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66969 Los(e)/Seite
Los 1
Thomas Church, Norwich, An 18th Century black lacquered longcase clock, the hood with a pagoda top, the trunk with an arched door with two pictures of George III standing and on horse back, and makers label to the inside of door, the arched brass dial, with cast and pierced spandrels, and a circular name plate in the arch, with subsidiary seconds dial and date aperture, the five pillar eight day movement striking on a bell, dial 12Ó, 216cm
Los 1
VICTORIAN MAHOGANY LONGCASE CLOCK, by Humphreys of West Auckland, the swan-neck pediment above a pair of turned baluster columns flanking an arched painted dial with subsidiary seconds dial, decorated with foliate spandrels under a village scene, thirty hour movement, the trunk with small rectangular door, raised on bracket feet. 2.27m.
Los 1
GEORGE III MAHOGANY LONGCASE CLOCK, the moulded cornice supported on turned columns flanking an engraved brass dial with Roman and Arabic numerals and subsidiary dial, the spandrels mounted with Classical figures, thirty hour movement, the slender trunk with ogee arched door above a plain moulded base, raised on shaped bracket feet. 2.13m
Los 1
GEORGE III OAK LONGCASE CLOCK, early 19th century, by Scales of Kendal, the case attributed to Gillows, the projecting cornice supported on a pair of baluster columns flanking a painted dial with Roman numerals, thirty hour movement, the trunk crossbanded throughout, the door with cut-out corners flanked by quarter columns, on a rectangular plinth. 2.06m.
Los 1
A Louis Vuitton wood slatted travelling trunk, covered in LV fabric, leather label within and numbered 756951, the leather strap holders marked Paris, Louis Vuitton made in France, London, the locking mechanism marked 149 New Bond Street, London and 70 Champs Elysees, Paris, 055095, monogrammed V. C, originally taken to Rhodesia by Sir Stephen and Lady Virginia Courtauld shortly after the Second World War, 21" x 40" x 13" .
Los 1
A Louis Vuitton wood slatted travelling trunk, covered in LV fabric, leather label within, the leather strap holders marked Paris, Louis Vuitton made in France, London, the locking mechanism marked 149 New Bond Street, London and 70 Champs Elysees, Paris, 055085, monogrammed S. L. C, originally taken to Rhodesia by Sir Stephen and Lady Virginia Courtauld shortly after the Second World War, 21" x 40" x 13" (see lot 249 for illustration)
Los 1
An 18th Century long case clock, by H. Ivison, Carlisle, the thirty hour movement with arched dial painted with a bird to the arch and floral spandrels, date aperture, in oak case with mahogany cross banding, swan neck pediment on turned columns, reeded quarter columns to the trunk, panelled canted base, on bracket feet, 86" high .
Los 1
A collection of Trade Card Catalogues, from the 18th century onwards, all loose as published, various 4to & 8vo, including ‘The Cooper and Brass Manufactures of Great Britain truly Stated in Answer ot the Importers Reasons and Queries' (London, ca. 1732), ‘Funerals Furnish'd for Persons & Quality and others with Best of Goods ... Willaim Westcar' (n.p., ca. 1750?), ‘To all Lovers of Angling Onesimus Ustonson The Original Fishing Rod and Tackle Maker...' (London, n.d.), ‘Daniel Collins Trunk, PLate Cases, Sea Chest, Packing Cases...' (London, n.d.), ‘The Repository of Arts Literature, Commerce, Manufactures, Fashions, and Politics...' (London, 1809), ‘The Gift of Mr. Thomas Heatley, Citizen and Iron-Monger of London to the Mathematical School in Christ's Hospital' (London, 1700), a invoice to ‘B. Stiles' from ‘Sick Dryer and Scoweres to his Royal Highness the Duke of Clarence' (London, 1810), and another invoice from ‘J. Morris House & Ornamental Painter ... & Plumber...' (London, 1835)
Los 1
Oak and mahogany long cased clock, painted square face named William Massey, Nantwich. Painted floral spandrels, subsidiary seconds, two train movement striking the hour in a flat top hood with fluted columns on fluted corner trunk and set out base with canted corners. Height 210cm, 82in. (P, 1W, K)
Los 1
Cottage oak long case clock, the hood with swans neck cornice and plain columns with square brass face, named Jas. Brindley, Newcastle, applied spandrels, engraved field with subsidiary seconds, eight day movement striking the hour on a trunk with reeded corners and shaped top door on set out plinth and bracket feet. Height 198cm, 78in.
