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A Cantonese Ivory Puzzle Ball, 19th century, on a carved and pierced column stand, 19cm high overall; A Similar Pair of Puzzle Balls on Stands, with elephant supports, 12.5cm; and A Similar Puzzle Ball and Stand (4). Ball 1: some flea bite chips to the external ball, the remainder appear ok, the stand with ingrained dirt and some flea bite chips to the rim but no other apparent issues. Ball 2: one crack to external ball, several internal balls with damage, stand repaired at the bowl. Ball 3: some cracks to the internal balls, the external ball with some minor chips, the stand with age related small cracks, overall age related staining, slightly skewed on base. Ball 4: some internal balls cracked/broken, the external ball with noticeable losses, the stand with a chip to the trunk of and elephant support, another elephant support lacking one tusk, with age related staining throughout
Jan Hendrik van Grootvelt (1808-1855) Dutch Outside the inn Signed and dated 1841, oil on panel, 44.5cm by 57.5cm Provenance: The Winnipeg Art Gallery, Toronto; Anon. sale, Sotheby's, London, 28 November 1990, lot 48; Purchased from the above sale by the present owner; Private collection, UK. See illustration . There is a patch of restoration and over painting above the gable end of the left hand side building and is approx. 3cm by 2cm. Further delicate and sporadic retouching to the foliage in this general area. The upper approximate sixth of the trunk of the tree has been overpainted and there is a further patch of general strengthening and overpainting to the right of this within the foliage and the roof of the building beneath. The silhouette of the bird on the right hand side perched on the balcony of the building and the outer edge of the building has been strengthened. There has been a further course of retouching and restoration at another period which involves relatively sporadic retouching within the canopy of the tree, some of the outer edges, elements of some of the figures faces and within the general composition of the foreground. Cleaned and re varnished. The surface is somewhat abraded and thin in places as a result of this, mostly evident within the background. Minor rubbing/abrasions to some edges, surface dirt and discoloured varnish. Fine stable craquelure in areas, most prominently within a horizontal band across window height of buildings. The back of the painting has a good quality cradle. In essentially stable condition.
Hawthorne (Nathaniel, novelist and short story writer, 1804-64) Autograph Letter signed to William Davis Ticknor, publisher, 1p. with conjugate blank, 8vo, Concord, [Massachusetts], 11th October 1861, "Mrs. Hawthorne has now in readiness to send to England a certain trunk, of which she spoke to you a long time ago. Will you see that it is shipped aboard some steamer, to sail soon. Mrs. Hawthorne thinks it best not to send the key, but to allow the lock to be forced by the Custom House examiner. The trunk is to be certified to Mr Wilding, who, I suppose will take charge of it after its arrival in Liverpool", laid in on paper mount, folds, slightly browned.
Goyardine Wardrobe Trunk,Goyard, 1930s,Printed hardsided case with fitted interior with hanging compartment and two lift down drawers, monogrammed 'M.S.P' to either side, Condition Grade B 80cm wide, 46cm high, 21cm deep, Includes four original hangersFor further information on this lot please visit Bonhams.com
Monogram Wardrobe Trunk,Louis Vuitton, early 20th century, Stenciled monogram and wood bound, fitted and complete interior with hanging space on one side and five fitted drawers on the other,Condition Grade C+ 110cm wide, 55cm deep, 43cm high, Includes original hangersFootnotes:To be offered for sale on behalf of the Joint Special Managers of Thomas Cook Group plc and Certain Subsidiaries in LiquidationFor further information on this lot please visit Bonhams.com
A good early 19th century month-going, grande sonnerie striking Vienna 'Lanterndl-Uhr' regulatorA. Liszt, ViennaThe architectural case with sliding hood with triangular pediment over an ogee moulded throat to a long trunk with lift-out arched glazed door over a base with similar lift-out panel, all edged in boxwood, the base with twin levelling screws mounted to the rear; the gilt bronze bezel cast with lattice work and beading enclosing the 8 inch white enamel dial with outer minute band and slender Roman numerals, signed between VII and V 'A.LISZT IN WIEN' with blued steel hands and subsidiary seconds below XII; the weight driven movement with solid front plate and 'open-frame' back plate that carries the three slender barrels, the train wheels mounted on a U-shaped sub-plate mounted to the front plate by four pinned pillars, with deadbeat escapement, striking the hours and the quarters via brass-headed O-ring hammer heads on a pair of circular-section coiled blued steel gongs mounted on a T-shaped stand stamped 'M.Miller & Sohn, in Wien', the wood-rod pendulum with spring suspension set on a post screwed to the backplate. Running, chiming and striking. Sold with three weights and a crank winding key. 1.42m (55.5ins) high.Footnotes:Provenance: single family ownership for 30+ years. Possibly bought from Tony Woodburn. Anton Liszt worked in Vienna from circa 1825-1850. Various types of clocks by him are illustrated in several of the standard works on Austrian clockmaking including timepieces made for travel and the mantel piece; it would seem that he had a market for a broad range of products. A comparable Lanterndl-Uhr, but of only one-week duration, is illustrated in Kaltenbock 'Viennese Timepieces', Gunther, 1993, colour plate 398. The use of a sub-plate to carry the train wheels is a rare feature.For further information on this lot please visit Bonhams.com
