum with large brass lenticular bob and position adjustment screws to the T -bar suspension, now with 9 inch shallow ogee-arch top silvered brass dial with subsidiary seconds over Arabic twenty-four hour dial to centre within outer minute track, with blued steel hands, winding hole shutter lever to upper right hand corner and N/S selection lever to arch, in a purpose made mahogany case with shallow chamfered stepped superstructure over cavetto cornice, plain frieze, glazed dial aperture and rectangular side windows to hood, the trunk with concave throat and flame figured caddy moulded rectangular door, on crossbanded plinth base with moulded skirt, 171cm (67ins) high. Provenance: From the estate of Michael Hurst.

A Queen Anne tortoiseshell japanned eight-day longcase clock James West, London, early 18th century The five finned pillar inside countwheel bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch square brass dial with ringed winding holes, subsidiary seconds, floral scroll border engraved calendar aperture and burnished oval signature cartouche engraved James West, London to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes to outer track, with scroll-pierced steel hands and applied twin cherub and crown spandrels to angles, in a japanned case with mounded cornice and gilt scroll painted blind frieze to lintel over conforming decorated glazed hood door applied with three-quarter columns to angles, the sides with rectangular glazed apertures and quarter columns set against bargeboards at the rear, the trunk with floral spray centred concave throat moulding over 40 inch door centred with a brass-bordered circular lenticle and decorated in raised polychrome and gilt with Oriental figures within an Arcadian Chinoiserie landscape on a simulated tortoiseshell ground, the surround painted with scrollwork and leafy sprays, the sides with Ho-Ho birds and large scale foliage, on conforming plinth base fronted with raised figure inhabited garden scene over moulded skirt, 211cm (83ins) high.

A George I walnut eight-day longcase clock Henry Batterson, London, circa 1720 The five finned pillar (centre latched) inside rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch shallow break-arch dial with star decorated subsidiary seconds dial, leaf-bordered winding holes and hatched calendar aperture to the foliate edged matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes to outer track, with pierced steel hands and angles applied with fine Indian mask and leafy scroll cast spandrels within herringbone border, the arch with applied silvered oval name cartouche signed Henry Battercon, Londini Fecit within serpent border and fine symmetrical foliate scroll engraved field, the walnut case with cross grain ogee moulded cornice and scroll pierced quadrant frets over three-quarter columns to the glazed hood door, the sides with arch-glazed apertures and conforming applied quarter columns against bargeboards to the rear, the trunk with concave throat moulding over rectangular herringbone banded door centred with an oval brass lenticle, the sides with two crossbanded panels, on conforming herringbone bordered plinth base with double skirt and cushion-shaped squab feet, 230cm (90.5ins) high. Henry Batterson is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as born in Waddesdon, Buckinghamshire in 1676 and apprenticed to William Davison in 1694, passing to Jonathon Puller in 1696 and gaining his freedom of the Clockmakers Company in 1701.

A rare William and Mary oak thirty-hour longcase clock The dial with engraved initials J.W., probably Bristol / West Country, circa 1690 The posted single handed movement lacking all wheelwork and strike detents except for the hour wheel, laid out for anchor escapement regulated by long pendulum and countwheel bell strike, the frame with rectangular section corner uprights and distinctive figure-of-eight shaped lugs presumably to carry the bellstand (now lacking) to the top plate, the 10 inch square brass dial with calendar aperture to the richly engraved centre decorated with central vase issuing entwined scrolling foliage and tulip blooms incorporating engraved initials JW within applied Roman numeral chapter ring with tiered fleur-de-lys half hour markers and quarter hour to inner track, with generous scroll pierced sculpted steel hand and winged cherub and filiate scroll cast mounts to angles, the oak case with complex double ogee cornice over solomonic three quarter columns flanking the dial aperture applied with half round moulded surround, the sides with conforming quarter columns applied to bargeboards at the rear, the trunk with convex throat moulding over 40 inch rectangular door centred with an oval lenticle, on ogee moulded plinth base with moulded skirt, (movement wheelwork lacking), 210cm (82.5ins) high. The symmetrical foliate engraving issuing from a vase set towards the lower margin of the dial centre is reminiscent of that seen on longcase clock dials by makers such as John London of Bristol and Lawrence Debnam of Froome as well as lantern clock dials by George Newton of Seend (see Darken, Jeff (editor) TIME & PLACE, English Country Clocks 1600-1840 pages 30-39 and 42-5). The unusual pair of figure-of-eight lugs applied to the top plate suggest that the movement was fitted a twin-footed bell stand - a system favoured by John London. Furthermore the proportions of the case with complex cornice and solomonic columns to hood over relatively slender trunk and plinth can also perhaps be described reminiscent of that housing the thirty-hour longcase clock movement and dial by John London illustrated on page 34 of TIME & PLACE. From these observations it would be reasonable to suggest that the current lot was probably made in the West Country near or in Bristol. Despite the movement lacking almost all of its wheelwork the current lot presents as an interesting and rare example certainly worthy of restoration.

