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A Second War D.S.M. group of seven awarded to Leading Signalman J. W. Smith, Royal Navy, for services aboard H.M. Submarine Truant, who was previously mentioned in despatches for bravery and enterprise during ten Mediterranean War Patrols Distinguished Service Medal, G.VI.R. (JX.132615 J. W. Smith. L. Sig.) impressed naming; 1939-45 Star; Atlantic Star; Africa Star; Burma Star; Defence and War Medals 1939-45, with M.I.D. oak leaf, mounted as worn, good very fine (7) £1,000-£1,400 --- D.S.M. London Gazette 2 June 1943: For distinguished services aboard H.M. Submarine Truant. Medal presented by The King on 12 October 1943. M.I.D. London Gazette 17 March 1942: ‘For bravery and enterprise while serving in H.M.S. Truant during successful Submarine patrols.’ Seedie’s Submarine List states: ‘Ten Mediterranean War Patrols. Sank two ships, damaged two and carried out a landing operation. Sank the Italian Torpedo Boat Alcione off Suda Bay on 11 December 1941,’ John William Smith was born at Peterborough, Northants, on 22 September 1912, and joined the Royal Navy as a Boy 2nd Class on 31 October 1928. He joined Emperor of India as a Signal Boy on 14 March 1930, and subsequently to Courageous, 12 August 1930, advancing to Ordinary Signalman and then to Signalman; Victory I, 3 May 1932; Champion, 2 June 1933; Victory I, 1 May 1934; Dolphin, 26 May 1934; H.M. Submarine Proteus, 16 October 1934 to 22 September 1936; Dolphin, 19 April 1937; H.M. Submarine Seawolf, 17 January 1939; H.M. Submarine Truant, 15 February 1940 to April 1943, advancing to Leading Signalman in September 1940; H.M. Submarine Sturgeon, 16 July 1943. He was wounded in action and awarded a Hurt Certificate, 1 August 1942, with ‘multiple small scars (shrapnel) on right arm and trunk.’ Awarded the L.S. & G.C. medal on 19 September 1945, he was discharged to pension on 27 August 1953.
A mahogany chest of two short over two long drawers in the 18th Century manner, 71.5 cm wide x 45 cm deep x 76.5 cm high, a painted waterfall type bookcase with three open shelves over two cupboard doors on splayed supports, 84 cm wide x 26 cm deep x 120 cm high, an iron bound pine trunk, 58 cm wide x 36 cm deep x 37 cm high, another similar pine box, 46 cm wide x 39 cm deep x 26 cm high, a mahogany framed dressing stool with needlework seat on shell carved cabriole legs to pad feet, a modern mahogany hall or bathroom mirror with fall front compartment and towel rail, 38.5 cm wide x 80 cm high and a 19th Century mahogany wall cupboard, the twin fielded panelled door enclosing two banks of adjustable shelving, 46 cm wide x 15.5 cm deep x 43.5 cm high, a pair of early to mid 20th Century walnut single bed ends and footboards
VARGA WEISZ, PALOMA1966 MannheimTitel: Frau, gebettet. Datierung: 2003. Technik: Lindenholz, geschnitztMaße: 140 x 70 x 40cm. Bezeichnung: Signiert und datiert unter dem Stamm: Paloma Varga Weisz 2003. Zudem nochmals signiert unter jedem Standbein: P. Varga Weisz. Provenienz: - Konrad Fischer Galerie, Düsseldorf- Privatbesitz- Sotheby's New York, Auktion 9196, 24. September 2014, Los 286Ausstellungen: - Museum Arnhem, 2016- me Collectors Room Berlin, 2014/15Die Werke von Paloma Varga-Weisz zeigen Figuren die direkt aus Märchen und Fabeln zu entstammen scheinen. In der uns vorliegenden Arbeit balancieren vier über und über von Beulen überzogene Gestalten eine scheinbar schlafende und in weichen Zügen gearbeitete Frau. Die Frau strahlt eine tiefe Ruhe aus und steht damit in starkem Kontrast zu den vier kleinen Trägern welche den Betrachter unweigerlich an verheerende Krankheiten des Mittelalters denken lassen. Die Materialwahl - alle Figuren sind aufwändig aus Lindenholz herausgearbeitet - stellt neben der Technik ebenfalls Bezüge zur mittelalterlichen Handwerkskunst her. Direkt an unsere Vorstellung des Mittelalters anknüpfend, entführt uns Varga-Weisz in eine mysteriöse Traumwelt und eröffnet dem Betrachter ein kontrastreiches Bildprogramm, das uns einlädt die werkimmanenten Spannungen aufzulösen. Erläuterungen zum KatalogPaloma Varga Weisz Deutschland Zeitgenössische Kunst Objekte 2000er Frau Skulptur Holz Akt VARGA WEISZ, PALOMA1966 MannheimTitle: Frau, gebettet. Date: 2003. Technique: limewood, carvedMeasurement: 140 x 70 x 40cm. Notation: Signed and dated below the trunk: Paloma Varga Weisz 2003. Additionally once more signed under the engaged leg: P. Varga Weisz. Provenance: - Konrad Fischer Galerie, Düsseldorf- Private ownership- Sotheby's New York, Auction 9196, 24 September 2014, Lot 286Exhibitions: - Museum Arnhem, 2016- me Collectors Room Berlin, 2014/15. Explanations to the Catalogue
