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66969 Los(e)/Seite
Los 2
A Khorasan silver and copper-inlaid bronze war hammer in the form of an elephant Persia, 11th/ 12th Centurythe head of trapezoid form with a central aperture to receive the haft, the sides engraved and decorated in silver and copper inlay with rosettes surrounded by circle motifs and inscriptions in kufic on a ground of scrolling tendrils, the face in the form of an elephant head, a large foliate motif to the trunk, inscriptions to the ears 11.6 cm. max.Footnotes:ProvenanceThe Mohammed Khalil Collection.PublishedM. K. Ibrahim, Islamic Arms and Armour, Vol. I, United Arab Emirates, 2022, p. 245, cat. no. 43. Inscriptions: al-'izza [sic] wa al-i/qbal wa al-da[wla], 'Glory and prosperity and wealth'; 'ali-yi / kharrad(?), ''Ali son of Kharrad(?)'.A group of four hammerheads of elephant form can be found in the Furusiyya Art Foundation, attributed to the Ghaznavid or Gurid period (see Bashir Mohamed, The Arts of the Muslim Knight, the Furusiyya Art Foundation Collection, 2007, p. 258, no. 248). Another was sold in these rooms, Islamic and Indian Art, 24 April 2012, lot 77.This lot is subject to the following lot symbols: * R* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.R This lot is subject to import restrictions when shipped to the United States.For further information on this lot please visit Bonhams.com
Los 312
A JAPANESE BRONZE OKIMONO OF AN ELEPHANT BY GENRYUSAI SEIYAMEIJI ERA, 19TH/20TH CENTURYThe pachyderm standing four-square and with its trunk lowered, the rough texture of its thick skin realistically depicted and with a benevolent expression, signed Seiya saku, together with a wood stand, 34.5cm. (2)
Los 124
A rare underglaze-painted pottery tile from the Portuguese Convent of Santa Monica in Goa (built 1627) North India, Probably Sindh, 16th Centuryof rectangular form, decorated in cobalt blue and turquoise on a white ground with a pomegranate tree with hatched trunk, three pomegranates and two large flowers, simple border, in wood frame with handwritten note pasted to reverse dated 27 November 1956 describing the history of the tile the tile 19.5 x 21.5 cm.Footnotes:ProvenanceCollection of Robert R. Lewis, according to the handwritten note dated 1956, to the reverse.Private UK collection, acquired in London in the early 1980s and thence by descent. The Convent of Santa Monica was constructed in 1627 and rebuilt after a fire in the mid 17th Century. Whilst Portuguese tiles were imported, Indian tiles were also used in the colonial buildings of Goa, and the group of tiles to which the present lot belongs were most likely produced in Sindh the century before they were installed in the convent. For further discussion and comparable examples of tiles from the Convent of Santa Monica, including a panel of tiles in situ, see Arthur Milner, Indian Tiles, London 2021, pp. 163-165, Figs. 4.40, 4.41, and 4.42. Another similar tile is in the National Tile Museum, Lisbon.For further information on this lot please visit Bonhams.com
Los 23
An attractive Chinese Canton enamel jardinière with hardstone tree, Qing dynasty, late 19th century, the branches with flecked green hardstone and mottled carnelian agate, the enamel jardinière, 18.8cm x 14cm x 4.5cm, carved and fitted wood stand清 寶石盆景 Condition Report: overall in very presentable condition but one trunk has losses to the 'bark' Condition Report Disclaimer
Los 216
Swedish birch longcase clock, the circular hood with carved lunette pediment, trunk with long door, plinth base, stringing throughout, 31cm circular painted dial signed A Andersen, eight day movement striking on a bell, height 222cm, with pendulum and weights.Condition report:The condition is generally good, case is an even colour, some small splits and patina, minor scuffs around the plinth and one one side corner of veneer loss, left back corner has veneer split and lifting but is there. dial is slightly discoloured around the edge, a couple of minor scratches but clear, the movement is complete, has had new cord for the weights, comes with two weights and a pendulum, movement does strike the correct time but does not run for very long, probably due to temporary setup here in the saleroom.
