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An early 20th century leather bound dome topped trunk, length 76cm.

YORKSHIRE LONGCASE CLOCK, JOHN GROVES OF RIPON, 19TH CENTURY with twin train movement, the painted dial with Roman numerals, subsidiary seconds and calendar dials, the hood with swan neck pediment over turned columns, with crossbanded trunk and block base to bracket feet237cm high

VICTORIAN MAHOGANY SCOTTISH DRUMHEAD LONGCASE CLOCK, 19TH CENTURY by William Orr of Saltcoats, the circular dial with Roman numerals, subsidiary seconds and calendar dials, the hood with moulded scroll decoration, over a tapered trunk to square base, raised on bun feet204cm high

MAHOGANY LONGCASE CLOCK, EARLY 20TH CENTURY with two train eight day movement, the brass dial with silvered roman numeral chapter ring and subsidiary seconds dial, maker's plaque for D. Todd & Son, Glasgow, with pillared dome topped hood, glazed trunk mounted with brass plaque, and block base to bracket feet211cm high

Alabaster sculpture, early 20th century depicting a little girl tied to a trunk by flower shoots, h. cm. 28

Patinated bronze elephant with raised trunk, h. cm. 90x65

dating: Period (1603-1867) provenance: Japan, Made of bronze, shaped as a trunk, the lid decorated with two hares between silver dots and wave motifs. Iron flintlock mechanism inside, the base pierced with two flowers (mechanism needs revision, the cock does not hold the rest). Button trigger near the opening button. Movable suspension ring. dimensions 3.4 x 5.2 x 3.6 cm.

dating: 15th Century provenance: Europe, Consisting of countless riveted rings of small diameter (4 mm). Half-sleeved with front opening; the last seven rows of the trunk and the two sides of the central slot reach a height of approximately 16 cm and consist of brass rings with riveted closure. Very small missing parts. This exceptionally rare mail shirt features an extremely fine ring structure, allowing the owner to discreetly wear it under clothing for protection. The unusual and elegant craftsmanship of the base featuring brass rings suggests noble origins.Provenance: Mario Troso Collection. height 75 cm.

λ &nbspDANIEL SILVER (BRITISH B. 1972) UNTITLED 2009 Marble and painted wood Height 155cm (61in.)Provenance: Galleria Suzy Shammah, Milan Acquired from the above in 2009Working chiefly in sculpture, Daniel Silver filters his classical and modernist influences through a unique formal language. He is represented by Frith Street Gallery; his work has been exhibited at Saatchi Gallery, Whitechapel Gallery, and the State Hermitage Museum. At points, Silver's figurative sculptures recall the elegant busts of antiquity. Elsewhere, their urgent textures recall the immediacy of such artists as Jacob Epstein and Henri Gaudier-Brzeska. Silver's investigations into the psychology of representing the human body, especially the head, are often marked by a fragmentary quality. The present work resists the identification of its subject, betraying only as much as it conceals. It reflects a perennial concern of Silver's - the Freudian unconscious - in suggesting the limitations of portraiture. In its rough-hewn state, the sculpture recalls such precedents as Michelangelo's Atlas Slave: it asks the viewer whether the artist truly controls his medium, or as Leibniz argues, merely realises the marble's innate potential. Condition Report: Light surface dirt throughout including a small area of white marks to the lower section of the trunk base. May benefit from a light clean. Some evidence of scratches and abrasions to the base. The reverse of the trunk plinth has evidence of cracking with some associated paint loss. Otherwise appears to be in original condition. Condition Report Disclaimer

A GOOD 18TH CENTURY BRASS STUDDED LEATHER DOME TOP TRUNK, with wrought iron carrying handles, dated 1713. 3ft 6ins wide x 2ft 0ins deep x 1ft 10ins high.

