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An Edwardian crocodile leather gentleman's vanity case , trunk, by Mappin and Webb , the hinged lid enclosing a crocodile fitted interior with two lift-out compartments, with silver clasps hallmarked for W A Ellwick Ltd., London, 1908, with assorted replacement containers and accessories70cm wide 51cm deep 22.5cm high , case in polished condition with some wear and some restorations
1976 Cadillac Eldorado Convertible Transmission: automaticMileage:65290The Eldorado was the top of the Cadillac tree, the ultimate 'personal luxury car' a statement of your success and standing. The 1976 Eldorado featured four-wheel disc brakes and a few very minor styling changes over the 1975 models. It was the last year for the 500 cubic inch V8 (8.2 litres), the biggest production engine fitted to any car until the Dodge Viper of the late 90s and it was to be the case that 1976 was the last year for American-made convertibles. The Detroit big three expected the US government to legislate to stop convertible production, so all rag-tops ended in, or by, 1976. The government did not follow through with such legislation, but American manufacturers did not offer a home-grown convertible again until the mid '80s. Because of this sales were really strong for the 1976 Eldorado. In fact, Cadillac could have sold more but they ran out of roof frames and mechanisms. Many of these cars sold at a premium over list price as buyers fought to get hold of the last American convertible.Despite their popularity when new, finding a good example these days, for sensible money is easier said than done. In the US today, the best, low mileage examples are fetching $50,000 plus which is not good news for fans in the UK with today's exchange rate. Cosmetically the car offered here was restored circa 15 years ago and it has held up very well. The car was fully painted in a shade that is very close to the Cadillac offering of Dunbarton Green. A new white leather interior, new green carpets and new white vinyl top was installed at the same time.The vendor and predecessor profess to spending a small fortune on the car, but a labour of love, indeed the previous owner stated 'it is terrific to drive, great in traffic, great at speed, no problem in hot weather and the engine is so quiet that, at idle, you would be forgiven for thinking that it's not running. But, on the motorway is where this Eldorado comes into its own €“ it flies!'Below are details of the mechanical overhaul which took part between 2018-2020;Upgraded, re-cored radiator,New water pump,New battery,Distributor - new ignition components,Brakes:All calipers blasted clean, repainted and rebuilt with new sealsNew pads and discs all round (four-wheel discs standard on 1976 Eldo)New metal brake pipes and flexi hosesNew brake fluidFront hubs stripped, new lower ball joints fitted, new drive shaft boots both side, both CV joints greasedFront wheel bearings replaced/rebuiltRear wheel bearings repackedNew spark plugsOil and filter changeRebuilt alternatorFront indicators - both lamp units cleaned of corrosion, new bulbs, new flasher canNew off side head lamp unit.Four road wheels bead blasted, painted, four new white wall tyres (less than 1500 miles on tyres), wheels balancedRebuilt motor for power trunk pull downVacuum compressor rebuiltRebuilt rear suspension self-levelling unitHeads removedStrip, decoke, blast clean and de-carbon all valvesNew face valves, cut valve seatsBronze guide liners installedNew exhaust manifold gaskets and boltsRebuilt convertible top motor.Rebuilt motor for power drivers seat.
A William IV mahogany Scottish longcase clock, circa 1830-39, the crenellated pediment over hood with circular bezel flanked by reeded pilasters, plain full length trunk door over waisted base, standing on compressed bun supports, the associated 13" circular white enamel dial with Roman chapter ring and Arabic subsidiaries for date and time, inscribed by maker Thomas Steel, Kirkintilloch, eight day twin train movement striking the hours on a bell. H226.5cm, W52cm, D25cm.
A mid-19th century oak cased 30-hour longcase clock, the hood surmounted by swan-necked pediment, opening door flanked by turned columns, trunk having canted corners and ¾ length door over a plain base standing on carved feet, 11 inch square painted dial with geometric and floral decoration, matched brass hands, dial signed for William Gillham, recorded by Loomes as working at Ottery St. Mary, Devon, 1844 - 1883, movement shows signs of recent cleaning, with weight and pendulum. Overall height 198 cm.
A 19th century West Country George III longcase clock by Henry Wilkes of Thornbury - Bristol / Gloucestershire. The clock with painted face having 8 day movement with secondary aperture. Set within a mahogany case with swan neck pediment hood over mahogany trunk and plinth. Lead weights and brass pendulum. Measures approx. 200 x 25 x 25cm.
