66972 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
66972 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
66972 Los(e)/Seite
Los 267
Royal Interest: A square of lace that has been handed down through the family of the vendor, it came from Osbourne House on the Isle of Wight and was reputed to have been part of the lace veiling that shrouded HM Queen Victoria as she lay in her coffin in January 1901, the lace measures; 16 x 27½ inches approx, small hole in the centre The original provenance is included in the lot, dated 01/02/1901I was given the Lace and note by my Grandmother many decades ago. I have kept it stored in a trunk in which I keep special items.Recently I was going through the trunk and showing my daughter the items that had come down through the family. She suggested that I should show the lace with note to an Antiques Specialist as it looked like it might be of historical importance and interest.I approached Hanson’s who put me in touch with Notty as she has years of experience in such items. The Lace I think was inherited down through my Grandfathers family and came into my Grandmothers possession after his death in 1978.My Grandfather kept a family journal that dates back to the 1800s . The journal gives a great incite into his branch of the family through photographs, newspaper clippings, announcements and a copy of his family tree titled “ Extract from the Genealogical Magazine for 1899. The Royal Decent of Carlyon”. (The family name carried on through the generations - myself, daughter and grandson included).The Lace must have been given to a relative of my Great Grandparents generation either through an Army connection as several members of the family were in the Indian Army or possibly one of my ancestors was a companion lady to Queen Victoria !!I have always been fascinated by family history, my Grandmother shared incites and family stories with me and gave me many photos and special items.The Lace is historically interesting, so just sitting in my trunk seems a waste. It needs to be seen and appreciated, hence my reason for selling itPlease note this Lot will need to be collected from Head Office in Etwall
Los 341
A PAIR OF ITALIAN CARVED AND PAINTED MONKEY WAITERS VENETIAN, MID-19TH CENTURY each modelled perched on a pile of rocks, with his tail wrapped around a tree trunk and holding out a platter, wearing a painted and gilded Renaissance style costume (2) 144cm high (max) Catalogue Note For a similar single walnut figure, see Woolley and Wallis, Furniture, Works of Art & Clocks, 6th July 2021, lot 464.
Los 383
A MAHOGANY MUSICAL LONGCASE CLOCK BY J. HEYWOOD, NORTHWICH the brass three train movement with four turned pillars striking the hours on one bell and chiming on a nest of eight bells, the twelve and three quarter inch brass dial with black Roman hour and Arabic five minute numerals, months of the year, days of the month and Saint's days, inscribed to the centre 'Labour here with all my Might/To tell the Hours of Day and Night/Thy constant care then let it Be/To serve the GOD as I serve Thee' and 'Heywood / Northwich' amongst foliate scrolls, beneath an arched brass moon dial with the days of the month, inscribed 'He appointed the Moon for Certain Seasons', the arched case in the manner of Gillows, the hood centred with a Prince of Wales plumes of feathers with a gilt crown, the broken swan neck pediment and blind fretwork above a glazed door flanked by four fluted columns and four half columns to the side, the trunk with applied scrolling foliage to the door flanked by fluted columns and above a fruiting swag, the base with similar decoration, on bracket feet, with three weights and a pendulum 255cm high
Los 385
A WILLIAM AND MARY WALNUT AND MARQUETRY LONGCASE CLOCK BY JOSEPH WINDMILLS, LONDON, LATE 17TH CENTURY the brass eight day twin train movement with four turned pillars, the anchor escapement striking on a bell, the ten and a half inch brass dial with a silvered chapter ring with black Roman hour and Arabic five-minute numerals and inscribed 'J Windmills London', the matted centre with a subsidiary seconds dial and a date aperture inside cherub head spandrels, the hood with a square, glazed door framed with a floral inlay and flanked by turned columns with gilt capitals and bases, the trunk with a circular glazed lenticle to the door, between panels inlaid with birds amongst scrolling foliage, with two weights and a pendulum 202cm high Catalogue Note Joseph Windmills an esteemed maker and was made free of the Clockmakers' Company in 1671 and became master in 1702. He was in partnership with his son Thomas and they were based in Tower Street, London.
