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66969 Los(e)/Seite
INDIAN COINS, Gupta Kings, Kumaragupta I, Gold Dinar 7.7g, Elephant-rider lion hunt type, part of legend (Kumaragupta, whose enemies have been destroyed, protector of kings, conquers foes) around king with raised arm, an attendant behind him, seated on an elephant right with raised trunk, which tramples on a lion falling back in front of it, rev legend around the goddess Lakshmi who stands right, upper body and head turned back, right hand held out towards peacock, left hand on hip (cf Altekar, Bayana Hoard pl.XXX, 3-4; BMC -; for the legends, see G. M. Browne, The Elephant-Rider Dinaras of Kumaragupta I, ANS AJN 1997). Stylistically this is of the 'Bayana' type, and may be from that hoard, very fine and very rare.
A Bristol delft 'Adam and Eve' charger, painted and sponged in shades of green, brown and blue with Adam and Eve beside a fruit tree, the serpent entwined about its trunk, 35cm diameter, first quarter 18th century (cracked in half and with restored section to rim) See Frank Britton, English Delftware in the Bristol Collection, (1982) no. 3.35, p. 60 for a similar though not identical example.
Tiffany an imposing mahogany chiming longcase clock circa 1900 the pagoda top hood with cluster columns above a glazed trunk door flanked by blind-fret canted corners upon a panelled plinth the gilt blind-fret foliate decorated dial with chime/silent and Whittington/Westminster subsidiaries to the arch a strike/silent lever to the left side Arabic numerals seconds dial the substantial three train movement marked England with deadbeat escapement and eight chiming hammers and a further striking hammer (the tubular bells lacking) with two (of three) six spoke pulley wheels and three brass cased weights 249cm high
Will Wilson Kendal a George III oak longcase clock the breakarch hood above conforming trunk door upon a rectangular plinth on bracket feet the 12inch brass dial signed to a boss in the arch flanked by dolphin spandrels above seconds dial and date aperture scroll spandrels having an 8 day 4 pillar movement 221cm high
A mid-19th Century Meissen centrepiece base modelled as a lady and gallant about a flower encrusted trunk, on a Rococo moulded circular base picked out in pink and green and heightened in gilt, cancelled crossed swords in underglaze blue and incised '2772' to base, height approx 38cm (converted to a table lamp base).
A Dresden porcelain figural candlestick, late 19th Century, modelled as a putti standing before a tree trunk playing a hurdy gurdy beneath an insect painted candle sconce, blue painted 'AR' mark, a similar Sitzendorf porcelain candlestick with a bird perched on the arm of a putti and two Continental porcelain figures of a shepherd and shepherdess (minor faults).
An early 19th Century oak longcase clock with eight day movement striking on a gong, the painted break arch dial with moonphase indicator above Roman numerals and subsidiary seconds dial, the hood with moulded arch pediment above turned columns, the trunk with shaped door above a panelled base, on bracket feet, height approx 219cm.
A George III mahogany longcase clock with eight day movement striking on a bell, the painted dial with rocking sailing ship to arch above Roman numerals, subsidiary seconds dial and inscribed, 'Johnson, High Wycombe', the arched hood with spiral reeded columns repeated on the trunk flanking a crossbanded arched door above a plain base and bracket feet, height approx 235cm (faults).
A George III oak longcase clock with eight day bell strike movement, the arched dial painted with a manor house and bridge above Roman numerals, subsidiary seconds dial, date aperture and inscribed 'G. Buckmaster, Royston', the hood with arched pediment above a glazed door flanked by fluted pilasters on a plain trunk and base, height approx 207cm.
A William and Mary walnut and laburnum oyster veneered marquetry longcase clock with eight day, five pillar movement striking on a bell, the square brass dial with matt gilt centre and date aperture framed by a silvered chapter ring with Roman numerals, cornered by pierced amorini spandrels, inscribed 'Wm Catell in Fleete Streete' to base, the hood with carved and pierced amorini and foliate scroll surmount above barley twist pilasters, the trunk door with a lenticle and inlaid with four panels of well drawn bird, floral and flower-charged vase marquetry, cornered by similar panels, the plinth similarly decorated, the sides crossbanded, on a pedestal base, height approx 207cm (alterations and restoration).
A George III oak longcase clock with eight day movement striking on a bell, the brass break arch dial with painted moonphase indicator above a silvered chapter ring with black Roman and Arabic numerals, framing subsidiary seconds and date dials and inscribed, 'Jn Bell, Hexham', the hood with pierced break arch surmount above a glazed door flanked by turned pilasters, the trunk with crossbanded arched door, on a plain base and bracket feet, height approx 235cm (alterations and restoration).