Three miscellaneous kodogu (sword fittings), a fuchi with bronze autumn leaves and silver berries on a distressed woven ground, a kashira in bronze and gold depicting a bear peering out from a knotted tree trunk, and another in silver gold and bronze depicting a flowering branch, Edo. (3)

Banded trunk

Antique trunk 70x46cm 56cmH

A 19th century Dutch silver vinaigrette (lodereindoosje) in the form of a cabinet. Maker's mark PC. Utrecht, 1810. Of rectangular form, designed with a hinged cover and pierced gallery, the box engraved with drawers and cupboards to resemble a cabinet, 3.8cm high, together with a similar Dutch 19th century example, 1825, no city mark, maker AL, engraved with initials to underside, 3.7cm high, and various other items comprising: a German silver box designed as a trunk, probably Neresheimer, 19th century, 3.9cm high, 6.1cm long; a small Dutch silver box, with Victorian import mark for B. H. Joseph & Co., London, 1891, of shaped form and repousse decorated with figures and scrolls, the hinged lid embossed with scene of a carriage, 3.5cm high; a further small 19th century Dutch silver box, 833 standard, maker's mark indistinct, date letter for 1920, of shaped form and repousse decorated with figures and animals, the hinged cover embossed with a couple among scrolling foliate motifs, 3.5cm high; a pair of salt cellars, 833 standard, maker's mark indistinct, the angular handles with bead decoration to pierced oval bodies with bead borders, raised on four paw feet and with blue plastic liners, 11.3cm wide (inc. handles); and an unmarked 19th century silver desk tray, probably Chinese, of rectangular form and raised on four ball feet, the base flat chased with Chinoiserie scenes and the sides pierced and decorated with dragons among scrolling foliate motifs, 14.8cm wide, total weighable silver approx. 14.2ozt  (8) 

A LARGE VINTAGE METAL TRAVEL TRUNK

A VINTAGE WOODEN AND GALVANISED LINED TRAVEL TRUNK

An 18thC flame mahogany cased longcase clock, the brass dial with silvered Roman numeral chapter ring for William Smithfield Romford, seconds dial, and date aperture, eight day movement, with strike and silent, surrounded by brass spandrels, the hood with an arched moulded cornice above two parcel gilt columns, the trunk with a panelled door and reeded decoration, on bracket feet, with key, pendulum and weights, 218cm high.

'Stripey Trunks' is a friendly elephant sporting a colourful striped woolen trunk warmer and stripey trunks! Both trunks in a perfect combination. Designed for a fun and fiendly sculpture trail, adding a playful touch and making people smile, Artist Lynne Hollingshead, (Mini elephants 1,060 (L) x 410 (W) x 730 (H) mm - 12kg)

Cheesey Does It' This design is a play on a couple of common misconceptions, firstly that elephants are scared of mice, and secondly that mice love cheese. The elephant myth originates from a 77 AD Greek fable that a mouse once climbed up inside an elephant's trunk and 'drove him crazy'. The cheese myth goes back to medieval times when mice were commonly found nibbling on cheese in store cupboards, but this is likely due to the fact it was easy to come by rather than an inherent hunger for it. So with this in mind, the sculpture is reimagined to look like it is made of cheese with little mice living inside to fully lay the myths to rest.?, Artist Anne Bardsley, Sponsor The Deli Social Ltd (FOR DIMENSIONS AND WEIGHT - PLEASE SEE LAST IMAGE)

‘Funky Trunk’ is inspired by the 80s. The fun, playful artwork celebrates the decade when St Giles Hospice was founded and all the people who have been cared for and supported over the last 40 years. Travel back in time with vibrant colours and retro styling inspired by the 80s era. The elephant is zooming by on roller-skates and is sporting some cool shades and listening to a Walkman. Look out for vinyl records, cassette tapes and many other nostalgic items amongst the design, Artist Hannah Jayne Lewin (FOR DIMENSIONS AND WEIGHT - PLEASE SEE LAST IMAGE)

'Time for Tea' was inspired by the elephant's trunk being reminiscent of a spout. The artist wanted to design a graphic inspired by Alice in Wonderland for a while and this was their chance. A love of Pop Art comes to the fore with the design using bold, colourful images, Artist Jill Busby, sponsor Nineteen (FOR DIMENSIONS AND WEIGHT - PLEASE SEE LAST IMAGE)