Los 386
A WALNUT AND OLIVEWOOD OYSTER VENEERED AND PARQUETRY LONGCASE CLOCK PROBABLY BY SAMUEL WATSON, LONDON, LATE 17TH CENTURY AND LATER the brass eight day movement with four turned pillars, the anchor escapement striking the hours on a bell, the brass ten and a quarter inch dial with a silvered chapter ring with black Roman hour numerals interspersed with fleur-de-lis markers with a matted centre, with a subsidiary seconds dial, a date aperture and pierced hands, the shuttered wind holes inside cherub head spandrels, the hood with silk backed fretwork frieze, with ebonised spiral twist columns, the trunk decorated with fan and star paterae on an oyster ground, with a glazed lenticle, on a plinth foot, with a pair of weights, pendulum and key 197cm high Provenance The family collection formed at Well Head House, Halifax, Yorkshire. Catalogue Note Samuel Watson (d.1740) was elected as Sherriff of Coventry in 1686 before going to London in 1690. Watson made two astronomical clocks for King Charles II. He had been made 'Mathematician in Ordinary' to the King in 1682 when he delivered the first clock. Watson was the leading astronomical clockmaker at the end of 17th century. He seemed to specialise in table (spring) clocks but he also made some longcase clocks and a number of watches.
Los 1
A large late 19th-century carved wood Black Forest Bear hall stand; modelled as a bear cub seated atop a tree trunk observed by the anxious mother bear below; the base with an integral umbrella/ stick stand fitted a pressed tin drip pan, on a heavily carved rocky base. The stand has the legend "HS 5091" carved below the removable drip pan. 89 cm wide x 204 cm overall height.
Los 1451
Petschaft mit Elefant, 2. H. 19. Jh.Messing. Griff in Form eines kleinen Elefanten mit ausgestrecktem Rüssel, auf Rundfuß, ohne Monogrammgravur. H. 3 cm Petschaft with elephant Brass. Handle in the shape of a small elephant with outstretched trunk, on round base, without monogram engraving.
Los 23
A FRENCH LOUIS XV ORMOLU AND PATINATED BRONZE ELEPHANT MANTEL CLOCK AFTER A DESIGN BY JACQUES AND PHILIPPE CAFFIERI, MID-18TH CENTURY AND LATER the brass drum movement with an outside countwheel striking on a bell, the five and a quarter inch enamelled dial with Roman hour numerals inside Arabic minute numerals to the quarters, in a chinoiserie case surmounted with a Chinaman holding a spear, with foliate swags to either side and convex glazing to the front and back, mounted on the back of an elephant standing four square with its trunk raised, on a naturalistic base with scrolling feet, with key and pendulum 46.5cm high, 38cm wide, 17cm deep Provenance Alfred de Rothschild (1842-1918) Bedroom no.7, Halton House, Buckinghamshire Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House Literature Rothschild Archive, London, Manuscript: 000/174/C/3, Christie, Manson & Woods Probate Valuation of 'The Estate of Alfred C. de Rothschild, Esq. C.V.O. Deceased, Halton House Tring'. 1918. Listed as 'A clock in ormolu case, supported by a figure of an elephant, £15.0.0.' Catalogue note The 18th century was a period of great exploration and the discoveries made were often reflected in the decorative arts of the period. This was especially true in France during the reign of Louis XV where the skills of the master clockmakers, ebenistes, bronziers and ceramicists were often combined to create fantastical objects such as the clock being offered here. The animals used in the creations varied widely and eventually included elephants, rhinoceroses and ostriches, as well as the more recognisable bulls and wild boars. The earliest examples of these exotic clocks date to the mid-1740s but their popularity reached its zenith in the 1750s and lasted to the early 1760s. The modelling of the elephant used in this clock is likely to have its origins in the Japanese Kakiemon porcelain models of the late 17th century such as those that can be seen at Burghley House in Lincolnshire (Porcelain from Palaces, Exhibition Catalogue, British Museum, 6 July - 4 November 1990, p.178, no.160), and others were found across the European Courts. A prominent maker of clock cases was Joseph de Saint-Germain (maitre in 1750). He was one of the most celebrated bronziers of his age and championed the Rococo style. See H. Ottomeyer / P. Proschel, Vergoldete Bronzen, p.123. pl.2.8.3., for an elephant clock by Saint-Germain very similar to our clock. A related clock formerly in the Jones Collection can be found in the Victoria & Albert Museum, accession number: 1008:1-1882.
