66969 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

After Basil Ede (20th/21st century) - Two woodpeckers on the trunk of a dead tree; together with eight further examples of birds including crow, magpie, rook, green woodpecker, cuckoo, owl, goldfinches and blue tits with a great tit (9); also a set of  four coloured prints after Pam Mullings entitled Hoar Frost, Spring Foray, Venturing Out and Woodland Encounter, all signed in pencil and inscribed with the titles on the mounts, possibly by the artist, each approximately 4.5" x 5.5" (13)

A large black japanned metal trunk

A vintage galvanised tin lift-top trunk

Richard Dawson Hewitt: a large metal and driftwood horse head sculpture made from found items including a heavy chain mane, set on a tree trunk slice base

An 83cm Victorian pine dome-top travelling trunk with flanking drop handles, set on moulded rails

A 77cm late 19th Century tooled leather bound travelling trunk with pull-down compartment to inside of lid bearing paper label for 'R.H. Hand, Trunk Manufacturer, 168 Fulton Street, Brooklyn,'

A 90cm vintage weather coated tin and cane bound travelling trunk with flanking leather strap handles and various applied shipping labels

A 77cm old black stained oak lift-top trunk with tray fitted interior, flanking iron drop handles and lock stamped J. Parkes & Sons, Ltd. Willenhall

A 20th Century mahogany longcase clock with 'Tempus Fugit' arched dial, glazed trunk door and German triple weight driven eight day chiming movement

An old tin trunk of military style with remains of original green painted finish

A CHINESE CHINOISERIE DECORATED VELLUM TRUNK WITH IRON HANDLES AT THE NARROW ENDS. W 114 x D 45 x H 38cms.

A LARGE LEATHER CABIN TRUNK. H 49 X W 88 X D 50cms.

A VINTAGE HAND PAINTED LARGE CABIN TRUNK RAISED ON TURNED LEGS. H 49 X W 99 X D 60cms.

A GOOD QUALITY LEATHER AND IRON BOUND CABIN TRUNK, BY J GRANT. W 88 x H 33 x D 43 cms

HIPPOLYTE MOREAU (1832-1927), CHANT D'ALOUETTE, A BRONZE FIGURE OF A GIRL SEATED ON A TREE TRUNK ABOVE A NEST OF TWO CHICKS IN AMONGST WHEAT AND POPPIES. H 76cms.

Wooden Chest / Trunk possibly mid centurysize is Length 83cm height 40cm width 42cm (top does taper in to 36cm x 78cm )

Georgian Oak longcase clock case together with a 30 hour movement and dial.Oak case with 10 inch aperture for dial, long trunk door. Dimensions 83" x 16" x 9"Condition report.The hood of the clock has suffered damage and will need repair all pieces appear to be present, The base of the case has an old repair/restoration and appears to be raised. A/FMovement dial weight and pendulumA 30 hour plated movement chain driven with 10" brass dial Single hand striking on a bell. Dial has urn spandrels No makers names found.Condition report (movement dial)Appears all to be present

An early 20th Century travel trunk, blue ground, with metal fittings and studs, appears to be locked, no key

Tin trunk including Triang crane and bakelite clock set (Q) 

Collection of Portmeirion "Botanical Gardens" ceramics, boxed Wedgwood, Jasperware, large wooden leather bound trunk & other items

Large vintage trunk

Carpenters trunk including hand tools

Wooden tool trunk including tools

Wooden tool trunk including tools

Large 20th century pine trunk

Plywood multi drawer tool chest including tools along with a plywood trunk

Überseekoffer "C. A. Taylor Trunk Works". Holz mit brauner Leinenbespannung und schwarzen Metallbeschlägen/-schnallen. Innen mit herausnehmbarem Holzeinsatz, Fächereinteilung. Alters- und Gebrauchsspuren. Etiketten C.A. Taylor Trunk Works, New York/Chicago, USA, um 1890/1900. 61x 100x 50 cm.

