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Sundry lot including tin trunk, stool, coat rack, carving, wine rack etc All in used condition, unchecked

A CHINESE YIXING 'PEACH' TEAPOT AND COVER BY HE DAOHONG 20TH CENTURY The body formed as a peach tree trunk segment, the upright handle, spout and the knop of the cover as the fruiting branches, with an impressed mark which reads He Daohong (1943-) to the base, and smaller marks to the cover and handle, 14.5cm. (2) Provenance: from the collection of Dr Neil Kendall, acquired from Peter Wain's first exhibition of 18 teapots, entitled 'Contemporary Yixing Zisha Masters', which ran concurrently with his 'Heavenly Pieces' exhibition,opening on Saturday, 8th May 1993, a copy of the invoice is available. 何道洪製紫砂壽桃形提樑壺 《何道洪製》、《道洪》（把手及蓋內） 來源：Neil Kendall 收藏，1993年5月8日從Peter Wain的《Heavenly Pieces》的展覽中購得（付發票複印件）。

A CHINESE FAMILLE VERTE ‘THREE FRIENDS OF WINTER’ YEN YEN VASEPLEASE NOTE THE DATING SHOULD READ 19TH CENTURYPainted with yellow, black and green grumpy-looking magpies perched on a gnarled prunus tree trunk, with peony and bamboo, beneath pine trees, chrysanthemum and with four smaller magpies in flight, with iron-red geometric bands to the rim, shoulder and foot, 45.5cm.Provenance: Field Marshal Earl Kitchener of Khartoum (1850-1916), and thence by descent through the family.Magpies are always auspicious symbols, the birds of good fortune and love. The first character for the name of the bird, xi que, has the same sound as xi, 'happiness'. Magpies are also a symbol for the wish for a happy marriage, success at examinations and for getting rich.清康熙 五彩喜上眉梢鳳尾尊來源：霍雷肖•赫伯特•基奇納元帥（1850-1916），之後由其後人繼承。

Paire de candélabres d'époque Louis XV, en porcelaine de Chine d'époque Qianlong (1736-1796) à motifs d'échassiers, à trois bras de lumière, ornementation de bronze doré, milieu du XVIIIe siècleA pair of Louis XV ormolu-mounted and Chinese Qianlong (1736-1796) porcelain wader birds three-branch candelabra, mid-18th centuryEach échassier resting on a naturalistic oval shaped blue decorated base issuing floral sprays and a trunk, surrounded by a branch-like berried foliate border issuing three scrolling branches with further conforming leaves and fruited berries, terminating in engraved foliate-shaped nozzles and drip-pans, 35cm wide, 19cm deep, 41cm high (13 1/2in wide, 7in deep, 16in high). Footnotes:Provenance:Collection of the Late Arnold Seligmann, sold Paris, 4-5 June 1935, lot 117;Collection P. et M. Jonas. With Gismondi, Paris, sold in February 1999 and thence by descent to the present ownerThe fashion for embellishing exotic and expensive Chinese porcelain into objets de luxe with the addition of rich ormolu mounts, reached its peak in the mid-18th century through the activities of the marchands-merciers such as Lazare Duvaux or Simon-Philippe Poirier. The Livre-Journal of Lazare Duvaux for 1751 notes that Madame de Pompadour paid the extraordinary sum of 1,680 livres for a pair of ormolu-mounted celadon ewers. The detail with which such rich objects were described in contemporary sale catalogues during the second half of the 18th century, in contrast to the more generalised descriptions of unmounted Chinese porcelain found in earlier inventories, demonstrates the importance of these objects.Arnold SeligmannFrom the collection of the famous art and antiquities dealer Arnold Seligmann (1871-1935). The gallery Jacques Seligmann & Co. moved from Rue de Sommerand to Place Vendôme and Arnold's two brothers, Jacques and Simon joined the business as partners. The celebrated gallerists went through a very favourable period at the beginning of the 20th century and the gallery was expanding its clientele among the most important art collectors of the time such as Edmond James de Rothschild, the Stroganov family, Benjamin Altman, William Randolph Hearst and J.P. Morgan. However, in 1912, a family quarrel resulted in a lawsuit that split the company. Arnold Seligmann remained the sole owner of the gallery in Place Vendôme which was then renamed Arnold Seligmann & Cie.For further information on this lot please visit Bonhams.com