A Queen Anne walnut eight-day longcase clock Lewis Beavan, Bristol, circa 1705 The four finned pillar inside countwheel bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch square brass dial with ringed winding holes, subsidiary seconds dial and scroll border engraved calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with stylised sword hilt hour markers, Arabic five minutes to outer track and signed Lewis, Beavan, Bristol, Fecit to lower margin, with pierced blued steel hands and twin cherub and crown leafy cast spandrels to angles, in a case with stepped caddy superstructure over ogee cornice and plain frieze above glazed hood door, the sides with rectangular windows and quarter columns applied to bargeboards at the rear, the trunk with rectangular book-matched veneered door centred with a lenticle, the sides stained pine to resemble walnut, on conforming ogee moulded herringbone and crossbanded plinth base with double moulded skirt, 227cm (89.5ins) high approx. Lewis Beavan does not appear to be recorded in the usual sources however stylistically the current lot can be confidently dated to the first decade of the 18th century. The case is of typical Bristol type for this date with the sides originally finished with scumbled decoration to simulate walnut.

A William III burr walnut and marquetry longcase clock of one month duration Joseph Windmills, London, circa 1695 The six finned and latched pillar bell striking movement with high position outside countwheel and anchor escapement regulated by seconds pendulum, the 12 inch square brass dial with subsidiary seconds dial, ringed winding holes and calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with stylised sword hilt half hour markers, Arabic five minutes to outer track and signed J: Windmills, London to lower edge, the angles with gilt twin cherub and crown cast spandrels with foliate engraved infill between, the case with rising hood incorporating ogee moulded cornice and floral trail marquetry decoration to frieze above conforming inlaid glazed dial surround applied with Solomonic three-quarter columns to front angles, the sides with rectangular scroll pierced sound frets and further quarter columns applied against bargeboards at the rear, the trunk with convex marquetry veneered throat moulding over rectangular door centred with an oval lenticle and with three shaped marquetry panels decorated with bird inhabited scrolling flowering foliage on a fruitwood ground within a walnut field, the sides with twin ebony line edged crossbanded panels, the base with conforming rectangular marquetry panel within further crossbanded surround, 206cm (81ins) high. Provenance: Private collection from a significant Gloucestershire manor house. The life and work of Joseph Windmills and his successors is comprehensively documented in Neale, J.A. Joseph and Thomas Windmills Clock and Watch Makers 1671-1737. Joseph joined the Clockmakers' Company as a free Brother in on 29th September 1671 - the same year that Joseph Knibb, Daniel Quare and Thomas Tompion also gained their freedom of the Company. He initially worked from Blow Bladder Street in St. Martins le Grand, London before moving to premises at Swan Court, Mark Lane End, next Tower Str eet by April 1674 where the business remained. Joseph took his son, Thomas, as an apprentice who, after gaining his freedom in 1696, is thought to have immediately gone into business with his father; by 1700 the firm had become a partnership which lasted until Joseph's death in 1724. As a contemporary of Knibb, Quare and Tompion, Joseph Windmills would have had to compete with some of the finest clockmakers that have ever lived during a period of heightened scientific enlightenment. In this environment Windmills excelled, producing clocks of a quality that equalled many of his more famous peers. Provenance: Private Collection from a significant Gloucestershire manor house.

An unusual precision longcase timepiece with duplex escapement and centre seconds Unsigned, late 18th century The four finned-pillar eight-day movement with tall plates and unusual deadbeat duplex escapement utilising two identical escape wheels applied to the same arbor and split anchor with unusual roller pallets regulated by substantial seconds pendulum with braced triple rod and 8 inch diameter lenticular bob, the 12 inch square single sheet silvered brass Roman numeral dial with concentric calendar to inner track and Arabic five minutes to outer track, the spandrels areas with rococo scroll and floral spray engraved decoration, in an architectural mahogany case with triangular tympanum over plain lintel and fluted columns with brass caps and bases flanking the glazed hood door, the sides with rectangular glazed apertures and bargeboards to the rear, the trunk with rectangular crossbanded caddy moulded door over recessed panel fronted plinth base with moulded skirt, 206cm (81ins) high.

