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66972 Los(e)/Seite
Los 1
a Pair of Staffordshire Deer and Hound Flat Back Groups, second half 19th century, each modelled as a stag standing rampant against a rampant dog, a hollow tree trunk behind them picked out with shredded moss and green leaves, base 16cm long; and Another Similar Group, in the white with gold spotted markings, (restoration to one tree trunk and stag antler of the pair) (3)
Los 1
a Pair of Staffordshire Bone China Models of Recumbent Stag and Doe, circa 1840, each animal washed in pale salmon pink, lying before a hollow tree trunk vase, its branches and edges applied with grass shredding, picked out in orange and green, 12cm; A Similar Figure of a Recumbent Doe, before a hollow tree trunk, 12.5cm; and A Staffordshire Model of a Recumbent Doe, approximately 12.5cm (4)
Los 1
a Group of Five Staffordshire Stag and Figure Ornaments, mostly mid 19th century, comprising: a pair of figures of young girls feeding stags; two depicting a female figure riding on the back of a stag, one above a clock face; the last depicting a stag and young girl standing beside a pink tree trunk spill vase, various sizes (damages and repair) (5)
Los 1
Two Staffordshire Matched Pairs of Deer Chase Spill Vase Groups, second half 19th century, each modelled as a leaping stag pursued by two hounds against a single tree trunk spill case, 11cm; and A Staffordshire Single Deer Chase Spill Vase Group, modelled as two hounds pursuing a deer through an arch formed by trees (small restorations) (5)
Los 1
Two Staffordshire Flat Back Spill Vase Deer Groups, mid 19th century, one modelled as a stag leaping a gate pursued by a hound while a bird alights from its nest below; the other modelled as three hounds attacking a stag and his doe before a hollowed tree trunk vase, approximately 14cm (minor restorations to both)
Los 1
an Enamelled Pearlware Figure of a Yellow Deer, standing four square on an oval socle base, sponged in black, its belly resting on the trunk of a tree, bocage rising behind it with colourful flowers, the trunk sponged in brown, 16cm (chip to rear of base) *Possibly in the same group as the so-called "Obadiah Sherratt" models
Los 1
a Pair of Staffordshire Flat Back Models of Deer Attacked by Serpents, mid 19th century, each deer rearing against a tree trunk spill vase from which a giant green snake begins to encoil its victim, lavender coloured shredded grasses, 18cm long # 250-350 237. Two Staffordshire Enamelled Pearlware Models of Deer, circa 1820, one of the spotted deer standing before a leafy tree upon a rustic base with shredded grasses; the other of a spotted red stag standing four square with tree trunk support rising from the green rustic base, 11cm and 10.4cm respectively
Los 1
a Pair of Staffordshire Gold Spotted White Deer, second half of 19th century, each standing against a green tree trunk vase, one fore leg raised, the doe with a fawn lying beneath her, both on oval bases with applied shredded grasses, approximately 14cm (restorations to legs); and A Pair of Smaller Flat Back Deer and Tree Vases (restored) (4)
Los 1
a Good Staffordshire Bone China Model of a Leaping Deer, circa 1840, finely modelled with back legs barely touching the base, supported in mid air against a white tree trunk rising from the rocky base with shredded grass detail, 14.5cm; and Two Smaller Staffordshire Bone China Stag Groups (minor restorations) (3)
Los 1
Three English Bone China Stag Groups, circa 1835, comprising: two deer groups of stag and doe standing back to back before a central spill vase tree trunk, one in the white with gilt detail the other with colouring, 13cm long; the third depicting a stag leaping a hurdle before a tree trunk, washed in various tones of brown and fawn, 17.5cm long (restorations to hind legs) (3)
Los 1
Two Pairs of Tree Trunk Spill Vase Models of Recumbent Deer, circa 1840, one pair of bone china, sparsely coloured, the second pair of earthenware with deer lying on yellow bases, 9cm and 12cm; and A Single Bone China Model of a Recumbent Deer, in the white but with gilt markings, 14.5cm (small repairs) (3)
Los 1
A Walnut Regulator Wall Clock with Centre Seconds, signed Leuenberger, Fils, A Sumiswald, circa 1840, the case with architectural pediment, glazed hinged trunk door, 9 1/2-inch enamel dial with Roman numerals, signed "Leuenberger, Fils, A Sumiswald", centre seconds, single barrel movement with deadbeat escapement, the wood ebonised gridiron type pendulum with large bob and rating nut, 123cm high Johann Leuenberger from Sumiswald was recorded in 1826. In that year he created the Neuchatel clock in Sumiswald
Los 1
A Walnut Month Going Wall Clock, signed Ignaz Watchitz, In WR Neustadt, circa 1840, the case with wavy shaped carved cresting, glazed trunk door with satinwood inlaid borders upon waisted plinth, 6-1/2-inch enamel dial with Roman numerals surrounded by gilt-metal shell decorated border, single weight driven month going movement with deadbeat escapement and triangular plates, maintaining power, 108cm high
Los 1
A Scottish Mahogany Inlaid Eight Day Longcase Clock, signed Geo Brown, Airdrie, circa 1820, the case with flat top pediment, rectangular trunk door and plinth with bird and floral inlay, "later" bracket feet, 14-inch painted arched dial, the arch and corners with figural scenes, dial centre with subsidiary dials for seconds, date and signed "Geo Brown, Airdrie", four pillar movement with anchor escapement and rack striking on bell, 214cm high
![A Mahogany Eight Day Longcase Clock, signed W Robson, North Shields, circa 1810], case with wavy shaped pediment, arched tru](http://lot-images.atgmedia.com/SR/10041/2658783/874-51-10041_468x382.jpg)
