An unusual Edwardian mahogany grandmother clock, the 8-day movement striking on two gongs, having 6ins brass break-arch dial with silvered Roman chapter ring, pierced arabesque and shell spandrels, and strike/silent and slow/fast adjusters to the arch; the case marquetry-inlaid with husks, swags, cornucopia and urns surmounted by pierced pediment and gilt-bronze flame finials over carved frieze and a pair of ormolu Corinthian columns with shaped trunk door, on plinth base and outswept ormolu feet, H 113cm W 31cm
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THOMAS SPEAKMAN, London, a late 17th century figured walnut eight day longcase clock, the 11" square brass dial with cherub head spandrels, silvered chapter ring, subsiduary seconds and date aperture, the hood with barley twist pilasters above a long trunk door with lenticle, foliate and bird marquetry, 78" high.
A 19TH CENTURY FIGURED MAHOGANY LONGCASE CLOCK, having an arched painted dial, 14in., with Roman numerals, two subsidiary dials painted to the centre with Jas Millar of Selkirk, the spandrels painted emblematic of the seasons, the arch with cottagers in an interior, eight-day movement striking on a bell, the hood having a swan neck pediment with three brass ball and eagle finials, turned pilasters, the trunk having convex and moulding, bowed door with cushion cresting and acorn finial flanked by half-round columns, the lower trunk with indented panel and on bracket feet, 86.5in. (220cms) high
A GEORGE III SCOTTISH OAK LONGCASE CLOCK, having a silvered arched dial, 12in. (30.5cms), with Roman and Arabic numerals, seconds and calendar subsidiary dials, engraved to the centre with stylized birds and leafage, signed Alex MacFarlane of Perth No. 7 of eight-day movement with repeat strike on a bell, the hood with swan neck pediment above blind fret panels, reeded pilasters, the trunk having a shaped top to the long door, canted corners, on bracket feet, 82in. (208.5cms)
AN 18TH/19TH CENTURY OAK LONGCASE CLOCK, the brass dial 12in. (30.5cms), with silvered chapter ring and seconds dial, the matted centre engraved with foliate scrolls, cast brass spandrels, inscribed John Holroyd, of 8 day movement striking on a bell, the case with square hood and reeded pilaster, the trunk with naive floral and foliate decoration in low relief, 81in. high (206 cms) (no pendulum or weights)
A 19th century mahogany eight day longcase clock, the moulded arched cornice above an arch glazed door flanked with reeded columns enclosing an arched 12 inch painted dial with secondary seconds dial and date aperture signed S Peacock, Lincoln with five pillar bell striking movement above an arched long trunk door having a central lock, standing on a plinth base with bracket feet, 221cm high
A 19th century oak cased eight day longcase clock, the scroll carved circular glazed door enclosing a white painted dial with Roman numerals and secondary seconds dial signed Wm Stover, Taunton above an arched long trunk door within fruiting oak leaf carved spandrels, standing on a similarly carved plinth base with claw and ball feet, 199cm high
A 19th century mahogany 30 hour longcase clock, the arched cornice above a glazed door flanked with turned columns enclosing an 11 inch painted dial with Roman numerals and secondary date and seconds dial signed W Loof, Parade, Tonbridge Wells, with four pillar bell striking movement above a long trunk door, standing on a plinth base with bracket feet and a shaped apron, 195cm high
An 18th century walnut eight day longcase clock, the moulded cornice above an arch glazed door flanked with three quarter columns enclosing a 12 inch brass arched dial with Roman numerals and secondary seconds dial and date aperture, signed Richd Rayment, Bury, with five pillar bell striking movement above a long arched trunk door, standing on a reduced plinth base, 201cm high
A mahogany chisel based drop dial wall clock of early 19th Century design by Leslie Brundle, the 12ins silvered dial engraved with Roman and Arabic numerals and date aperture to the eight day fusee movement with anchor escapement and maintaining power, contained in case with turned bezel, the trunk with shaped ears to side and angled lower section, 24ins high.
