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66969 Los(e)/Seite
LATE EIGHTEENTH CENTURY MAHOGANY AND LINE INLAID LONGCASE CLOCK WITH ROLLING MOON PHASE, SIGNED E. SHEPLEY, MANCHESTER, the 14" painted dial with centre seconds and date hand, well painted with biblical scene entitled, 'Good Work Rewards Men' to the centre and saint portrait spandrels, set beneath the moon phase to the arch, powered by an eight day movement striking on a bell and housed in a case with swan neck pediment and free standing square, tapering columns to the fore corners, over a flame cut long trunk door with ripple arch top, and raised on a chamfered base with ogee bracket feet, the whole outlined in boxwood, 93 ½" (237.5cm) high
A collection of 19th century and other ceramics including a Majolica vase modeled as a tree trunk, an ironstone type punch bowl with chinoiserie decoration, a collection of Torquay wares including a six place dessert set and serving bowl, two leaf shaped pickle dishes, one with cream glaze and the other by Booths, etc
A group of nineteen late 1920's painted wooden models, including a garage building with ramp, a train, a charabane, a steam roller, a petrol lorry, road sweeper, Royal Mail van, two fire engines, an open trunk, a sports car, a rocket car, an ice cream tricycle, a dog (with dog), a petrol pump, a pillar box, a tram, two rail wagons and a policeman
A Rare Small Biedermeier Period Vienna Wall Regulator Timepiece, circa 1830, the nicely figured rosewood case with satinwood stringing, wavy shaped pediment, two piece transitional case with a sliding hood, trunk with glazed front and side panels, 5-inch enamel dial with Roman numerals, gilt metal cast bezel surround, single weight driven movement with a deadbeat escapement, four spoke wheels, 78cm high see illustration . 18.06.18, Hood with minor chips and minor lifting to the veneers, plinth with minor cracks and chips to the veneers and stringing, case has been cleaned to a high standard, dial with minor scratches, movement is clean.
An Ebonised Regulator Wall Timepiece, signed Reid & Sons, Newcastle on Tyne, circa 1880, arched pediment with side door, trunk with glazed panel, 13-1/2-inch circular silvered dial with Roman numerals signed and numbered 4523, seconds dial, spade hands, single weight driven movement with a deadbeat escapement, maintaining power, movement backplate signed and numbered, cylindrical zinc bob, 155cm high see illustrations . 19.06.18, Case with cracks to the top sides, case with scratches and small dents throughout, door edges and the bottom mouldings with the ebonised surfaces rubbed, dial is discoloured and needs re-silvering, movement is dirty, movement is complete, in going order, with pendulum.
An Oak Eight Day Longcase Clock, signed S.Lomax, Blackburn, circa 1770, swan neck pediment, wavy shaped trunk door flanked with inset pilasters, plinth with canted corners, 13-inch square brass dial with chapter ring signed, dial centre with engraved scroll decoration, date aperture, penny moonphase and lunar scale apertures, four pillar movement with an anchor escapement and inside countwheel striking on a bell, 225cm high see illustration . 19.06.18, Hood with some moulding detail missing to the sides, swan neck front capital has come off, some wood is slightly lifting to the left hand side of the trunk, right hand side of the plinth with side panel and mouldings have come apart due to dry joints, sides of the skirting have come apart, plinth with the top right hand side corner moulding is missing, plinth left hand side with wood lifting, dial is discoloured, chapter ring needs silvering, later seatboard, movement needs cleaning.
A Mahogany Eight Day Longcase Clock with Half Hour Passing Strike, signed John Dickman, North Shore, Sunderland, 1816, arched pediment with three brass ball finials, arched trunk with inlaid stringing and flanked by inset pilasters, bracket feet, 13-inch circular white painted dial with Roman numerals, seconds and date dials, four pillar movement with an anchor escapement, rack hour striking on a bell and passing strike on a smaller bell, 220cm high see illustration . 19.06.18, Hood right hand side moulding is chipped to the back corner, plinth is slightly faded and chipped to the top left hand side corner and with a crack, feet with scuff marks, dial is discoloured and rubbed, movement is dirty and needs cleaning, with pendulum and two weights.