A Staffordshire spill vase, 19th century, modelled as a snake coiled around a tree trunk approaching eggs in a nest with exotic birds above, 20.5cm high, with a further 19th century Staffordshire spill vase, modelled as children reading at the foot of a tree, four Staffordshire figural groups, and two sheep modelled prone (8)
A good mid 19th century carved mahogany floorstanding regulator showing centre secondsSigned Anderson, ElginThe drum shaped hood with intricate carved floral decoration centred by a rose, a shamrock and a thistle over a glazed trunk door framed by bold scrolls on a carved base, the heavy bezel secured via a pair of lift-off bayonet fittings, the 11 inch silvered dial now signed for Anderson of Elgin, with outer Arabic seconds track enclosing subsidiaries for Arabic minutes and Roman hours, each with a trefoil-tipped blued-steel hand, the movement with substantial plates united by four heavy pillars, with Harrison's maintaining power to a jewelled deadbeat escapement, with wooden-rod pendulum and large lenticular bob, driven by a small brass-clad weight. 1.86m (6ft 1in) high. (Puller)Footnotes:In common with other 19th century regulators, evidence to the rear of the dial indicates that Anderson was not the first maker/retailer of this clock. An Anderson (no first name) is listed as working in Elgin in 1861. This clock probably served in another clock or watchmakers workshop, or perhaps a retail jewellers as a time standard for the other timekeepers on the bench or for sale.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A VERY RARE and HISTORICALLY INTERESTING SECOND QUARTER OF THE 19TH CENTURY CARVED MAHOGANY FLOORSTANDING STRIKING REGULATOR WITH ORIGINAL HANDRWITTEN RECEIPT MADE TO THE FIRST OWNER, MR SPIERS, DATED JANUARY 22ND 1832John Moore & Son, Clerkenwell, London, No.8687the drum hood with carved snake bezel over an elaborate ionic capital carved with foliage on a tapering reeded trunk to a panel base with applied moulded edge on a moulded plinth with carved ropetwist border, the 12 inch one-piece silvered dial with outer Arabic minute ring enclosing the subsidiaries for running seconds and Roman hours, with blue steel hands, the signed and numbered weight-driven movement with shouldered plates and cast feet, repeat numbered on the frontplate and united by five heavy knopped pillars, the deadbeat escapement to a long crutch and wooden-rod pendulum terminating in a heavy lacquered brass bob with engraved rating nut, the strike train unusually sounding on a pair of linked hammers to a pair of nested bells. 2.14m (7ft) high.Footnotes:This clock retains the original receipt made out to the buyer in 1832:' A very superior eight day clock, 12 inch round engraved dial with dead escapement, large bob and wood rod, the hour to shew in a circle below the centre, seconds above & the minutes in the centre, to strike on a steel spring instead of a bell, in a handsome mahogany carved case to order with brass rings & convex glass name John Moore & Son Clerkenwell......£21'. The receipt mentions a 'steel spring' - a gong in modern parlance - to sound the hours instead of a bell. This is a very early use of a gong on a longcase clock- they are never common, and those that do appear are generally from the latter half of the 19th century. It appears that Mr Spiers, or another owner, had a change of heart and decided to substitute the gong for a bell at some stage. Perhaps even more remarkably, payment was received 189 years ago to the day, 22nd June 1832.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A fine late 17th century ebony architectural longcase clockJohn Fromanteel, LondonThe architectural case with triangular pediment supported by Composite columns and centred by a typical Fromanteel shield mount over spirally twisted turned columns, three quarter to the front and quarter to the rear, over a 42-inch long trunk door with raised moulded edge framing proud panels and a moulded octagonal lenticle over a plain rectangular base on bun feet. The ten inch square brass dial signed along the lower edge 'Johannes Fromanteel, Londini fecit' with winged cherubs head spandrels framing the narrow silvered chapter ring with outer Arabic minute