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Preisdatenbank abonnierenA late George III crossbanded mahogany eight day longcase clock, the 12’ arch painted dial signed Harper, Salop, the hood with swan neck pediment over a shaped trunk door with central marquetry decoration on a crossbanded box base and cut out plints, 215 cm high Literature: Harper & Son, Salop, are listed in ‘Shropshire Clock and Watch Makers’ by Douglas J Elliott as circa 1775
A George III oak crossbanded eight day longcase clock, the 12’ square brass dial signed Samuel Wright, Northwich, with subsidiary seconds dial and date aperture, the hood with turned front corner pilasters over a long trunk door, on a box base and later skirting plinth, 218 cm high Literature: Samuel Wright, Northwich, is listed in ‘Watchmakers and Clockmakers of the World’ by G H Baillie as circa 1757
A George III oak crossbanded eight day longcase clock, the 12’ square brass dial signed John Jones, Wrexham, with date aperture and subsidiary seconds dial, the hood with silhouette cut pediment over leaf carved frieze and square glazed hood door, above a long shaped trunk door, crossbanded box base on cut out plinth, 205 cm high Literature:John Jones, Wrexham, is listed in ‘Watchmakers and Clockmakers of the World’, by G H Baillie, vol 1, as circa 1778
An early Victorian mahogany eight day longcase clock, the 14’ arch painted dial signed John Owen, Holyhead, the spandrels decorated with Biblical scenes under a rolling moon, the hood with swan neck pediment over a short Gothic arch trunk door and crossbanded box base, on shaped bracket feet, 228 cm high
A George III oak eight day longcase clock, the 12’ square brass dial signed Joseph Cooper, Whitchurch, (movement at fault), the hood with front corner fluted pilasters over a short shaped crossbanded trunk door on a box base with canted corners, 201 cm high Literature: Joseph Cooper, clockmaker, is noted in ‘Shropshire clocks and watchmakers’ by Douglas E Elliott, as Whitchurch 1765-1773
A George III oak crossbanded thirty hour longcase clock, the 13’ square painted face signed W Evans, Machynlleth, with subsidiary seconds dial, date aperture and false winding holes, the associated movement striking on a single bell, the hood with swan neck pediment over short trunk door on a box base and cut out plinth, 207 cm high
An early 19th Century oak cased 8-day Longcase Clock, D Wenham of Dereham, the arched hood surmounted by three later turned spherical finials, over freestanding reeded columns to an ogee throat and trunk with canted corners, a long trunk door to a plinth base, to a 12" third period painted dial, signed to the arch, over a Roman chapter ring with outside five minute track and subsidiary seconds, to a Walker & Hughes false plate and movement with anchor escapement and strike on a bell, (associated), height 84"
* Indentures & Documents. Large metal solicitors deed box containing misc. old documents from the 18th to early 20th c.,. including abstracts, indentures, agreements, valuations, wills and probates, old letters, insurance policies, bill heads, manor documents, etc., all contained in a large tin trunk (tin trunk)
A Victorian Staffordshire gatehouse chimney ornament, the towers as spill vases, the floral encrusted front with a clock dial painted on and a boat moored on the base. 11in. (27.5cm). Together with a Victorian Staffordshire spill vase of deer and fawn by a tree trunk. 12in. (30cm), (repaired). And a Victorian Staffordshire chimney ornament of a couple in Scottish dress beneath a grapevine arbour. 14.5in. (37cm). (3)
An early Victorian North Country longcase clock, veneered in mahogany with Brazilian rosewood banding, the eight day movement with an arch painted dial having moon phase aperture above subsidiary dials, makers name indistinct, probably Wolverhampton, painted figures to the corners for the four Seasons, the hood with swan neck pediment and turned pillars, the trunk with a triple arch top door, trade label inside for Bromwich Watch & Clock repairer, Coventry, turned side pilasters the banded canted corner base on a later plinth. 7ft.9in. (236cm) high.
