66969 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
66969 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
66969 Los(e)/Seite
AN UNUSUAL PAIR OF STAFFORDSHIRE DEER AND SNAKE SPILL HOLDERS. the well coloured deer with yellow antlers bitten by a vivid green snake entwined around the trunk of a tree, 7cm h, 19th c. ++ In fine condition apart from the odd tiny spot of flaking of the enamels where they have not quite taken during firing but well coloured and most unusual
FOUR STAFFORDSHIRE GROUPS OF LOVERS. comprising Charlotte Cushman (1816-1876) as Romeo and Susan Cushman (1822-1859) as Juliet in the manner of Thomas Parr and another of the characters in the `balcony` scene, Jenny Marston as Perdita and Frederick Robinson as Florizel and a Thomas Parr group of an unidentified couple in an arbour, one brightly coloured, the others more sparsely so and with gilt detail, 28-30cm h, c1852. ++ Romeo and Juliet - Romeo`s neck restored. Balcony group - some flaking of the orange and black enamels. Winter`s Tale spill holder group - Florizel neck and aperture of the tree trunk shaped vase both restored. Arbour group - girl`s right hand restored
TWO PEARLWARE CANDLESTICKS. with putti climbing a scrolling tree trunk and painted in the Pratt palette, on shell edged cavetto base, 27cm h, c1820. ++ First candlestick - old restoration to the rim of the sconce, three of the four cherubs wings with old restoration or damage. The lower cherub with restored left arm, the rim of the base chipped around the back. Second candlestick, lower cherub`s left arm restored as are the wing tips. Neither candlestick with any recent or professional restoration
A GEORGE II JAPANNED LONGCASE CLOCK. the brass break arched dial signed on a silvered tablet James Scholefield LONDON with subsidiary seconds dial, matted centre, date aperture and STRIKE/SILENT ring to the arch, having rococo spandrels and eight day movement, the hood with swept pediment, turned pillars and brass finials, the trunk enclosed by a break arched door decorated with birds, buildings and foliage, 232cm h excluding finial . ++ In good restored condition, the dial original to the movement and with what could be the original rough oak seatboard. Recently striped and cleaned with a pair of brass cased weights and pendulum. The case restored and attractive
A GEORGE III MAHOGANY LONGCASE CLOCK. the brass break-arched dial with recessed chapter ring and matted centre having roman chapters and date ring, lunar work above, the arch circumscribed A BUTLER NORTHWICH, the hood with swan neck pediment and stop fluted pillars, the conforming trunk enclosed by a well figured door, on panelled base and bracket feet, 227cm h. ++ Movement associated to the dial, clean and complete, the seatboard hanging loose. Some restoration and repolishing of the case
A CORNISH GEORGE III DATED OAK LONGCASE CLOCK. the brass break-arched dial with subsidiary seconds dial and date aperture, engraved Roger Wearn St Erth 1769 and with foliate scrolls, an eagle on a disc above, having eight day movement, the case crossbanded in fruitwood and inlaid with shell, segmental paterae and chequer stringing, the hood with Greek key and swan neck pediment, the ogee arched door to the trunk flanked by fluted pilasters, on bracket feet, 225cm H. Roger Wearn`s name appears with the date 1752 on a brass arched dial clock. His son, Roger (w1748-d1820) the maker of the present clock, bequeathed his tools to his son and its buried in St Erth churchyard.. ++ The dial original to the movement but not to the slightly later case. The seat board replaced and resting on packed supports, the movement overhauled and cleaned the case of pleasing colour and patina with small repairs.