Tapisserie à sujet mythologique figurant Thusnelda gravant le nom de son mari Arminius, Lille, début XVIIIe siècleA Lille mythological tapestry depicting Thusnelda engraving the name of her husband Arminius, early 18th centuryWoven in wools and silks, depicting draped Thusnelda with a plumed headdress seated in a wooden landscape and engraving 'ARMIN' on a trunk next to her, with sheep and a goat by her side, with a red ground entwined ribbon and foliate border with scrolling cartouches centred with lambrequins to the angles, 260cm wide264cm high, (102in wide 104 1/2 in high)Footnotes:The Germanic Princess Thusnelda (c.10BC-after AD17), wife of Arminus was captured by the Roman general Germanicus during the invasion of Germania. Tacitus and Strabo cite her capture as evidence of both the firmness and restraint of Roman arms.This lot is subject to the following lot symbols: WW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com

A military style stained pine trunk; a similar smaller trunk and a rough pine box

An 18th century oak longcase clock by James Schofield of Barnsley, with X/B decoration, the hood with swan neck pediment, turned finial, and turned side columns, the trunk with full length doors on bracket feet with arched brass dial and landscape to the arch, lettered "Sic Transit Gloria Mundi" 8 day, striking movement, ht. 2200cm

An early 19th century oak and mahogany longcase clock by Matthew Robson Belford, the hood with swan neck and fretted pediment and turned side columns, the trunk with full length arched door and 1/4 turned columns, arched painted dial with 8 day striking movement, ht. 2200cm

Token:  A rare 18th Century Commemorative Pewter circular Token, the obverse with side profile of "Guillimus Rex - Defender of the Faith," the reverse with central palm tree and crown, surmounted with harp on trunk and various militaria with city and mountains in distance, inscribed around side, approx. 5cms (2") diameter, as a token, w.a.f. (1)

An Irish late Georgian Provincial inlaid mahogany Longcase Clock, by John Martin, Kilkenny, with divided pediment above an arched brass dial, with two subsidiary dials for date and seconds, and 'Tempis Fugit' to the arch, Roman and Arabic numerals flanked with a fluted pilaster to either side, above a trunk door with shaped top on a moulded inlaid box base with plinth, 214cms x 52cms (7' x 20''). (1)

A quality 19th Century Irish mahogany Stick Barometer, the rectangular glazed top with stamped capital, etched scales marked 'Mason, Essex Bridge, Dublin," and vernier adjustment, the trunk with glass thermometer (damaged) enclosed mercury tube, and urn shaped cistern cover, approx. 97cms (38") long. (1)

A very fine Irish mahogany Chippendale Longcase Clock, 12 1/2" square brass dial with extensive engraving signed 'Newman Fecitt' [sic], in typical Chippendale case, with pendulum, two lead weights and pulleys, and winding and trunk door keys. Thomas Newman was an important early Dublin clockmaker. (1)

A very fine Irish brass mounted Longcase Clock, the shaped cornice above a square brass dial, Signed  Dan O'Neill, Dublin, the silverised chapter ring with Roman & Arabic numerals and a subsidiary dial for seconds, the arched and ebony strung trunk door with bead and urn pilasters, on a conforming moulded and ebony strung box base with plinth, 211cms x 47cms (83'' x 18 1/2''). (1)

Y&nbspTHREE LARGE PETRIFIED COROMANDEL TRUNK SECTIONS each approximately 93cm high Condition Report: There are scratches, knocks, cracks and abrasions consistent with age and use.Some small use of filler.Please see the additional photographs as a visual reference of condition.Condition Report Disclaimer