Louis XV-Elefanten-KaminuhrHöhe: 42 cm. Breite: 30,5 cm. Tiefe: 18 cm.Signiert „VIGER A PARIS“.Mitte 18. Jahrhundert.Werk: Ankerwerk, Pendel an Seidenfadenaufhängung, Schlossscheiben-Schlagwerk für Halbstunden- und Stundenschlag auf Glocke. Die Werkplatine in Gravur signiert und datiert: „Viger AParis No 665“.Dass Pendulen in dieser und ähnliche Gestaltung mit exotischen Details gerade in Frankreich beliebt wurden, geht vor allem auf das erneute naturwissenschaftliche Interesse zurück. Auch die positiven kolonialen Erfahrungen, die seit der frühen Aufklärung ein neues Bild der exotischen Kontinente schufen, haben dazu beigetragen, auch in der dekorativen Ausstattung des höfischen Ambientes die neue Weltoffenheit zu demonstrieren. Nicht zuletzt hat der Chinoiserie-Stil und der Einfluss der Kenntnisse chinesischer und japanischer Porzellan- Elefanten oder -Nashörner die Schaffung solcher Objekte gefördert. Elefantenuhren gehörten nun zu den beliebten Produkten des Kunsthandwerks. Von führenden Bronziérs unter den Hoflieferanten Louis´ XV, wie Jean-Joseph de Saint Germain (1719-1791) sind solche Exemplare geschaffen worden, in unterschiedlichsten Detailausführungen. Bei dem vorliegenden Beispiel, einer selteneren Ausführung, wird in alten Verzeichnissen und Inventaren von einer „pendule à l´ échassier“ gesprochen. Ein ähnliches Exemplar - etwa mit einem Werk von Baillon - befand sich in der Sammlung Anna Thomson Dodge, Rose Terrace, Grosse Point Farms Michigan (Christie´s, London, Juni 1971), weitere wenige Exemplare gelangten ebenfalls nur auf namhaften Auktionen in den Handel.Der Aufbau folgt einem bewährten Schema: Der Elefant, in brünierter Bronze, steht nach links mit hochgeschwungenem Rüssel auf einem vergoldeten, steinigen, mit exotischen Blättern und Blüten besetzten Terrain-Sockel. Über den Leib zieht vertikal ein vergoldetes Sattelband, auf dem floral gestalteten Sattel das zylindrische Gehäuse, umzogen von Blatt- und Blütenwerk, bekrönt mit einer Tiergruppe: Neben einem bellenden Jagdhündchen erhebt sich ein Kranich, der mit einer Kralle einen Stein hochhält. Dieses ikonografische Bildmotiv ist Symbol für die Wachsamkeit (da das Tier bei Beginn des Einschlafens den Stein fallen lässt und somit wieder geweckt wird). So steht das Figurenmotiv, zusammen mit dem bellenden Hündchen, in sinnvollem Zusammenhang mit der Uhr und dem Glockenschlag.Das Zifferblatt mit gewölbter Glasabdeckung in weißem Email, mit schwarzen römischen- und arabischen Minuten; signiert „VIGER“ – „A PARIS“. Die Zeiger filigran durchbrochen und vergoldet. In sehr guter Erhaltung und lauffähig. A.R. (†)Provenienz: Bedeutende amerikanische Privatsammlung.Literatur:Vgl. Hans Ottomeyer, Peter Pröschel, Vergoldete Bronzen, München 1986, Bd. I, S. 124 mit Abb. (13220123) (11)Louis XV elephant mantle clock Height: 42 cm. Width: 30.5 cm. Depth: 18 cm.Signed “VIGER A PARIS”.Mid-18th century.Lever movement, pendulum on silk suspension, count wheel striking mechanism for half hour and hour strike on bell. Engraved signature and date on clockwork plate: “Viger AParis No 665”. The reason that pendulum clocks in this or similar designs with exotic details became popular in France is primarily due to renewed scientific interest. Positive colonial experiences created a new image of the exotic continents since the early Enlightenment and contributed demonstrating the new cosmopolitanism in the decorative furnishings of courtly interiors. The chinoiserie style and knowledge of Chinese and Japanese porcelain elephants or rhinos encouraged the creation of such objects. Elephant clocks were now popular artisanal products. Such specimens were created by leading bronze makers among the purveyors to the court of Louis XV, such as Jean-Joseph de Saint Germain (1719 Paris – 1791), in the most varied and detailed versions. In the present, rarer example, old directories and inventories speak of a “pendule à l’échassier”. A similar example, such as a work by Baillon was held in the collection of Anna Thomson Dodge, Rose Terrace, Grosse Point Farms Michigan (Christie’s London, June 1971), a few other examples were also only sold at renowned auctions. The structure follows a proven model: the elephant, in burnished bronze, stands to the left with its trunk raised standing on a gilt rocky base decorated with exotic leaves and flowers. A gilt saddle strap runs vertically across its body, the cylindrical case on the florally designed saddle, surrounded by foliage and flowers is surmounted by a group of animals: next to a barking hunting dog, a crane rises, holding up a rock in its talon. This iconographic motif symbolizes vigilance – if the animal starts falling asleep holding the rock will wake it up again. This figural motif, together with the barking dog, is meaningfully connected to the clock and the chiming of the bell. The white enamel dial with black Roman and Arabic minutes with a domed glass cover is signed “VIGER” – “A PARIS”. The gilt hands are in delicate openwork. In very good condition and operational. (†)Provenance: Important American private collection. Literature:cf. Hans Ottomeyer and Peter Pröschel, Vergoldete Bronzen, Munich 1986, vol. I, p. 124 with ill.