A GEORGE IV MAHOGANY LONGCASE CLOCK. the painted dial signed Winstanley Preston, with roman chapters, twin subsidiary dials and green and gilt spandrels, having eight day movement in figured case with swan neck pediment and fluted pillars, the trunk with reeded square pilasters, on ogee feet, 224cm h, early 19th c. ++ Consigned by executors and in well cared for condition. The movement in need of cleaning, the paint on the dial slightly chipped and possibly previously retouched
Le Clerc (Seb.). A Treatise on Architecture, with Remarks and Observations. Necessary for Young People, who would Apply Themselves to that Noble Art, 1732, contemp. calf, upper cover detached, 8vo, together with Blackmore (H.L.), The Armouries of the Tower of London, vol. 1 (Ordnance), pub. HMSO, 1976, col. frontis., num. b & w illusts. from photos, orig. cloth in sl. frayed d.j., 4to, with other miscellaneous books, including art, history, military interest, etc., plus a black japanned tin trunk, lettered in white `Vickers-Armstrongs Ltd. No. 12` (6 shelves)
A Dresden porcelain wall mirror, in the form of a stylized harp with central mirror flanked by flower encrusted border with flying cherub upon scrolled base, height 20 cm, together with a Dresden porcelain wall mirror, with colourful floral encrusted surround and two cherubs, height 35 cm, a pair of Continental figures, modelled as a male and female in 18th century dress standing upon circular vitruvian decoration bases, height 15 cm, a Dresden `Yardley` porcelain figural group, a porcelain spill vase, modelled as a tree trunk with playful children entwining the trunk, height 12 cm, impressed mark EBS 60, a musician figurine, modelled beside a floral jardiniere and stand, height 14 cm, a figurine of a man opening a beer bottle in blue and white, height 21 cm and a further figurine, (9).
An early 19th century eight-day longcase clock, by Joseph Wilson, Chichester, painted dial with script to the arch, `If Thou Hast Gathered Nothing In Thy Youth, How Canst Thou Find Anything In Thine Age`, dial with subsidiary seconds and date dials, four pillar movement with anchor escapement, in mahogany case with arched trunk door, hood complete with finials, 6ft. 8in. - with pendulum and weights, dial in need of some attention SEE ILLUSTRATION
A late 18th Century/early 19th Century mahogany longcase clock by James Warren of Canterbury, the 12ins arched brass dial with Roman and Arabic numerals and subsidiary seconds dial, the spandrels carved with shells and stooks of corn, the arch painted with a romantic landscape to the eight day two train movement striking on a bell, contained in may case probably by Goulden of Canterbury with shaped cresting and turned and fluted pillars to hood, shaped trunk door, 73.5ins high (plinth reduced in height, lacking original finials and with later weights) Note: James Warren recorded working by St. Georges Gate, Canterbury 1767-1793, the business continued by his son James Warren junior (apprenticed 1785 - 1832)
An 18th Century mahogany longcase clock, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals and winged cherub head spandrels, subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in mahogany case with shaped pediment inlaid with circular fan motifs and plain turned pillars to hood, the shaped trunk door flanked by reeded cant corners, on bracket feet, 86ins high (dial apparently with some alteration and modification, and movement and case probably associated)
A late 18th/early 19th Century oak and mahogany longcase clock by Ja. Bull of Leicester (?), the 12ins arched painted dial with Roman and Arabic numerals, date aperture and showing phases of the moon to the arch to the eight day two train movement striking on a bell, contained in oak and mahogany banded case with shaped cresting and turned and fluted pillars to hood, plain trunk door, on bracket feet, 84ins high (generally in need of restoration)
A late 18th/early 19th Century mahogany longcase clock by H. Samuel of Swansea, the 13ins arched brass dial with Roman numerals, subsidiary seconds dial and date aperture, the arch showing phases of the moon to the eight day two train movement striking on a bell, contained in case with shaped cresting and spiral reeded columns to hood, inlaid trunk door flanked by spiral turned columns, on bracket feet, 84ins high (generally in need of restoration)
