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66969 Los(e)/Seite
An early 19th Century Longcase Clock, the brass arched dial inscribed "T Ramsbottom, Criglestone" with phases of the moon aperture and date ring, the arch painted with a rural landscape, in oak case with swans neck pediment, the trunk with quarter round mouldings and shaped door. 7` (214cms) high.
19th century oak and mahogany cross-banded long-case clock, the painted broken-arch dial inscribed "THOS. Hardy, Newark", and having castle-painted spandrels and arch, subsidiary seconds dial and calendar arch with 8-day striking movement, the hood with swan-neck pediment and turned pilasters, the trunk with inset quadrant pilasters, 211cm high
A Cotswold Heritage live steam plant, set on hardwood plinth with `Perseus’ horizontal single cylinder live steam mill engine having trunk guide, open crank with eccentric driven steam valve, spoked flywheel and copper pipework from horizontal gas fired boiler having pressure gauge, sight glass and inline displacement oiler, hand operated feed pump from water tower. The model No.P328 comes with original boiler certificate tested to a working pressure of 65 psi and dated the 23rd of February 2005. Also Warranty and Certificates of Authenticity. Plinth measurements 30cm x 30cm.
A well engineered 4 1/2 inch scale live steam model of a Foden steam lorry Registration P940 OKO, with overtype live steam engine, twin simple cylinders with trunk guides, ratchet oilers to cylinders, Stephenson’s link reverse gear, brass oiler cups, whistle, Franklin and Bell steel boiler with fittings including sight glass with glass boxed protector, shut-off cocks, pressure gauge, safety, blower, injector, counter-balanced crank and blow down valves, three road speeds, disc flywheel and chain final drive to back axle. Chassis detail includes channel section frame, Ackerman steering, rubber tyred wheels, two water tanks, injector, wooden cab with opening doors, dropside lorry back with leaf spring suspension, fitted mud guards, covered cab, hand operated back brake with foot control release, brass beadwork, Miller head lamps fitted. The model is finished in maroon and black lined paintwork and sign written `LRB Millwright and General Engineer’ to cab. 275cm long, 105cm wide. Road fund tax disc expired February 2010. Boiler History Franklin & Bell steel boiler No 209 Certificate dated 26th of March 1997. Past boiler history terminating with Wheeler Steam Company Working Examination Report dated the 24th of February 2009 and gauge test from Miniature Pressure Gauge Ltd expired 22nd of December 2009. National Traction Engine Trust disc number 0159F (2009-10) confirming Boiler Insurance expired the 18th of March 2010 and Boiler Inspection expired the 24th of April 2010.
An 18th Century Stained Pine Longcase Clock by Joseph Kirk of Skegby (circa 1730). The 10½ inch (27 cm) square brass dial having maker`s name engraved on the chapter ring with Roman numerals counting the hours and Arabics counting the minutes, encircling a matted centre with round calendar aperture. The corners ornamented with scrolling spandrels cast with cherubs holding aloft crowns. The altered case having an inverted hood and cut down base, with a pendulum aperture to the long trunk door (lacking glass lenticle), 76¾ ins (195 cms) in height (A/F).
Four Figures: Two 19th Century Staffordshire Figure Groups (A/F): One being a spill vase modelled with couple stood either side of a fountain, 7 ins (18 cms) in height. The other a shepherdess sat on a grassy mound with granulated sheep sat either side of her resting their fount legs on her shoulders, 8 ins (20 cms) in height. A Large 19th Century Staffordshire Figural Spill Vase (A/F) modelled with an archer stood beside a scroll moulded tree trunk wearing a plumed hat, over-painted blue coat with green sash and ermine trimmed orange cloak, stood on a scrolling base with a dog sat obediently at his feet, 17 ins (43 cms) in height. A 19th Century Staffordshire Figure of a Highlander with cello wearing a plumed hat, blue jacket and yellow shawl, stood beside a peacock perched on a tree trunk encrusted with clumps of foliage, 15 ins (28 cms) in height.
An 18th Century Eight Day Longcase Clock. The 12 inch (30.5 cm) square brass dial signed Ashton TIDSWELL on the chapter ring with engraved fleur-de-lys between the Roman numeral hour counters and outer ring of Arabic minute counters. The matted centre engraved with foliate scrolls and a compass rose, incorporating a subsidiary seconds dial and calendar aperture. The corners embellished with scrolling floriate spandrels. The oak case having a flat topped hood with moulded pediment raised on Doric columns flanking the dial. The cross-banded trunk inlaid with a compass rose. The base with alteration, 79 ins (201 cms) in height.