AFTER THE ANTIQUE- A RARE LIFE SIZE BRONZE FIGURE OF THE BORGHESE GLADIATOR ITALIAN, 19TH CENTURY On Portoro marble base overall approximately 156cm high, base 138cm wide This rare life size bronze is modelled after the marble statue found at Nettuno near Anzio in 1611. The original statue, dating from around 100 B.C, is inscribed on a supporting tree trunk behind the right leg; 'ΑΓΑΣΙΑΣ ΔΩΣΙ ΘΕΟΥ ΕΦΕΣΙΟΣ ΕΠΟΙΕΙ [Agasias son of the Dositheus, Ephesus]. It entered the Borghese collection by 1613 and its impact and fame were almost immediate. In around 1618-1625 Gian Lorenzo Bernini had begun work on a series of work at the bequest of his patron Cardinal Scipione Borghese. In 1623, when he was just 24 years old, he halted work on his model of a large group composition of Apollo and Daphne to start production on his figure of David. In this work he portrayed David getting ready for battle rather than the moment of triumph that follows after Goliath's defeat. In the hero's pose, left arm braced upwards and his right foot planted firmly taking the body's weight, Bernini was perhaps drawing inspiration from directly Borghese's elegant, dynamic gladiator. Napoleon Bonaparte purchased the marble figure together with a substantial part of the Borghese collection in 1807, and from Napoleon's collection it entered the Louvre where it remains today (inv. no. MR 224). Condition Report: Generally very good condition- looks to have been stored and displayed indoors for most of its existence. Some slightly paler patina to margins of anatomy such as fingers, elbows, and around face. Some variegation to patination from mild atmosphere streaks. Small knock to hilt in right hand, marble base quite dry and with some edge wear and small repairs.  Mild wear, marks, knocks and scratches as per age, handling, use, and cleaning. Please see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request.Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

A CHINESE ROCK CRYSTAL 'PHOENIX' GROUP 18TH/19TH CENTURY Comprising a brush washer and waterpot, the waterpot formed as a hollowed peach upon a rock, the brush washer worked as a tree trunk carved in relief with a bat and lingzhi, with an elegant phoenix and a peach uniting the two vessels, the mythical bird and small fruit picked out in a green section of the stone, the base incised with three characters reading Tian lai ge, The Pavilion of Heavenly Sound, 20.3cm. Provenance: the Lawrence Collection of jades and hardstone carvings, purchased from Spink & Son prior to 1959. The Pavilion of Heavenly Sound was the name of the private library of the famous connoisseur Xiang Yuanbian (1525-1590). Xiang was born in Jiaxing in Zhejiang province into a family of wealthy merchants and officials. Over his life, Xiang built an excellent collection of rare books, paintings and calligraphy, many of which later became part of the Imperial Collection of the Qing court.十八/十九世紀 水晶雕如意福壽富貴洗《天籟閣》款來源：勞倫斯珍藏玉石，1959年前購於Spink & Son。天籟閣是著名收藏家浙江項氏家族項元汴（1525-1590）珍藏金石書畫的地方，據傳因得古琴天籟而命名。

A FINE CHINESE ROCK CRYSTAL 'PHOENIX' GROUP 18TH/19TH CENTURY Carved in pale translucent stone as a vase and a waterpot, the vase formed as the hollowed trunk of a gnarled pine tree, with a waterpot shaped as lingzhi growing from the root of the tree, decorated in high relief to one side in a green section of the stone with a phoenix perching amidst bamboo, with pine needles and further lingzhi detailed to the reverse, the base worked to simulate tree rings, 12.7cm. Provenance: the Lawrence Collection of jades and hardstone carvings, purchased from Spink & Son prior to 1959. The motifs in this group are full of auspicious symbolism. The lingzhi represent longevity, whilst the pine and bamboo are emblematic of endurance and friendship. The phoenix is regarded as a sacred bird which carries various meanings, including prosperity, power, grace and virtue. The mythical bird was also adopted as a symbol of the Empress.十八/十九世紀 水晶雕竹報富貴瓶來源：勞倫斯珍藏玉石，1959年前購於Spink & Son。