Los 141
Venetian School,Aurora and a dead youth,oil on relined canvas,57x81cm.Condition report:Relined. The canvas appears to have been damaged over Aurora's right shoulder. The relining also served to consolidate paint cupping, especially behind Aurora's right leg. Paint thin - especially foliage. Considerable overpainting - rather more than is apparent under UV (the UV reveals patch on the tree trunk and several other sections, mostly in the foreground).Size is as stated in the description 57x81cm.Provenance: From a local collection, the owner seems to have purchased from auctions around Leicestershire during 1980's/90's.
Los 1012
19th century oak and mahogany longcase clock, the hood with swan-neck pediment centred by brass urn finial, the painted broken arch dial with Roman numerals, subsidiary seconds dial and calendar arch, inscribed 'Jas Chapman, Lincoln', the trunk with broken arch and cross banded door with whelk shell inlay, 219cm high x 48cm
Los 37
NO RESERVEλ A RARE CHINESE RHINOCEROS HORN ‘ZHANG QIAN ON A RAFT’ POURING VESSEL 17TH/18TH CENTURY Carved as a large log raft with naturalistic knots and stems tapering to a thick branch at the prow forming the spout, the back of the raft carved as a section of gnarled trunk forming the handle, carved in high relief with the scholarly figure of Zhang Qian in flowing robes reclining reading a book with his fly whisk trailing down the side of the vessel, the underside of the raft carved with a low-relief pattern of crashing waves with the occasional spray rising up the sides, the horn of a dark treacle colour, 155g, 17.8cm. Please note that an export licence will only be granted for rhinoceros horn pieces, should the hammer price meet or exceed the value of 100 USD per gram of the item’s weight. 注：若閣下需辦出口證書，落槌價須超過每克100美金。 PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. The present lot is an example of the ‘raft’ type of rhinoceros horn carving, considered to be among the most difficult to execute as it is the only shape that requires the horn to be worked horizontally by making use of the thick skirt on the shorter curve of the horn. The technical aspects of carving this type of rhinoceros horn vessel are discussed in further detail in J Chapman, The Art of Rhinoceros Horn Carving in China, pp.77-81, which also provides a comprehensive list of international institutions with related raft vessels including four in the Chester Beatty Library, Dublin, of which one is illustrated, op. cit., pl.47. Among the other comparables are the example in the National Palace Museum, Taipei, included in the exhibition Jiangxin yu xiangong. Ming Qing diaoke zhan (Uncanny Ingenuity and Celestial Feats: The Carvings of Ming and Qing Dynasties), no.30; three in the National Palace, Beijing, illustrated in The Complete Collection of Treasures of the Palace Museum: Bamboo, Wood, Ivory and Rhinoceros Horn Carvings, nos.118-120; one in the Shanghai Museum and another in the Harvard University Art Museum, both illustrated in T Fok, Connoisseurship of Rhinoceros Horn Carving in China, nos.70-71; and two others in private collections, illustrated by T Fok, op. cit., nos.73-74. The figure of Zhang Qian, who typically features on this type of rhinoceros horn carving, is a semi-legendary Han dynasty statesman who lived during the 2nd century BC. Sent out under the Emperor Wu to gather intelligence on Central Asia, he played a significant part in initiating the trade routes that would become the Silk Road, establishing the first transcontinental trade between East and West. Zhang Qian’s reports on his missions were later compiled in the 1st century BC by the historian Sima Qian, revered as the founder of Chinese historiography. Subsequently Zhang Qian was further elevated to legendary status in the poetry of the Yuan dynasty, which immortalised him as riding a log raft to the source of the Yellow River and beyond, ultimately reaching the Milky Way. 十七/十八世紀 犀角雕張騫乘槎擺件 注：本拍品不設底價。