A 19th Century Oak Longcase Clock. The round painted dial decorated with a spray of honeysuckle and signed SAM HILL (place name indecipherable but possibly Sheffield) measuring 13 ins (33 cms) in diameter. The hood having a moulded swan-neck pediment with brass roundels adorning the terminals and fluted Corinthian columns flanking the dial. The mahogany cross-banded trunk having canted sides enhanced with inlay flanking a serpentine topped door, 84½ ins (215 cms) in height.
A Small Walnut Longcase Clock with an 8 day movement signed John Ford Arundel. The silvered chapter ring enclosing a matted centre, a subsidiary seconds dial and a plaque inscribed with a makers name; bordered by ornate cast brass spandrels. The later case having a flat moulded hood above a fretted scroll frieze and ebonised barley-twist columns flanking the dial. The long trunk door veneered with burr walnut and bordered in ovolu moulding. Raised 79 ins (201 cms) in height, 17 ins (43 cms) in width, 9 ins (25 cms) in depth.
An 18th Century Mahogany Longcase Clock by George Jamison of London. The dial having a silvered chapter ring enclosing a decoratively engraved centre with a subsidiary seconds dial and calendar aperture. The arched top accommodating a strike silent dial flanked by pierced gilt brass spandrels. The pagoda style hood having two large brass ball finials and the glass door flanked by fluted columns with Corinthian gilt capitals. The canted trunk corners inset with brass reeds and flanking a flame-figured trunk door. 94 ins (239 cms) in height, 19 ins (49 cms) wide, 9 ins (23 cms) deep.
Oak longcased clock banded in mahogany , painted square face with floral spandrels, Roman hours, subsidiary seconds, date aperture, signed J Topham, Nantwich , two-weight movement on a false plate, in a swan neck hood with fluted columns, on a short-door trunk and set-out plinth (no feet), height 211cm. (Two weights, key, pendulum).
William Gill, Maidstone A mid 18th century lacquer longcase clock, the five pillar, eight-day duration movement striking the hours on a bell with internal rack striking, the twelve-inch arched brass dial engraved with wheatear border decoration, with the raised, silvered chapter ring engraved with black Roman numerals, Arabic outer five-minute numerals and ‘fleur-de-lys’ half-hour markings, the matted dial centre having engraved floral and bird decoration, ringed winding holes and having a subsidiary seconds dial and date aperture, with ‘female-head’ cast brass corner spandrels and blued steel hands, the silvered boss to the arch engraved with the maker’s name ‘Wm Gill, Maidstone’, the case of ‘tortoiseshell’ lacquer decorated with raised gilt chinoiserie work, with an arched trunk door, the arched hood with three-quartered columns to the front and two giltwood ball and spire finials, height: 200cm. * William Gill is recorded as working in Maidstone, Kent in the early 18th century having been apprenticed in 1704 and given his freedom in 1710. He is one of Maidstone’s most celebrated & competent clockmakers’ with a number of fine longcase clocks known by him. He supplied the clocks for a number of public buildings including both Rainham and St Nicholas of Leeds churches.
A mahogany moonphase longcase clock, the eight day duration movement striking the hours on a bell with the fourteen-inch painted arched dial having black Roman numerals, gilt floral corner spandrels and moon phase disc to arch, with decorative brass hands and subsidiary seconds dial and date aperture, the falseplate to the dial embossed with the dial makers’ name ‘Finnemore & Sons’ of Birmingham, the case profusely inlaid in various woods and having a short door, canted corners to the trunk, fluted hood pillars with brass capitals and a swan neck pediment, height: 250cm. * Finnemore & Son were well known Birmingham dialmakers’ with William Finnemore originally being part of the Walker & Finnemore partnership, continuing on his own account from 1812 and becoming ‘& Son’ from 1828 until 1836.