track, Roman hours and inner quarter hour track divided by fleur-de-lyse half-hour markers, the finely matted centre with large Arabic subsidiary seconds dial, matted shutters and chamfered date aperture, with blued steel hands, and four latched dial feet.The weight driven movement with tall rectangular plates measuring 19cms x 12cms (7.5ins x 4.75ins) united by five knopped and ringed pillars latched to the frontplate, the going train with bolt-and-shutter maintaining power and anchor escapement, the strike train with outside countwheel sounding the hour on a bell, further mounted on the backplate with an L-shaped brass bracket to allow secure fixing to the backboard of the case. 1.95m (6ft 4.5ins) high.Footnotes:Comparable longcase clocks by John Fromanteel feature in Garnier & Hollis: 'Innovation & Collaboration' An exhibition held at Bonhams London, September 2018, Exhibit numbers 55, 60, 77 and 78. Two others are illustrated in The Iden Collection, Volume 1, Nos. 9. and 10. Ahasuerus Fromanteel's 1658 advert has ensured that his name willbe forever associated with the introduction of the pendulum clock toBritain, but one could argue that a more involved role was played byhis lesser-known son John. It was after all, John, and not Ahasuerus,who travelled to The Hague in September 1657 and worked alongsideSalomon Coster at the bench in his workshop, discussing the technologies before him. It was John who returned to London andimparted the knowledge to his father and he was surely involved inthe production and finishing of those earliest clocks such as the sublime'Cupid Fromanteel' sold in these rooms June 2011.John was the eldest of three sons. He was born in 1638 andapprenticed to his father in April 1652 at the age of fourteen. He latertransferred to his brother-in-law, Thomas Loomes from whom he wasfreed in July 1663. He died sometime before 1692.( See Loomes,'Clockmakers of Britain', Mayfield Books, 2014, p208)It has been suggested that those clocks signed by him were madebetween circa 1667 when his father left for Holland, and circa1680 when he moved with his brother (Ahasuerus II) to Vijendam,Amsterdam, giving a window of production of only 12 years or so.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A good late 17th century walnut marquetry month-going longcase clock with ten inch dialRobert Dingley, London The case surmounted by a (later?) carved cherub and scroll cresting over a velvet-backed pierced soundfret raised on turned three-quarter Doric columns, the 41 inch long trunk door with half-round moulded edge framing six panels of bird and foliate inlay in different woods and green-stained boxwood, all within an oyster veneered ground, the base panel featuring a bird with outstretched wings, raised on bun feet, the sides inlaid with oyster-veneered panels. The ten inch square brass dial framed by well cast and finished winged-cherubs head spandrels, signed along the lower edge Robert Dingley London, the chapter ring with Arabic minute track enclosing the Roman numerals, fancy half hour markers and inner quarter hour track, the finely matted centre with Arabic subsidiary seconds ring and chamfered date aperture, the tall rectangular plates united by seven knopped and ringed pillars, with five-wheel trains, the going terminating in an anchor escapement, the strike operated via a small outside countwheel and detent. 2.02m (6ft 7ins) high.Footnotes:Robert Dingley was the son of Thomas Dingley of Ewell in Surrey . He was apprenticed to Richard Pierce from 1661 until 1668. He established his business at George Yard, Lombard Street and worked for another thirty years although surprisingly little of his work survives. He took on seven apprentices including Benjamin Willoughby and George Tyler (see lot 70 in this sale). It is noted that he experimented with the power supply to quarter repeating table clock movements. One of his later clocks, a seaweed marquetry longcase, is illustrated in Dawson, Drover, Parkes, Early English Clocks, Woodbridge 1982, plate 400. Another with similarities to the Knibb workshop is illustrated in R.A.Lee in 'The Knibb Family Clockmakers' Byfleet 1964, plate 188 described as follows:'Long case clock by Robert Dingley, London showing the influence of the Knibb family in dial design. Case also from Knibbs' casemaker.' and again as an 'Olivewood long case clock inlaid with panels of floral marquetry with green stained ivory leaves. Delicately cut