A painted pine trunk, Bentwood chair & magazine table

A model of a horizontal live steam mill engine, with clad single cylinder, trunk guide, disc crank, eccentric driven steam valve from the open crank and spoked flywheel 11cm in diameter. The model mounted on hardwood plinth 20cm by 9cm.

A model of a horizontal live steam mill engine, having single cylinder lagged in wood with brass strapping, steam inlet and exhaust, trunk guide and connecting rod fitted to open crank with eccentric driven slide valve gear and single spoked flywheel. The crank running on split bearings. The model finished in green and red paintwork and mounted on rectangular wooden plinth. Base 20cm x 12cm.

A model of a Stuart Turner 10V vertical steam engine, having metal clad cylinder supported on trunk guide with eccentric driven steam valve and spoked flywheel. The model mounted on hardwood plinth. Total height 17cm.

A well engineered horizontal live steam mill engine, having single cylinder with trunk guide, connecting rod to disc crank with spoken flywheel and eccentric driven steam valve. The model finished in green paintwork and mounted on simulated brick-work plinth. 25cm x 18cm.

A model of a Stuart Turner No 8 horizontal live steam mill engine, the single cylinder 1" bore by 1" stroke and lagged in blued metal with two fitted brass drain-cocks, eccentric driven steam valve, trunk guide and connecting rod to crank with 3 1/2 inch six spoked flywheel. The model finished in traditional green paintwork on wooden plinth 24cm by 12cm.

A rustic pine trunk 20 3/4 x 55w

A hollowed elm trunk, now used as an umbrella stand, with plaque inscribed 'This elm trunk cut from a 10 feet length formed part of the original new river main for supplying the Strand with water 1610-1800 when iron pipes were substituted' 41cm diameter 73cm high

A Captain's pine trunk, having his name to the lid, 'Captain G Mostyn Field', who served in the Royal Navy

A mixed lot to include a simulated crocodile tin trunk, a chrome on nickel cased canteen of flat ware and a box of miscellaneous items including a perpetual motion clock under a perspex dome paraffin table lamp, brass animals, flat iron and copper kettle

A metal bound pine trunk with lined interior, 107cm wide, 57cm deep, 44cm high

A mahogany eight day longcase clock, the 12.25 inch square brass dial signed 'Jos Park, Liverpool' with centred subsidiary seconds dial within a ring of Roman and Arabic numerals, the figural spandrels representing the four seasons the case with early 20th century inlay to the door and stringing to the trunk and box base, 208cm high

Mahogany eight day longcase clock by Stephen Simpson, Preston, circa 1810-30, swan neck pediment centred with a brass ball finial over brass capped Corinthian columns flanking a painted 13 1/2'' square dial, with Arabic numerals, eight day movement striking on a bell, the trunk with reeded quarter pilasters over a moulded edge door, canted box base, crossbanded and with boxwood line inlays, height 214cmPlease note our special conditions of sale regarding clocks and watches

Victorian mahogany drop trunk wall clock, circa 1840, painted 12'' dial with Roman numerals, single fusee movement, drop trunk with ebony line inlays, 40cm diameter, height 65cmPlease note our special conditions of sale regarding clocks and watches

Oak and walnut thirty hour longcase clock by Jonathan Lees of Bury, caddy style top with gilt painted details over a 12'' brass dial with silvered chapter ring and Roman numerals, signed, matted centre with date aperture, the trunk with an arched crossbanded door raised on a box base with ogee bracket feet, height 215cmPlease note our special conditions of sale regarding clocks and watches

Late Regency mahogany and inlaid eight day longcase clock, signed 'Lowe & Sons, Chester', the circular painted dial with Roman numerals and subsidiary seconds, encased within a circular hood, with eight day movement striking on a bell, the trunk with a shaped door and well figured flame mahogany oval panel with boxwood stringing, within turned and reeded columns over a box base and flame mahogany roundel, all raised on bracket feet, height 227cmPlease note our special condition of sale regarding clocks and watches

Mahogany eight day longcase clock by Samuel Newness, Whitchurch (active circa 1790), swan neck pediment with two turned urn finials over reeded columns flanking a brass arched 13'' dial, with silvered chapter ring, Roman numerals and engraved centred, subsidiary seconds and date aperture, winged masked spandrels, painted moon phase, the movement striking on a bell, over a trunk with flame mahogany door within reeded pilasters and a flame mahogany box base, raised on bracket feet, height 242cm Please note our special conditions of sale regarding clocks and watches