Hippolyte Francois Moreau (1832-1927) - A large 19th century French bronze figural group statue depicting Venus and Cupid. The figurine depicts a classical woman seated on tree trunk with fine detailing to face and hair, a winged putti standing in front holding a nautilus shell to her mouth so she can drink. The base cast with naturalistic details and raised on a repeating helix border. Signed H. Moreau to reverse. Measures approx. 55cm tall.
A 19th century Queen Anne revival walnut eight day longcase clock movement. The clock with a brass arch dial signed 'James Bush, Tower Street, London', with subsidiary seconds dial and calendar finished with a silvered Roman numeral chapter ring. Arched hood and fluted front corner hood pilasters over a rectangular long trunk door on a single panel box base and shaped bracket feet. Measures approx. 234cm x 48cm x 26cm.
A 19th century intricate jade sculpted lidded vase presented upon mahogany carved stand. Lid topped with three flapping and chirping geese perched in the canopy of a (bonsai) tree, vase with the lower branches and leaves, the trunk and roots of the tree, and two young deer playing alongside it. Mounted upon shaped mahogany base with pierced intricate decoration. Slight damage to one tree root with loss, as well as to the antler of one roe deer. Sculpture 37cm tall, with base 4cm tall approx.
An 18th century red lacquered longcase clock with two train striking movement by Henry Stockar of London. Brass faced clock silvered chapter ring , ringed winding apertures and secondary aperture to centre. The red lacquer trunk highly details with glazed hood and being raised on a plinth. Measures approx. 205 x 44cm x 23cm.
Smith (Sally Lou, binder).- Cleverdon (Douglas) The Engravings of David Jones: A Survey, number 206 of 260 copies on Arches, from an edition limited to 371, mounted portrait frontispiece, numerous plates, the majority printed from the original blocks, bound in black goatskin, by Sally Lou Smith, with design of a tree with bare branches of tooled lines in gilt & blind and onlaid scrunched black goatskin trunk (smaller on lower cover), the trees partly obscured by a vertical "window" of grey goatskin inlaid with thick lines made up of thin parallel strips of various green, blue & grey goatskin overlaid with tracery of thicker dark grey goatskin branches, titled in gilt across spine, black goatskin doublures with vertical strip of grey goatskin inlaid with dark grey branches reflecting those on the covers, lime green and grey Japanese paper endleaves, t.e.g., others uncut but gilded, signed ''SLS.'' at foot of rear turn-in, c.325 x 245mm., preserved in black goatskin-backed black cloth felt-lined drop-back box, spine titled in gilt, cloth very slightly mottled by damp, with small ownership sticker of Gillian Chipperfield to bottom of box, 4to, printed by the Rampant Lions Press of Cambridge for Clover Hill Editions, 1981.⁂ A striking designer binding by this renowned binder.Sally Lou Smith (1925-2007) was a Fellow and President of Designer Bookbinders and a highly regarded teacher of bookbinding. Although born and raised in America she spent most of her career in Britain. A comprehensive survey of her work appeared in The New Bookbinder 21 (2001).The binding was commissioned by Lady Gillian Chipperfield who was a student of Sally Lou Smith, and has been donated by her to raise funds for Age Exchange, a charity for those with dementia and older, isolated people in Blackheath, London. The charity provides art and music therapy and was a pioneer in using reminiscence as a major help for those with memory loss.
Good English ebonised tavern clock with A-frame movement, the 17" dial within a moulded turned surround, over a long rounded arched trunk door, 55" high (pendulum, original oval weight and keys) *There is an old note attached to the inside bottom of the case door inscribed This clock was in the 'Devonshire Arms' Keighley, and used at the timekeeper for the coaches **The clock has been fitted with later brass hands, but the original hands have been retained
A 19th century mahogany longcase clock, the case with swan neck pediment, the dial with silvered chapter ring, moon phase and subsidiary second hand and three train movement striking the hours and quarter hours on a carillion of bells, with strike silent lever60cm wide x 28cm deep x 218cm highMinor marks, dents and scratches to the case overall. Mouldings missing to the lower section of the trunk. Finial partially lacking. The movement complete with an associated pendulum and weights. The movement also lacking hour hand. In need of restoration and cleaning overall.