Los 1
Oak long case clock banded in mahogany by (Thomas) Birchall, Nantwich, brass broken arch face with painted rolling moon, brass chapter ring, silvered field with subsidiary seconds and date aperture, two train movement striking the hour in swans neck hood with blind fret frieze and reeded columns on a trunk with reeded quarter columns set out canted base with raised panel and bracket feet. Height 221cm (pendulum, two weights, winding key and door key)
Los 1
Pine long case clock, the 14 day, two train movement by William Massey, Nantwich striking the hour, painted square face with shell spandrels, gilt chapter ring, subsidiary seconds and date aperture in a swans neck hood with turned columns on cluster column trunk and set out base with bracket feet. Height 217cm
Los 1
Mahogany long case clock, the swans neck hood with broken arch face, painted with the harvest and windmill spandrels, the dial with subsidiary seconds and pierced date aperture, two train movement on chequer banded trunk with fluted quarter columns on canted plinth and bracket feet. Height 225cm, 88 1/2 in.
Los 1
Mahogany long case clock circa 1850, the painted broken arch face named Thomas Osmond, Tisbury, rolling moon, subsidiary seconds dial and date aperture, spandrels painted with shells, two train movement striking the hour in a swans neck hood with plain columns, the trunk and plinth with black line inlay raised on bracket feet. Height 210cm (pendulum, two weights, winding key and door key)
Los 1
Oak long case clock banded in mahogany, circa 1790, signed C (Cecilia) Fletcher, Rotherham, the circular painted face decorated with flowers, 30 hour movement with external count wheel striking the hour in a swans neck hood on a trunk with fluted quadrant corners and set out base. Height 210cm (pendulum and weight)
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Mahogany long case clock circa 1840, with swans neck hood and turned baluster columns, the broken arch painted face with rolling moon, Italianate spandrels, the face named Thos. Bostock, Sandbach with eight day movement striking the hour, subsidiary date and seconds dials on broad trunk with reeded corners and short door on set out plinth. Height 220cm, 86 1/2 in.
Los 1
George III oak long case clock circa 1770 by Edward Barlow Oldham, broken arch brass face with painted rolling moon landscapes, silvered chapter ring, subsidiary second dial, date aperture and field painted with classical ruins, two train movement striking the hour in a swans neck hood with plain mahogany columns on fluted corner trunk, set out base with raised panel on ogee bracket feet. Height 230cm (pendulum, winding key, door key, two weights)
Los 1
"An oak longcase clock, the 8-day striking movement to a 10in square brass dial with a silvered chapter ring and shaped applied plaque inscribed ‘Thos. Fordham, BRAINTREE’, to shell and foliage case spandrels, the hood with ball and spire finials to a dentil cornice, the glazed door with three quarter pilasters, the trunk door with an applied edge, the base on a raised arch, 82in (208.4cm) h."
