66972 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
66972 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
66972 Los(e)/Seite
A Chinese Carnelian Agate Double Vase, Qing Dynasty, 18th/19th century, carved as a tree trunk with fruiting peach branches and lingzhi flanked by a conical flowerhead, the reverse with a bat 17.5cm high Provenance: John Sparks, 28 March 1955 A related double carp vase was in the collection of the late Countess Mountbatten of Burma, another in the Palace Museum, Beijing is illustrated in Gugong Bowuyuan Idai Wishuguan Cenpiepin Tumu, pl.1314 Numerous small rim chips and flakes around the vase openings. Numerous internal and surface cracks that appear to be natural. The vase has been bonded to the plinth. Sold with photocopy of original receipt.
A Green Chinoiserie Eight Day Longcase Clock, signed Isaac Jiercelin, circa 1730, caddy pediment, case elaborately gilt decorated with pagodas, Oriental figures, figure on horse back and floral work, unusual and rare feature with the raised lacquer woprk panel to the base, 12-inch arch brass dial with a Roman and Arabic chapter ring signed, dial centre with seconds dial and date aperture, arch with circular plaque signed William Aucott, London, five pillar movement with an anchor escapement and rack striking on a bell255cm highThis is an unusual clock, with the clockmaker, Isaac Jiercelin, signing the clock dial. William Aucott is also signed on the dial, who probably would have been the purchaser. This is mentioned by Tom Robinson in "The Longcase Clock", pg.290.Case with painted surfaces lacking in parts, gilt decoration scenes are still clear and in good condition, case with general signs of wear due to age, trunk door with lock plate missing, dial is discoloured, seconds chapter ring with a portion missing at the 30 seconds position, movement is complete, movement needs cleaning. With Pendulum and two weights.
A Chinoiserie Tavern Wall Timepiece, signed M Hill, Late 18th Century, black lacquered chinoiserie case with side viewing movement doors, trunk door decorated with pagodas and Oriental figures, signed M Hill above the trunk door, gilt floral work painted sides and base, 26-inch black lacquered dial with gilt painted Roman and Arabic numerals, single weight driven movement with an anchor escapement, A-frame shaped movement plates 147cm high Case with some small chips to the painted surfaces in parts, bottom right hand side corner of the base with chips, dial with some scratches, movement in going order, with pendulum and weight.
An Unusual Blue Chinoiserie Eight Day Longcase Clock, signed Thos Smith, London, circa 1770, the blue lacquer chinoiserie case elaborately decorated with pagodas, Oriental figures, sailing boat and floral work, 12-inch arch brass dial with a Roman and Arabic silvered chapter ring, dial centre with seconds, date aperture and signed on a silvered plaque, arch with strike/silent selection dial, five pillar movement with an anchor escapement and rack striking on a bell 242cm highCase looks nicely aged and has a good patina, general signs of age with cracking marks in places, chinoiserie decoration looks clean and good condition, trunk door top arch moulding is slightly loose, dial is discoloured, seconds hand is missing, movement looks all complete, movement needs cleaning, with pendulum and two brass cased weights. Pendulum need replacing and is the wrong pendulum for this clock.
A Mahogany Eight Day Longcase Clock, signed George Binch, Manchester, circa 1780, swan neck pediment, front scroll pierced sound frets, trunk with brass capped fluted pilasters, 13-1/4-inch arch brass dial with a Roman and Arabic silvered chapter ring, scroll engraved dial centre with date aperture, arch with moonphase aperture and signed on the above arch, four pillar movement with an anchor escapement and inside countwheel striking on a bell237cm highPediment with later added pierced frets, right hand side column is slightly loose to the hood, trunk door is slightly bowed, trunk door moulding in later, later door lock, base with cracks in parts, later feet, dial silvered chapter ring is slightly discoloured, movement needs cleaning, with pendulum and two weights.
Attributed to Magnus Hjalmar Munsterhjelm (1840-1905) Finnish Nocturne landscape Initialled, with indistinct pencil signature/inscription to reverse of frame, oil on canvas, 30cm by 53cm Unlined, minor old damages to turnover margins. All keys present, slighly slack. Old patches of adhesive to the reverse, including one to a break in the canvas (see image in transmitted light), 1 inch long. The break has some surrounding overpaint, but not fully restored. A fine brittle age craquelure throughout, with some slighly elevated larger cracks in thick paint including to the moon. The rest of craquelure looks mostly secure and not too elevated, but appears whitish in the darker passages, particularly the left hand side. It is not clear if this is due to abrasion over the slightly raised cracks, or crazing of an old varnish which makes it look opaque and white where it is scattering the light. Slight stretcher bar marks.Scattered old losses throughout to the paint and ground. Crudely retouched and not fully restored. Larger losses include a cluster of losses in a patch above right of the reflection of the moon in the near body of water, a horizontal line above the treeline below the moon, two in the sky, a horizontal line in the foliage lower right, to the right of the tree trunk on the right, along the top and right edge, and a 3 inch scratch through the trees on the left. Futher smaller scattered retouched and unretouched losses.Abrasion and thinning ot the foliage/grass, particularly to the trees, and in places to the sky, which has a greyish/greenish remnants of paint in places. Most not suppressed by retouching. (see images).There is also a thick layer of fibers and dust in the varnish, remants of cotton wool from restoration? Some ingrained dirt, and a fairly glossy varnish. Likely remnants of an older varnish in places.