A George III oak 8-day longcase clock, maker Robert Welsh of Dalkeith, the arched 12inch brass dial with silvered Arabic and roman numeral chapter ring, the hood with swan neck pediment and brass capped columns above a trunk with shaped door and pedestal base on a plinth foot, 210cm high, 45cm wide and 23cm deep
1928 ROLLS-ROYCE 20 HP OPEN FOUR SEAT TOURER PRESENT OWNER 23 YEARS & NICE EXAMPLE Estimate £18000 - 22000 Registration Number SV 6837 Chassis Number GFN 47 Engine Number B2B Engine Capacity 3127 Paint Colour CREAM/BLACK Trim Colour BLUE MOT Expiry Date MAY 2007 Introduced in 1922, the Rolls-Royce 20HP was shorter, lighter and wieldlier than its 40/50HP Silver Ghost stablemate. Boasting an overhead-valve 3127cc six-cylinder engine that was less than half the size but almost two-thirds as powerful as the sidevalve unit which propelled its sibling, the model appealed to new and existing customers alike. Specifically designed to be cheaper and easier to maintain - though built to the same exacting standards which had made the marque world famous - the 20HP utilised all-round leaf-sprung suspension and a fully floating 'Hotchkiss Drive' back axle (complete with spiral bevel differential). Progressively updated with a four-speed manual gearbox and front-wheel brakes, the 'baby' Rolls remained in production until 1929 by which time some 2,940 are thought to have been made.Finished in cream over black with blue leather upholstery, this particular example is variously described by the vendor as being in "reasonable" (paintwork), "good" (electrical equipment, interior trim) or "very good" (engine, four-speed manual gearbox, chassis, bodywork, wheels / tyres) condition. Rebodied as an open four-seat tourer prior to entering the current ownership in 1984, chassis number 'GFN 47' is understood to have been "on the road for summer use every year since". Apparently found to have an excellent 'bottom end' while it was being rebored and fitted with new Hepworth pistons some 1,500 miles ago, the engine is said to "show normal Rolls-Royce oil pressure". Benefiting from a rear-mounted luggage trunk, flashing indicators and weather equipment, this appealing 20HP is offered for sale with MOT certificate valid until May 4th 2007 and historic class (free) road tax valid until April 30th 2007. A measure of his confidence in 'GFN 47', the seller has informed us that he intends to drive it the 70odd miles to Cheltenham!
1963 BUICK RIVIERA LHD - WELL SPECIFIED EARLY RIVIERA Estimate £13000 - 15000 Registration Number WPV889A Chassis Number 7J109851 Engine Number T.B.A. Engine Capacity 6965 Paint Colour GREEN Trim Colour WHITE MOT Expiry Date JUNE 2007 Introduced on October 4th 1962, the Buick Riviera was intended to compete with the Ford Thunderbird in the burgeoning 'personal luxury car' market (though, intriguingly the design had been first mooted as a potential Cadillac model). The work of Ned Nickles and Bill Mitchell, its distinctive silhouette was reputedly influenced by various contemporary Rolls-Royce and Ferrari styling motifs. Based around a shortened and narrowed version of Buick's perimeter frame chassis, the two-door fixed head coupe was equipped with independent double-wishbone front suspension, a well-located 'live' rear axle, power steering and four-wheel 'Al-fin' drum brakes. Powered by a choice of 'Wildcat 445' (401ci, 6.6litre) or far scarcer 'Wildcat 465' (425ci, 7.0litre) pushrod V8 engines allied to 'Twin Turbine' automatic transmission, the newcomer was a strong performer (Motor Trend magazine finding one capable of 0-60mph in 8.0 seconds and 125mph). Boldly wrought, its four-seater cabin boasted a dramatic centre console, individualbucket seats, two-speed windscreen wipers and door-to-door carpeting (while leather upholstery, power seats, power windows, cruise control and air conditioning could all be had as extras). With production limited to 40,000 units for its first year and a base price tag of $4,333, the Riviera enjoyed a carefully cultivated air of exclusivity. Although, according to the Riviera Owners Association less than one in fourteen buyers specified the 'Wildcat 465' powerplant during 1963 (the larger unit accounting for just 2,601 sales).Finished in green with white leather upholstery, this particular left-hand drive example is variously described by the vendor as being in "A1" (electrical equipment, interior trim, chassis, wheels / tyres) or "A1+" (engine, automatic transmission, bodywork, paintwork) condition. Fitted with the desirable 'Wildcat 465' engine or so the sticker on its air filter would imply, 'WPV 889A' further benefits from a tilt steering wheel, remote trunk release, electric windows, power seats, air conditioning, tinted glass, alloy ribbed rocker covers and period radio (complete with rear speakers). Starting readily upon inspection, it is believed to have covered just 66,407 miles from new. Wonderfully evocative, this super-cool Riviera is offered for sale with MOT certificate and historic class (free) road tax valid until June 2007.PLEASE NOTE: This vehicle now comes with an MOT certificate until July 2007.
