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An 18th Century Oak Clock, by John May of Witney, the 10ins square brass dial with Roman numerals to the thirty hour weight driven movement striking on a bell, contained in case with moulded cornice and three quarter turned columns to hood, plain trunk door, on later plinth base, 78ins high Externally the clock presents in fair overall condition. It has been re-varnished and lost most of its original patination. The front door has an incorrect knob. The hinges are loose and the door is best described as somewhat rickety. The plinth is a recent reproduction or certainly it is not the correct plinth. Likewise the hood has had some attention in general and has cracks and splits to it. The pillars appear to be original and are secure. The door functions correctly, the glass appears to be if not original and then certainly of the period and is free from any cracks or chips or obvious sign of damage. The dial bears some patination of age with no obvious sign of any significant damage although it must be said it does not sit square in the hood. The Roman numerals are clear and concise. The baseboard has had some attention over the years however there is a significant amount of dusty modification to the case, this is not recent. The back board has evidence of woodworm and repair and other pieces of timber added and shoddily put together. The mechanism appears complete but we cannot warrant the originality of any components. The clock does not run at present. The suspension ropes are in poor condition. The weights are present but not currently suspended. Overall it is in need of some restoration to make it serviceable.
Galle Pottery Seated Figure of a Black and White Rabbit with Glass Eyes, on naturalistic base, with small vase modelled as a tree trunk and back, 14ins high, signed Galle Nancy The condition of this lot has been reviewed. The rabbits natural left ear appears to have been off at the base and restored. There are scattered yellow patches all over which is simply dirt that can be removed with a damp cloth and or gentle scrape of a blade. There a build of dirt around the intersection of the eyes and the body. There is some pitting to the glaze on the inside of the base. Obviously the surface has a crackle effect, but there appears to be two fractionally deeper surface cracks under the rabbits natural left foot, but they do not go through the body. Two tiny flake chips to the tree stump. Slightly larger flake chip to rabbits natural left ear near the tip, and a miniscule flake chip to the outer edge of the rabbit's natural right ear. A few scattered miniscule flake chips to the ground under the rabbit's naturals left rear foot. Please refer to images for more detail.
A gracefully sculpted clear glass elephant figurine, its raised trunk symbolizing good fortune and prosperity. The fluid form and exceptional clarity reflect the refined craftsmanship often associated with high-quality Italian glasswork. While unsigned, the design bears a resemblance to the sculptural style and techniques seen in works attributed to notable mid-century glass artisans. Measures 10.75"H.Dimensions: See DescriptionCondition: Age related wear.
Registration No: RHR 353C Chassis No: 5R07T220563 MOT: ExemptSupplied new by Hunter Motors of Espanola, New Mexico to Shirley M. ChavezUprated with a larger, more powerful 302 ci (5-litre) V8 allied to C4 automatic transmissionSignificantly improved both mechanically and cosmetically by the vendor over the past six yearsPure 1960s cool Introduced at the New York World's Fair on April 17th 1964, the Ford Mustang has been fulfilling fantasies for over sixty years. Supplied new by Hunter Motors of Espanola, New Mexico to Shirley M. Chavez on May 17th 1965, this handsome ‘notchback’, like so many of its siblings, is understood to have been subsequently uprated with a larger, more powerful Ford 302ci (5-litre) V8 engine. Arriving on these shores in 2018 and entering the current (second UK) ownership the following year, ‘RHR 353C’ has been significantly improved by the vendor. Treated to a rebalanced flywheel, replacement bellhousing / 157 flexplate, reconditioned