8-day - profusely carved oak longcase, with a flat top and square hood door beneath, door flanked by barley twist columns with brass capitals, trunk with reeded quarter columns and wavy topped door, on a carved plinth raised on bracket feet, brass dial with an engraved and matted dial centre, penny moon and date aperture, chapter ring inscribed “John Stancliffe” with Roman numerals and five-minute Arabic's, rack striking movement with a recoil anchor escapement. With pendulum and weights.Dimensions: Height: 202cm Length/Width: 48cm Depth/Diameter: 24cm
Charles Woodward of Newburn - late 18th century 8-day oak longcase, hood with a flat top and break arch hood door flanked by reeded pilaster with Corinthian capitals, long trunk door with a break arch top on a square plinth with narrow moulding to the base, brass dial with a silvered boss to the arch and cast spandrels, engraved dial centre with calendar aperture and matching steel hands, dial pinned to a rack striking movement, striking the hours on a bell. With pendulum and weights.Dimensions: Height: 206cm Length/Width: 56cm Depth/Diameter: 24cm
Porterhouse of Penrith - Mid-18th century 30hr longcase in a scumble painted pine case, with a flat top, broad cornice and deep frieze beneath, square hood door and long trunk with a conforming flat topped door, raised on a square plinth with a shaped base, brass dial with four-seasons spandrels, matted centre and single hour hand, silver chapter ring with Roman numerals and inner five minute track, dial pinned to a countwheel striking movement, sounding the hours on a bell. With weight and pendulum. Dimensions: Height: 205cm Length/Width: 58cm Depth/Diameter: 28cm
Henry Watson of Huddersfield - mid-18th century 8-day oak longcase with a flat caddy top and turned pilasters flanking the hood door, trunk with three quarter columns and a long trunk door raised on a rectangular plinth, brass dial with cast spandrels, matted and engraved dial centre, penny moon with lunar and calendar date, silvered chapter ring with Roman numerals, five minute Arabic's, hour and quartet hour tracks, dial pinned directly to an inner countwheel striking movement, sounding the hours on a bell. With weights and pendulum.Dimensions: Height: 207cm Length/Width: 49cm Depth/Diameter: 23cm
O Williams of Ruthen - Early 18th century 8-day Oak longcase, in a later carved case with a flat top and broad cornice, square hood door flanked by turned pilasters with brass capitals, with a carved trunk door and plinth, brass dial with cast cherub spandrels and engraved dial centre, matching steel hands, seconds ring and dater aperture, chapter ring with Roman numerals, five minute Arabic's, minute and quarter tracks, dial pined to an inner countwheel striking movement, striking the hours on a bell.With weights and pendulum.Dimensions: Height: 214cm Length/Width: 143cm Depth/Diameter: 23cm
James Davies of Leominster - 8-day mahogany longcase c1820, with a swan necked pediment and break arch hood door flanked by turned pilasters with brass capitals, reeded quarter pillars to the trunk and a wavy topped door, plinth with canted corners and a shaped raised panel, painted dial with a moon disc to the arch and gilded chinoiserie figures to the spandrels, dial with matching steel hands, upright Arabic hours and fifteen minute numerals, conforming seconds dial and calendar aperture, movement pinned to a rack striking movement, striking the hours on a bell. With weights and pendulum.Dimensions: Height: 226cm Length/Width: 56cm Depth/Diameter: 25cm
Louis Vuitton Impressive and Early Travelling Trunk Circa 1890-1910, of large size and in studded tan leather with brass lock, clasps and mounts, initialled "G.J.G." to each side, the hinged lid retaining quilted lining, the interior bearing original "Louis Vuitton Paris 1 Rue Scribe London 454 Strand" paper label, serial no. 104265.111cm wide, 62cm deep, 70cm high
A Cast and Patinated Bronze Inkwell Modelled as a Bear by Charles Valton A Cast and Patinated Bronze Inkwell Modelled as a Bear by Charles Valton, circa 1900, the bear modelled hugging a tree trunk, with removable well, bearing impressed signature.10cm long, 10.5cm highSome rubbing to patination, some minor knocks but otherwise in good condition.
Richard Schofield, Rochdale Mid 18th Century Longcase Clock Striking on a single bell, square brass dial with cast brass spandrels and a silvered chapter ring, Roman and Arabic numerals for hours and minutes, a subsidiary seconds dial, date aperture and engraved nameplate. All contained in an oak case, the hood with a moulded cornice and square glass door flanked by turned columns, trunk with a long door, on a box base.200cm highTwo weight and a pendulum are present, the pendulum rod is misshapen.
