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Preisdatenbank abonnierenA George III thirty hour longcase clock, oak, the 12 brass dial signed ‘Ezek Hughes, Machynlleth’, with outer ring of Arabic numerals, inner ring of Roman numerals and date aperture, within pierced scrolling leaf spandrels, the hood with turned tapering front corner pilasters over a long shaped trunk door, flanked by quarter fluted pilasters on a box base, lacking feet, 204cm high
A Victorian eight day longcase clock, oak, the 14 square painted dial signed ‘Owen Thomas, Festinog’, with ring of Roman numerals, subsidiary seconds dial and date aperture, the spandrels and centre painted with summer blooms, the hood with swan neck pediment and moulded front corner rectangular pilasters over a short trunk door on a box base and cut out plinth, 211cm high
An eight day longcase clock, mid 19th century, oak crossbanded mahogany, the 14 arched painted dial signed ‘Benj Evans, Chester’, with outer ring of Arabic numerals, inner ring of Roman numerals, subsidiary seconds dial and date aperture, the spandrels painted with summer blooms and strawberries under a rolling moon (face indistinct), the hood with swan neck pediment over fluted front corner pilasters, above a crossbanded long trunk door and box base, with later skirting, lacking feet mouldings, 225cm high
An eight day longcase clock, 19th century, mahogany, the 12 arched painted dial indistinctly signed with ring of Roman numerals, subsidiary seconds dial and date aperture, the spandrels painted in the Chinese taste, the arch painted with a conch shell, the hood with swan neck pediment over slender baluster turned front corner hood pilasters, above a long arched trunk door, on a box base and cut out plinth, 212cm high
A Victorian eight day longcase clock, mahogany, the 14 arched painted dial with ring of Roman numerals, subsidiary seconds dial and date aperture with painted architectural ruins to the spandrels under an arch painted with central figure between a lion and lioness, the hood with swan neck pediment and turned front corner hood pilasters, over a short trunk door on a box base and ogee moulded bracket feet, 230cm high
A George III oak longcase clock with eight day movement striking on a bell, the square brass dial with pierced spandrels, and silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and inscribed 'Geo Green, Cirencester', the hood with moulded top above turned pilasters, plain trunk and base, height approx 206.5cm. (See illustration)
A George III oak longcase clock with thirty hour movement, the painted square dial with black Roman numerals, date aperture and inscribed 'W. Lancey, Wivelscombe', the hood with arched pediment above a glazed door, the trunk door with mahogany crossbanding on a plain base and stepped plinth, height approx 197cm (faults).
A George III oak longcase clock with eight day movement striking on a bell, the painted break arch dial with Roman numerals and inscribed 'Thos Vurley Wisbeach', beneath a flower festoon to arch, the pagoda top hood with glazed door and fluted pilasters above an arched trunk on a plain base and bracket feet, height approx 215cm. (See illustration)
A George III oak longcase clock with eight day movement striking on a bell, the square brass dial with silvered chapter ring inscribed 'Thomas Ramsbottam', framing subsidiary lunar calendar and date dial, cornered by pierced gilt scroll and urn spandrels, the case with carved decoration and rectangular trunk door on bracket feet, height approx 219cm (faults and alterations). (See illustration)
A George III mahogany longcase clock, the hood with Pagoda top and fretted panel at front with side brass decorated pillars, the trunk with arch top long door and quarter column sides on square base with applied panel, the 12 inch arch brass dial signed Jno Taylor, Bath with silverised chapter ring and Roman and Arabic numerals and lunar calendar and phase of moon in arch with seconds and date indicators, the eight day movement striking on a bell with pendulum and two brass cased weights, 256cm high
A Victorian carved oak longcase clock, the hood with glazed door, the trunk deeply carved with ribbons, flowers and fruit, the 12 inch arch brass dial with strike/silent in arch and Roman numerals, signed Thomas Sone, Fareham and date and seconds indicators, the eight day movement striking on a bell, 250cm high
A good figured mahogany longcase regulator clock, the hood with architectural pediment, the trunk with glazed door on square panelled base, the 12 inch silverised circular dial signed Parkinson and Frodsham, 4 Change Alley, London (1800-1850) with large sweep hand and Arabic numerals and subsidiary hours and seconds dials, the five post movement with deadbeat escapement, jewelled palettes and maintaining power with mercury pendulum and one brass weight, 200cm high
A 19th century mahogany longcase clock, the arched hood with rope twist columns, above a short trunk door enclosed between rope twist columns above a box base and bracket feet, the dial painted with ships to the arch and spandrels, with Roman numerals, seconds subsidiary dial and calendar aperture inscribed William Jones, Brynmawr, the eight day movement striking on a bell, 227 cms high.