A mahogany chisel based drop dial wall clock of early 19th Century design by Leslie Brundle, the 12ins silvered dial engraved with Roman and Arabic numerals and date aperture to the eight day fusee movement with anchor escapement and maintaining power, contained in case with turned bezel, the trunk with shaped ears to side and angled lower section, 24ins high
A mahogany chisel based drop dial wall clock of early 19th Century design by Leslie Brundle, the 12ins silvered dial engraved with Roman and Arabic numerals and date aperture to the eight day fusee movement with anchor escapement and maintaining power, contained in case with turned bezel, the trunk with shaped ears to side and angled lower section, 24ins high
An 18th Century mahogany cased 'Tavern' wall clock, the 18ins painted wood dial with Roman and Arabic numerals to the eight day weight driven movement with A-frame plates and anchor escapement, contained in case with cast brass bezel and turned bezel to case, the long trunk with shaped ears and shaped trunk door, with moulded apron, 50ins high.
A mahogany cased 'Tavern' clock of early 19th Century design by Leslie Brundle, the 18ins painted wood dial with Roman and Arabic numerals to the eight day weight driven movement with anchor escapement and maintaining power, contained in case with turned bezel, the long trunk with shaped ears, shaped trunk door and shaped apron, 54ins high
A mahogany cased 'Tavern' wall clock of early 19th Century design by Leslie Brundle, the 18ins painted wood dial with Roman and Arabic numerals to the eight day weight driven movement with anchor escapement and maintaining power, contained in case with turned bezel, the long trunk with carved leaf ears, shaped trunk door and shaped apron, 54ins high
A mahogany cased 'Tavern' wall clock of early 19th Century design by Leslie Brundle, the 18ins painted wood dial with Roman and Arabic numerals to the eight day weight driven movement with anchor escapement and maintaining power, contained in case with turned bezel, the long trunk with shaped ears, figured veneered shaped trunk door and shaped apron, 54ins high.
A mahogany cased wall mounted 'Regulator' of early 19th Century design by Leslie Brundle, the 12ins cream enamelled dial, sweep minute dial and with central seconds dial, hour dial and small 'Up and Down' dial to side, to the eight day fusee movement with maintaining power and dead beat escapement, contained in case with turned bezel, the long trunk with shaped ears, the shaped trunk door crossbanded in rosewood, and with curved apron, 52ins high.
A late 17th/early 18th Century longcase clock movement by Ralph Cloud at Beaminster, the 11ins square brass dial with wide silvered chapter ring, subsidiary seconds dial and date aperture, turned winding holes and engraved 'Tudor Rose' to dial centre, engraved wheat sheaf pattern borders and cast cherubs heads and scroll spandrels to the eight day two train movement with outside locking plate striking on a bell, now contained in later oak and mahogany case with shaped and moulded pediment, reeded pillars to hood, the trunk door crossbanded in mahogany, with reeded front corners, 84ins high. Note: Ralph Cloud recorded working Beaminster, born 1663-1714 . See 'Dorset Clocks and Clockmakers' by Tom Tribe and Philip Whatmoor, published by Tanat Books 1981 for further details of maker
A mid 18th Century walnut longcase clock by John Faver of London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals and subsidiary seconds dial and calendar dial to arch and turned winding holes to the eight day two train five pillar movement striking on a bell, contained in case probably rebuilt and partly reveneered with deep moulded overhanging cornice, fretted frieze and plain turned pillars to hood, matched veneered trunk door inlaid with herringbone banding and with cross-grained mouldings, 90ins high. Note: John Faver recorded working London before 1753
An early 18th Century walnut longcase clock by James Walker of London, the 12ins brass square dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, turned winding holes and engraved wheat sheaf pattern borders to the eight day five pillar two train movement with inside locking plate striking on a bell, contained in case probably rebuilt and partly reveneered in figured walnut with caddy top and moulded cornice above fretted frieze, plain turned pillars, the shaped trunk door veneered in figured walnut and banded, and with cross-grained mouldings, 91ins high (new plinth and caddy top). Note: James Walker recorded working as apprenticed in London 1733