A 19th Century oak and mahogany crossbanded longcase clock by Jas Coates, eight day striking movement, painted arch dial incorporating subsidiary dials, painted with a shepherdess, her suitor and flock, enclosed by a glazed pillared hood and broken arch swan pediment over a shaped trunk door on canted plinth base, height 212cm. PLEASE VIEW CONDITION REPORT
An early 19th Century oak and mahogany crossbanded longcase clock, by W Yeadon Stourbridge, thirty hour striking movement with silvered chapter ring, seconds subsidiary dial and date aperture, engraved centre enclosed by a glazed pillar hood over short trunk door on canted plinth case and bracket feet, height 200cm. PLEASE VIEW CONDITION REPORT
A 19th Century longcase clock by Jn Morgan Aberystwyth, the eight day striking movement with moon phase and painted figural detail, seconds and date aperture enclosed by a spiral pillar glazed hood and broken swan neck pediment centred with a plume of feathers over a short trunk door, spiral pilasters and canted plinth base, height 214cm. PLEASE VIEW CONDITION REPORT
An 18th Century and later oak and mahogany crossbanded longcase clock by Edward Arnold St Neotts, eight day striking movement, Strike/Silent dial, seconds subsidiary dial and date aperture, enclosed by a domed pillar hood over a long trunk door on canted plinth base, height 201cm. PLEASE VIEW CONDITION REPORT
A LATE VICTORIAN OAK FUSEE DIAL TIMEPIECE THE DIAL SIGNED FOR HAWKES, ASTON, LATE 19TH CENTURY The four cylindrical pillar single chain fusee back-wound movement with anchor escapement regulated by half-seconds lenticular bob pendulum, the backplate with subsidiary hand setting dial incorporating minute ring and Arabic five-minute annotations, the 12 inch cream painted circular Roman numeral dial inscribed HAWKES, ASTON to centre and with steel spade hands, set behind a hinged glazed brass bezel within turned cushion-moulded wooden surround, secured via pegs onto to a box drop-trunk type case with door to rear and shaped apron over moulded platform base with bun feet (dial refinished). Although the dial has been refinished it most likely replicates the original signature; two makers with the surname Hawkes are recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as working in Birmingham at the end of the 19th century; William 1868-1880 and Alfred circa 1880. The presence of the subsidiary setting dial and to the backplate and rear winding would suggest that the present timepiece was probably used in a semi-public environment possibly a bank or factory perhaps set on screen or partition. Condition Report: Movement appears complete and all-original and is in working order; the mechanism is a little dirty/oily hence a sensitive clean/service is advised. As catalogued the dial has been refinished hence presents in fine clean condition. The case is generally very presentable with faults generally limited to age-related bumps, scuffs, scratches minor shrinkage and other age-related blemishes. It is most likely that the apron panel and base board are replacements/additions in order to essentially convert the timepiece form its original form (as an architectural fitting?) to one that can be used in a domestic setting. Timepiece has a case key for the back door (although it struggles to operate the lock) and a winding key. Condition Report Disclaimer
Prize winning exhibition standard 3½ inch gauge model Highland Railway brake van, built by the award winning late Harry Clyne. With opening double doors to the goods compartment and single doors for the guard, the interior featuring a removable hanging gas lamp to the roof, working screw handbrake, miniature luggage trunk and calf in transit, on sprung axleboxes, overall length 39cm
Clear, faceted crystal figural with widespread ears, trunk up and jet crystal button eyes. Swarovski backstamp. 7640 040 000. This item has its original box: 2.5"H x 3.25" dia. Artist: Adi StockerIssued: 1989 - 2006Dimensions: 1.25"L x 1.75"W x 1.25"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Hand made and hand painted American pottery. Depicts a round 9.25-inch tray, adorned with green maple leaves, atop of the pedestal shaped as a tree trunk with wrapped leaves. Griffen, Smith & Hill impress stamp. Dimensions: 9.25"W x 5"HManufacturer: Griffen, Smith & HillCountry of Origin: United StatesCondition: Age related wear.
A Goyard 'Malle Courrier' steamer trunk, early 20th century, of typical form, the sides upholstered with black canvas, painted with a two-tone stripe down the centre, with studded leather edges, oak railings and brass mounts, the sides with leather carrying handles and painted with monogram 'L.P', labelled to the inside of the lid,110cm wide 53cm deep49cm highCondition ReportThe canvas with where to the top and the painted stripe faded. The wooden railings with scuffs wear and fading commensurate with age. The hardware with Enation and tarnish. The feet to the base with rust and oxidation internally with spotting and a faint smell of damp. The leather worn in places with a small rip to the back. The handles with where consistent with use the right handle with some separation of the leather straps. Additional images uploaded.

-
66972 Los(e)/Seite