Jan Brueghel d. J., 1601 Antwerpen – 1678 ebendaKANALLANDSCHAFT MIT FUHRWERKEN UND AM UFER GELEGENEN HÄUSERNÖl auf Eichenholz.24 x 36,5 cm.Beigegeben eine Expertise von Dr. Klaus Ertz, Lingen, 26. August 2022. Ein Kanal führt in leichten Windungen zum fernen Horizont, seitlich bewaldet mit hellen Laubbäumen, in der Ferne in bläulicher Luftperspektive. Zu den Gebäuden führen Holzbrücken über den Kanal, gegenüber, als Repoussoir, ein Werkstattgebäude mit angelehnten Rädern unter dunkler Baumkrone. Der Vordergrund lebendig illustriert: hier stehen links im Bild vollbesetzte Wagen mit hohen Rädern dem Kanalufer entlang zur Abfahrt bereit, während eine Magd noch einem Mitfahrenden einen Trunk reicht. Am Ufer Rinder, Schweine und Geflügel, sowie ein Bauer, der Wasser aus dem Fluss schöpft. Höchst originell das kleine Mädchen in der linken unteren Ecke, das an zwei Fässern hantiert. Das Gemälde lebt vor allem durch die vielen kleineren Details, wie etwa einem Mann, der aus einem Türfenster herausschaut, einem Paar mit Hündchen oder den Kähnen und Schwänen auf dem Fluss. Die Wagen wurden benannt als die sogenannten “Hessenwagen”, Fuhrwerke, mit denen der Warenverkehr von Antwerpen in den Süden bis nach Italien verlief. Die äußerst feine Malmanier mit nahezu Federstrich-konturierenden Pinselstrichen ist für Jan Brueghel I. in dieser Schaffensperiode typisch. Auch das Bildthema zählt zu seinen häufigen Motiven. Dabei sehen wir einzelne Versatzstücke, wie hier etwa die beiden Häuser mit Schopfwalmdach, nahezu identisch auch in weiteren seiner Gemälde (z. B. “Kanallandschaft mit zwei am Ufer gelegenen Werkstätten”, Dorotheum Okt. 2015). Auch in öffentlichen Sammlungen befinden sich Werke des Malers, die mit dem vorliegenden in Vergleich zu stellen sind, wie etwa: “Dorfszene mit einer Schmiede” (Puschkin Museum, Moskau, signiert und datiert 1603); “Dorfstraße” (Alte Pinakothek, München, signiert und datiert 1610); “Dorflandschaft mit frontaler Gracht” (Pinacoteca di Brera, Mailand, signiert und datiert 16.7). Sowie “Dorfstraße mit Kanal” (Privatbesitz, signiert und datiert 1609). A.R. (13307032)Jan Brueghel the Younger,1601 Antwerp – 1678 ibid.CANAL LANDSCAPE WITH CARTS AND HOUSES ON THE BANKOil on oakpanel.24 x 36.5 cm.Accompanied by an expert’s report by Dr Klaus Ertz, Lingen, 26 August 2022.