A studded leather and metal bound trunk, late 19th / early 20th century, by William Bal Inc, New York, the rectangular hinged top opening to a fitted interior including a divided tray and three additional removeable trays, side carrying handles, each side painted Denis OSullivan, and bearing a White Star Line label Provenance: Private collection, Sonning on Thames
A George III mahogany longcase clock, the break arch hood with brass stop fluted columns, the brass break arch dial with subsidary seconds and calendar aperture, strike/silent dial in the arch, dial previous with makers name plate now lacking, eight day rack striking movement with anchor escapement, flame veneer trunk door with break arch top and above panel plinth, pendulum and two weights, 199cm high.
Storm, Two Little Girls Crouching Beneath an Umbrella, unknown factory, circa 1900, impressed title, 26.5cm high; and A Copeland’s China Porcelain Figural Lamp Base, after Owen Hale, late 19th century, as a young classical maiden with dove clasping a tree trunk, impressed marks and "J93", 41cm high (drilled for electric flex (twice), cracked) (2)
Tragedy and Comedy, after W B Kirk, Worcester, circa 1855, Tragedy as a standing classical beauty with glaring expression, holding a dagger in her right hand which rests on the top of a broken pillar, Comedy as a smiling young beauty standing holding a comedy mask in her left hand by a tree trunk, both on textured rounded square plinths, both apparently unmarked, 44cm and 44.5cm high respectively See illustration Originally purchased from The Parian Phenomenon Catalogue of an Exhibition arranged by Richard Dennis, Chelsea Town Hall, December 1984, numbers 20 and 21.
A Ralph Salt Type Pottery Recumbent Sheep, circa 1820, beside a flower encrusted bush, on a blue scroll edged base, 9.5cm; Another Somewhat Similar, 10cm; A Pair of Staffordshire Pottery Musician and Lamb Bocage Groups, circa 1850, as figures beside trees, with lambs at the foot of a flight of steps, in typical colours, 19.4cm high; and A Figure of a Trumpeter, circa 1830, standing by a tree trunk, in typical colours, 16cm high (5)
A Pair of Minton Porcelain Figure Groups of Dallying Lovers, circa 1830, one depicts a gallant removing the left shoe of his lover, who grasps a tree trunk, the other with his leg over her knee, a basket of eggs at their feet, both on open pierced scrolled circular bases, in vivid enamel colours and gilt throughout, pseudo Meissen blue crossed swords mark, 17cm and 16.5cm high (restored)
A Derby Encrusted Porcelain Figure of Mars, circa 1790, standing, a shield at his side, beside a flower encrusted tree trunk (formerly supporting candlestick or basket, now lacking), on a scroll form base, 21cm high; and A Samson Porcelain Figure of Mars, circa 1900, similarly posed to the preceding, pseudo red painted crown, cross batons, dots and D mark, 18.5cm high (2)
An Oak Thirty Hour Longcase Clock, signed Joseph Butterworth Fecit, circa 1740, the ebonised oak case with caddied top, shaped trunk door, plain rectangular plinth with feet and skirting "missing", 11-inch square brass dial with chapter ring signed, matted dial centre with arched date aperture, "later" hands, four pillar movement with anchor escapement and outside countwheel striking on a bell, 211cm high See illustration
An Oak Eight Day Longcase Clock, signed Jos Read, Knutsford, circa 1770, case with flat top pediment, (finials missing), fluted columns, case with mahogany crossbanded borders, wavy shaped trunk door flanked by inset fluted pilasters, rectangular plinth with canted corners and upon "later" bracket feet, 13-inch square brass dial with Roman and Arabic chapter ring, engraved scrolled dial centre with date aperture, seconds and signed, four pillar movement with anchor escapement and rack striking on a bell, 200cm high See illustration