Los 1355
A GEORGIAN OAK 30 HOUR LONGCASE CLOCK, the hood with swan neck pediment, the circular glass door enclosing a 13.5 inch brass dial, depicting Roman numerals, engraved W.Ashmole, Repton, above a trunk door, on a box plinth, height 206cm (condition report: one swan neck missing, one weight and pendulum, other wear and usage)
Los 1379
A GEORGIAN OAK EIGHT DAY LONGCASE CLOCK, with twin swan neck pediment, above an arched door that's enclosing a 12.5 inch painted dial, depicting the Duke of Wellington at the battle of Waterloo, and Roman numerals, above a trunk door, on a box plinth, height 220cm (condition report: marks, scuffs, veneer loss, missing part of plinth, two weights, on pendulum, one winding key, other wear and usage)
Los 1285
A GEORGE II WALNUT ONE-MONTH DURATION LONGCASE CLOCK, BY SAMUEL STRETCH OF BRISTOL, circa 1730, the five finned pillar movement, bell striking movement, anchor escapement regulated by seconds pendulum, 11 inch brass and silvered arched dial, month dial to arch set within a starburst aperture, Roman / Arabic numerals to silvered dials, seconds dial above a name plate, and two winding holes, all that surrounded by foliate spandrels, the hood is fitted with three shaped brass finials, moulded cornice, blind fretwork, cylindrical pillars, flanking the glazed door, over a trunk with quarter veneers, pendulum viewing port, and shaped plinth, height 252cm, with two lead weights and pendulum, winding key and trunk key (condition report: missing glass to left side of hood, untested)
Los 1354
A GEORGIAN OAK 30 HOUR LONGCASE CLOCK, the hood with a glazed door, that's enclosing a brass 11.5 inch dial, depicting Roman numerals, engraved Donisthorp, above a trunk door, on a box plinth, overall height 200cm (condition report: mechanism not original to the case, one trunk key, one weight and pendulum, other wear and usage)
Los 737
A LATE 19TH CENTURY MEIJI PERIOD JAPANESE BRONZE FIGURE OF AN ELEPHANT WITH TRUNK RAISED, remnants of ivory tusks (one protruding, the other broken off inside hole, evidence of glue residue), bears cast character / seal mark to underside of belly, height 18cm x length 27cm (Condition Report: other than damage to tucks, generally good condition) IMPORTANT NOTE, This lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding. This item has been registered as exempt from the UK Ivory Act 2018, on account of it being made before 1947 with less than 10% Ivory by volume. Ivory declaration submission reference XJH465ZV
Los 1182
Pattison of Halifax - Late 18th century mahogany 8-day longcase clock, With a swans necked pediment and brass patera, recessed break arch hood door beneath flanked by plain turned pilasters with brass capitals, trunk with satinwood inlay, reeded columns and a curved top door with an ivory escutcheon, conforming plinth raised on bracket feet, brass dial with a rolling moon to the arch, cast spandrels , engraved and silvered dial centre and chapter ring, chapter with Roman numerals, five minute Arabic's and minute markers, makers name to the dial centre with seconds and date work, dial pinned to a rack striking movement, striking the hours on a cast bell. With weights and pendulum. John Pattison is recorded as working in Halifax c1783. This item has been registered for sale under Section 10 of the APHA Ivory ActDimensions: Height: 250cm Length/Width: 56cm Depth/Diameter: 27cmCondition Report: Ivory Act - Submission reference: GCA8W6PG
Los 1180
William Underhill of Newport (Shropshire) - Early 19th century mahogany longcase clock c1820, with a swans necked pediment and inlaid paterae, break arch hood door flanked by reeded pilasters with Corinthian capitals, trunk with quarter columns and a wavy topped door, square plinth with inlay raised on a shaped plinth, painted dial with floral spandrels and moon phase disc to the arch, Arabic numerals and matching steel hands with subsidiary date and seconds hand, dial pinned directly to an 8-day rack striking movement, sounding the hours on a cast bell. With pendulum, weights and key.Dimensions: Height: 224cm Length/Width: 50cm Depth/Diameter: 25cm