George II walnut eight day longcase clock by Joseph Smith, Chester, circa 1730, the hood with a broken moulded arch with three gilt finials, over a brass 12 1/2'' arched dial with silvered chapter ring, matted centre with subsidiary seconds and date aperture, moon phase to the arch and signed, five pillar movement striking on a bell, the trunk crossbanded and feather banded, with canted corners over a similar box base, all raised on bracket feet, height 236cmPlease note our special conditions of sale regarding clocks and watches

Scottish oak eight day longcase clock, by James Pattison of Banff, the hood with three brass ball finials and reeded columns flanking a 12'' silvered arched dial engraved with floral spandrels and signed to the arch, with Roman numerals, subsidiary seconds and date dial, eight day movement striking on a bell, plain trunk and box base with turned feet, height 218cmPlease note our special conditions of sale regarding clocks and watches

Mahogany eight day longcase clock by Vick of Stroud, circa 1820-40, having a swan neck pediment centred with an eagle and ball finial over turned columns flanking a painted 12'' arched dial, with Roman numerals, subsidiary seconds and date aperture, eight day movement striking on a bell, the trunk with a flame mahogany door within reeded pilasters over a flame mahogany box base raised on bracket feet, height 226cmPlease note our special conditions of sale regarding clocks and watches

An early 19thC canvas and metal bound wardrobe trunk, initialled W.B.

A collection of horse related and other items, to include a leather collar, other items of harness, hames, some pieces applied with horse brasses, a pair of prints with carved frames and a canvas trunk

A 19thC painted tin military uniform trunk or case, the rectangular hinged lid with an associated plaque engraved Count Peter De Salis, Royal Artillery T.A., with two brass locks stamped English Lever, 93cm wide

Waggitt, Richmond. An 18thC longcase clock, with an arched brass dial silvered chapter ring, subsidiary seconds calendar dial, a four pillar eight day movement, in a mahogany case, the cornice carved with Greek key motif, above turned and reeded columns to the hood, and with blind fret canted sections to the trunk, on ogee bracket feet, 233cm high.

A STRIPPED AND WAXED PINE TRUNK H45CM W94CM D52CM

A PAINTED TRUNK H53CM W89CM D54CM

A RED METAL TRUNK AND OTHER OBJECTS INC GNOME, LAMPS, OLD PUMPS

METAL TRUNK WITH BOOKLETS

A LARGE WOVEN TRUNK H74CM W72CM D43CM

Commemorative Medals, Netherlands, Dutch East Indies, the Royal Batavian Society of Arts and Science, Centenary, copper medal, by Ch. Wiener, 1878, palm with shield on trunk, TEN NUTTE VAN ‘T GEMEEN – BATAVIA’S GENOOTSCHAP, rev. legend in and around wreath of native flora, 60.5mm. (ZW.441), better than very fine, scarce

Four metal trunks, a timber trunk and a tuck box (6)

A canvas domed trunk with leather sraps, 85cm wide, 60cm high and an Edwardian wall mirror (2)

AN YIXING STONEWARE TEAPOT AND COVER in the form of a section of tree trunk with applied buff clay detail, 9cm h, impressed mark ++In fine condition, consigned by executors

A GOLD FOB SEAL, C1900 the shank in the form of a tree trunk, armorial engraved matrix, 2cm, 11g ++In good condition, consistent with age

AN OAK AND FRUITWOOD 30 HOUR LONGCASE CLOCK, WM PORTHOUSE PENRITH MID 18TH C the engraved brass dial with date aperture and rococo spandrels, the trunk enclosed by a shaped and moulded door, 202cm h ++Of pleasing colour and in the same good overhauled clean and restored condition as when purchased by the present owners from the trade some years ago. The movement apparently original to the case

AN OAK EIGHT DAY LONGCASE CLOCK, JOHN WESTERN, WOLSINGHAM, LATE 18TH C the silvered dial with date sector, engraved signature and foliage and brass mask spandrels, having four pillar movement, the hood with stepped pediment and pillars, the trunk enclosed by a breakarched and crossbanded door, 216cm h ++Movement very dirty, apparently complete and original to the dial probably associated to the case, the case in reasonably good condition, free recent or professional restortation or repolishing

A Tlingit domed trunk North West Coast of America pine and metal bound with painted decoration, including ravens, whales, masks, eyes and two figures, 54cm high, 100cm long.

A large trunk full of clothes.

A large silver coloured trunk.

A dome top trunk. 91cm

Sale Item: TRUNK (AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 3% of the hammer price plus VAT @ 20%