MIRANDA FRANCISCO DE: (1750-1816), Venezuelan military leader and Revolutionary who fought in the American Revolutionary War, the French Revolution and the Spanish American wars of independence. An unusual character, liberal Politician, Soldier, Bibliophile, Adventurer and even a little mysterious. Miranda was appointed Field Marshal in France under Dumouriez and participated in the Battle of Valmy. He died in prison in Cadiz, Spain. A very rare autograph letter signed by Miranda from London. A.L.S., `Miranda´, two pages, 4to, London, 13th December 1801, to Claude François Chauveau-Lagarde, in French. Miranda was twice imprisoned during the Reign of Terror but managed to escape from guillotine and fled to London thanks to his lawyer Chauveau-Lagarde who successfully defended him in May 1793. Miranda states in part `Madame Petion m´a rendu compte des distributions qu´elle en a fait des 3000 livres que je vous ai remis, et j´en suis charmé d´être débarrassé de Madame S...t et de son avarice infâme. Pour cette malle ici, je vous fais la remise de 9000 livres pour que le paiement soit fait en entier selon la liste que j´ai eu l´honneur de vous envoyer il y a quelque temps...´´ (Translation: "Madame Petion gave me an account of the distributions she made of the 3000 pounds that I gave you, and I am delighted to be rid of Madame S...t and her infamous avarice. For this trunk here, I am giving you 9,000 pounds so that payment is made in full according to the list that I had the honor of sending you some time ago...") Miranda further refers to his situation in London and his expectations regarding France and the French, saying `Des secours que je viens de recevoir de chez moi m´ont mis en état de former une petite rente viagère dans ce pays ici, et de payer toutes mes dettes; ce qui me mettra à l´abri, aussi, des insultes et des dilapidations que les agents de la République et de l´Espagne se sont plu à exercer impunément sur moi depuis quelque temps. Je vous avoue que pour ce moment je préfère le séjour dans ce pays à tout autre, et que je compte d´y prendre mes quartiers d´hiver pour le moins. Quand j´aurais vu ce que le gouvernement consulaire compte faire de la liberté civile des Français - alors il me sera permis de penser à revoir ce beau pays, et d´embrasser peut-être tant de personnes estimables que j´admire et que j´aime...´ (Translation: "The help I have just received from home has enabled me to form a small life annuity in this country, and to pay all my debts; which will also protect me from the insults and squanderings that the agents of the Republic and of Spain have taken pleasure in carrying out on me with impunity for some time. I admit to you that for the moment I prefer staying in this country to any other, and that I plan to take up my winter quarters there at the very least. When I have seen what the consular government intends to do with the civil liberty of the French - then I will be allowed to think of seeing this beautiful country again, and of perhaps embracing so many estimable people whom I admire and whom I love...") Before concluding Miranda refers to one of his passions, the books, and as a fervent collector and reader and adding an Horace´s statement in Latin, says `N´oubliez pas en payant Barois, de lui recommander le soin de mes livres, qui sont toujours l´objet chéri pour moi - et actuellement je ne fais que suivre à la lettre le conseil d´Horace - vos exemplaria Graeca - nocturna verstae manu, versate diurna´ (Translation: "Do not forget when paying Barois, to recommend to him the care of my books, which are always the cherished object for me - and currently I am only following word by word Horace's advice - Study with love the masterpieces of Greece, study them night and day") To a post-scriptum, Miranda adds `Savez-vous que Stone fut le principal calomniateur auprès de l´honnête Fouché, pour qu´on m´appliquat le 3º ostracisme au moi de Mars 1801? Cela est très certain´ (Translation: "Do you know that Stone was the main slanderer to the honest Fouché, so that the third ostracism was applied to me in March 1801? This is very certain") Miranda refers to Fouché in a sarcastic way when he calls him "honest", because in 1801 Fouché had relaunched the prosecution against Miranda by accusing him of espionage. Miranda accuses the English politician Stone of denouncing him. With address leaf bearing a red wax seal. Very small area of paper loss to the address leaf as a result of the letter opening. G to VGClaude François Chauveau-Lagarde (1756-1841) French Lawyer and Politician. well remembered for defending many notable cases during the Reign of Terror, and most of all that of the French Queen Marie Antoinette.Joseph Fouché (1759-1820) 1st Duc d´Otrante, French Statesman and Minister of Police under Napoléon I.John Hurford Stone (1769-1818) English Agent, Editor and Politician, established in France.