Los 1
A Mahogany Eight Day Longcase Clock, signed W Robson, North Shields, circa 1810], case with wavy shaped pediment, arched trunk door, rectangular plinth upon shaped feet, 13-inch painted arched dial, dial centre with subsidiary dials for seconds, date and signed "W Robson, Northshields", the corners and arch with painted floral and bird decoration, four pillar movement with attached falseplate stamped "F Byrne", anchor escapement and rack striking on bell, 237cm high
Los 1
An Oak Thirty Hour Longcase Clock, signed Jas Pratt, Askrigg, circa 1820, the case with broken arched pediment, wavy shaped trunk door, plain rectangular plinth upon bracket feet, 12-inch painted arched dial, dial centre with date aperture and signed "Jas Pratt, Askrigg", floral corners and rural landscape scene to the arch, four pillar movement with countwheel striking on bell, 222cm high
Los 1
A Mahogany Thirty Hour Longcase Clock, signed Jas Burton, Whitehaven, 1790, the case with swan neck pediment, flamed trunk door with "later" inlay, "later" rectangular plinth, 13-inch arched brass dial, engraved floral dial centre with subsidiary date dial and inscribed "Jas Fletcher", the arch with silvered plaque signed "Jas Burton, Whitehaven", four pillar movement with anchor escapement and countwheel striking on bell, 230cm high
Los 1
An Oak and Mahogany Thirty Hour Longcase Clock, the case with flat top pediment, mahogany crossbanded trunk door flanked by inset pilasters, upon plinth with canted corners, 11-inch square brass dial, matted centre with date aperture and recessed silvered plaque signed "Robt Parkinson, Lancaster", four pillar movement with anchor escapement and countwheel striking on bell, dial and movement (circa 1750) associated to case (late 18th century)
Los 1
An Oak Eight Day Longcase Clock, the case with swan neck pediment, wavy shaped trunk door, plinth with raised panel upon bracket feet, 12-inch arched brass dial with silvered chapter ring inscribed "Tho Lister, Luddenden", dial centre with penny moon and date aperture, the arch with tempus fugit silvered plaque, four pillar movement with anchor escapement and rack striking on bell, dial associated to movement and case, 225cm high
Los 1
An Oak Thirty Hour Single Hand Longcase Clock with Unusual Dial, signed Joseph Butterworth, Fecit, circa 1730, the oak case with flat top pediment, hood with columns to the sides, wavy shaped trunk door with marquetry star medallion, plain rectangular plinth, very fine 11-inch square brass dial with silvered chapter ring signed, the matted dial centre with two arched apertures for date of the month and lunar scale combined with penny moon aperture, four pillar movement with anchor escapement and outside countwheel striking on a bell, 208cm high *Joseph Butterworth of Cawthorne, Barnsley, was probably the son of John Butterworth who was also a clockmaker. Joseph is thought to have succeeded his father around 1720. Only half a dozen longcase clocks are known by Joseph, mostly thirty hour and eight day examples. His dials display very fine engraving and unusual dial layouts. See Loomes (Brian), "Clockmakers of Northern England", page 106
Los 1
A Mahogany Eight Day Longcase Clock, signed Wm Graham, London, the case with flat top pediment, twisted columns, rectangular inlaid trunk door with moulded border and glazed lenticle, inlaid plinth upon bracket feet, 12-inch square brass dial, matted dial centre with date aperture, seconds and signed "Wm Graham, London" on a silvered plaque, five pillar movement with anchor escapement and rack striking on bell, dial and movement (circa 1730) associated to case (19th century), 213cm high
Los 1
An Impressive Dutch Burr Walnut Inlaid Musical Longcase Clock with Automaton, signed DVD Meer, Amsterdam, circa 1780, the fine burr walnut case with shaped hood and carved floral and scrolled decoration (finials missing), finely pierced front and side frets, canted sides with floral inlay and with Corinthian capitals, the long shaped trunk door with inlay and moulded borders, flanked by canted corners with applied carved mounted capitals, painted landscape background with windmill, the massive three barrel movement with anchor escapement, half hour striking on two bells and four tune selection and playing on fourteen bells with twenty-seven hammers, 274cm high
Los 1
A Rare Walnut Eight Day Longcase Clock with Unusual Seconds Dial in the Arch, signed Bradley, London, circa 1715, the case with caddy top and fine pierced fretwork, arched trunk door with stringing and moulded edge upon rectangular plinth, 12-inch brass arched dial, dial centre with ringed winding holes and date aperture, cherub and crown spandrels, the arch with two silvered plaques signed "Bradley, London", 5-inch silvered seconds dial with a counter balanced seconds hand and interesting engraving of military equipment, with on the left side the flag of Louis XIV and on the right the flag of the Duc De Aujou, who became King Phillip 5th of Spain in 1700, seven pillar movement with anchor escapement set in the on extended plates and internal countwheel striking on bell, 245cm high *Langley Bradley born 1663 was apprenticed to Joseph Wise in 1687 and was freeman of the "Clockmakers" Company in 1695. He was elected master in 1726 and was a member until 1738. His address was Minute Dyall in Fenchurch Street. As well as making St Paul's Cathedral's clock, he also made ones for St.Giles in Edinburgh and Cripplegate, London. In the Sloan Museum there is a fine calendar watch by Bradley, this was commissioned by William III and presented to Sir Christopher Wren.