An early 19th century mahogany eight-day longcase clock, the painted arching dial decorated with a cartouche of a small girl holding a plate, with subsidiary second hand and date aperture, signed 'William Hall of North Sheilds'57cm wide x 30cm deep x 220cm highMarks, dents and scratches overall to the case. Damage to the door just above the escutcheon. The door locked shut and with no key. The lower left hand section of the trunk detached and in need of repair. Signs of repair overall, particularly some moulding to the cornice and the lower section of the case. Some venner lifting around the door. A replaced handle to the door. The dial with losses to the paintwork. The movement in need of restoration and cleaning. Complete with pendulum and two weights.
An early 19th century eight-day mahogany longcase clock, with reeded pilasters and shaped door to the trunk, the hood with swan neck crest and eagle mounted finials, the arching dial decorated with a pastoral scene of a young girl holding a rake, the dial signed 'William Hellewell, Leeds', the movement striking the hours on a bell56cm wide x 27cm deep x 228cm highThe case in need of restoration with some minor losses, marks, dents and scratches overall. A section o moulding to the hood detached but present. The dial in need of some restoration. The movement in need of a clean, complete with cast iron weights and a pendulum.
A quantity of luggage and sporting equipment to include a Brexton of Birmingham car trunk, 74cm wide x 33cm deep x 53cm high; an Edwardian goldsmiths black leather suitcase with outer canvas cover; an old trunk; two further suitcases; a small quantity of golf clubs in a case; fishing rods; a fencing foil; etc (qty) The car trunk with lid detached and with wear overall due to age and use. The black leather suitcase in good condition but lacking interior. The canvas cover with some wear and deterioration of joints. The remaining items as found.
A small Art Deco Sabino opalescent glass model of an elephant, 1930s, with raised trunk, engraved 'Sabino Paris' to base, height 3.8cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A large John Walsh Walsh straw opalescent glass rustic thorn posy vase, late 19th century, the main trunk form with applied trailing and branch detail, above three smaller vases, on a root form foot, height 48.5cm, together with a smaller thorn opalescent vase, height 15cm, a tall clear example with six matching smaller, and two similar (minor faults). Provenance: from the collection of John and Poppy Stallebrass.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
XIX Century Mahogany Eight Day White Dial Longcase Clock, (Sykes Huddersfield), hood with a swan neck pediment arched door, trunk with a shaped door, base with chamfered sides, on turned feet, arched dial with painted hunting scenes, Roman numerals, minuted and date apertures, 232cm high (no weights).
XIX Century Mahogany Oak Eight Day White Dial (C. Clark Wakefield) Longcase Clock, with a swan neck pediment, arched door, trunk with small door, inlaid chamfered sides, base with an oak panel on bracket feet, (white dial with painted cottage scene, Roman numerals, minute dial, (no weights) 243cm high.
XIX Century Mahogany Eight Day White Dial Longcase Clock, hood with a swan neck pediment, arched door, trunk, with reeded pilasters, arched door, panelled base (no feet), (moon roller dial, Roman numerals, minute and date apertures) moulding missing to the side, wood loss to the side of base (no weights) 226cm.
A large Japanese patinated bronze of a sarumawashi or monkey trainer, probably Meiji period (1868-1912), signed to base, dark brown patination, the smiling figure seated upon a trunk and holding a baton, a small monkey dressed in robes and a hat at his feet, on a shaped, naturalistic base, 16in. (40.7cm.) high, 21in. (53.3cm.) long. * Condition: Surface dirt and dust throughout and an even patination across the surface. The item held in the monkey's right hand may be partially missing, with the only the handle section remaining. Otherwise in good condition.
A Capodimonte porcelain figure group of a girl playing accordion, by Tiziano Galli, the girl modelled sitting on hat, with goat besides, titled 'Quando Tomica suona la fisarmonica' (When Tomica plays the accordion), 9½in. (24.2cm.) high, together with a Capodimonte figure of a fisherman. (2) * Condition: The fishing figure with graze to of trunk, otherwise models appear good.
An ormolu mounted Sampson white porcelain elephant , after Meissen, 19th century, realistic features, modelled standing upon a oval ormolu base, raised on four foliate scroll feet, 12¼in. (31.2cm.) wide, 11in. (28cm.) high. (restoration) * Condition: Professional restoration to trunk, last third been off and re-attached, slight discolouration, back left foot with outside toe missing, fixing screws with rust etc, overall very pleasing.

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