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Novohispanic School. Mexico. 18th century."Saint Christopher with Saint Anthony Abbot"Oil on canvas.128 x 100,5 cm. Saint Christopher with the symbolism of the bearer: the one who carries Jesus, the one who carries the Child, the Greek Christoforos. Adhering to the symbolism of Saint Christopher as the protector of travellers, muleteers, drivers, etc., he transports the children to the other side and, as they are inside his belt, he protects them.Saint Christopher was a martyr in Lycia during the persecution of Decius. Although there is confusing information about him, his historical existence is a fact and yet surrounded by legends that gave him great popularity. He is presented as a giant of Canaanite origin and is said to have belonged to the race of Cynocephali, which evolved and took on a human appearance.The best-known image of him depicts him carrying the Christ Child on his shoulders, crossing a river, and using a tree trunk as a staff. Often, a hermitage is shown in the landscape, with a hermit guiding Saint Christopher with a lantern.One curious depiction shows Saint Christopher as a Cynocephalus, that is, with the head of a dog, similar to the Egyptian god Anubis.
WATANABE; a Japanese Meiji period (1868-1912), bronze model of an elephant calf, with head turned to the right and raised trunk, signed to base, 14cm, together with a larger bronze model group of an elephant and her calf playing, unsigned, 26 x 30cm, both on wooden bases (2).Condition Report: The ivory tusks have been removed from the elephant and calf group, there are some scratches to both.
Scare collection of early WWI and Military Title Badges, Cap Badges and Buttons, plus a wooden trunk covered in good early tile and cap badges (#124) - 58 buttons with noted examples inc 15 Punjab, 60 Punjab, Bombay ARE, 14 Sikh, TIRI, 56 Rifles, 2 Punjab, RIASC and many more, a couple are enamelled, all have been fixed to a hard wooden chest size 34cm x 39cm x 73cm (condition of lugs unknown)
QUEEN ANNE BLACK AND GILT JAPANNED LONGCASE CLOCK, BY HENRY LINTOTT, FARNHAM EARLY 18TH CENTURY AND LATER the 8 inch brass dial with silver chapter ring and Roman numerals, single pierced steel hand, signed ‘Hen Lintott, Farnham’, pierced gilt brass winged putti mask spandrels, the flat top case with moulded cornice and gilt pieced fretwork frieze, the dial flanked by Doric columns, the rectangular moulded trunk door with a circular lenticle, on a square moulded plinth base, the trunk and base decorated with black and gilt lacquer panels showing figures in a palace and garden landscape, with a weight driven movement 200cm high, 44cm wide, 26cm deep
COLLECTION OF POTTERY FIGURES 19TH CENTURY including a creamware lamb with blue and green glaze, probably North East region; a pearlware figure of a boy leaning on a tree trunk, in Pratt colours, probably Scottish; a figural pepper pot modelled as a man squatting with his trousers down; a speckled creamware figure of a woman wrapped in a shawl; and a polychrome figure of a surgeon in a top hat with various medical instruments (5) 10.5cm - 24cm high From The Maisels Collection of British CeramicsThe figure of a boy leaning on a tree bears a paper label for George Haggarty Antiques
SCOTTISH REGENCY MAHOGANY LONGCASE CLOCK, BY JAMES MACGREGOR, EDINBURGH EARLY 19TH CENTURY the 12 inch circular brass dial with silver chapter ring, Roman numerals and Arabic five minute markers, subsidiary second dial to the foliate engraved mask, signed ‘Jas. Mc. Gregor, Edinburgh’, the arched case with a centre gilt turned finial, the plain rectangular trunk door flanked by turned Doric quarter columns, on a square plinth base with bracket feet, the twin train movement striking a bell 216cm high, 47cm wide, 23cm deep
FINE WILLIAM AND MARY FLORAL MARQUETRY LONGCASE CLOCK, BY ALEXANDER RAITT, DUNDEE LATE 17TH CENTURY the 11 inch brass dial with silvered chapter, Roman numerals and Arabic five minute markers, a subsidiary seconds dial and date aperture to the mask, signed 'Alex. Raitt, Dundee', the pierced spandrels with pairs of winged cupids, the case with a domed caddy top surmounted with three gilt ball finials, the convex moulded cornice with two pierced foliate fretwork friezes above the dial, flanked by ebonised Doric columns, the trunk with a rectangular door fitted with a brass mounted oval lenticle, on a square moulded plinth base, inlaid throughout with fine marquetry depicting birds, sprays of flowers and cherubs, with a twin train movement 248cm high, 51cm wide, 27cm deep
GEORGE III BLUE AND GILT JAPANNED LONGCASE CLOCK, BY ROBERT HOLLAND, LONDON EARLY 18TH CENTURY the 11 inch brass breakarch dial with silver chapter ring, Roman numerals and Arabic five minute markers, a subsidiary seconds dial and date aperture to the mask, with pierced foliate spandrels, the arch with a silvered signature roundel ‘Robert, Holland, London’ flanked by pierced dolphins, the domed caddy top case with moulded cornice, the dial flanked by Doric columns, the breakarch moulded trunk door on a square moulded plinth base, decorated throughout with blue and gilt lacquer panels showing figures in a palace and garden landscape, with a twin train movement 252cm high, 53cm wide, 26cm deep The Murray family, formerly at Dollerie House, Crieff, Perthshire
SELEUKID KINGS OF SYRIA, Antiochos I, Æ half unit, Smyrna or Sardes, helmeted head of Athena facing, rev. Nike standing left, holding wreath, 1.64g/12h (SC 315b); Antiochos VI, Æ unit, Antioch-on-the-Orontes, radiate head right, rev. Elephant standing left, holding up cornucopia with trunk, 8.65g/1h (SC 2006b) [2]. Very fine, first better with small edge chip £80-£100
A Victorian painted wood and canvas trunk, late 19th century, with brass mounts, 75cm wide45cm deep45cm highCondition ReportThe cover with a large split, which may need restoration. the finish mottled and paintwork lacking in areas. The central lock does not seem to be working, but the flanking locks currently working. One caster not working freely. See additional images for details.

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