A mahogany eight-day longcase clock, Walter Mayers, Gloucester, circa 1800. The four-pillar rack and bell striking movement with 12.5 inch white painted Roman numeral square dial with arched calendar aperture, subsidiary seconds dial and signed Walter Mayer GLOUCESTER to centre, with floral painted spandrels, in swan neck pedimented case with rectangular trunk door and panel fronted plinth base, distressed, 224cm high. Walter Mayers is recorded in Dowler, Graham Gloucestershire Clock and Watchmakers as working 1782-1802.
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66969 Los(e)/Seite
Reid and Auld Edinburgh long case clock Scottish longcased clock, late 18th century, by Reid & Auld, Edinburgh, circular brass face with subsidiary seconds and date (fingerless) dials, two train movement striking the hour on a bell, in arched top hood with circular brass bezel, on quarter column trunk and set out base. Height 203cm. (Pendulum, two weights, 2 keys)
Longcase clock with pendlum and two weights Oak longcased clock banded in mahogany, broken arch brass face with painted rolling moon, brass chapter ring with subsidiary seconds and date aperture, the field named Thomas Moss, Frodsham, two train movement striking the hour on a bell, in a swan neck hood with columns, on quartered column trunk and set-out canted base. Height 230cm. (Pendulum (lacking suspension), 2 weights, door key)
Longcase clock Oak longcased clock banded in mahogany, square brass face with The Seasons spandrels, brass chapter ring, subsidiary seconds, reserved oval signed Brandreth Middlewich and date aperture, in a flat topped hood with fluted columns, on quarter column trunk and set out base. (Two weights, key, pendulum)
Long case clock Edwardian mahogany longcased clock with marquetry decoration, broken arch face with silvered chapter and chime/silent ring, three-train spring driven movement striking on "Westminster Glocken" rods, in broken arch hood on canted corner trunk and panelled base. Height 200cm. (Pendulum).
a George III period country oak longcase clock By Griffiths, Denbigh the twin train movement with anchor escapement, the swan neck pediment with eagle finial above floral painted roman dial with subsidiary seconds dial flanked by ho-ho birds and calendar aperture, signed Rd Griffith, Denbigh, the ogee arnched and cross banded trunk door between reeded quadrant corners, on bracket feet 217cm high
A late 18th Century longcase clock, the painted arched dial with rolling moon phase depicting landscape and a ship under full sail, the dial painted with exotic birds and allegorical figures to the spandrels, seconds dial and date aperture, indistinctly inscribed R L**ton S**ngewood, in mahogany and inlaid case with broken swan neck pediment with brass ball finial and acorn and oak leaf paterae on ebonised fluted columns, the trunk door with shell paterae, on splayed feet, with shaped apron, 84 1/2" high
An early 19th Century longcase clock, with eight-day movement, the square painted dial with seconds dial and calendar aperture, in mahogany case, with satinwood stringing and broken swan neck pediment, brass eagle and sphere finials on reeded columns, shaped trunk door flanked by reeded pilasters on canted base and ogee bracket feet, 89 1/2" high
A GEORGE III MAHOGANY LONGCASE CLOCK, the enamelled dial signed "M. Ketterer, Portsea", with subsidiary date and seconds dials, the spandrels painted with cottages and ruins, beneath a break arch with a moonphase dial, with an eight day movement striking on a bell, the hood with triple ball and eagle finials, the trunk with a short door flanked by quarter recessed columns, 89" high.
A GEORGE II OAK LONGCASE CLOCK, the brass dial with silvered chapter ring signed "Thomas Maddock, Leek", with subsidiary seconds dial and date aperture, with decorated centre and winding holes, the break-arch with a sunburst between dolphin spandrels, with an eight day movement striking on a bell, the case with long trunk door with moulded edge, 92" high. on page 109
A LONGCASE CLOCK by Cordingley, Leeds, the eight day movement with arched dial, painted with a riverscene and shells, secondary dials, in mahogany case, crossbanded with stringing, scrolled pediment with brass finials on baluster turned columns, canted trunk with panelled door, panel inlaid base and bracket feet, 95" high
A mid 19th Century drop dial Wall Timepiece, plain mahogany surround over carved foliate ears, flanking a brass star and strung inlaid trunk with sight glass, to a cast brass bezel with convex glass enclosing a 12” repainted Roman dial, with outside minute track and blued steel spade hands, to a movement with anchor escapement, and plain rectangular plates united by plain pillars, height 20”
An early 20th Century mahogany cased drop dial Wall Timepiece, plain mahogany surround and curved trunk, to an 11 ½” painted Roman dial with outside minute track and black painted spade hands, to a single gut fusee movement, with anchor escapement, plain rectangular plates united by plain pillars, height 19 ¼”
A mid 19th Century Scottish stained pine 8-day Longcase Clock, Jas Manners of Berwick-on-Tweed, the hood with swan neck pediment over reeded freestanding columns, to a convex throat and reeded quarter columns, to a long trunk door and raised on a plinth base, to a 13” arched painted dial, decorated with a sleeping child, to foliate spandrels and Roman chapter ring, enclosing a subsidiary seconds and date sector with pierced and stamped brass hands, to a movement united by four knopped pillars and anchor escapement, strike on a bell, height 86”
Miscellaneous items including an oak and cast iron knife cleaner by Harrods, two circular copper boiling pans, two wicker baskets, three leather suitcases, a wooden framed travel trunk with domed lid, and oak fire curb, an oriental two fold screen, a mesh firescreen, a wooden boot-jack, a wwoden yoke, and a brass clockwork spit, (a lot).
