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66972 Los(e)/Seite
An early 20th Century gentleman's green painted travelling trunk, formerly the property of Captain C. E. Phillips, the lid stencilled in white and with No. 171478, the fabric and wood fitted interior with hanging space and four drawers, 36ins wide x 22ins deep x 15ins high (slight wear and damage throughout), the drawers containing a small selection of military caps, badges, buttons and other ephemera
A late 18th Century oak longcase clock by Josiah Kember of Shaw, the 11ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals and matted and engraved dial centre to the thirty hour brass and iron framed movement with outside locking plate striking on a bell, contained in "North Country" oak and mahogany banded case with moulded cornice and slender turned and fluted pillars to hood, shaped trunk door crossbanded in mahogany and flanked by reeded quarter columns and conforming raised panel to base, on bracket feet, 78ins high Note : Josiah Kember recorded working before 1771 to 1777
An early 19th Century mahogany longcase clock by Edward Shilling of Milton, the 12ins arched painted dial with Roman numerals and subsidiary seconds dial, the arch painted with a romantic rural landscape and with floral sprays to spandrels to the eight day two train movement striking on a bell, contained in case probably by Goulden of Canterbury, with shaped "Dolphin Tail" cresting above moulded cornice and with turned and fluted pillars to hood, arched trunk door veneered in figured mahogany, on bracket feet, 85ins high Note : Edward Shilling recorded working Milton (Sittingbourne) circa 1800-1838
An 18th Century mahogany longcase clock by Robert Evens of Halsted, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, the matted dial centre with subsidiary seconds dial and date aperture to the eight day two train five pillar movement striking on a bell, contained in figured mahogany case probably by Goulden of Canterbury, the hood with shaped cresting and moulded cornice, and turned and fluted pillars to hood, the shaped trunk door veneered in figured mahogany, the confirming base with raised astragal moulding and double plinth base, 89ins high Note : "Kent Clocks and Clock Makers" by Michael Pearson, published by Mayfield Books 1997 shows two makers of the same name, movement probably made by the father, circa 1730-1740 and the case would date later, possibly during the time of the son, recorded working circa 1795
Early 19th century 'Tavern style' wall clock with eight day weight-driven movement striking on a bell, twelve inch white enamel dial with black painted Roman numerals faintly signed - Thos. Hallam, Nottingham, in wall mounted oak case with trunk door and hood with domed pediment and circular glass, 145cm overall length (winding key, weights, pendulum and door key present)
Late 18th century eight day oak long case clock, the brass automaton dial (28cm diameter) signed Aaron Austin Bristol and engraved with cottage, bridge and angler scene, subsidiary seconds dial, Roman chapter with Arabic outer chapter ring at 5 minute intervals, date aperture, surmounted by painted Old Father Time automaton and engraved Tempus Fugit, applied gilded spandrels of foliate scrolls, mask heads and dolphins, the corniced hood with reeded pilasters and glazed side panels with some later replacement fretwork and panelling, the trunk with chamfered corners and mahogany banded door with remnant of original key in lock, the base of trunk a later replacement, perhaps sycamore (height 209cm), with two weights and pendulum, winder in office. Handwritten label within the door 'The dates of Aaron Austin are 1775 to 1795. No doubt these dates refer to the time that he was making clocks. Arch dials 1720. 18th century'
19th century eight day long case clock by Thomas Dawes of Northampton with brass spandrels and silvered dial. Inner Roman numeral chapter ring, secondary minute dial and calendar aperture over which is an automated tin hand painted sliding 'Old Father Time' movement and circular silver tempus fugit inscription and brass dolphin decoration. An oak trunk and hood with wedge shaped pediment on bracket feet, 254 cm high
Geological Fossil Palm Wood Specimen Jurassic Period, 200 million years BC. A large trunk section of fossilised palm wood, showing typical palm-wood pores on the surface, sandstone cast. 1.82 kg, 26cm (10 1/4"). From a historic ‘Victorian Museum’ collection; from the stock of Gregory, Bottley & Lloyd (1981-2014); formerly with Gregory, Bottley & Co. (1932-1981) and previously with J. R. Gregory & Co. (1898-1932); originally in the collection of the famous James Reynolds Gregory (1858-1898"). This item is part of a historic collection of fossils and minerals which has recently been reviewed by leading geological expert Dr. Ronald Bonewitz. James Reynolds Gregory (1832-1899) was one of the principle London mineral and fossil dealers during the second half of the 19th century. The company he founded was one of the longest surviving geological suppliers in the world, second only to Kranz of Germany. In 1858 James Gregory established his business selling polished stones, minerals and fossils from premises in King William Street. A few years later he moved to premises in Golden Square, Soho. He won prize medals at exhibitions in Paris (1867), Sydney (1879) and London (1862 and 1883"). He also formed a superb collection of meteorites, which was later sold by his sons to the Natural History Museum, London. On the death of his father in 1899 Albert Gregory took over the business, dealing from premises in Kensington, then 30 Old Church Street in Chelsea. He eventually sold the company in 1932 to Percy Bottley, and after his death in 1982 the premises were sold. The company was then acquired by Brian Lloyd who had started the Natural History sales at Sotheby's before dealing from his own premises in Pall Mall. Gregory, Bottley & Lloyd, as it became known, traded from Ricket Street and later Seagrave Road in Fulham. In 2008 the business and all of the stock and Victorian cabinets were moved out of London to Walmer in Kent. On the eventual retirement of Brian and Mary Lloyd in 2014, with none of their family interested in taking over the business, the stock was sold and is now dispersed. [No Reserve] Very fine condition.