A good 19th century mahogany longcase regulatorPennington, LondonThe stepped chamfered top over a rippled cornice on canted front angles, the trunk with a long glazed door to display the pendulum against the flame-veneered interior, on a panel base with applied shaped moulded panel, the 12 inch circular painted dial with outer minute band and subsidiaries for running seconds (with Observatory marks) and Roman hours framed by a silvered sight ring, the movement with Harrison's maintaining power and deadbeat escapement, each wheel of six crossings, the wood rod pendulum impulsed by a roller eccentrically pivotted on the crutch acting against a small brass insert on the side of the rod, terminating with a heavy lenticular bob. Ticking. 201cms (6ft 7ins) high.This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Of Royal Provenance. One of only two known regulators by Thomas Reid with his spring pallet escapement and pendulum. A fine and very rare early 19th century mahogany floorstanding regulator of one month duration, DATED 1816.Reid and Auld, Edinburgh. The movement repeat signed and dated.The case:the shallow arched hood with moulded cornice over canted front angles to a concave throat moulding, the dial surround lined in brass, over a long trunk door with shaped glazed panel to reveal the arc of the pendulum against an engraved silvered beat scale, and the descent of the brass cylindrical weight, flanked by conforming canted front angles, on a panel base with applied shaped moulding on a plinth raised on block feet. The interior of the trunk door applied with various labels including a 19th century printed 'Table of the Equation of Time'; a description of the clock hand written in sepia ink; an oval label of the 20th century Antique clock retailer Percy Webster; and an illustration from Britten's Encyclopedia of 1894. Further set with the engraved brass presentation plaque 'Presented to / THE LADY ALICE MONTAGU DOUGLAS SCOTT / on the occasion of her Marriage with / H.R.H. THE DUKE OF GLOUCESTER, K.G., P.C., K.T. / From the Directors & Senior Officials of the Royal Bank of Scotland / of which Bank her Father / The Seventh Duke of Buccleuch & Queensberry K.T., GVCO was Governor / 6th November 1935.' The backboard of solid mahogany one inch (25mm) in thickness sporting a shaped heavy cast iron plate occupying nearly half the length of the backboard to support both the movement and the pendulum. The dial:the 9.5 inch shallow arched dial signed in the upper part 'Reid & Auld, Edinburgh' in a flowing script over an Arabic minute track marked in tens, the upper half of the dial containing the Arabic seconds ring, the lower with a twice 1-12 Arabic hour ring, with original blued steel hands.The movement: of one month duration and heavy brass plates cast to allow the positioning of the barrel to the left hand side, united by four substantial turned pillars and secured to the cast iron seat-plate by three very heavy brass brackets, the seat-plate located on two pairs of brass angled brackets mounted to the tops of the case cheeks, the entire lower assembly using 18 screws to lock the movement in position. The movement is further secured within the case by a bridge-arrangement spanning from the heavy cast iron plate on the case back board to an extension piece set above the movement backplate. The iron horizontal seat plate and the vertical backboard plate both carry pairs of runners that would have originally located the brass-framed and glazed dust cover (cover now lacking). The brass weight suspended on a pulley of six crossings, pulling the gut line through a moving slide set on runners on the seatplate. The wheel train:the five wheel train with high count wheels of six crossings with pinions ranging from 24 on the second wheel to 16 on the 'scape wheel, terminating in Reid's deadbeat spring pallet escapement, all arbors with hardened steel end-plates where possible. The long crutch to Reid's own pendulum consisting of a larger diameter hollow zinc tube flanked by a pair of steel rods terminating in a typical massive bob with engraved rating nut. 174cms (5ft 8.5ins) high. Footnotes:Provenance: Their Royal Highnesses, The Dukes of Gloucester.A wedding present from the Directors and Senior Officials of the Royal Bank of Scotland to Lady Alice Montagu Douglas Scott, later Princess Alice, Duchess of Gloucester (1901-2004). Lady Alice married Prince Henry, Duke of Gloucester (1900-1974), the third son of George V, on 6th November 1935.The oval plaque applied to the interior of the case is that of Percy Webster, the highest profile antique clock dealer working between the wars. Webster would have been the natural choice for anyone wishing to buy the finest clocks on the market at that time. The current clock is one of only four known regulators in the world by Thomas Reid, and one of only two that retain his original spring pallet escapement and pendulum. All four were made between 1811 and 1818 and comprise:1811 made for Lord Gray for his private observatory at Kinfauns Castle, Perthshire, Scotland. The month duration movement has a mercury pendulum and is remarkable for the use of anti-friction rollers. Remained with the family until 1934, altered to Richie's deadbeat escapement at about this time. Advertised by Derek Roberts Antiques, Tonbridge, Kent, in 'Antiquarian Horology' Vol.19, no.2, p131. 