Wesley, Denham An oak longcase clock, the eight day duration movement striking on a bell with the twelve-inch painted arched dial having black Arabic numerals, floral corner spandrels, the decoration to the arch depicting swans on a lake, with brass hands, a subsidiary seconds dial and signed ‘Wesley Denham’, the false plate stamped with the dialmakers’ name ‘Francis, Birmingham’, the case having a curved trunk door, plain base, with the hood having fluted columns with brass capitals and three ball-and-spire finials to the moulded pediment, height: 225cm. * The dialmaker William Francis is recorded as working firstly in Thorp Street, then Old Inkleys and finally 11 Smallbrook Street, Birmingham from 1810 until 1831 and was a prolific maker.
An Oak Longcase Clock, the eight day duration movement striking the hours on a bell with the twelve-inch painted arched dial having black Roman numerals, subsidiary seconds dial, date aperture and blued steel hands, having a painting depicting Carew Castle within the arch and various rural scenes to the four corners, the falseplate to the dial stamped with the dialmaker’s name ‘Wilson, B/Ham’, the oak case having a plain base, arched door to the trunk, with three gilt-wood finials and turned three-quarter columns to the pagoda topped hood, height: 238cm. * James Wilson, working pre-1777 to 1809, was one of the pioneers of the Birmingham dial making industry having dissolved his partnership with the other well-known maker George Osborne in 1777. He was considered as one of it’s finest exponents as well as one of the most prolific. * Carew Castle, Pembrokeshire, was originally a Norman fortification developing into a fine Elizabethan country house and was the site of the last great tournament staged in Britain in 1507.
John Bennett, Plymouth A late Georgian longcase clock, the eight-day duration movement striking the hours on a bell with the twelve-inch arched brass dial having a subsidiary seconds dial, date aperture and engraved with black Roman hour numerals, floral corner decoration, with an engraved depiction of Father Time within the arch and maker’s name ‘J. Bennett, Plymouth’ to the centre, the stained case having an arched trunk door, fluted, canted corners to the trunk, turned pillars to the hood and surmounted by three wooden ball finials, height: 214cm. * John Bennett is recorded as working in Plymouth in the mid-to-late 18th century.
A late 19th/early 20th Century French metal and wood-mounted leather luggage trunk by Bigot of Paris, the exterior with chequer design, the interior fitted with a detachable strapwork basket and tray, bearing paper label inscribed `100232 A La Madeleine, Grande Fabrique de Malles, Bigot 25, Rue Duphot, 25-Paris...`, height approx 37cm, width approx 60cm, depth approx 48cm (minor faults).
AN EARLY 19TH CENTURY MAHOGANY THIRTY-HOUR LONG CASE CLOCK by Martin Roper, Penrith, having a well defined broken swan-neck pediment with brass disc terminals, arched glazed hood door and turned columns, the long shaped trunk door between canted corners, the conforming base with shaped bracket feet, the arch of the dial painted in gilt with a chinoiserie scene on a black ground, the chapter ring with Roman hours and Arabic minutes framing the maker`s name and crescent form date aperture, all framed by painted spandrels depicting cherubs. 226cm(h)
A 19TH CENTURY CARVED OAK EIGHT DAY LONG CASE CLOCK by W Herbert of Ludlow, having a swan neck pediment over the arched glazed hood door and reeded columns, all carved with foliate designs, the long trunk door with further carved foliate scrolls, between reeded quarter columns, the carved base with floral roundals on shaped bracket feet, the arch of the dial with painted rolling moon mechanism, the chapter ring with Arabic hours framing the subsidiary seconds dial, crescent form date aperture, two winding holes and maker`s name, all within painted spandrels depicting female figures. 223cm(h)
A 19TH CENTURY OAK AND MAHOGANY EIGHT-DAY LONG CASE CLOCK having a shaped arched surmount flanked by brass ball finials and arched glazed hood door, the trunk with pointed arch door between turned quarter columns, on a plain base, the arch of the replacement dial painted with an English ship in full sail, the chapter ring with Roman hours and Arabic seconds framing two subsidiary dials and two winding apertures, the spandrels painted with floral sprigs. 214cm(h)
A 19TH CENTURY MAHOGANY EIGHT-DAY LONG CASE CLOCK by Joseph Peile, having a flat-topped hood with moulded cornice above an arched glazed door and turned columns, the arched trunk door between inlaid columns over a plain crossbanded base with bracket feet, the brass dial with embossed foliate arch, the engraved chapter ring with Roman hours and maker`s name, further engraving and two winding apertures. 223cm(h)

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