A reproduction American hardwood longcase clock, with a broken swan neck pediment and a glazed trunk, the silvered chapter ring with Arabic numerals, the dial with subsidiary seconds movement and moon phase, marked Howard Miller. H.220 W.50 D.28cm.

Tranche de bois de palmier pétrifié Petrified Palm Wood SlabPalmoxylon sp.OligoceneBarisan Mountains, Sumatra, IndonesiaThis attractive slice of petrified palm wood was cut from a 30-million-year-old palm tree in the petrified forests of the Barisan Mountains on the island of Sumatra. The striking dark blue coloring at the center is streaked with gorgeous light blue patches of agate. It is bordered by a pale tan rim within a sandy corolla and bounded by a roughly textured natural bark crust. This sliced section perfectly displays the unusual inner anatomy of the original tree, with its coarse-grained structure of sclerenchyma bundles, groups of tubules that give the tall slender palm trunk its vertical strength. Brought to a highly polished finish on one side. Measuring 40 x 31 x 3 cm. Measuring 44 x 31 x 8 cm overall with stand (2) Footnotes:Offered with a custom-fitted black metal stand. For further information on this lot please visit Bonhams.com

Coupe transversale de dent de mammouth Extinct Mammoth Tooth Cross-section SlabMammuthus columbiPleistoceneSouth Carolina, USAThe Columbian mammoth (Mammuthus columbi) is an extinct species of mammoth that inhabited the Americas stretching from the Northern United States and as far south as Costa Rica. It was one of the last in a line of mammoth species, beginning with Mammuthus subplanifrons in the early Pliocene. DNA studies show that the Columbian mammoth was a hybrid species between woolly mammoths and another lineage descended from steppe mammoths; the hybridization happened more than 420,000 years ago. The pygmy mammoths of the Channel Islands of California evolved from Columbian mammoths. The closest extant relative of the Columbian and other mammoths is the Asian elephant.Reaching 4 m at the shoulders and 10 tonnes in weight, the Columbian mammoth was one of the largest species of mammoth. It had long, curved tusks and four molars, which were replaced six times during the lifetime of an individual. It most likely used its tusks and trunk like modern elephants—for manipulating objects, fighting, and foraging. Bones, hair, dung, and stomach contents have been discovered, but no preserved carcasses are known. The Columbian mammoth preferred open areas, such as parkland landscapes, and fed on sedges, grasses, and other plants. It did not live in the Arctic regions of Canada, which were instead inhabited by woolly mammoths. The ranges of the two species may have overlapped, and genetic evidence suggests that they interbred. Several sites contain the skeletons of multiple Columbian mammoths, either because they died in incidents such as a drought, or because these locations were natural traps in which individuals accumulated over time.For a few thousand years prior to their extinction, Columbian mammoths coexisted in North America with Paleoamericans – the first humans to inhabit the Americas – who hunted them for food, used their bones for making tools, and depicted them in ancient art. Columbian mammoth remains have been found in association with Clovis culture artifacts; these remains may have stemmed either from hunting or scavenging. The Columbian mammoth disappeared at the end of the Pleistocene around 11,500 years ago, most likely as a result of habitat loss caused by climate change, hunting by humans, or a combination of both. The present specimen is a thick cross-section slab cut from a tooth which exhibits a rich blue, grey and brown coloration due to mineralization. Polished on both sides, the original texture was left remaining on all sides. Measuring 19 x 8 x 2 cm This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com

An antique Steamer Trunk 'Innovation', with clothes hangers and drawers. Circa 1920-1930. Dimensions: (L: 50 x W: 59 x H: 115 cm)

A QUANTITY OF MILITARIA including a relic condition American WWII helmet, a German WWII canister gas mask, various uniform insignia, webbing and other items, aircraft alloy panel segments and other items in a painted wooden trunk.