Los 10
A 19th century oak longcase clock, with a broken swan neck pediment and square pillars, the 35.5cm square dial with cottages and churches to the spandrels, with Roman numerals, a seconds subsidiary dial and a calendar aperture, inscribed "David Owen Llanrwst" the eight day movement striking on a bell, with a short trunk door, box base on bracket feet, 215cm high
Los 23
Hogcutt's Wildlife Garden Artist:Ian LastIan has been a wildlife and Landscape artist for over 20 years painting and drawing Suffolk’s wildlife, particularly birds. He works in most mediums, pencil, acrylics, oils and now even sculpture. He has a realistic style and tries to portray the beauty of our country’s wildlife. To celebrate the Platinum Jubilee, there are an amazing 70 species in Ian's sculpture. They are: Grey squirrel, Tawny owl, Painted lady butterfly, Cow parsley, Mallow, Oxeye daisy, Buttercup, Common blue butterfly, Comma butterfly, Swifts, Badger, Brimstone moth, Cinnabar moth, Blackbird, Stag beetle, Twig pile, Common frog, Lilac, Turtle dove, Wood pigeon, Sunflowers, Dormouse, Mole, Bullfinch, Blackbird nest, Elephant hawk moth, Garden snail, Earthworm, Green woodpecker, Goldfinch, Wren, Grasses, Forget me nots, Wild rose, Holly blue butterfly, Robin, Ladybird, Brimstone butterfly, Gatekeeper butterfly, Garden Bumblebee, Buddleia, Small tortoiseshell butterfly, Poppies, Common darter dragonfly, Goldcrest, Orange tip butterfly, Foxglove, Ivy, Shrew, Nuthatch, Holly, Blackberries, Red admiral butterfly, Autumnal oak leaves, Hedgehog, Swallows, Redwing, Fieldfare, Fly agaric mushrooms, Common toad, Apple, Echinacea, Long tailed tit, Birch trunk, Honeysuckle, Peacock butterfly, Crow, Blue tit, Great spotted woodpecker and Fox. How many can you spot? Sponsor:NotcuttsNotcutts is family owned group of garden centres each with their own unique local character. Notcutts was founded in 1897 and since then our name has stood for garden inspiration offering expertise and friendly service to help our customers.https://www.notcutts.co.uk/ Measurements (approx.)Length 165cmHeight 75cmWidth 40cm
Los 272
Louis Vuitton: a Monogram Wardrobe 85 Casier TrunkMonogram canvas with brass hardware and vachetta leather handles, the interior with two drop down drawers with leather handles to one side, and extendable hangers to the otherCondition Grade A-50cm wide, 20cm deep, 85cm high, includes keysFor further information on this lot please visit Bonhams.com
Los 274
Louis Vuitton: a Lady's Low Monogram Steamer Trunkc.1910Wood-bound monogram jacquard fabric, brass carrying handles and two internal trays, canvas lined with original label and numbered 148541Condition Grade C+110cm wide, 58cm deep, 61cm highFor further information on this lot please visit Bonhams.com
Los 275
Goyard: a Goyardine Canvas Wardrobe Trunk1920sGoyardine printed canvas with leather trim and brass hardware, the interior fully fitted with five drawers to one side and a hanging compartment with four hangers to the others, wheels to baseCondition Grade D105cm high, 55cm deep, 37cm wideFor further information on this lot please visit Bonhams.com
Los 278
AN OAK 30-HOUR LONGCASE CLOCK the 12-inch square painted dial signed 'Jn. Bishop / Sherborne', the small case with moulded cornice and crossbanded trunk door. 185cm highThere is a chain and circular lead weight, the case is split at the base, wood is faded in parts, the hood has signs of being knocked, the enamel on the clock face is crazed and the inscription worn.
Los 279
A 19TH CENTURY MAHOGANY AND OAK 30-HOUR LONGCASE CLOCK, SIGNED JOSH WOOD, KINGS CROSS the 14-inch painted break arch dial with subsidiary seconds and date wheel, the hood with free standing columns, the trunk with shell inlaid door flanked by quarter columns, with pendulum and weight. 225cm high
Los 291
▴ Neil Macpherson (b.1954)'Night Train to Cairo', 2000signed 'Macpherson' l.r., oil on board59 x 59cmProvenance: With Boundary Gallery, London.Condition ReportFramed size: 75 x 75.5cm.Small splits to the paint along the grain of the wood around tree trunk and man's shoulder, these are fairly minor and only noticeable under close observation, paint is stable, generally in good order. Please refer to images.
Loading...-
66972 Los(e)/Seite