Los 1184
Benjamin Ellis Coates of Wakefield - mid-19th century oak and mahogany 8-day longcase clock, with a swans neck pediment with brass patera and a ball and eagle finial, break arch hood door beneath flanked by two square pilasters, trunk with canted corners and a short door, on a tall plinth with a shaped base and raised panel, painted dial with geometric and floral spandrels and a depiction of a maid bidding farewell to a loved one departing on a sea voyage, with Roman numerals, fifteen minute arabics, subsidiary seconds and date dials and stamped brass hands, dial pinned to a rack striking movement striking the hours on a bell. With weights, key and pendulum.Dimensions: Height: 212cm Length/Width: 52cm Depth/Diameter: 25cm
Los 1181
William Wilson of Cambridge - George III oak cased 8-day longcase clock, with a pagoda pediment and three brass finials, break arch hood door beneath with attached reeded pilasters and brass capitals, rectangular trunk with a long break arch top door on a plain plinth with applied double skirting, brass dial with cast spandrels and a silvered strike/silent feature to the arch, silvered chapter ring with Roman numerals, five minute Arabic's, minute track and matching steel hands, engraved and silvered dial centre with seconds dial and square calendar aperture, dial pinned directly to a rack striking movement with a recoil anchor escapement, striking the hours on a cast bell. With weights, key and pendulum.William Wilson is recorded as working in Cambridge c1780.Dimensions: Height: 240cm Length/Width: 44cm Depth/Diameter: 23cm
Los 1183
John Abbot of London – early 18th century walnut 8-day longcase clock c1740, hood with glazed side panels and tall swept pagoda pediment above a break arch hood door with attached pillars and gesso wooden capitals, long trunk door with a conforming break arch top on a rectangular plinth with applied shaped skirting, brass dial with a matted center and continuous herringbone engraving to the surround, cast spandrels, silvered chapter with Roman numerals, five minute Arabic’s, minute track and inner quarter hour track, subsidiary seconds dial and square date aperture, silvered tempus fugit boss to the break arch, dial pinned directly to a rack striking movement, striking the hours on a bell. With weights and pendulum.Dimensions: Height: 250cm Length/Width: 45cm Depth/Diameter: 22cm
Los 1185
19th century - 8-day mahogany cased longcase clock with a flat top ring turned pilasters and brake arch hood door beneath, inlaid trunk with a gothic arched door on a conforming plinth with decorative shaped feet, brass dial with a strike/silent ring to the break arch inscribed "Harrison Newcastle" engraved dial centre with centre calendar and chapter ring, cast spandrels and steel hands, rack striking movement sounding the hours on a bell. With weights and pendulum.Dimensions: Height: 210cm Length/Width: 56cm Depth/Diameter: 24cm
Los 279
the charming beasts standing foursquare with trunks slightly raised, enamelled overall in a speckled grey colour imitating elephant skin, except on the edges of the ears, picked out in white, and the underside which is white also, the details of eyes, tusks and trunk picked out in gilt, hinged lids, L:13cm. Good condition
Los 104
Faience pencil figurine Villager and Lord. Kuznetsov factory in Tver, last quarter of the 19th century. Demonstrates a satirical scene of a young mans erotic inclinations towards a maid and instant karma - a tub of water thrown at him. The tree trunk, in addition to the structural base, serves as a pencil holder. Stamps in the dough: M.S. Kuznetsov and numbers 121 and 11. Height: 23 cm. Width: 13.5cm, Height: 23cm, Depth: 14cm, Weight: 1.040kg, Condition: Good, Material: Faience
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66969 Los(e)/Seite