CARTIER: SAPPHIRE AND GEM-SET MINIATURE TREE BROOCH, CIRCA 1925The umbrella-shaped miniature tree formed from a single carved sapphire, with single-cut diamond trunk, in an old brilliant and single-cut diamond and step-cut ruby planter, signed Cartier Ltd London, numbered 8055, length 2.8cmFootnotes:Provenance: A Private Collection of 20th Century Jewels (Lots 206 - 216)For further information on this lot please visit Bonhams.com

A Victorian oak dome topped steamer trunk, the trunk and hinged lid metal bound with side carrying handles raised on castors, inscribed to the front 'NP 1883'80 x 136 x 64cm

Wooden military trunk

Vintage metal trunk

A good, rare, George II, figured walnut veneered, 8-day, three-train, chiming, musical longcase clock by John Drury, London, the hood with a cyma recta pediment above a scotia cornice, over opening side frets with overlaid, pierced brass 'foliage' and an arched door, enclosing a 13" brass dial, the silvered border in the arch engraved with 12 tunes, including 'A Minuett by Mr Handell', 'A Minuett by Mr Alland', 'The Happy Clown', 'On a Bank of Flowers', 'Richmond Ball' and 'New Grenadiers March', over the arch signed 'John Drury London', the dial below with pierced and relief moulded cherubim spandrels, silvered chapter ring with Roman numerals and Arabic 5-minute markers and subsidiary dials 'Strike/Not Strike' and 'Chime/Not Chime', the matted ground centre with a seconds subsidiary dial and date aperture, above the long trunk door cross-banded and feather-banded, flanked by chamfered corners, the conforming base with a raised, shaped panel and a shaped plinth, the 8-day movement with anchor escapement, thick brass plates, 8 pillars, 26 hammers chiming on 14 bells, playing one of 12 tunes every three hours, the pinned barrel mounted transversally on the back, striking the hours, with three original brass-clad weights and pendulum, plus winder and two keys, one an 18th century Continental key, minor damage and restorations on case, 49cm wide (hood 59cm wide) x 29cm deep x 270cm high (10) The vendor was in the diplomatic corps and bought this clock, when stationed in Moscow, from an antique shop (a 'commission shop') in the late 1950s.John Drury was apprenticed to his father and made free of the Clockmaker's Company on the 16th of January 1720 and operated from Red Lion Street in Clerkenwell, London.Bonhams has sold a few examples with similar movements, including an example by George Clarke (lot 65), which was sold on the 16th of December 2020. It played 12 tunes, with 27 hammers and 15 bells, playing a tune avery three hours (like this clock by Drury), but with a 'Halifax' moon. It sold for £8,500. Also, on the 11th of July 2018 a longcase clock by Stephen Asselin (lot 40), with an additional barrel and so playing 24 tunes, made £7,000. The condition, originality and working order of these clocks is not known, however.Case - overall a good colour and in reasonable condition, but with the inevitable chipped veeneers (including the base of the plinth) and restorations on isolated sections of veneers. Sound frets lacking small elements of brass-work.Movement - In working order in the client's home. Recently cleaned, as the 'not strike' and 'not chime' were not fully operational.Dial - lacking small end section on the right of the lower left spandrel.  

A shelf of assorted to include a trunk and an onyx table lamp etc.