Los 1
A 19th century mahogany longcase clock, the arched hood with fluted Ionic columns above a short trunk door, on a box base, the arched dial with moonphase and floral spandrels, seconds subsidiary dial and calendar aperture, inscribed 'W. Vaughan, Newport', the eight day movement striking on a bell.
Los 1
A 19th century mahogany longcase clock, the hood with floral painted panels, Admiral Lord Nelson roundels and fluted columns, above a long trunk door with shaped top, box base and fun feet, the 35 cms dial with moonphase, ship and church rotating plate, painted with globes and floral spandrels with Roman numerals and a seconds subsidiary dial, inscribed Liverpool, the eight day movement striking on a bell, 236 cms high.
Los 1
An oak longcase clock, the arched enamelled 33cm dial with bird, fruit and flowers to arch above floral spandrels, Arabic chapter ring, cut brass hands, calendar aperture, inscribed 'Pallinson, Chesterfield', thirty hour movement, striking on a bell, the hood with swan neck pediment with brass finials, freestanding plain pillars, arched door to trunk, with mahogany veneers and crossbands, boxwood and ebony stringing, skirted base, 222cm high
Los 1
An oak cottage longcase clock, the square brass 30cm dial with foliate spandrels, Roman and Arabic chapter ring, the leaf chased centre with calendar dial, inscribed Ramsbottom, Hall Green, eight day movement, striking on a bell, the square hood with moulded cornice and plain freestanding brass mounted pillars, shaped trunk door, outlined with mahogany crossbands, on bracket feet, 196cm high (composed)
Los 1
An oak longcase clock, the square brass 32cm dial with floral and urn spandrels, Roman and Arabic chapter ring, matted centre with subsidiary seconds and calendar aperture, inscribed 'Joseph Atkinson', eight day movement, striking on a bell, the plain case with stepped domed hood, freestanding pillars, ovolo moulded trunk door, on bracket feet, 210cm high
Los 1
An oak longcase clock, the square brass 27cm dial with mask and leaf scroll spandrels, Roman and Arabic chapter ring, matted centre, inscribed 'Isaac Hewlett, Bristol', adapted eight day movement, striking and chiming on gongs, the hood with swan neck pediment and inlaid with oval shell patera, brass mounted freestanding pillars, arched door to trunk flanked by brass mounted fluted quadrant pilasters, outlined throughout with mahogany crossbands inlaid with lozenges, skirted base, 215cm high
Los 1
A floral marquetry longcase clock, the square brass 26cm dial with infant mask spandrels, Roman chapter ring and matted centre with subsidiary seconds dial and leaf chased calendar aperture, inscribed George Booth, Manchester, eight day movement, striking on a bell, the square hood with cavetto cornice and blind fretwork frieze above three-quarter column pilasters, the rectangular trunk door with lenticle, the front inlaid with Dutch floral marquetry panels of birds, flowers and urn within borders of formal leafy scrollwork, the sides walnut veneered in boxwood strung rectangular panels, 194cm high (case composite, case and works not originally together)
Los 1
A fine large inlaid mahogany longcase clock, in George III style, the arched brass 41cm dial with floral, mask and dolphin spandrels, silvered Roman and Arabic chapter ring, the matted centre with subsidiary seconds dial, the arch with Westminster Chimes - Chime On Eight Bells dial above Strike - Silent and Chime - Silent dials, three-train eight day movement striking and chiming on gongs, the arched hood with swan neck pediment and harewood paterae terminals, brass grenade finial above freestanding fluted pillars with brass Corinthian capitals, the chamfered trunk with an arched curl veneered door, the base with a circular curl veneered panel, satinwood panelled throughout and outlined with boxwood and ebony stringing and crossbanded borders, on a shaped plinth, 260cm high, early 20th century, Provenance: This clock made by John Brownsword, watch and clockmaker of Nottingham for his home, 15 Cavendish Crescent South, The Park, Nottingham from where it has been removed for this sale.
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66972 Los(e)/Seite