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A Victorian teak trunk, last quarter 19th century,: the cover with inset brass plaque for Glde.B.Phelps and with inset brass corner brackets; the front, back and sides with further inset brass strengthening brackets at the corner angles; the interior with lift out tray; 54cm high, 92cm wide, 61cm deep
A mahogany Westcountry longcase clock: the eight-day duration movement striking the hours on a bell with the twelve-inch painted break-arch dial having black Roman numerals, subsidiary seconds dial and date aperture, decorative gilt-brass hands, and floral decoration to the four corners, the arch painted with a further scene, the typical Westcountry mahogany case with boxwood and ebonised stringing, canted corners to the trunk, brass capitals to barley-twist columns to the hood surmounted by a crested moulding with eagle finials and all standing on bracket feet, height 212cm.
Watkin Owen, LLanrwst an 18th century oak longcase clock: the eight-day duration movement striking the hours on a bell and having an thirteen-inch square brass dial with the raised silvered chapter ring engraved with black roman numerals, the centre having a subsidiary seconds dial, date aperture and engraved with c-scroll decoration and makers name Watkin Owen, Llanrwst, the oak case having a shaped trunk door and fluted corners, with a shaped raised panel to the base, the hood having a typical Llanrwst architectural pediment top with brass ball-and spire finials and frets within the frieze, with cast-brass capitals to the turned pillars, height 224cm.Biography Watkin Owen was a member of the well-known Owen family of clockmakers working in Llanrwst and the son of the fine maker John Owen who died in 1776 leaving the twenty-year old Watkin to take on the running of the business.. An in-depth study of the family is published in The Clockmakers of Llanrwst, Colin & Mary Brown, Bridge Books 2002, Chapter II The Owens and Chapter IV The Clocks of Watkin Owen, pages 77-96.
Peter Clare, Manchester. a Georgian walnut moonphase longcase clock: the eight-day duration movement striking the hours on a bell, the thirteen-inch break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals and with the makers name P. Clare, Manchester, the matted centre with subsidiary seconds and date dials, and engraved with floral decoration, with cast-brass female-head spandrels to the four corners, the arch having a painted moonphase disc with the silvered plate to the arch showing moon setting and time, the typical North-west style walnut case having three-quarter columns to the trunk and shaped moulding to the door as favoured by the Clare family, with canted corners to the base, the hood having a swan-neck pediment with turned wooden finials, with cast-brass capitals to the pillars and ogee moulding to the door, height 232cm.Biography The Clare family were well-known clockmakers in Manchester with Peter, born 1729, taking on an apprentice, John Grundy, in August 1761. He married Mary Whitall in June 1772 with his address given as 119, Deansgate. A Quaker, he was married a second time to Alice having moved to number 69 Deansgate and died in July 1799. In his time he was described as not only a clockmaker, but also smoke-jack inventor, scientific lecturer, bell-founder and lightning-conductor fitter.Reference Edmund Davies Greater Manchester Clocks & Clockmakers, Pub. Mayfield Books 2007, with a full biography on pages 74-82 and including illustrations of two moonphase longcase clocks signed by Clare including fig. 6.18 having a near-identical dial. Also shown is a portrait of Peter Clare by Joseph Allen.
Saldarini, Peterborough, a Sheraton style wheel barometer: the round silvered dial with usual barometer markings and engraved with the maker's name P. Saldarini, Peterborough, with a blued steel hand, brass setting marker and heavy cast Georgian bezel, the mahogany case having an inset thermometer to the trunk, shell inlaid ovals to the centre and floral inlaid roundels to the top and base, with the swan-neck pediment having a cast-brass finial, height 99cm.
Nine large Lladro figures, including girls with farmyard animals, boy with milk pails, group of Nuns, etc.Condition report:Girl with Doves - the dove on the tree trunk is missing the end of one wing. Girl by Tree Trunk - the pearl has been reglued to her hand. Boy with Pails - the handle on one basket and the tips of the boy's fingers are missing. All other figurines are in very good condition but would benefit from a clean. Please see additional uploaded images.
Inlaid mahogany longcase clock, the hood with architectural pediment, turned Corinthian columns, trunk with long door and ogee bracket feet, twelve inch arched painted with with hunting scene to the lunette and floral spandrels, signed Shepperley & Pearce, Nottingha, eight day movement striking on a bell, height 219cm, with pendulum and weights.