An 18th Century oak and stained pine longcase clock by Samuel Guy of London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, matted dial centre with subsidiary seconds dial and date aperture, all within engraved leaf border, to the eight day five pillar two train movement with alarum, Dutch striking on two bells, contained in Dutch style case with shaped and moulded pediment, fretted central panel and plain turned pillars to hood, shaped trunk door and ogee panelled plinth base, 100ins high (case and movement probably associated) Note: A Samuel Guy of London recorded as apprenticed 1692 - a longcase clock maker
EDMUND SCHOLFIELD, ROCHDALE (DIED 1792), A GOOD LANCASHIRE OAK AND CROSSBANDED GEORGE III LONGCASE CLOCK, with long shaped rectangular trunk door flanked with plain quarter round pillasters, the hood with swan neck pediment, 36cm sheet silvered brass dial, signed, with rolling moon in the arch and subsidiary date pointer, 30 hour four pillar pull up wind movement countwheel striking on a bell. 2.39m
JOHN GREAVES, NEWCASTLE (QUAYSIDE 1725-1794), AN 18th CENTURY TYNESIDE WALNUT LONGCASE CLOCK, with long rectangular trunk door, with caddied hood and integral pillasters, 30.5cm arched brass dial signed to convex reserve in the arch, with subsidiary seconds and date aperture, four pillar weight driven movement rack striking on a bell, lacking seconds pointers, date band not connected. 2.28m
A George III mahogany longcase clock by William Taylor of Whitehaven, with swans neck pediment with foliate terminals and scrolling fretwork beneath, with arched glazed door enclosing the 13.25 inch dial with Roman numerals, subsidiary Arabic numerals, centre date hand and eight day striking movement with moon phase by Taylor, Whitehaven, flanked by fluted columns and with long arched trunk door beneath, being crossbanded, boxwood and ebony strung and flanked by fluted quarter column corners, with conforming base. Height 91 ins (see illustration).
An early 19th century mahogany longcase clock by Samuel Birley of Birmingham, with swans neck pediment with rosewood banding beneath and with punched brass terminals above the arched glazed door enclosing the arched painted dial with Roman numerals, subsidiary seconds and date dials, moon phase to the arch and eight day striking movement, with spandrels emblematic of the four seasons, flanked by turned and twist columns with Corinthian capitals and in turn above a triple arched trunk door flanked by similar columns to the hood, with conforming base raised on bracket feet. Height 99 ins (see illustration).
A George III Dublin longcase clock, by George Chalmers, having a swans neck pediment with foliate carved terminals above a central grotesque mask and scroll carved pediment, the glazed door enclosing 13.5 inch square brass dial with silvered chapter ring with Roman numerals and subsidiary Arabic numerals inscribed "Geo. Chalmers, Dublin", date aperture and subsidiary seconds dial, with cherub and foliate spandrels and with eight day striking movement, flanked by fluted columns, the long trunk door being shaped and flanked by fluted quarter columns and with conforming base raised on ogee bracket feet. Height 93 ins (see illustration).
A George III mahogany longcase clock by Henry Tyson of Egremont, with brass finial between the swans neck pediment above the arched glazed door enclosing the painted dial with moon phase to arch, with Arabic numerals, subsidiary date and seconds dial and with two-train movement by Henry Tyson, Egremont, flanked by simple turned columns, with three quarter length arched trunk door beneath being boxwood strung and flanked by reeded pilasters and with conforming base raised on bracket feet. Height 89 ins (see illustration).
A George III mahogany longcase clock, with moulded dentil cornice above a glazed door enclosing the thirty hour movement and painted dial by Bellman, Broughton, with Roman numerals and rose spandrels, flanked by simple turned columns, with long trunk door flanked by fluted quarter column corners and with conforming base.
An Edwardian inlaid mahogany longcase clock, having a swans neck pediment with steeple and ball finial above the arched glazed door enclosing the silvered brass dial with Roman numerals and subsidiary seconds dial with eight day striking movement, flanked by fluted columns with Corinthian capitals, the trunk door inlaid with urn and cover swags and bellflower ornament, the base similar, raised on bracket feet. Height including finial 98 ins (see illustration).
A George III oak and mahogany crossbanded longcase clock, with moulded cornice above a glazed door enclosing the 11 inch square brass dial with Roman numerals, subsidiary Arabic numerals and cast brass spandrels by JAS. Hendrie, Wigton and with thirty hour movement above the long crossbanded trunk door flanked by fluted column corners and with conforming base (see illustration).