'This historically and technically very important regulator of 45 days duration was made by Reid virtually regardless of expense.'1813 made for Calton Hill Observatory, Edinburgh. Eight day duration, mercury pendulum. Altered in the 1850s to deadbeat escapement. Used, among other things, to time the daily firing of the gun at Edinburgh Castle at 1pm, and to ensure the correct drop of the time ball of the Nelson monument on Calton Hill. See 'Antiquarian Horology', Vol. 8, no.1, pp.51-61. 'The Astronomical clocks at the Observatory, Calton Hill, Edinburgh' by Christopher Wood, F.R.A.S.1816 the current lot. Month duration, original escapement and pendulum. Royal ownership since 1935. 1818 Month duration, original escapement and pendulum. Donated in the late 19th century by E. Thompson to the British Horological Institute. Restored in the late 1980s - see 'The BHI Reid and Auld Spring Pallet Regulator' by R. John Griffiths, 'Horological Journal', August 1992. Thomas Reid was born in Dysart, near Fife in 1746. Aged 16 he was apprenticed to his gifted clockmaking cousin James Cowan. When the latter died, Thomas returned from London to take over the business, proclaiming in the 28th November 1781 Edinburgh Evening Courant that '.... having received the instructions of the first masters in that profession, did carry on business and was employed in the execution of first-rate work there..' He ends the announcement with the promise that '..he makes no doubt of giving entire satisfaction to his employers'. Reid's skill and confidence were soon rewarded with public commissions all over Scotland including the first clock for the spire of St. Andrews Parish Church on George Street and improvements to the clock of St Giles' Kirk. His two movements for Annan Town Hall are particularly remarkable in that he designed them so as to allow access to each of the wheels independently from one another. He is best known today for his treatise 'On Clock and Watch making' written in retirement and which eventually ran to six editions. He died on 24th September 1831. Thomas Reid took William Auld into partnership in 1806. Comparative literature:'The BHI Reid and Auld Spring Pallet Regulator dated 1818', R. John Griffiths, 'Horological Journal', Vol.135, no.2.'William Hardy and his spring-pallet regulators', Charles Allix, 'Antiquarian Horology', vol.18, no.6 pp.607-629.Roberts, D. (2003) 'English Precision Pendulum Clocks'. Schiffer Publishing. pp.94-100.Smith, J. (1975) Old Scottish Clockmakers from 1453 to 1850. Redwood Burn Limited. A review of the innovation following the pioneering work with gravity escapements from the earlier years of the 18th century is given below:THOMAS REID'S SPRING PALLET REGULATORSby Andrew KingWith the considerable advance towards the development of the marine timekeeper in the middle years of the eighteenth century, thought was evolving with new ideas to increase the precision of pendulum regulators. The dead beat escapement refined by George Graham earlier in the century was a very simple and generally robust system, but with the more recent successful achievement of the detached spring detent escapement in what was now, by the late eighteenth centur... For further information on this lot please visit Bonhams.com
Queens Bodyguard of Scotland Royal Company of Archers Full Uniform, Headdress and Sword Grouping Contained in the Original Metal Storage Trunk, the grouping consists of the long pattern green cloth tunic with gauntlet cuffs and shoulder wings. Trimmed with black braid and crimson velvet, four bars of black braid across the chest, showing a light crimson velvet. Black braid and crimson velvet also to the collar. Crimson silk shoulder cords with gilt metal button. Fine quality sash with large badge in fine gilt metal to the centre and a lower sash badge in gilt and enamel retaining nearly all the original fire gilt finish; Evening dress tail coat in dark green cloth with green velvet collar. Green silk cloth lining t the interior. Three gilt metal tunic buttons to the front, waist band and tail skirt; Royal Company of Archers cape in green cloth with collar. Bands to the inside to fasten the cape down. Cape lined at the shoulders with green Italian cloth. Gilt metal special pattern cape chains and large gilt metal buttons; Trousers of green cloth with black braid and crimson velvet stripes; 2x variations of the full dress bonnets in green cloth with black braid trim. Crimson tuft to each bonnet. White and green silk cockades with fine gilt metal bonnet badges which retain nearly all of the original fire gilt wash finish. One bonnet with the original eagle feather. One bonnet is stiff type and the other is more like a beret; Black leather belt with sword frog and gilt metal Royal crest plate, the circlet inscribed “Queens Bodyguard for Scotland”; Parade pattern short sword made by Wilkinson sword, ornate gilt metal hilt, acid etched blade with EIIR cipher. Much of the original polish remains to the blade. Housed in the original leather and brass mounted scabbard. Accompanied by other items of accoutrements and housed in the original metal transit trunk with brass name plate engraved “P D GILMOUR ESQ”. A truly fantastic condition set which shows very minimal wear. Please note we are not able to offer in house post and packing on this item due to weight and size.