Attributed to Charles Victoire Moench (French 1787-1867) Vertumnus & Pomona, oil on panel, measurements 83 x 67 cm, frame 102 x 85 cm.Label verso: for Arnold Wiggins and Sons picture framers and a wax seal verso bottom. Provenance: previously sold at Christies Old Master Pictures, London, July 2000, Lot 179The tale of Vertumnus and Pomona is taken from Ovid's Metamorphoses. Vertumnus is a god of the seasons, gardens and fruit trees who was enamoured with Pomona, a beautiful wood nymph who dedicated herself to cultivating her orchard and rejecting all potential suitors. He disguised himself as an old woman in order to gain entry to Pomona's orchard and sought to convince her to choose the youthful and handsome deity Vertumnus. He then transforms and reveals himself in his true form to woo her.Please note there is an additional 20% chargeable on the hammer price for this lotProvenance: previously sold at Christies Old Master Pictures in London, July 2000, lot 179 The painting is basically in sound conditionThat said the panel has been cradled on the reverse, and has been subject to signifiacnt cleaning and restoration in the past.It has surface in-painting in various areas of the panel most notably in the tree foliage area ; towards the edges of the painting ;, and in an area towards the left handside of the tree canopy around the the top of the tree trunk on the left hand side of the painting..There are two surface cracks obviously visible , one a vertical surface crack around 20cm in length in the upper cenrte of the tree canopy; and another vertical surface crack towards the top right corner around 15.3cm , there are other less obvious surface fractures in other areas of the panel which also appear to have been restored in the past

A 20th century painted and iron bound pine trunk, with stylised floral motifs, 36cm high, 100cm wide, 40cm deep

A Japanese Meiji period (1868-1912) bronze elephant, modelled striding forward with raised trunk, signed Seiya (Ivory Tusks removed) 16.5 cm cm high 

A 19th brass mounted camphorwood campaign trunk, 102 cm x 59 cm x 64 cm h (on later castors)

A 19thC studded green painted leather small trunk, with indistinct labels to the top, 27cm high, 62cm wide.

A 19thC white painted and studded dome top trunk, 76cm wide.

dating: Period (1603-1867) provenance: Japan, Made of iron, maru-shaped. Beautiful gilded decoration in relief of a boat peeping out from behind a tree trunk. height 7,5 cm.

dating: Period (1603-1867) provenance: Japan, The two elements worked en suite in shakudo. The fuchi with a crane in relief beside a red pine, with small golden or silver elements, the trunk of the tree made of copper. The kashira with a beautiful effigy of Fukurokujo in relief (God of knowledge and long life), with gilded elements. Kept in a kiri-box. height 3,7 - 3,3 cm.

Two retro vintage 20th century metal trunks chests. One being in a light blue colourway with pull handles to each side, together with a black squared metal trunk with handles to sides. Largest measures approx; 30 x 52 x 31cm

A large carved camphor wood trunk with a rectangular hinged top NO RESERVE

A Mahogany trunk with applied brass embellishments the trunk with a hinged top above three drawers.

A vintage tin trunk.

A shipping trunk bearing labels.

A 19th century white painted pine storage trunk. Of rectangular form, twin handled, L79cm x D47cm x H46cm

A miniature trunk, the cover with label Boissier, 19cm wide and a pair of carved elephant bookends CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

A late 18th Century oak longcase clock with scroll and fret cornice and fluted columns to the hood, the trunk with fluted column corners, having a brass arch dial and silvered chapter ring, fitted an eight-day movement by Mullenex Derby/see illustration CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

LOUIS VUITTON vintage travel trunk needing restoration 33.5cm x 89cm x 34cm linen bound interior

A 1930's metal bound trunk

A vintage Louis Vuitton travelling trunk, No.41558 label to interior, with part luggage labels to exterior, distressed, for restoration, 96cm wide x 58cm tall x 55cm deep

Timpo Zoo Keepers and Stoddart Gorillas, Zoo Keeper in grey (13), dark green (3) and Stoddart ex Timpo Gorilla standing with Tree Trunk (3), all in base of an original box, generally VG-E (19)