A pair of late 19th Century Rudolstadt Volkstedt porcelain twin branch candelabra, each formed as an owl seated before a floral encrusted tree trunk beneath twin stiff leaf moulded sconces on branch arms, surmounted by a baby owl, blue printed and impressed marks to bases, height approx 30cm (minor damage and restoration).
A 19thC provincial oak and inlaid mahogany longcase clock, the painted face with Roman numerals, seconds dial, painted to the arch with a kilted figure and signed xxx Nottingham, of eight day movement, the hood with swan neck pediment, turned pilasters, the broad trunk with a triple pointed door flanked by ¼ round columns, 86½" high.
A George III lacquered and japanned longcase clock, the restored brass dial with silvered chapter ring, seconds dial and calendar aperture, signed James Nesmyth Staines, moon boss to the arch with foliate spandrels, of eight day movement, striking on a bell, the caddy top hood with cavetto moulded arch, faux bamboo pilasters, the slender trunk with arched door, reduced plinth, 77½" high.
A 19th century oak and mahogany inlaid longcase clock, R Hilson Lincoln, the hood with swan neck pediment and glazed door, the trunk with short door and rectangular base, the 12 inch arch painted dial with Roman numerals and seconds and date indicators and painted cottage in arch, the eight day movement striking on a bell, 206cm high
A mahogany crossbanded oak thirty-hour longcase clock, unsigned, early 19th century, the countwheel bell-striking movement with 12 inch white painted Roman numeral break-arch dial with arched calendar to centre and polychrome foliate painted spandrels, the arch decorated with a hunting scene, the swan neck pedimented case with reeded pilasters to hood above short trunk door and conforming plinth base, 219cm high
An oak thirty hour longcase clock, John Rogers, Leominster, circa 1770, the four-pillar outside countwheel bell-striking movement with 10 inch square brass dial signed on a circular plaque John Rogers, LEOMINSTER to the matted centre within a brass Roman numeral chapter ring with lozenge half hour markers and female mask and scroll pattern applied angles, in a case with moulded cornice above turned hood pilasters and long trunk door, on plinth base, 194cm high. John Rogers is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Leominster 1767-1778.
A Scottish mahogany eight-day longcase clock, Shaw, Aberdeen, circa 1800, the four-pillar rack and bell striking movement with 13 inch circular white painted Roman numeral dial with subsidiary seconds and calendar dials and signed Shaw Aberdeen to centre, in break-arch pedimented case with canted angles to hood above break-arch trunk door flanked by reeded quarter pilasters, on plinth base with splayed bracket feet, 219cm high.
A mahogany crossbanded oak eight-day longcase clock, J. Wain, Alfreton, early 19th century, the four-pillar rack and bell striking movement with 12 inch white painted Roman numeral break-arch dial with subsidiary seconds dial, arched calendar aperture and signed J. Wain Alfreton to centre, with polychrome and gilt conch shell painted spandrels and scene of Britannia seated before a Man of War to arch, the swan neck pedimented case with short trunk door and canted angles above banded plinth base, on bracket feet, 210cm high.
A Scottish oak eight-day longcase clock, George Dunbar, Turriss, late 18th century. The four-pillar rack and bell striking movement with 12.5 inch single sheet brass break-arch Roman numeral dial with subsidiary calendar and seconds dials and signed Geo. Dunbar TURRISS to centre, with foliate engraved infill to spandrels and dial for age of the moon to arch, the swan neck pedimented case with reeded pilasters to hood above shaped-top trunk door and reduced plinth base, 191cm high.
A George III mahogany crossbanded oak eight-day longcase clock, of small proportions, Edwd Bell, Uttoxeter, circa 1790, the four-pillar rack and bell striking movement with 13 inch brass break-arch dial with arched calendar aperture and subsidiary seconds dial to the foliate scroll engraved centre, within an applied Roman numeral chapter ring with Arabic five minutes and mask and scroll cast spandrel applied angles, with boss signed Edwd Bell, Uttoxeter between dolphin mounts to arch above, the case with swan neck pediment and fluted pilasters to hood above shaped-top trunk door flanked by fluted quarter pilasters to angles, on raised panel fronted plinth base, 197cm high. Edward Bell is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Uttoxeter circa 1795.