19th century Chinese chalcedony trunk vase, relief carved with ho-ho bird, bamboo and chrysanthemum, 9cm highProvenance: Ex. Lazarus Collection, purchased Paul Chamkins Oriental Art, 2012 for £1,800 Chip to top edge, and other minor nibbles, please see the extra images on our website

18th century pony skin dome top carriage trunk, makers label inside lid, Pound & Tasker, Leadenhall Street, London, 55cm wide

Two continental lamps, leather bound trunk and a folding occasional table depicting a pig

Heyde - Elephant Hunt Set - VERY RARE. Comprising: elephant with howdah & Indian mahout rider, another elephant with rider & Indian figure in howdah, an adult elephant with rearing trunk, a baby elephant, a dead elephant with seated white hunter, 3 x further standing white hunters, 9 x standing Indians in various poses & 3 x homemade trees. Conditions generally appear Fair to Good overall. See photo. 

Vintage tin trunk containing curtains

Vintage trunk containing assorted curtains

An antique pine dome-topped trunk together with a housekeeper's box The trunk with iron mounts, carrying handles to the side and floral lining. The housekeeper's box with a looping iron handle and inset tray.The trunk 60.5cm wide x 42cm deep x 38cm high. The housekeeper's box 37cm wide.Qty: 2In good condition. Both with minor marks, knocks and damages due to use.

An early 19th century pony hide domed-top trunk With studded borders and iron mounts.70cm wide x 32cm deep x 35cm highQty: 1

An antique painted pine Swedish trunk The trunk with scumbled style ornament, iron carrying handles to the side, and floral decoration to the front with initials and date '1809'.120cm wide x 55cm deep x 56cm highWear and minor marks to the paintwork overall due to age and use, some oxidisation to the iron mounts, generally in usable condition.

A George III quarter-chiming longcase clock by Thomas Richardson of Weverham The mahogany case with a swan neck pediment and inset with reverse painted glass panels, the arching door flanked by fluted outset columns above a crossbanded door to the trunk flanked by pilaster columns, all on a plinth base and bracket feet. The arching dial with moon phase painted spandrels representing the four seasons, centrally decorated with Britannia standing by a harbour. The dial with a subsidiary second hand and signed by the maker. The three train movement chiming on a carillon of six bells and a further bell for the hours.Thomas Richardson of Weaverham is noted in F J Britten as having made another clock circa 1780 with the inscription around the arch of the dial "That Man is Yet Unborn Who Duly Weighs an Hour". 61cm diameter x 28cm deep x 233.5cm high Qty: 1 The dial in good condition. The movement clean and complete but not guaranteed working. The case with some signs of repair, particularly to some elements of moulding around the top. Two of the three inset glass panels with cracks. A crack to the main glass covering the dial. Further minor marks, dents and scratches overall due to age and use. Some minor signs of old woodworm. A hairline split down the centre of the trunk door an further splits to the plinth base. Complete with pendulum and weights.

A cast concrete garden bird bath in the form of a tree trunk surrounded by squirrels and foliage with squirrel motif to top of bird bath

A metal bound travelling trunk

An oak and metal bound trunk named to Capt. Charles Turner, 49th Regiment

A Chinese carved camphor wood trunk, width 104cm, depth 51cm, height 57cm. Condition - fair

An early 19th century Cuban mahogany trunk, width 100cm, depth 42cm, height 44cm. Condition - fair

A vellum bound trunk, Chinese label to interior, 42cm wide, 24.5cm high. Condition - poor

A METAL TRUNK, a log bucket with contents, along with a Singer sewing machine (condition report: marks, scuffs, stains, other wear and usage) (3)

A GREEN TRAVELING TRUNK, width 91cm x depth 52cm x height 34cm, a leather suitcase, along with a cream Italian table, in the form of a boy surrounded by flowers (condition report: trunks with paint stains, table damaged, other wear and usage) (3)

A GEORGIAN OAK EIGHT DAY LONGCASE CLOCK, the hood with twin swan neck pediments, flanking a brass finial, the arched glass door enclosing a 12.5 inch enamel dial, depicting a male portrait, seconds dial and subsidiary date aperture, Roman and Arabic numerals, signed G.Nixon of Newcastle, above a trunk door, on a box plinth, height 226cm (condition report: one trunk key, one winding key, one pendulum, two weights, historical signs of usage, splits, repairs, alterations, other signs of wear and usage)

A large model elephant with raised trunk, (tusk a/f) approximately 49 cm (h). [W]

Handmade and hand painted figure dressed in red and white jacket holding a knife and tree trunk. Michael Sutty backstamp. Model 25. Issued: 20th centuryDimensions: 5"L x 5.5"W x 13"HEdition Number: No. 25Manufacturer: Michael SuttyCountry of Origin: EnglandCondition: Age related wear.