Murfitt, Sutton, a Regency mahogany and ebony banded longcase clock, the breakarch hood with reeded columns above cushion moulding, the arched trunk door flanked by quarter reeded columns, upon a rectangular canted base and splay feet with shaped apron, the arched painted 12 inch dial with shell spandrels, seconds dial and date aperture, with 8 day 4 pillar movement, 210cm high
John Wignall, Ormskirk, a flame mahogany and satinwood inlaid longcase clock, the swan neck pediment with reeded columns and gilt painted foliate frieze panel, the shaped top trunk door flanked by quarter fluted pilasters, raised on a rectangular plinth with canted corners, the 14 inch square enamel dial with painted spandrels, seconds and calendar dials, and 4 pillar 8 day movement, 221cm high
An oak longcase clock, 18th century and later, the hood with swan neck pediment and slender columns, the trunk with shaped top door and raised on a panelled plinth with ogee feet, the square brass 12 inch dial signed 'Wm Eastwood' between V and VII, the centre well engraved with two pairs of figures and exotic plants, scroll spandrels, calendar dial (non functioning), and associated 8 day 4 pillar movement, 221cm high
Henry Frodsham, Liverpool An early 19th Century mahogany stick barometer, the concave moulding over a bowed glazed scale, figured trunk and lappet collar, with a turned cistern cover, the signed silvered dial with thermometer and scale from 27 to 31 inches and rack and pinion vernier via ivory knob, 94cm
RICHARD GRIFFITHS, DENBIGH (1791-1840), AN EARLY 19th CENTURY WELSH LONGCASE CLOCK, the honey oak and mahogany crossbanded case with long trunk door, the hood with blind fretwork frieze, 33cm square white dial, signed, with subsidiary seconds and date crescent, 4 pillar 8-day falseplate movement with rack strike and anchor escapement. 2.05m
JOHN BROWNLESS JUNIOR, STAINDROP, (1787-1827), AN 18th CENTURY OAK LONGCASE CLOCK, with long trunk door and hood with turned pilasters, the associated 30 hour movement with 4 scribed pillars and outside countwheel strike, 26.5cm square brass dial with matted centre and date aperture, signed. 2.01m
THOMAS HOUGHTON, CHORLEY, (1780-1840), AN EARLY 19th CENTURY LANCASHIRE MAHOGANY LONGCASE CLOCK, the superior case with rectangular trunk door fanked by 1/4 round reeded pilasters, the hood with swan neck pediment and free standing corinthian columns, 35.5cm square white dial with subsidiary seconds and date pinter, (date wheel absent), 4 pillar, 8-day rack striking movement with Wilson falseplate and anchor escapement. 2.22m
HUGH LOUGH, PENRITH (1740-1791), AN 18th CENTURY OAK LONGCASE CLOCK, with long trunk door and star burst flanked by 1/4 round pilasters, the hood with blind fretwork frieze, now with 31cm square brass dial with Halifax moon and date crescent, 30-hour 4 pillar mechanism with outside countwheel strike. 2.07m
*Tetley, Langmead & Wynne Archive. A large archive of letters, deeds and other ephemera relating to this family line, mostly 18th and 19th century, including two autograph letters signed from King William IV, when Duke of Clarence, both signed ‘William', both to Mrs Winne (mother of M. C. Langmead), one dated 27th April 1797, one concerning John Winne (Mrs Winne's son?) and the Duke's ‘friendship for you and yours', the second undated letter with consolation offered on the death of her husband George Winne ‘I now take up my pen to answer, in order to assure you and your family of my real friendship and regard', mentioning his love for her husband, 2 & 4 pp., 4to, together with a large quantity of family letters, deeds, documents, etc., many with penny blacks and penny reds and posting marks on envelopes, a large amount concerning Canon George Tetley's family history researches, and all included in his tin trunk with his name ‘Reverend J. G. Tetley' stamped to one edge. A copy of George Tetly's autobiography ‘Old Times and New' (1904) is included in the trunk. In it he traces his ancestry back to his great grandfather George Winne in Plymouth. (a tin trunk)

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