C4 automatic gearbox, new torque converter, reworked propshaft, refurbished back axle (complete with Hauser-built differential), fresh U.T.S. and rejuvenated parking brake during 2020, the Mustang had attention paid to its rear suspension, fuel tank, transmission sump, rear light lenses, carpets / mats, brakes, air cleaner and carburettor two years later. Repainted in White with Dark Blue racing stripes (in the vein of a Briggs Cunningham racer), the Mustang also gained a bonnet scoop, fresh trunk-lid rubber seals, new decals and replacement front lower wing skirts not to mention refurbished alloy wheels shod with fresh rubber. Looking every inch the 1960s Muscle Car, this delectable Mustang is offered for sale with V5C Registration Document and history file. For more information, please contact: Luke Hipkiss luke.hipkiss@handh.co.uk 07886398226
Registration No: LKE 505E Chassis No: PM23F76281584 MOT: Exempt318ci (5.2 litre) V8 engine with automatic transmissionArrived on British shores in 2018Benefitting from a thorough engine overhaul completed in 2022 and costing in excess of £8,000Less than 500 miles covered sinceThe Plymouth Fury was introduced for the 1956 model year as a sub-series of the Plymouth Belvedere, becoming a separate series one level above the contemporary Belvedere for 1959. The Fury was a full-size car from 1959 until 1961, then a mid-size car from 1962 until 1964, again, a full-size car from 1965 through 1974, and again, a mid-size car from 1975 through 1978. From 1975 until 1977, the Fury was sold alongside the full-size Plymouth Gran Fury. In 1978, the B-body Fury was the largest Plymouth, and by 1979, there was no large Plymouth. This product gap was filled in 1980 with the R-body Gran Fury, followed by the M-body Fury in 1982. Built at Plymouth’s Delaware plant, chassis PM23F76281584 was delivered to Reliable Motors Inc of Chattanooga, Tennessee on 23rd August 1967. First owned by Charles J. Moore, the Fury III 2-door hardtop is thought to have remained in the Deep South until being shipped across The Pond during 2018. Embarking upon a partial restoration, its first UK keeper relinquished possession to the vendor in July 2023 but not before the 318ci V8 had been thoroughly overhauled. Topped by an Edelbrock inlet manifold and Holley 4-barrel carburettor, the engine is allied to TorqueFlite automatic transmission. The braking system has been uprated with a servo and front disc conversion, while the stock exhaust manifolds feed into twin pipes. The wiring has been fettled and some remedial paintwork carried out. Finished in White with Red stripes and Red upholstery, the Plymouth does not want for road presence! The vendor advises us ‘the car burbles discretely as it should and the underside is solid and very original’. Even the shadow of the original dealer’s decal is still to be found on the trunk, clear-coated to protect it. Thought to have covered some 500 miles since the engine refresh and to have had over £8,000 spent on it in recent years, this appealing Yank is offered for sale with V5C Registration Document, owner’s handbook and assorted invoices. For more information, please contact: Luke Hipkiss luke.hipkiss@handh.co.uk 07886398226
A REGENCY LEATHER COVERED CHAIR TRUNK BY W.BIRD, EARLY 19TH CENTURY With a hinged lid, lion mask ring handle to the front and lined with overprinted broadsheets, labelled `W. B...D, No 12 NORTH.... ..ACE, BATH, .... TRAVELLING LEATHER .... .HAIR TRUNKS .... PORTMANTEAUS AND CARAVANS....' 38cm high, 34cm wide, 29cm deepW. Bird, the maker of this useful coaching trunk with a sadly decayed label, is recorded in Gye's Bath Directory Corrected to 1819 at No 16 Northumberland Place, Bath. He operated in the busy centre of Bath alongside other makers of leather goods, trunks etc who are likewise recorded in Gye's and boldly stated on his label `W.B, being the real Maker, flatters himself ... is enabled to tender them on as low Terms as any other shop in Bath and can warrant them of the .... Materials, and well executed'. Several other comparable trunks are recorded by makers including John Bryant of Bath and William Eyre of Cockspur Street, London.