ZANZIBAR TRUNK, 19th century East African teak and profusely brass inset with rising lid and three base drawers, 101cm W x 44cm D x 46cm H.

Original vintage movie poster for an American musical comedy film Les Girls (rhymes with play girls): "Join Les Girls and see a world of entertainment!" released in Cinemascope and Metrocolor by MGM in 1957, directed by George Cukor and starring Gene Kelly, Mitzi Gaynor, Kay Kendall, Taina Elg and Jacques Bergerac with music and lyrics by Cole Porter. Fantastic image of three beautiful young ladies wearing different coloured dance costumes, long gloves and sparkling jewellery, sitting on a big red trunk full of costumes with red flowers on the floor and travel posters on wall for England, France and Spain, the text above and below in stylised red, blue and black letters with a small image of a smiling Gene Kelly. Printed by W. F. Schey Poster Coy Pty, Ltd. Good condition, folded as issued, creases in minor tears in margins. Country: Australia, year of printing: 1957, designer: Unknown, size (cm): 101.5x68.5

18th-century profusely carved oak longcase clock - with a pagoda pediment, upstands and carving, break arch hood door flanked by reeded pilasters with brass capitals, trunk with canted corners and a spire topped door, square plinth with applied skirting, break arch brass dial with wheatsheaf engraving and cast cherub and crown spandrels, engraved break arch with the London clockmakers name John Gordin, silvered chapter ring with Roman numerals, five minute Arabic's, minute and quarter hour tracks, matted dial centre with ringed winding holes, square date aperture and seconds ring, dial pinned to a five pillar movement with inside countwheel striking, striking the hours on a cast bell. With weights and pendulum. John Gordin, is possibly a mis-spelling or phonetic spelling of John Gordon, of London, who worked from Ludgate Street in the parish of St. Gregory by St. Pauls. Apprenticed in 1689 and died in 1732 when his will was proven.Dimensions: Height: 230cm  Length/Width: 44cm  Depth/Diameter: 23cm

Pattison of Halifax - Late 18th century mahogany 8-day longcase clock, With a swans necked pediment and brass patera, recessed break arch hood door beneath flanked by plain turned pilasters with brass capitals, trunk with satinwood inlay, reeded columns and a curved top door with an ivory escutcheon, conforming plinth raised on bracket feet, brass dial with a rolling moon to the arch, cast spandrels , engraved and silvered dial centre and chapter ring, chapter with Roman numerals, five minute Arabic's and minute markers, makers name to the dial centre with seconds and date work, dial pinned to a rack striking movement, striking the hours on a cast bell. With weights and pendulum. John Pattison is recorded as working in Halifax c1783. This item has been registered for sale under Section 10 of the APHA Ivory ActDimensions: Height: 250cm  Length/Width: 56cm  Depth/Diameter: 27cmCondition Report: Ivory Act - Submission reference: GCA8W6PG

John Greaves of Newcastle - Mid-18th century 8-day oak longcase clock with a flat top, double cornice and break arch hood door flanked by two turned pilasters, trunk with canted corners and a spire topped door with crossbanding, rectangular plinth raised on bracket feet, brass dial with cast spandrels and penny-moon dial and pointer to the arch, matted dial centre with a silvered chapter ring and seconds ring, chapter with Roman numerals, five minute Arabic's, minute and quarter tracks, square date aperture and fettled steel hands, dial pinned to a rack striking movement with a recoil anchor escapement. With pendulum and weights.Dimensions: Height: 210cm  Length/Width: 45cm  Depth/Diameter: 25cm

John Morgan of Aberystwyth - fine George IV mahogany 8-day longcase clock c1820, with a raised swan necked pediment, ball and eagle finial and deep inlaid frieze beneath, square hood door with a glazed circular wooden bezel and canted corners, long trunk with reeded quarter columns and a wavy topped door, rectangular plinth on bracket feet, circular painted dial with Roman numerals, minute track, makers name, and brass stamped hands, rack striking four pillar movement with a recoil anchor escapement, striking the hours on a bell. With weights and pendulum. John Morgan is recorded as working in Aberystwyth 1816-35. Dimensions: Height: 250cm  Length/Width: 51cm  Depth/Diameter: 25cmCondition Report:Minute hand damaged. Bone escutchion.