A George III oak longcase clock, inscribed to the dial "Jam Burpull Fecit", with three steeple and ball finials to the arched hood and door enclosing the 11 inch dial with arch, with eight day striking movement, date aperture and subsidiary seconds dial with strike and silent to the arch, with cherub and crown spandrels and Roman numerals and with five pillar movement, flanked by simple turned columns with brass capitals, with long trunk door beneath and with conforming base. Height including finial 92 ins (see illustration).
A Delphin Massier, majolica pottery cockerel, circa 1880, the strutting bird with brightly enamelled plumage throughout, including a purple and green plumed tail and scarlet comb and wattle, against an open bamboo style trunk, piped clay signature to the oval, brown enamelled base, 64cm high, base 33cm wide
An eight day mahogany longcase clock, in the 18th century taste, the 13 ½ inch arched brass dial with inner ring of Roman numerals, outer ring of Arabic numerals, pierced corner spandrels under a radiating sun disc to the arch, above a name plate bearing the name `Richard Marshall Boston`, the four pillar eight day movement striking on a single bell, the hood with swan-neck pediment over an arched hood door, flanked by fluted front corner hood pilasters and open fret sides, the marquetry and painted case, with blind fret canted corners to the trunk and an arched long trunk door, ribbon decorated over a central motif depicting country crafts, above a painted and inlaid panel to the box base, depicting a basket of summer blooms, raised on shaped short bracket feet, 223cm high
An oak crossbanded mahogany eight day longcase clock, early 19th century, the 13 inch arched painted dial indistinctly signed `Wheeler, Bridgnorth`, the ring of Roman numerals with centre date aperture under an arch painted with an Abbey ruin and thatched cottage, the hood with swan-neck pediment over an arched hood door, between square tapering front corner hood pilasters, the ogee arched short trunk door between quarter fluted front corner trunk pilasters, on a crossbanded base with later skirting plinth, 220cm high Note: Douglas J Elliot lists Cornelius Wheeler in `Shropshire Clock and Watchmakers` at Willmore Street 1828 - 1842.
A Regency oak crossbanded mahogany eight day longcase clock the 15 inch diameter circular dial signed `Jn Savage, Shrewsbury` with ring of Roman numerals the four pillar movement striking on a single bell, the hood with swan neck pediment over a circular glazed arched hood door flanked by ring turned front corner hood pilasters over a short crossbanded trunk door with conche shell inlay between quarter fluted front corner trunk pilasters over a box base on splay bracket feet, 219cm high
A late George III oak and mahogany eight day longcase clock, the 14 inch square painted dial indistinctly signed `Sam* Tho**, H*der***` with centred subsidiary seconds dial and date aperture within a ring of Roman numerals, painted with figures to the spandrels depicting the Continents, the hood with swan neck pediment over a square hood door flanked by tapering reeded front corner hood pilasters over a short crossbanded trunk door on a crossbanded box base, lacking bracket feet, 214cm high
An oak cased eight day longcase clock the 12 inch arched brass dial signed `R Midgley, Halifax` with centred date aperture and moon phases within a silvered chapter ring and pierced corner spandrels under a portrait disc to the arch, the four pillar eight day movement striking on a single bell the oak case later carved in the 17th century style the hood with pagoda top over an arched hood door between turned front corner hood pilasters over a leaf carved arched trunk door on a carved box base with later skirting plinth, 215cm high
An oak eight day longcase clock the 12 inch square brass dial signed `Wrigley Blackburn` with centred date aperture within a chapter ring and pierced corner spandrels the five pillar eight day movement striking on a single bell the case later carved in the 17th century style the hood frieze serpent carved over a square hood door between spiral turned front corner hood pilasters over an ogee arched long trunk door carved with scrolling leaves on carved box base and cut-out plinth, 215cm high
A Victorian flame mahogany eight day longcase clock the 14 inch arched painted dial signed `Lashmore, Oswestry`, with centred subsidiary seconds dial and date aperture within a ring of Roman numerals with architectural ruins painted to the spandrels under a rolling moon to the arch, the hood with swan-neck pediment over an arched hood door flanked by baluster turned front corner hood pilasters over a short ogee arched trunk door between front corner baluster turned trunk pilasters on a crossbanded box base with canted front corners raised on short bracket feet, 234cm high

-
66969 Los(e)/Seite