An Oak Eight Day Longcase Clock, signed Lawson, Newton, circa 1780, the "later" carved case with swan neck pediment, front of hood with inset gilded glazed panel, wavy shaped trunk door with inset pilasters, canted plinth with raised panel, 13-inch square brass dial with chapter ring signed, engraved dial centre with date and lunar moon disc aperture, "later" hands, four pillar movement with anchor escapement and rack striking on a bell, "later" seatboard, 220cm high See illustration
A Mahogany Eight Day Longcase Clock, the case with arched pediment and surmounted by three eagle finials, twisted columns, arched trunk door with inlaid stringing and flanked by inset twisted pilasters, rectangular plinth with inlaid stringing, 12-inch arched brass dial with Roman and Arabic chapter, dial centre signed "Blackford, Plymo Dock", date aperture, subsidiary seconds, the arch with rolling moon disc for lunar scale, and above "High Water At Plymo Dock", "later" hands, four pillar movement with anchor escapement and rack striking on a bell, "later" seatboard, (dial and movement circa 1790) associated to case "later", 224cm high See illustration
An Impressive Dutch Burr Walnut Inlaid Ship's Automaton Longcase Clock with Calendars and Alarm, signed Jan Hermelink, circa 1760, the nicely figured burr walnut case with moulded shaped hood with central carved bird, (finials missing), "later" pierced front and side frets, trunk with canted corners, long shaped door with inlaid borders and a father time lenticle, curbed base with inlay and raised upon claw feet, 13-inch arched brass dial with silvered chapter ring signed, arcaded minute track, dial centre with rolling moon lunar disc, central alarm disc, month and day of the week apertures, seconds combined with date aperture, the corners with the worlds four continents, automata depicting Neptune’s chariot and ships before a painted landscape background, four pillar movement with anchor escapement, striking on two bells, separate small weight to drive alarm with hammer striking within the bell, levers connected from arbors to operate automata in the arch, (some imperfections to case), 245cm high See illustration Jan Hermelink is recorded as working in Amsterdam in the 2nd half 18th century. See Baillie (GH) Watchmakers & Clockmakers of the World, page 151.
Richard Kenfield, Winton. A George III mahogany longcase regulator timepiece, the arched hood with brass ball and spire finials and stop fluted turned columns, the trunk enclosed by an arched waist panel door between stop fluted quarter pilasters on a panelled and shaped plinth base, the 30.5cm. arched and silvered Roman dial signed Richd Kenfield, Winton to the arch, having a subsidiary seconds dial and date aperture, the single train movement with dead beat escapement, 208cm. high.
David Collier, Gatley. A George III oak, crossbanded and inlaid longcase clock, the hood with swan-neck pediment and brass ball finials above a scrolling foliate painted frieze and turned columns, the trunk enclosed by a shaped waist panel door inlaid with a snake and flanked by quarter pilasters, on a box base and shaped plinth, the 33cm. arched brass Roman and Arabic dial with moonphase mechanism, signed David Collier, Gatley to the arch, having a subsidiary silvered seconds dial and date aperture, the twin train movement with anchor escapement and bell strike, 226cm. high.
An early Victorian mahogany longcase clock, the 8 day movement striking on a bell to a 12in circular enamelled dial with subsidiary seconds and date dials, inscribed 'BROWN, LONDON', the circular hood with a shell and scroll surmount hinged at the top, above a tapering trunk with a bowfront door the panelled base previously with a plinth, 81.75in (207.5cm) h. Pendulum and two weights.
A late 19th Century Walnut and crossbanded American Drop Dial Wall Clock, the scalloped surround with crossbanded inlay to a glazed and mirror backed drop trunk with further stepped and turned lower section, to a spun brass bezel enclosing an 11 ½” painted Roman dial with outside minute track and pierced steel quatrefoil hands, to a spring driven movement with anchor escapement and strike on a coiled gong, height 30”
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