Paperweight comprising a tree trunk mounted on metal plaque inscribed "tree planted by Adolf Hitler in Wetzer District in Einbeck, used as a shrine by local Nazis. Removed on July 28th 1945 by Flt Lt Tedder", on reverse of plaque, photograph of Flt Lt Tedder and four other British soldiers in uniform standing by tree, 15cm long x 14cm high
A collection of various trunks and suitcases to include a Victorian painted ebonised and slatted wooden trunk initialled "M.A.B", a Liprosta of Dresden studded leather bound canvas covered suitcase, two Revelation suitcases and seven others various, a Sirram picnic hamper and two painted linen baskets and two Lloyd Loom linen baskets
A 19th Century mahogany cased long case clock, the eight day movement with painted arch dial, decorated with figures emblematic of The Four Seasons, the dome top decorated with Middle Eastern figures at a table, the circular dial with Roman numerals enclosing a subsidiary seconds dial and date aperture, inscribed "Geo Stephenson Warminster", 51 cm wide x 216 cm high CONDITION REPORTS The eagle and ball surmount to the top of the case is a replacement in lower quality casting and oak particularly to the lower trunk. Several replacement sections of wood throughout the case. The movement however seems to be fairly untouched and in dirty unrestored condition. There is a pendulum and two weights. See images for further detail.
A modern teak sideboard with two glazed doors flanked by two banks of three drawers, a reproduction cross banded demi-lune side table of credence table form, a simulated crocodile skin cover and plated hat and coat rack of column form, a modern pine trunk and matching two drawer filing cabinet and white painted cheval mirror Size approx 123cmlong x 80cm high x 44cm deep
A George III longcase clock, inscribed Robert Lough, Penrith , the arched brass dial, with Roman numeral hours and Arabic minutes and date dial surmounted with a moon phase to the arch, fitted with an 8-day movement striking a bell, contained within an arched hood with swan-neck pediment and brass finial above a glazed door flanked by turned columns, above a mahogany trunk with shaped panel door and raised on a panelled box base with shaped ogee bracket feet. 245cms high.
Sale Item: ORIENTAL CARVED TOP TRUNK Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
Sale Item: OAK CARVED TRUNK (AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
Sale Item: VINTAGE CAR LUGGAGE TRUNK (AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
Sale Item: PINE LUGGAGE TRUNK (AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
Sale Item: PINE LUGGAGE TRUNK (AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
A GERMAN SILVER TAZZA, PROBABLY MASTER OF THE ~B & ANCHOR~, HANAU, MID 19TH CENTURY the circular dish relief chased with a Renaissance ~par force~ boar hunt, the mounted hunter in a rural enclosure about to pierce a beast with his sword, the rim also richly chased with foliage and animals including deer and goats, the openwork stem of three stag heads and antlers on a trunk, the domed base foliate chased and applied figures of swine, a lion, a cow, a bird and a beetle, the fluted base rim with an engraved border, mark of an animal~s head facing and 13 flanked by lion rampant 13cm high, 465.5gr Although only one mark is present here of those pseudo marks usually found on ~B and anchor conjoined~ pieces, the historismus style and fine chasing of this tazza make for a reasonably firm attribution to the Master of the B & Anchor.

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