A George III oak longcase clock with thirty hour movement striking on a bell, the gilt brass dial with silvered chapter ring, inscribed 'Jos Kember Shaw', framing a matt centre and single hand, the hood with moulded pediment and turned pilasters, the trunk with rectangular door, on a plain base and bracket feet, height approx 197cm.
An 18th Century painted longcase clock with eight day movement striking on a bell, the square brass dial with subsidiary seconds dial and date aperture on a matt centre, framed by a chapter ring with Roman hour and Arabic minute numerals and inscribed 'Jno Wise, London', cornered by gilt spandrels, each pierced with two putti holding a crown, the red and black scumbled case with moulded pediment above a plain trunk door and base, height approx 209cm (faults).
A 20th Century mahogany longcase clock of diminutive form with eight day chiming movement, the breakarch gilt dial with 'strike/silent' indicator above a silvered chapter ring with Roman numerals surrounded by pierced gilt spandrels, the arched hood above an arched trunk door, on a plain base and bracket feet, height approx 133cm.
A 19th century Georgian style figure mahogany dwarf long case clock with extensive carved decoration and turned finials to the arch top hood, turned reeded pillars and similar quarter turned pillars to the trunk, double arched door, carved and canted base on ogee bracket feet, arched brass dial with silvered chapter ring and chiming spring driven movement, by Turner Winchester, height 61"
An early 19th century mahogany long case clock with brass finials, paterae and turned pillars to the hood, the trunk with half turned columns and arched rounded door, the base with figured panel and bracket feet, having painted arched dial with 8 day movement by Jas Common, Coldstream, height 85"
Longcase clock by John Stanyer with pendulum two weights and winder John Stanyer Nantwich oak long case clock banded in mahogany square brass face 13in chapter ring with Arabic and Roman numerals engraved field with subsidiary seconds and date aperture two train striking movement in swan neck hood with gilt frieze on fluted columns and trunk with quartered columns on set out base and shaped bracket feet. Height 220cm.
Edwardian mahogany inlaid clock Edwardian inlaid mahogany carrilean longcased clock brass broken arch face with silvered chapter ring subsidiary seconds and articulated tempus fugit dial three train movement striking on eight bells in an arched top hood with fluted columns canted corner trunk and set-out base with high bracket feet decorated with inlaid shell motif and stringing.
A 20th Century mahogany Stick Barometer, the architectural pediment centred with a cast brass urn, to a herring bone trunk with visible tube, to a domed cistern cover, with a single glazed door enclosing a silvered dial with scale of 27 to 31 and flanked by a single scale alcohol thermometer, height 37”
An early 19th century oak and mahogany eight-day longcase clock, 13.5 inch painted square dial with floral spandrels, signed Preston, Lancaster, with pierced gilt metal hands, subsidiary minute and calendar dials, in swan necked hood with turned column supports, trunk with crossbanded arched door and fluted column corners, 7ft 4ins
A late 17th century walnut and floral marquetry longcase clock, 12 inch square brass dial with silvered chapter ring, seconds dial and date window, signed Josh. Alsop East Smithfield, moulded hood with blind fret frieze and spiral supports, the trunk with glazed lenticle, inlaid with a central vase and cherubs and throughout with birds and flowers, on stepped plinth base, 7ft 4ins
THOMAS HUSBAND, HULL, LATE 18th CENTURY OAK LONGCASE CLOCK, the case with arched rectangular trunk door and caddied hood with fluted pilasters, 12" (30cm) arched brass dial signed in the arch and with rolling moon and tide dial, subsidiary seconds and date pointer, two train, four pillar, eight day rack striking movement with anchor escapement. 2.18m (excluding finial)
ALEX CUMMING, LONDON, GOOD EARLY 19th CENTURY MAHOGANY LONGCASE CLOCK, of small proportions, the case with panelled plinth, shaped rectangular trunk door and low caddied hood with sound frets, all enriched with brass mouldings, 9.75" (25cm) shaped silvered brass dial with subsidiary seconds and date aperture, signed to the arch, substantial eight day five pillar rack striking movement, to regulator quality, with anchor escapement, spreading rectangular plates, two brass cased weights, wooden rod pendulum and cylindrical bob; evidence of original strike/silent provision, now absent. 1.98m Note: Alex Cumming, Edinburgh and London 1732-1814, is recorded as a noteworthy high quality clock maker with works, inter alia, in Buckingham Palace.

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66969 Los(e)/Seite