A GEORGE III OAK EIGHT DAY LONGCASE CLOCK, the shaped hood with floral fretwork design, glazed door enclosing a brass 11 inch dial, surrounded by spandrels and mythical creatures, plaque inscribed 'Stripling Lichfield' spindle supports, shaped trunk door on a square plain plinth, height 223cm, one pendulum, two weights (condition - no key or winding key, minor surface wear)
AN EARLY 19TH CENTURY OAK AND MAHOGANY BANDED EIGHT DAY LONG CASE CLOCK, the hood with three brass finials to the broken swan neck pediment, a glazed arched door enclosing a thirteen inch painted dial with subsidiary seconds and date dials, named E. Timings, Dudley, eight day movement, height 226cm (condition - split to front of plinth, one pendulum, two weights, one trunk key, no winding key)
A VICTORIAN PAINTED PINE TRUNK CONTAINING CLOCKS, TOOLS, DRAWING INSTRUMENTS,METALWARES, COLLECTABLES, ETC, together with a brass model cannon mounted on a wooden plinth, a coopered oak sherry barrel, a.f., height 33.3cm, with a wooden stand, a box containing musical trinket and cigarette boxes, etc, s.d. (4)
Ca. 100-300 AD A large bronze spout coming from a vessel, resembling an elephant's trunk, naturalistically curled, with incised decoration around the finial. Size: L:80mm / W:105mm ; 170g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
The depiction of the Holy Family focuses on the figure of the Madonna, whose face, shown in profile, has a balanced and almost joyous expression. She holds the Baby Jesus on her lap, sucking from her breast. The atmosphere is intimate, and the tones clear and soft. St. Joseph points to Jesus. Its unconventional position, seen from behind, gives the composition a sense of depth of perspective. A tree trunk appears in the background, along with a wide view of the mountains and the sky illuminated by streaks of light.Everything in the painting contributes to the creation of a calm and balanced atmosphere that gives the piece a contemplative quality.Oil on copperSize 19 x 25.5 cm
A 19th century mahogany cased eight day grandfather clock. With arched top above a circular glass hood flanked by rope twist columns, With two subsidiary dials inscribed JOHN ROSSITER Western Super Mare to the dial. The trunk decorated with box wood and satin wood inlay with two rope twist columns, H203cm
Mid Victorian 8-day mahogany longcase clock with a painted dial and moon phase disc to the break arch, convex dished dial with Roman numerals, and minute markers, makers name indistinct, non-matching stamped brass hands, calendar aperture and seconds dial, spandrels depicting the four seasons, veneered mahogany case with a swans neck pediment and inlay, canted corners to the trunk with a wavy topped door, square plinth and applied skirting, rack striking movement with a Walker and Hughes cast false plate, striking the hours on a bell. With weights and pendulum.Dimensions: Height: 230cm Length/Width: 50cm Depth/Diameter: 25cm
Mid-20th century oak cased Grandmother clock striking the hours and half-hours on a coiled gong, with a silvered dial, Arabic numerals and steel hands within a spun bezel and convex glass, case with a flat top and barley twist columns to the hood, trunk with applied beadwork and lozenge moulding, on a square pediment with a decorative skirting. Dimensions: Height: 130cm Length/Width: 27cm Depth/Diameter: 16cm
A late 18th century mahogany longcase with an associated dial and later movement, flat topped hood with a dentil cornice and blind fret beneath, square hood door flanked by two turned pillars with integral capitals, trunk with conforming blind fret and reeded quarter columns, full length trunk door with raised moulding to the edge and an arched top, trunk on a rectangular plinth with applied moulding to the base, mid 18th century brass dial with cast spandrels, chapter ring and engraved dial centre, fitted with �dummy� winding arbors, dial engraved �William Hardgraves Jnr, Settle�, with a semi-circular date aperture and date disc behind, non-matching steel hands, dial pinned via a false plate to a 20th century chain driven three train movement striking the quarters on 8 gong rods. With three brass cased weights..Dimensions: Height: 200cm Length/Width: 46cm Depth/Diameter: 26cmCondition Report:Case good, dial and movement both associated to the case, replacement hands, glass good, incorrect pendulum, with three weights

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