A most unusual striking Tavern clock of octagonal form, signed on the lower three dial mouldings Edward Faulkner London, the black dial with gilt Roman hours and Arabic outer five minute ring, brass counterbalance hands, the two-train movement with five ringed pillars, anchor escapement and locking plate striking, shallow depth barrels winding counter-clockwise, the arched trunk door lacquered with gilt figures and birds in an oriental landscape, the surround decorated with gilt flowers and foliage, 59in (150cm) high; dial 31in (79cm) wide.Edward Faulkner, London: apprenticed 1692, Free of the Clockmakers Company 1702, Master 1734-44.1. There are no octagonal Tavern clocks recorded with original striking movements.2. This movement originally standing on a seatboard on cheeks within the trunk, is now fitted to the dial with later false plate.3. Unlike other clocks the main section of this dial consists of a single piece of oak.4. Removal of the false plate reveals that the dial has always had two winding holes. There is no evidence of a single hole being plugged.5. In conclusion: despite alterations to the case, this clock has always had a striking movement.
An eight day mahogany longcase clock, the 13 inch painted dial signed D. Thomas, Hafod, Swansea, the spandrels and arch painted with ruins of castles and churches, subsidiary seconds and calendar sector, the four pillar movement in a case with free-standing columns flanking the trunk and hood, swan neck pediment, the whole with mahogany crossbanding, 89in (226cm) high.
An eight day oak longcase clock with moonphase, the 12 inch painted dial signed Wright, Kennoway, subsidiary seconds and calendar sector, florally painted spandrels, the arch containing a rolling moon with unusual scene of a man o'war in flames, the four pillar movement in a slender bleached oak case, the trunk flanked by fluted pilasters, the hood with swan neck pediment and turned wood urn finial, 81in (207cm) high.
An eight day oak longcase clock, the 12 inch dial signed Lawrie, Carlisle in the foliate engraved silvered centre, date aperture, added arch with engraved boss, the four pillar movement in a case with fluted pilasters to the trunk, the hood with swan neck pediment, dentil cornice and Corinthian columns, 90in (228cm) high.
An eight day mahogany longcase clock, the 12 inch dial signed John Beck, Salisbury, subsidiary seconds and calendar sector, the arch inscribed Tempus Frigit beneath an engraved eagle, the four pillar movement in a case with panelled plinth and double moulded base, break arch hood flanked by brass inlaid fluted columns, stave veneered trunk door, 86in (288cm) high.
An early 19th century mahogany longcase regulator, the circular 12 inch silvered dial signed Willm. Goffe, London, outer minutes ring with inner subsidiaries for hours and seconds, the substantial six pillar movement with sliding brass dust covers to the top and sides, stamped at the base of the front plate Handley & Moore, 4225, dead beat escapement with jewelled end stones for the escapement, screwed chatons, all wheels six spoked, the mercury glass jar pendulum supported from a massive brass block on the backboard with lateral adjustment, beat adjustment to the crutch, silvered degree scale, slender brass bound weight with six spoked pulley wheel, in a lancet case with glazed trunk door flanked by inlaid canted corners, the hood with lancet top and obelisk finials, 80in (204cm) high.William Goffe, London recorded as working early 19th century. Handley & Moore, London 1802-24.

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66972 Los(e)/Seite