Los 1
An Edwardian Sheraton Revival mahogany longcase clock the eight-day Westminster chiming movement striking on five tubular brass bells and having 12.25ins broken-arch brass dial with silvered Roman chapter ring and subsidiary seconds dial decorated with dolphin and shell pierced spandrels the satinwood-banded case having broken swan-neck pediment and urn finial over fluted quarter pilasters and glazed trunk door on plinth base and bracket feet H 245cm W 55cm
Los 1
A George III Scottish mahogany longcase clock John Coles Alloa the eight-day movement having 14ins broken-arch painted dial with subsidiary seconds and date dials decorated with a painted scene of 'The Lady of the Lake' and figured painted spandrels; the case with a broken swan-neck pediment over cross-banded trunk flanked by quarter pilasters on plinth base and bracket feet (modified) H 223cm W 51cm
Los 1
A Victorian mahogany longcase clock the eight-day movement having 14ins broken-arch painted Roman dial indistinctly signed with subsidiary moonphase seconds and date dials and with painted spandrels decorated with shell motifs; the cross-banded case having a broken swan-neck pediment over turned columns the shaped trunk door flanked by turned quarter columns on plinth base and ogee bracket feet H 233cm W 65.5cm
Los 1
A George III mahogany longcase clock B. Wall Richmond the eight-day anchor movement having 12ins circular enamelled Roman dial the case having broken-arch hood and surmounted with urn finials over an arch-top trunk door flanked by brass stop-fluted pilasters on plinth base with shaped apron H 228cm W 44cm
Los 1
A George III oak and mahogany cross-banded longcase clock the eight-day movement having 12ins broken-arch painted Roman dial with subsidiary seconds dial decorated with gilt-painted game bird spandrels the case having ropetwist columns and pilasters flanking a cross-banded trunk door with oval shell paterae on plinth base and bracket feet H 207cm W 49cm
Los 1
An oak and mahogany thirty hour Longcase Clock. The 12in square painted dial with Roman numerals, calendar aperture, pierced gilt metal hands, foliage and flower head spandrels, the centre painted with a young woman seated by a tree, a lake, parkland and a country house beyond, the four pillar chain driven two train movement with anchor escapement and outside countwheel, striking on a bell, the case with broken swans neck pediment on fluted pillars, long trunk door flanked by fluted pilasters and panelled plinth. 76.5in high (with pendulum, keys and weight)
Los 1
A mahogany Longcase Clock. Saml Granville, Devonport. The 12in broken arch brass dial signed in the centre as above, with Roman numerals, seconds dial and calendar aperture, the arch inscribed 'Tempus Fugit', and with engraved foliage and flower head spandrels, the four pillar movement with anchor escapement rack striking on a bell, the case with broken arch pediment on turned pillars, long trunk door flanked by writhen carved pilasters, crossbanded plinth and splayed feet. 85in high (with pendulum, weights and keys). (Hood lacks glass)
Los 1
An oak Thirty Hour Longcase Clock. Edmund Smith, Bury. No 759 The 10.75in square brass dial signed on a tablet in the centre 'Edwd Smith, Bury from London, No 759', with Roman numerals, Arabic five minute intervals, seconds dial, calendar aperture, matt centre and mask and foliage spandrels, the four pillar movement with anchor escapement and outside countwheel, striking on a bell, the case with flat pediment on turned pilasters, long trunk door and three tier plinth. 73in high (with ropes, pendulum and weight)
Los 1
A scumbled pine Longcase Clock with alarm. William Uglow, Truro. The 8in broken arch brass dial signed in the centre 'Wm Uglow, Truro' with Roman numerals, alarm selector dial with Arabic numerals, foliage and flowerhead spandrels and the arch engraved with an eagle grasping a scroll inscribed 'Tempus Fugit', the single train four pillar movement with anchor escapement striking on a bell, the case with broken arch pediment on turned pillars, long trunk door and panelled plinth. 73in high (with pendulum, weight and winding key)
Los 1