A Walnut Marquetry Eight Day Longcase Clock, signed Wm Carter in Cambridge, circa 1700, the case with flat top hood, door with floral inlay flanked by twisted columns, convex moulding above the rectangular trunk door inlaid with birds and flowers within D-ended panels, plinth with marquetry front panel, 11-inch square brass dial with silvered chapter ring signed ''Wm Carter in Cambridge'', matted dial centre nicely foliate engraved, subsidiary seconds, date/day of the week and an unusual ring aperture engraved with days of the week deities symbols, winged cherub spandrels, six pillar movement with anchor escapement and outside countwheel striking on a bell, (dial and movement circa 1700) possibly ''later'' associated to case circa 1700, 207cm high See illustrations . 19.06.18, Case is faded due to sunlight, front of the hood with a later metal fret, pediment corners with chips, converted from rising hood to forward-sliding hood, case with cracks, some trunk mouldings have been replaced, front and sides of the plinth with cracks, reduced plinth has been re-built from the bottom side of the marquetry panel and the skirting is replaced, some minor chips to the marquetry panels, trunk door is slightly bowed, dial is slightly discoloured in parts, wood blocks have been added to both sides of the side case cheeks to lift the movement seatboard up to fit the hood correctly, movement is dirty, later seatboard, bottom of the pendulum rod is broken and old signs of a soldering mark, with pendulum and two weights.
A Regency Mahogany Eight Day Longcase Clock, signed Barwise, London, arched pediment with wooden ball finials, fluted canted corners, nicely figured arched trunk door flanked with 3/4 length fluted pilasters, moulded plinth with bracket feet, 12-inch circular silvered dial with Roman numerals and signed, two dials for seconds and date, strike/silent selection lever above 12, five pillar movement with anchor escapement and rack striking on a bell, wooden pendulum rod with a large bob and rating nut, brass cased weights, 200cm high see illustration . 20.06.18, Hood with the central finial missing, right hand side finial is loose and chipped to the lower edge, both side frets are missing, left hand side fret with its frame moulding missing, case is faded in parts, trunk door with a later added large lock escutcheon plate, front of the plinth with cracks and the wood is slightly lifting, moulding to the plinth with chips, veneers are lacking to the plinth and skirting, plinth left hand side with a black residue staining mark, dial is discoloured and needs silvering, movement is dirty, movement in going order.
A five piece German porcelain monkey band comprising; a conductor, flautist, pianist, French horn player and drummer, decorated in polychrome enamels, the undersides with various impressed and painted marks, tallest 19cm (at fault) CONDITION REPORT: Conductor - Extensively restored throughout. Right hand missing. Left arm broken and repaired. Reverse of figure and wig restored. Large chip to underside. Impressed '1' to back on trunk base. Glaze chips visible to high points. Glaze pooling to base. Flautist- Tip of flute restored. Gilt button to overcoat pocket restored. Incised 'No.11' to underside. Pianist- Chips to edges of piano, overcoat cuffs and tip of one finger. Glaze chip to the reverse on the overcoat. Glaze to overcoat appears mottled. Firing crack where piano sits on monkey. Firing crack to underside. Horn player- Horn restored and detaches from arm which is also restored. Hat restored. Chip to cuff. Face restored. Right foot restored. Drummer- Both hands restored. Drum sticks restored. Chip to overcoat cuff. Hat restored. One leaf to base chipped. Tips of toes to right leg with possible restoration. Impressed '10' to underside. Painted cross sword marks to reverse of trunk base. Chipping and nibbles visible to each underside.
THOMAS ROWLANDSON (1756-1827) "Trunk shop - Mr W bargaining", pen and ink and watercolour, signed lower right and entitled top right, 21 cm x 13.5 cm CONDITION REPORTS Badly discoloured and browned, laid on newer paper. Various dark marks to the upper left corner. Dark spotted mark, various water marks and further spotted marks throughout. Various general signs of wear and tear throughout

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66969 Los(e)/Seite