A HADDONSTONE PLANTER BASE LATE 20TH CENTURY In the 18th century Neo-Classical manner 39cm high, 61cm wide, 30cm deep Together with a marble elephant mounted above, 55cm high, 53cm deep Condition Report: With weathering - colour variance from exposure, wear, marks, knocks and scratches as per age, handling, outdoor garden use, and cleaning Elephant with natural flaws- some of which have widened from frost and weathering notably: top of head, trunk (with loss), front right leg, along front of base, and with repaired break to rear left corner which is now loose and needs remedial work. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A mixed lot to include a vintage WataJoy, London Made green trunk with fitted interior and metal strap work together with a vintage Rev Robe weekend case having a maroon water silk lining A/F and fitted interior, glazed display case containing late 19th/early 20th century clay pipes, and an unused loose components for a Coopers 76700 power telescope including assembly instructions (completeness not guaranteed) Location:GLIf there is no condition report, please request
A MAHOGANY LONGCASE CLOCKINSCRIBED 'CLEAVD SALTER', HONITON, 18TH CENTURY AND LATERthe brass eight day movement with four tapering cylindrical pillars, with an anchor escapement and striking on a bell, the 11 inch brass dial with a silvered chapter ring with black Roman and Arabic numerals around a centre with a date aperture, engraved with a harbour scene and with a panel inscribed 'Cleavd Salter HONITON', the case with an arched hood and trunk door and a plinth base, with two weights and a pendulum213cm highProvenanceThe Howard Collection of Oak and Works of Art.
A GEORGE III MAHOGANY LONGCASE CLOCKBY DAVIE STEWARD, NEWPORT PAGNELL, C.1800the brass eight day movement with six knopped pillars and an anchor escapement chiming on a nest of eight bells and striking on a ninth bell, with a 12 inch brass dial, the silvered chapter ring with black Roman and Arabic numerals and inscribed 'Davie Steward Newport Pagnell', around a matted centre with a subsidiary seconds dial and date aperture inside gilt mask spandrels and flanked by 'Chime Silent' and '4 bell 8 bell' levers, the arch with a silvered rondel engraved with a basket of flowers flanked by scrolling foliate appliques, the hood with a caddy top, brass orb finials and blind fretwork panel above fluted canted corners, the trunk with an arched door and plinth base, with two weights and a pendulum238cm (max)
A late Georgian oak and mahogany longcase clock, later pierced cresting, Doric columns to sides of dial door, painted dial with floral spandrels, Roman numerals, subsidiary seconds and date dials, named for R.Beston of Huddersfield, the trunk door with quarter columns, plinth base, on bracket feet, height 212cm approx. with two weights, pendulum and winding key
A late Georgian oak and elm cased long cased clock, broken swan neck pediment, doric columns flanking the dial door, painted dial with bird in basket of flowers to arch, floral spandrels, subsidiary seconds and date aperture, named Jones & Bamford of Neath, the trunk with fluted canted corners, plinth base on bracket feet, height 211cm, one weight and a pendulum, no key
A Georgian oak and mahogany longcase clock, by A Davis, the enamelled square dial bearing Arabic numerals, date aperture, single train movement with bell strike, the hood with broken arch pediment, raised on brass columns, above a trunk with mahogany cross banding, with pendulum and weight, 196cm high.
A Victorian mahogany longcase clock, by William Hayworth of Blackburn, the brass break arch dial with moon phase painted with a country cottage, silvered chapter ring bearing Arabic numerals, subsidiary seconds, chime silent, and Whittington/Westminster dials, eight day two train movement with eight bell strike, the hood with foliate carved break arch pediment, above a pair of brass capped Corinthian columns, the trunk with a glazed door inset with domed bevelled glass, flanked by a pair of quarter fluted pilasters, raised on bracket feet, with pendulum, and weights, 254cm high.