An 18th Century walnut longcase clock by Henry Thornton of London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture to the eight day two train five pillar movement striking on a bell, contained in case probably partly rebuilt and partly reveneered with deep moulded arched pediment above fretted frieze, plain turned pillars to hood, the trunk door veneered in figured matched veneers, banded and with cross-grained mouldings, inset with circular glass 'Bulls-Eye', 93ins high. Note: Henry Thornton recorded as apprenticed 1692 clockmaker 1699-1732 recorded in Basing Lane in 1723 and Royal Exchange in 1730
An 18th Century walnut longcase clock by Benjamin Steele of London, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, turned winding holes and engraved dial centre to the eight day two train five pillar movement with inside locking plate striking on a bell, contained in case largely rebuilt and reveneered in figured walnut with moulded overhanging cornice and fretted frieze, plain turned pillars to hood, figured veneered trunk door and with cross-grained moulding, 87ins high. Note: Benjamin Steele recorded working Old Southampton Buildings, London 1744
An early 18th Century walnut longcase clock by John Harris of London, the 11ins square brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial, date aperture and turned winding holes to the eight day two train five pillar movement with inside locking plate striking on a bell, contained in modern replacement case with moulded cornice and fretted frieze, spiral turned columns to hood, figured veneered trunk door and with cross-grained mouldings, on bun feet, 84ins high. Note: John Harris recorded as apprenticed 1717, and member of The ClockmakersÕ Company 1737
A mid 18th Century walnut longcase clock by William Dowell Swan of Margate, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture to the eight day two train five pillar movement striking on a bell, contained in case with deep moulded cornice and fretted frieze, plain turned pillars to door, arched trunk hood inlaid with herringbone banding and crossbanded (the plinth rebuilt and with some reveneering), 86ins high. Note: William Dowell Swan recorded working Margate before 1754
An early 18th Century walnut longcase clock by James Leicester, Drury Lane, London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, calendar dial to arch showing phases of the moon and turned winding holes to the eight day two train five pillar movement striking on a bell, contained in case probably rebuilt and partly reveneered with moulded overhanging cornice above fretted frieze, arched and moulded lower cornice, plain pillars to hood, figured trunk door, crossbanded and with cross-grained mouldings, 86ins high
An early 18th Century walnut longcase clock by Jonathan Beake, Crutch Fryers, London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and calendar dial to arch and star pattern centre to the eight day two train five pillar movement striking on a bell, contained in case probably rebuilt and partly reveneered, with moulded overhanging cornice and fretted frieze, moulded arch and plain turned pillars to hood, arched trunk door with figured veneered centre panel, crossbanded and with cross-grained mouldings, 91ins high. Note: John Beake recorded as apprenticed 1673 member of The ClockmakersÕ Company 1681 Ð Assistant to Daniel Quare
A late 18th Century mahogany longcase clock by Levy & Godfrey of Kidderminster, the 13ins arched painted dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture showing phases of the moon, landscape and shipping scene to arch to the eight day two train movement striking on a bell, contained in associated case with moulded scroll pediment, turned and fluted pillars to hood, shaped trunk door inlaid with oval shell motifs and crossbanded in satinwood, fluted quarter columns, the rebuilt plinth similarly inlaid and on ogee bracket feet, 84ins high. Note: Levy & Godfrey dissolved partnership in 1795
A late 18th Century mahogany longcase clock by Walter Barry of London, the 12ins arched brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial, date aperture and strike/silent dial to arch to the eight day two train five pillar movement striking on a bell, contained in modern replacement case with deep arched and moulded cornice with shaped cresting, turned, fluted and brass stopped columns to hood, figured veneered arched trunk door with moulded edge and conforming plinth, 89ins high. Note: Walter Barry recorded working London 1790