A CHINESE GREY JADE 'THREE FRIENDS OF WINTER' VASE 18TH CENTURY Formed as a section of the trunk of a hollowed pine tree, finely detailed with knots and scales to the wood, the exterior pierced and carved in high relief with gnarled branches of pine, prunus and bamboo, the base incised with tree rings, with speckles and natural pale areas in the dark stone, 15.9cm. Provenance: formerly the collection of Hugh S Whitaker; and then the Lawrence Collection of jades and hardstone carvings, purchased from Spink & Son prior to 1959. Whitaker was a collector of Oriental art in the early 20th century, and many items from his collection are now in major western museums, including the British Museum and the Victoria & Albert Museum. Whitaker is recorded in the Sparks' ledger books between 1914 and 1938 as a buyer. Cf. Compendium of Collections in the Palace Museum, Jade, vol.8, p.227, no.186 for a comparable black and pale celadon jade vase carved with a phoenix amidst bamboo and lingzhi. Pine, prunus and bamboo together are collectively called the 'Three Friends of Winter', or Suihan sanyou. As these three plants are particularly durable in winter, they have long been admired for their natural ability to withstand and even thrive in adversity. Objects bearing these motifs are often made for someone considered to be a valued friend. The origin of this notion is found in literature as early as the Song dynasty. Pine, bamboo and prunus were the favourite plants for any scholar's residence. In Chinese thought, the pine is always green and upright, symbolising a gentleman who stands for his principles. As for bamboo, whilst it may not be as imposing or as sturdy as the pine, it too remains mostly green through the winter. Moreover, the stalk of the bamboo is hollow, and has come to symbolise tolerance and open-mindedness. The flexibility and strength of bamboo also represents cultivation and integrity in which one may yield but not break. Prunus is renowned for its gnarled hardiness during winter that bursts into fragile blossom at the first breath of spring. The fragrance of the prunus also serves as a reminder of a person's inner beauty. 十八世紀 灰白玉雕歲寒三友瓶來源：Hugh S Whitaker舊藏，勞倫斯珍藏玉石，1959年前購於Spink & Son。

A large leather and wooden bound travelling trunk, inscribed 'A.V, N.Y' to the side, width 100cm, together with a smaller W. J. Stone & Co trunk, inscribed 'M' to the sides (2).

ANTIQUE MAHOGANY LONGCASE CLOCK CIRCA 1840, having an arched top painted dial set with Roman numerals, subsidiary seconds and date dials before a twin weight pendulum driven bell strike movement (pendulum and weights included), the clock hood with broken swan neck pediment and single arched glazed door flanked by turned pillars, the trunk middle having canted corners and a single cross banded door with cockbeaded edging on a stepped trunk base, on turned bun feet, 223cms overall H, 51.5cms max. WProvenance: private collection Conwy

WESTMINSTER GERMANY MAHOGANY CASED GRANDMOTHER CLOCK, having individual white enamel indicators set with Roman numerals within a brass frame dial before a triple weight pendulum driven chime strike movement (pendulum and weights included), the case with broken swan neck pediment to the hood, arched top glazed dial door and trunk door on a stepped base and corner bracket feet, 194cms H, 36cms WProvenance: private collection Cheshire

THREE ITEMS OF VINTAGE LUGGAGE, comprising a tin trunk with red interior and side carry handles, 50cms H, 74cms W, 50cms D, steamer-type trunk having wood and metal banding, interior stripe detail and lift out tray, 33cms H, 92cms W, 54cms D, and a lidded pine box with metal side carry handles, 33cms H, 94cms W, 52cms DProvenance: private collection London

An early 20th century dome topped shipping trunk, width 89 cm

An early 20th century metal bound shipping trunk, width 56 cm

A grained-tin domed-top travelling trunk, 59.25cm wide; together with two other trunks; a vintage wooden box; & a copper warming pan with a long turned wooden handle.

A grained-tin domed travelling trunk, 66cm wide; together with two wall mirrors; a loom corner linen-basket; two footstools, etc.

3 pop up books - Bancroft & Co printed in Czechoslovakia - Snow White, The Three Little Pigs & Goldilocks double story book and The Flying Trunk

An oak longcase clock case,19th century, case and hood only, no workings,209cm highglazed hood 30.5cm wideCondition ReportCase and hood only, no workingsOne central finial missing from the top. No key, trunk door locked.

A carved oak longcase clock,18th century and later, the broken arch moon phase dial inscribed 'James Kirkham Holywell', with a silvered chapter ring and date aperture, enclosing a four pillar movement striking on a bell, in a profusely carved case, the hood flanked by caryatids, complete with weights and pendulum,65cm wide44cm deep213cm highCondition ReportChips, losses and splits to the case, particularly to the area where the slides into the trunk. Movement not tested. Trunk door locked, with no key present. General knocks and wear commensurate with age. Please see the additional images of the case highlighting all components of the case present. The movement is not overwound but likely needs the attention of a clock restorer, please see the additional images of the movement.