A Georgian mahogany longcase clock, the break arch, moon face dial painted with a warship on choppy seas, the square dial with masks spandrels, silvered chapter ring bearing Roman and Arabic numerals, subsidiary seconds dial, eight day two train movement with bell strike, the hood with a broken arch pediment centred on an eagle and ball brass finial, raised on brass capped fluted columns, the trunk of partially canted form, with cross banding and line inlay, raised on bracket feet, with weights and pendulum, 221cm high.
A captivating Steuben crystal elephant figurine, exemplifying the renowned craftsmanship of Steuben Glass Works. Designed in the mid-20th century by Lloyd Atkins, a notable designer for Steuben known for his animal sculptures. This piece portrays a gracefully posed elephant with its trunk raised, symbolizing good fortune. The clear, colorless crystal enhances its elegant form, capturing and refracting light beautifully. Etched with the Steuben signature on the base, confirming authenticity.?Artist: Lloyd AdkinsIssued: 20th centuryDimensions: 3.5"HCountry of Origin: United StatesCondition: Age related wear.
19th century oak longcase clock with eight-day striking movement by B. Baker, Tamworth, the hood with swan neck pediment and topped by brass finials, the broken-arch painted dial with moonphase, roman and arabic numerals and subsidiary dial, gilt and black painted scroll spandrels, the trunk with marquetry and line inlay, shaped top door flanked by pair inset quadrant pilasters with brass columns, approx. 208cm high
A Robert Garner pearlware Fair Hebe jug, after the design by John Voyez, c1788, moulded with three figures encircling a trunk and impressed Fair Hebe, decorated in underglaze enamels, 22cm h, bottle impressed RG Provenance: Purchased from J P Kiff for £145 Crack around base and down side, chip to spout
A George III walnut and oak eight-day longcase clock, J Hurdman Baslington Alford [Lincolnshire], the break arched dial with matted centre, date aperture and subsidiary seconds ring, the arch with painted landscape and rocking swan, in break arched case with fluted pillars, pendulum and weights, 214cm h Much dirt but apparently completeMinor shrinkage crack to trunk door
A George II japanned eight-day longcase clock, John Jowitt Leeds, the break arched brass with matted centre, date aperture, signature arc, alarm ring and subsidiary seconds rings, STRIKE/SILENT to the arch, the case with swept pagoda hood and plain pilasters, the trunk enclosed by break arched door with lenticle, 232cm h Some old damage and repair, typical wear to decoration, long having been stored in a barn or other outbuilding
A Mabie Todd Swan dip fountain pen, with applied silver barrel and snake clip, probably by John Gilbert, Birmingham, 1898, with 14ct gold nib a bakelite pipe stand, 20th century, modelled as an elephant on macassar base, the trunk to support four pipes. 30cm wide 9cm deep (2) 17cm highProvenance: The Padley Hall Collection Condition ReportWith minor scratches to the pen casing. Does not appear to be any cracks seen or felt. The silver with minor denting and nicks. Minor manufacturing imperfections to the pen casing. Please see additional images.
A William and Mary-style mahogany longcase clock of recent manufacture, the rising hood with stepped and moulded top, with barley twist columns and glazed side panels, above a crossbanded trunk with conforming base on bun feet, the brass dial signed, with cherub spandrels, silvered chapter ring and subsidary dial, the mattered centre with shutter close winding hole, with four pillar weight driven movement, 34.5cm wide 21cm deep 184cm highProvenace: The estate of the late Lionel Blowes. Condition ReportCOMPLETE WITH PENDULUM, WEIGHT AND CRANK KEY. Untested. One barley twist column loose. No damage to loose spindle. Minor nibbles and scuffs but overall in good order. Please see additional images. single train, 8 day movement with anchor escapement. dial 8 inches.
A collection of vintage die cast and other children's toys to include James Bond's Aston Martin DB5 by Corgi Toys, a Britannia model steam train and a Pullman train by Triang, a Hornby Great Western Railway steam train and a Dinky Toys UFO Interceptor among other miscellaneous toys all contained in a 20th century steamer trunk. H.92 W.31cm

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