skeleton dial similar to many by Joseph Knibb.' This clock was sold in these rooms 13th December 2011, lot 110.The backboard carries an 18th century (?) handwritten label 'Mr J W Stee...Chew Stoke to be left....call for....'The interior of the trunk door carries a late 17th/early 18th century printed Equation of Time chart entitled: 'A TABLE of Equation of Natural Days SHEWING How much a Clock or Watch ought to be faster or slower than a Sun Dial, and Day of the Year....Printed for Joseph and Thomas Windmill, Watchmakers at the Dial in Tower Street, London.'This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A good last quarter of the 18th century miniature tavern clockJohn Davis, Windsor The 17 inch painted dial with moulded edge framing the Arabic minute track and Roman numerals, with heart-shaped hands (the minute counter balanced), over a shaped section boldly signed 'John Davis. Windsor' within painted gilt scrolls, the short trunk door applied with a coloured print of two gentlemen dining at a table, the lower section with unusual ogee moulded door, hinged to the right and locking to the left, the weight driven movement wound through a shuttered aperture in the dial and with five knopped pillars, five-wheel train terminating in an anchor escapement powered by a barrel of seven turns. 88cms (2ft 11ins) high.Footnotes:John Davis is recorded as working circa 1749-1784. Provenance: Single family ownership for the last 30 years. Purchased from Strike One, Islington, London, February 1991.Literature:This clock is recorded as 'A very rare miniature white round dial.' in Gatto, M. (2010) The Tavern Clocks. Bath: Tavernicus Publishing, p119. It is the only Davis wall clock recorded and the only miniature example with a print on the door. It is also featured in 'Millers Clocks' 2000, and Clocks Magazine January 1984.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A late 18th century Chinoiserie decorated tavern clockWilliam Stevens, CirencesterThe 28 inch black and gilt circular dial with well moulded bezel framing the gilt Roman and Arabic numerals and minute band over a pair of ears and the two-line signature 'Willm. Stevens, CIRENCESTER', the 19 inch shaped trunk door with Chinoiserie scenes incorporating two birds flying over buildings and a pair of walking figures, the sides decorated with flower heads, the chisel-foot base with applied and decorated moulding, the weight driven movement with tapered plates united by four knopped pillars, the four-wheel train with large barrel and anchor escapement TO COMEFootnotes:Provenance:Single family ownership for 23 years. Purchased from Strike One, Islington, London, June 1998.Literature:Discussed in Gatto 'The Tavern Clock', Bath 2010, p.173. Previously housed in the Scole Inn, Norfolk.Rose, E.D. (1978) English Dial Clocks. Suffolk: Antique Collectors' Club. 1978, illustrated in colour page 70, and detail shots page 72.William Stevens was a working member of the Clockmakers Company between circa 1775 and 1812, first in Gloucester, later in Cirencester at The White Hart Inn.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A good early 19th century mahogany chequer-strung stick barometerJames Gatty, High Holborn, LondonSurmounted by a broken swan neck pediment centred by a brass finial over a hinged glazed door revealing the signed silvered dial marked with seven weather predictions from 28 to 31 inches, with manual vernier and mercury thermometer over a long trunk with visible tube terminating in a hemispherical cistern cover. 97cms (38ins) highFootnotes:James Gatty of Holborn, London was active c.1800-c.1810.For further information on this lot please visit Bonhams.com
A 19th Century mahogany longcase clock, the painted arched dial with phases of the moon, fitted an eight-day striking movement, the hood with swan neck pediment, 135cm high/see illustration CONDITION REPORT: There is a key for the trunk door but the lock is upside down. There are splits in veneer on the hood door frame and the veneer is lifting to trunk frieze and slightly lifting on door.
Various garden ornaments and pots, to include a pot in the form of a child pushing a wheelbarrow, a small squirrel, a pillar in the form of naturalistic trunk (lacking top), a terracotta rectangular pot moulded with acanthus, other small pots; together with various metal plant support stands and hangers

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66972 Los(e)/Seite