William Watson of Blackburn (Lancs) - late 18th century 8-day oak and mahogany cross banded longcase clock, with a flat top and open fretwork above, deep cornice with dogtooth moulding and frieze beneath, square hood door flanked by reeded pilasters with brass capitals, trunk with reeded quarter columns, long trunk door with concave corners on a plinth with canted corners on bracket feet, brass dial with cast brass spandrels, broad silvered chapter ring with Roman numerals and five-minute Arabic's, a profusely engraved and silvered dial centre with seconds dial, matching steel hands and calendar aperture, hourly rack striking movement with a recoil anchor escapement. With weights, pendulum and key. William Watson of Northgate, Blackburn, is recorded as working c1770-1814 . As with this clock he frequently signed some of his clocks without a placename.Dimensions: Height: 214cm  Length/Width: 50cm  Depth/Diameter: 24cm

Benjamin Maud of London - 8-day mahogany longcase clock c 1770, with an open fretted swan necked pediment and urn finial, break arch hood door flanked by reeded pilaster with Corinthian capitals, trunk with blind fretwork, reeded quarter columns and a break arch trunk door with a glazed lenticle, short plinth with raised beaded moulding on a stepped base, brass break arch dial with spandrels, matted dial centre, recessed seconds and date apertures with a silvered chapter ring, cartouche name plate and engraved silvered boss depicting a bird of prey to the arch, with a recoil anchor escapement and rack striking, striking the hours on a cast bell. With weights and pendulum.Benjamin Maud is recorded as working in London pre-1760, becoming a member of the London Clockmakers Company in 1782. Maud's death is recorded in 1819.Dimensions: Height: 232cm  Length/Width: 40cm  Depth/Diameter: 20cm

20th century - Chippendale design mahogany 8-day Grandmother clock with a profusely carved and decorated swan's' neck pediment, break arch hood door flanked by reeded pilasters with wooden capitals, trunk with a carved frieze, canted corners, three quarter reeded pilasters and a long trunk door with a wavy top, plinth with carved brickwork to the corners and raised on a shaped base, brass dial with a plain centre, cast spandrels and a silvered "Tempus Fugit" boss to the arch, silvered chapter ring with Roman numerals, minute track and pierced steel hands, three train spring driven going barrel movement, chiming the quarters and striking the hours on seven gong rods. With key and pendulum. Dimensions: Height: 146cm  Length/Width: 27cm  Depth/Diameter: 20cm

After Edme Dumont (1720-1775), bronze, Milo da Crotone splitting a tree trunk with his bare hands, upon square black marble plinth, overall H34cmCondition Report: General wear commensurate with age, including surface scratches and wear to patina.Marble base with some small losses.

16th century style Javanese terracotta model of an Indian Elephant, with carved saddle, chain around neck and adornment to trunk, H30cm L47cm

Gilbert Kidd of Malton (North Yorkshire) - late 18th century oak 8-day longcase clock c1780, with a tall double caddy top and later brass ball and spire finials, break arch hood door beneath with attached pilasters and wooden capitals, plain trunk with a long flat topped door, raised on a square plinth with applied skirting, brass break arch dial with the makers name to the silvered boss in the break arch, engraved and silvered dial centre and chapter ring, with cast spandrels and matching steel hands, subsidiary seconds dial and square calendar aperture, dial pinned directly to a rack striking movement with a recoil anchor escapement, sounding the hours on a cast bell. With pendulum and weights.The Kidd family were a prolific family of provincial clockmakers working in Malton from the mid 18th century until the early 19th century. Many of their clocks are simply signed "Kidds Malton" Dimensions: Height: 237cm  Length/Width: 45cm  Depth/Diameter: 25cmCondition Report: Seconds hand missing.

A tin trunk with twin handles

A riveted galvanised trunk with twin handles with red painted interior

A wooden lined dome topped trunk lacking internal tray

19th c. painted pine and metal bound ships trunk, 61 x 69 x 50 cm, and another, (2)

Large Pine panelled trunk with metal fittings