Java, Jogyakarta, four wooden and one deer horn kris hilts, all shaped as a young shoot on a trunk, the first item showing also floral cartouches at the bottom. H. 7,7 - 9,5 cm. Provenance (242): Nefertari Tabak, Bussum 1999; Theo Alkema, The Hague; (8) Willem Zwiep, AmsterdamFirst item publ.: Groneman, Isaac (2009), The Javanese kris, p. 184, inv. nr. 182; second item: idem, inv. nr. 82. [5]

Java, Surakarta, five wooden kris hilts, all shaped as young shoots from a tree trunk; two showing Javanese characters at the bottom. H. 9,3 - 10,7 cm. Publ.: Groneman, Isaac (2009) The Javanese kris, p. 186, inv. nrs 26 and 70. [5]

Java, Surakarta, four wooden kris handles, one shaped as a young shoot on a trunk, well-carved details, the other three carved as abstracted panakawan figures. H. 8,2 - 9,5 cm. first item Provenance: Nefertari Tabak, Bussum, 1999; Kunsthandel Aalderink, Amsterdam; F. Blok, The Hague. [4]

Central-Java, three wooden kris handles, the first item Jogyakarta with one patra, the other two Surakarta and shaped as young shoots from a tree trunk. H. 9; 9 and 9,5 cm. Publ.: Groneman, Isaac (2009) The Javanese kris, p. 184, inv. nr. 54. [3]

Central-Java, Surakarta, five wooden kris handles, all depicting young shoots on a tree trunk and resembling abstracted panakawan figures, respectively Semar, Semar (pelet wood) and Bagong. H. 8,2; 9,2; 8,3; 9,4 and 7,7 cm. The first item provenance: Nefertari Tabak, Bussum 1999; Kunsthandel Aalderink, Amsterdam; F. Blok, The Hague.This item publ.: Groneman, Isaac (2009), The Javanese kris, p. 183, inv. nr. 227.Second item publ.: Zonneveld, Albert van (2001) Traditional weapons of the Indonesian Archipelago, p. 66, ill. 236.Third item publ.: Groneman, Isaac (2009), The Javanese kris, p. 182, ill. inv. nr. 180. [5]

A large pale pine linen trunk / coffer, with brass carrying handles, 51cm high, 25 x 55cm.

A large pale pine domed top trunk, with banded hinges over a locking cover (with key) flanked by carrying handles, 73 cm high, 122 x 60 cm

A George III studded leather and brass banded camphor travelling trunk, the hinged cover indistinctly inscribed, also marked ‘No 1’, 50cm high, 105 x 53cm

A weathered garden seat on a simulated trunk base, a number of terracotta pipes and a circular weathered urn with trailing and fluted detail

A good quality travelling trunk ottoman with pale tan coloured leather finish and studwork borders, 109 cm length

A faux leather dome top trunk

Large metal bound dome topped trunk

A japanned metal trunk

A painted pine trunk

A canvas and batten dome topped travelling trunk

A large wooden bound trunk featuring Eagle Co. locks. Approx. dimensions 60cm x 87cm x 53cm.

Pinn, Exmouth, a late 18th century oak longcase clock, the hood with broken swan neck and turned columns, the trunk with cross-banded plain field door on a box base, the 28cm square painted dial signed Pinn, Exmouth, with date aperture, the 30-hour movement striking to a bell, 203cm high.

A red leather bound trunk, with metal stud decoration, having a hinged rectangular top, 51cm wide.

A TIN TRUNK AND A BOX CONTAINING VINTAGE TOOLS including a slaters ripper, Blakey's and Segs shoe lasts, a nail puller, a brass paraffin lamp, etc

TWO CANVASS AND WOODEN BANDED TRAVELING TRUNKS, a domed metal tin trunk, a beaten brass box and a folding games table (condition report: all with wear and tear) (5)

A GROUP OF VINTAGE LUGGAGE, comprising two ladies yellow Antler suitcases, a cream Antler suitcase, a large grey trunk, two brown leather men's briefcases and two small modern black cases (s.d) (8)