A walnut and marquetry month going Longcase Clock. Joseph Kenton. London. Circa 1695. The 11in square brass dial with silvered chapter ring, Roman numerals, small Arabic five minute intervals, half hour markers, inner circle of fifteen minute intervals, seconds dial, ringed winding holes, calendar aperture, matt centre, the hands set in a flower head, pierced gilt brass mask and foliage spandrels separated by engraved foliage and flower heads and signed below the chapter ring 'Joseph Kenton Londini Fecit', the five pillar movement with anchor escapement and small outside countwheel striking on a bell, the rising hood with moulded flat pediment on twist turned tapering pilasters, marquetry inlaid with borders of foliage and flower heads, the long trunk door with oval lenticle, marquetry inlaid with panels of birds among foliage and flowers over a similarly inlaid plinth, the sides crossbanded and divided into panels with boxwood stringing. 82in high (formerly on turned feet) with pendulum, brass cased weights, winding and case keys. *** Joseph Kenton, London, was apprenticed in 1679 and Free of The Clockmakers' Company in 1686 ***
Los 1
An oak thirty hour Longcase Clock. Joshua Jones, Brecon. The 11in square painted dial signed in the centre 'Josh Jones, Brecon' with Roman numerals, calendar aperture, Arabic five minute intervals and gilt foliate spandrels, the four pillar movement with chain drive, anchor escapement and outside countwheel, striking on a gong, the case with swans neck pediment on turned columns, long trunk door and plain plinth. 82in high (with pendulum and weight and two brass ball and spire finials) *** A Joshua Jones is recorded as working in Brecon in 1791 ***
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An oak and mahogany Longcase Clock. Robert Simpson, Congleton. The 14in square painted dial signed in the centre 'Robt Simpson, Congleton', with Roman numerals, Arabic five minute intervals, seconds dial, calendar aperture and fan, foliage and flower head spandrels, the four pillar movement mounted upon a false dial plate, with anchor escapement rack striking on a bell, the case with broken swans neck pediment on fluted columns, long trunk door flanked by fluted pilasters, and panelled plinth with canted corners on ogee bracket feet. 85in high (with pendulum, weights and keys)
Los 1
A walnut and inlaid Longcase Clock. Christopher Gould, London. The 11in square brass dial with silvered chapter ring signed 'Chr. Gould, Londini fecit', with Roman numerals, Arabic five minute intervals, matt centre, ringed winding holes, seconds dial, calendar aperture, pierced hands and winged mask and foliage spandrels, the five pillar movement with anchor escapement and internal rack, striking on a bell, the case with shaped pediment, fluted pilasters, long trunk door inlaid with a six pointed star, repeated in the panelled base, on shallow plinth. 84in high (with pendulum, brass cased weights and 2 keys), *** Christopher Gould, London, was Free of The Clockmakers Company in 1682 and died in 1718 ***
Los 1
An oak and mahogany Longcase Clock. Percy Evans, Salop. The 13in square brass dial signed in the centre as above, with Roman numerals, Arabic five minute intervals, calendar aperture, seconds dial, pierced foliage and flower head spandrels, the four pillar movement mounted upon a Wilson false dial plate, with anchor escapement, rack striking on a bell, the case with carved pediment on fluted pillars, long trunk door flanked by conforming pilasters and with panelled plinth. 83in high (with pendulum, weights and winding key)
Los 1
A mahogany Longcase Clock. Jefferys & Son, Chatham. The 12in silvered broken arch dial signed in the centre as above, with Roman numerals, Arabic five minute intervals, seconds dial, calendar dial, Strike/Silent dial in the arch and with engraved foliage and flower head spandrels, the five pillar movement with anchor escapement rack striking on a bell, the case with broken arch pediment on fluted pillars, long trunk door flanked by conforming pilasters and fielded panelled plinth. 84.5in high (with pendulum, weights, winding and two case keys)
Los 1
A walnut and marquetry Longcase Clock. Henry Jones, London. The 10in square brass dial signed 'Henry Jones in ye Temple', the silvered chapter ring with Roman numerals, small Arabic five minute intervals, half hour markers and inner circle of fifteen minute divisions, matt centre with seconds dial, calendar aperture, pierced blued steel hands and winged cherub mask spandrels, the five pillar movement with anchor escapement, bolt and shutter, maintaining power, and small outside countwheel, striking on a bell, the formerly rising hood with flat top, pierced fret carved frieze, twist turned tapering pilasters, long trunk door with circular lenticle, marquetry panels of foliage and flower heads, the plinth with a similar panel and spandrels, on turned feet. 77in high (with pendulum, brass cased weights, winding and case key) *** Henry Jones, a well known maker, was apprenticed in 1654, Free of the Clockmakers Company in 1663, Master of the Company in 1691 and died in 1695 ***
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66969 Los(e)/Seite