A late 18th Century mahogany longcase clock by Jacob Swaby of Deal, the 12ins arched silvered dial with subsidiary seconds dial and date aperture with engraved spandrels to the eight day two train five pillar movement striking on a bell, contained in associated case with deep arched moulded cornice with shaped cresting, turned, fluted and brass stopped columns to hood, figured veneered trunk door of shaped outline, with fluted and brass stopped quarter columns, astragal panelled plinth, on bracket feet, 93ins high. Note: Israel Swaby recorded working Dover 1775-1785 and Jacob Swaby recorded working Romney 1795
A George III mahogany longcase clock by James Scholefield of London, the 12ins arched brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and strike/silent dial to arch to the eight day two train five pillar movement striking on a bell, contained in associated case with pagoda top, turned, fluted and brass stopped pillars to hood, figured trunk door of shaped outline with moulded edge, fluted cant corners and astragal panelled plinth, 93ins high. Note: James Scholefield recorded working The Strand, London, apprenticed 1747 to circa 1760
A George III mahogany longcase clock by John Wilkins of Islington, London, the 12ins arched brass dial with wide chapter ring with Roman and Arabic numerals, subsidiary seconds dial, date aperture and strike/silent dial to arch to the eight day two train five pillar movement striking on a bell, contained in case with moulded cornice and shaped cresting, with turned, fluted and brass stopped columns to hood, the arched trunk door veneered in figured mahogany with moulded edge, fluted and brass stopped quarter columns to sides, the plinth with astragal panel and double plinth on bracket feet, 91ins high. , and on Back Cover. John Wilkins recorded working Islington, London 1773
Inlaid mahogany longcase clock, the fretwork swan neck pediment over blind fretwork frieze above an arched painted dial named for Gibson of Saltcoats with portrait panel of George III to the arch and symbols representing the continents to the spandrels, the face with subsidiary seconds dial and calendar ring, the hood flanked by later reeded columns over trunk with side spiral pilasters and inlaid central patera and all over detail, all raised on bracket feet, 88in (223.5 cm) high
A fine Devon automaton longcase clock, the eight day striking movement with a silvered dial, the open lunette depicting Adam and Eve in the Garden of Eden with paterae foliage engraved arc, the centre engraved with a view of Plymouth Ho with shipping inscribed John Buttall, Plymouth, the calendar arc with strawberry pointer, Rococo foliage to the corners, the mahogany case with arched hood, foliage carved and dentil architectural detachable pediment with brass finials and brass Corinthian capitals to reeded pillars, the trunk with an arched flame figured door and festoons of foliage to the angled corners, the veneered base on a plinth. 7 ft. 9 in. overall height.
A late 18th century oak longcase clock, the eight day five pillar movement with a strike later converted to a gong, arched brass and silvered dial with strike, silent regulator to the lunette, a subsidiary second dial and calendar inscribed "LUTON" and applied later name plates for David Field, cast gilt brass fret foliage corner spandrels, the glazed door hood with turned walnut side pillars, the trunk with an arched door, the base on a plinth. 6ft 6in. (198cm). .
A Dorset longcase clock, the 30hour movement with an outside counter wheel, striking on a bell, marked WH & Co no 19 the square 11in painted dial decorated a bird on a bough to the centre above a calendar aperture and inscribed Barrett Blandford, gilt roses to the corners, the hood with a glazed door, brass capped pillars and a swan neck pediment with turned wood finial, the trunk with a mahogany veneered panel above a rectangular door, the base on a shaped plinth, 6ft. 10in (2.08m).
A LONGCASE CLOCK by J Bell, Doncaster, the eight day movement with arched brass dial chased with scrolling foliage, in mahogany case crossbanded with stringing, scrolled pediment with brass finials and marquetry patera on fluted columns, canted trunk with arched door, shaped apron and splayed feet, 91" high

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