A QUANTITY OF VINTAGE CLOTHING AND ACCESSORIES, comprising a gentleman's 'Thomas Ibbotson' top hat in original box, a quantity of shirt collars, two new and unused collarless shirts, a collection of knitted children and baby clothes, four Victorian cotton baby gowns with lace and Broderie anglaise detail, two ankle length fur coats, seven fur stoles, a fur muff and hat, a 1960's men's dress shirt, a 1930'/40's style satin wedding dress, 1960's fabric, a brown leather monogrammed suitcase and a travelling trunk, etc. (s.d) (1 rail + 2 boxes + 2 suitcases)

A GROUP OF MISCELLANEOUS SUNDRIES, comprising an ornate Singer sewing machine Y5858336 with lockable wooden case, an electric Singer 315 sewing machine, a boxed Forum projection screen, an electric Jones sewing machine model No.VX770, an Aldis colour slide projector, a Smith-Corona SCM portable typewriter, vintage travelling trunk, oak foot stool, etc. (Qty) (Condition Report: untested, marked and dusty)

A vintage wooden bound steamer trunk, Isle of Man Steam Packet Company label to side.

TRUNK, 57cm H x 99cm W x 55cm D, Chinese hardwood, elm and brass mounted.

LOUIS VUITTON Iphone 7 Hülle "EYE TRUNK". Koll. 2017. Klassisches Modell. Monogram Canvas Serie. Sehr guter Erhalt. Staubbeutel anbei.| LOUIS VUITTON Iphone 7 case "EYE TRUNK". Coll. 2017. classic model. Monogram Canvas Series. Very good condition. Dust bag enclosed.

Set of five travel poster reproductions. 1. Air Ceylon featuring an illustration of a large letter C with a plane set over a red and green glove showing the routes connecting Europe with Asia and Oceania set over a pattern with white lettering that reads Air Ceylon, the caption below in red reads - The Trunk C Route of the Orient. London Rome Cairo Karachi Bombay Colombo Singapore Sydney. Founded in 1947 Air Ceylon was the flag carrier of Sri Lanka, it was replaced by Air Lanka in 1979 and then rebranded to SriLankan Airlines. Excellent condition. Country of issue: Unknown, designer: Unknown, size (cm): 90x58, year of printing: Recent; 2. Iberia Lineas Aereas Espanolas 1950s travel poster featuring an illustration of a plane flying above the South American continent with an outline of a sailship in the background. Founded in 1927, Iberia (Iberia Lineas Aereas de Espana) is the national flag carrier of Spain. Printed by Oximoron Reproduction. Excellent condition. Country of issue: Unknown, designer: Unknown, size (cm): 85x60, year of printing: Recent; 3. Reproduction of the 1953 travel poster - Fly BOAC Ceylon British Overseas Airways Corporation in Association with Qantas Empire Airways Limited South African Airways Tasman Empire Airways Limited - featuring design by the Italian artist Aldo Cosomati (1897-1977) depicting a tea picker in a colourful blue, white, pink and yellow dress with a large woven basket set over a dark blue background. Very good condition, creasing. Country of issue: Unknown, designer: Aldo Cosomati, size (cm): 91x59, year of printing: Recent; 4. Air France to promote its flights to the Far East / Extremo Oriente featuring design by Lucien Boucher (1889-1971) depicting a phoenix flying above the mosque with minarets, temple, pagoda, and a junk boat on sea waves. 2019 Editions Langlaude. Excellent condition. Country of issue: Unknown, designer: Lucien Boucher, size (cm): 100x70, year of printing: 2019; 5. Air Ceylon - Fly the sapphire service to Ceylon - featuring an illustration by Mart Kempers (1924-1993) depicting a man on an elephant in colourful decorative clothing with an outline of a plane flying above set over an orange background. Very good condition, minor creasing, minor staining. Country of issue: Unknown, designer: Unknown, size (cm): 90x60, year of printing: Recent.

A Victorian walnut and satin wood inlaid cased drop trunk wall clock having a circular enamel dial with Roman numerals and eight day movement, 61x41cmKey and pendulum are present. Painted dial is chipped and flaky.

A collection of assorted wall clock parts to include a 19th century mahogany cased drop trunk wall clock (case and movement, lacking dial), various other dials etc

Two 1930s oak drop trunk wall clocks

A simulated rosewood drop trunk wall clock