An oak eight-day longcase clock, Ashton, Tideswell, circa 1795. The four-pillar rack and bell striking movement with 14 inch single-sheet brass circular Roman numeral dial with subsidiary calendar and seconds dials to the foliate engraved centre and Arabic five minutes, signed ASHTON, TIDESWELL to lower edge, the swan neck pedimented case with turned hood pilasters and shaped-top trunk door flanked by quarter column applied angles, on plain plinth base with ogee bracket feet, 207cm high. Thomas Ashton is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Tideswell circa 1795
An inlaid mahogany eight-day longcase clock, with moonphase, unsigned, early 19th century, The four-pillar rack and bell striking movement with 14 inch white painted Roman numeral break-arch dial with arched calendar aperture and subsidiary seconds dial to centre and with floral painted spandrels beneath rolling moon to arch, the swan neck pedimented case with dual ring-turned hood pilasters to each side of dial above shaped-top oval panel inlaid short trunk door flanked by reeded pilasters, on conforming panel inlaid plinth base with splayed bracket feet, 235cm high
An oak thirty-hour longcase clock, Will. Russell, Wootton, circa 1740. The four-pillar outside countwheel bell-striking movement with 12 inch square brass dial with calendar aperture to the Hoho bird and foliate scroll engraved matted centre within an applied Roman numeral silvered chapter ring with Arabic five minutes and fleur de lys half hour markers and signed Will. Rufsell along lower edge, with bird and urn pattern spandrel applied angles, the case with moulded cornice above long trunk door and reduced plinth base, 195cm high. William Russell is recorded in Loomes, Brian Watchmakers & Clockmakers of the World Volume 2 as working in Wootton, Bedfordshire up to 1770.
A carved oak eight-day longcase clock, with rocking ship to arch, the four-pillar rack and bell striking movement with associated 12 inch brass break-arch dial with calendar aperture, subsidiary seconds dial and bearing signature Jno Charlton DURHAM to the foliate scroll engraved centre, within an applied Roman numeral chapter ring with Arabic five minutes and foliate scroll pierced and cast spandrel applied angles, with rocking ship before a maritime view to arch above, now in a case with swan neck pediment above shallow arch trunk door and plinth base now with later foliate carved decoration throughout, 220cm high.
An oak and mahogany eight-day longcase clock, unsigned, early 19th century. The four-pillar rack and bell striking movement with 13 inch white painted Roman numeral break-arch dial with arched calendar aperture, subsidiary seconds dial and indistinctly inscribed Congleton to centre, with polychrome and gilt chinoiserie figure painted spandrels and oval vignette of a cottage within a gilt and foliate ground to arch, the case with swan neck pediment above reeded pilasters to hood and shaped-top short trunk door between crossbanded friezes, on plinth base with canted angles, 219cm high.
A George III mahogany eight-day longcase clock, with deadbeat escapement Walker, Newcastle, late 18th century, the four-pillar rack and bell striking movement with V-shaped pallets, low escape wheel and 12.5 inch brass break-arch dial with ringed winding holes, recessed subsidiary seconds dial and calendar aperture to the matted centre, within an applied Roman numeral chapter ring with Arabic five minutes and mask and scroll cast spandrel applied angles beneath boss signed Walker Newcastle flanked by dolphin cast mounts to arch, in a pagoda pedimented case with swan neck frieze and fretwork infill above brass stop-fluted pilasters to hood and break-arch door to trunk, on panel fronted plinth base with moulded apron, 238cm high. Probably John Walker who is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Newcastle-on-Tyne 1787-95.
A George III mahogany crossbanded oak eight-day longcase clock, with moonphase, Seddon, Frodsham, circa 1790, the four-pillar rack and bell striking movement with 13 inch brass break-arch dial with calendar aperture, recessed subsidiary seconds dial and oval plate signed Seddon Frodsham to the matted centre, within an applied Roman numeral chapter ring with foliate half hour markers and Arabic five minutes and mask and scroll cast spandrel applied angles, the arch with rolling moonphase calibrated for the lunar month to circumference, the case with swan neck pediment above turned hood pilasters and shaped-top trunk door flanked by quarter columns, on raised panel fronted plinth base with ogee bracket feet, 218cm high. Probably John Seddon who is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Frodsham 1784-95.
A carved oak eight-day longcase clock. The four-pillar rack and bell striking movement with associated 12 inch square brass dial with arched calendar and penny moon to the foliate engraved matted centre within Roman numeral chapter ring with fleur de lys half hour markers, Arabic five minutes and bearing signature Major Schofield ROCHDALE, the angles with female mask and scroll pattern spandrels, now in a caddy-top case with spiral twist pilasters to hood above shaped-top trunk door and plinth base now with later foliate carved decoration throughout, 219cm high.
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